For the Times/Artangel commissions, we proposed to build a 50-metre section of concrete ‘flyover’ in Green Park, London. Emerging from the trees would have been an imposing and apparently purposeful structure, a sweeping arc supported on tall piers. Y
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For the Times/Artangel commissions, we proposed to build a 50-metre section of concrete ‘flyover’ in Green Park, London. Emerging from the trees would have been an imposing and apparently purposeful structure, a sweeping arc supported on tall piers. Y
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I'm here to write to offer my project, titled "Objekt. My work is centered above all on architecture and urban spaces.
I just need that on a construction site, harboring, in particular giving me a small space on the scaffold, a photo of variable size PVC
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I'm here to write to offer my project, titled "Objekt. My work is centered above all on architecture and urban spaces.
I just need that on a construction site, harboring, in particular giving me a small space on the scaffold, a photo of variable size PVC
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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The Queen’s Sconce brief: to enhance the new Queen’s Sconce bridge, which was installed in summer 2010. The commission - to respond to the new bridge, the setting, Civil War History and the story of the Sconce itself. The existing design takes its ins
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The Queen’s Sconce brief: to enhance the new Queen’s Sconce bridge, which was installed in summer 2010. The commission - to respond to the new bridge, the setting, Civil War History and the story of the Sconce itself. The existing design takes its ins
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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Trace
An interactive installation that allows the viewers to be part of a collaboration with previous visitors and the architecture of the exhibition space. A continuous record of people’s motion through space that engenders dynamic drawings and sound
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Trace
An interactive installation that allows the viewers to be part of a collaboration with previous visitors and the architecture of the exhibition space. A continuous record of people’s motion through space that engenders dynamic drawings and sound
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These images were submitted as a proposal as to the Bemis Centre USA. The modus operanti of this and related projects is to introduce as little as possible into an architectural space in order to heighten the perception and experience of ‘reality’. Wh
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These images were submitted as a proposal as to the Bemis Centre USA. The modus operanti of this and related projects is to introduce as little as possible into an architectural space in order to heighten the perception and experience of ‘reality’. Wh
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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With making the described below proposal in the framework of an open call organized by the Museum of Modern Art in Warsaw (in progress since 2005), I wanted to develop in 2005 in Warsaw public space a project consisting in both revival of Warsaw urban fab
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With making the described below proposal in the framework of an open call organized by the Museum of Modern Art in Warsaw (in progress since 2005), I wanted to develop in 2005 in Warsaw public space a project consisting in both revival of Warsaw urban fab
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Temp (pronounced: Temp-io) is a pavilion that offers protection against sun and rain.
The only way to reach the pavilion is by crossing a circle of sand and inevitably leave your traces in the sand.
Visitors are invited to erase their traces by rotatin
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Temp (pronounced: Temp-io) is a pavilion that offers protection against sun and rain.
The only way to reach the pavilion is by crossing a circle of sand and inevitably leave your traces in the sand.
Visitors are invited to erase their traces by rotatin
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In response to an invitation to propose a public art project anywhere in Italy I designed a house to be built in Milan. The basic drawings were completed and submitted for consideration. At this point an architectural practice in Milan became involved and
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In response to an invitation to propose a public art project anywhere in Italy I designed a house to be built in Milan. The basic drawings were completed and submitted for consideration. At this point an architectural practice in Milan became involved and
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The house skin project was intended to explore the transitory and fragile nature of home. Placing lightweight muslin fabric onto the entire side of a windowless brick wall an indexical print would remain. The project got as far as a trial piece, as seen
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The house skin project was intended to explore the transitory and fragile nature of home. Placing lightweight muslin fabric onto the entire side of a windowless brick wall an indexical print would remain. The project got as far as a trial piece, as seen
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New business complex for The public company Electro-Slovenija - ARB, Slovenia
WWW
The project was presented at a competition for a new business complex for The public company Electro-Slovenija. The project is characterized by thin folded blades, containing open-volume, offices, making a perfect ground for photovoltaic.
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The project was presented at a competition for a new business complex for The public company Electro-Slovenija. The project is characterized by thin folded blades, containing open-volume, offices, making a perfect ground for photovoltaic.
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Proposal Rockaway 9/11 memorial Lisa Hein 2002
THE CUBE
A bleacher faces the water on Jamaica Bay. It watches the Manhattan skyline to the northwest. The center of the bleacher is cut out in a square. A black cube rises through.
