§79 Proceeding from this in 1983 Pitz negotiated