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Proposal Rockaway 9/11 memorial Lisa Hein 2002
THE CUBE
A bleacher faces the water on Jamaica Bay. It watches the Manhattan skyline to the northwest. The center of the bleacher is cut out in a square. A black cube rises through.
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Liquid and Interactive Architecture , 15 seconds of fame - the project consists of LED lights placed in a building that will take any form by an interactive interface that will appear on the pedestrian mobile phone by calling a certain number.
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Liquid and Interactive Architecture , 15 seconds of fame - the project consists of LED lights placed in a building that will take any form by an interactive interface that will appear on the pedestrian mobile phone by calling a certain number.
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Jacek Dziubiński
REVERSED TOWER OF BABEL
PLACE:
Platz der Republik, Berlin, Germany
IDEA:
As described in the Bible (Genesis), for an attempt to enter the heaven and the sin of pride God mixed up languages of builders of the Tower of Babel.
A
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Jacek Dziubiński
REVERSED TOWER OF BABEL
PLACE:
Platz der Republik, Berlin, Germany
IDEA:
As described in the Bible (Genesis), for an attempt to enter the heaven and the sin of pride God mixed up languages of builders of the Tower of Babel.
A
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Dinedromoscope (from Greek: δινη, “vortex”, δρομοs, “run” e σkοπη, “to examine”)
PLAN A
Dinedromoscope is a project destined to the involvement of the visitors of the Guggenheim Museum, New York, who are invited to throw thems
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Dinedromoscope (from Greek: δινη, “vortex”, δρομοs, “run” e σkοπη, “to examine”)
PLAN A
Dinedromoscope is a project destined to the involvement of the visitors of the Guggenheim Museum, New York, who are invited to throw thems
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PROPOSAL FOR SEATTLE ARTS COMMISSION, IN PUBLIC - Chris Burden
Unbuilt Roads
I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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Golf courses are artificial landscapes with artificial hills and small artificial sand dunes. Now imagine a golf course (in the Netherlands, in the meadows), without those artificial hills and the small sand dunes replaced by metal versions on poles to pu
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Golf courses are artificial landscapes with artificial hills and small artificial sand dunes. Now imagine a golf course (in the Netherlands, in the meadows), without those artificial hills and the small sand dunes replaced by metal versions on poles to pu
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The Golden Pavilion. 1993
What is essentially remote is the unapproachable. In fact, the main quality of an image used for worship is its inapproachability. By its very nature, it is always remote, as close as it may be. One can approach its material rea
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The Golden Pavilion. 1993
What is essentially remote is the unapproachable. In fact, the main quality of an image used for worship is its inapproachability. By its very nature, it is always remote, as close as it may be. One can approach its material rea
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Hall of Residence for the UPV - Taller Basico de Arquitectura [TBA]
WWW
Hall of Residence for the UPV (2011)
AIR STRATA
This metal cloud made from three air strata rises on its own footprint. The interior is opened into two equal halves, generating a large interior street opened to the sky and to the ground plane, which
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Hall of Residence for the UPV (2011)
AIR STRATA
This metal cloud made from three air strata rises on its own footprint. The interior is opened into two equal halves, generating a large interior street opened to the sky and to the ground plane, which
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Blue cries
Film scenario Study of the materie- antimaterie, by Eduardo Villanueva.
The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, makin
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Blue cries
Film scenario Study of the materie- antimaterie, by Eduardo Villanueva.
The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, makin
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Apartamentul / Infobox for Bucharest
This architectural space was thought as a place where the memory of the city should had been activated through different initiatives and projects. The need to link our present, our memory with our recent past led us
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Apartamentul / Infobox for Bucharest
This architectural space was thought as a place where the memory of the city should had been activated through different initiatives and projects. The need to link our present, our memory with our recent past led us
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Column, 2010
Candy cast sculpture of a Greek column, multi-colored, white or translucent
Proposal for Sculpture Center New York Open Call in June 2010
Column
Project Proposal for Sculpture Center New York 2010
by Hannes Bend
Candy Column, 2010 is
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Column, 2010
Candy cast sculpture of a Greek column, multi-colored, white or translucent
Proposal for Sculpture Center New York Open Call in June 2010
Column
Project Proposal for Sculpture Center New York 2010
by Hannes Bend
Candy Column, 2010 is
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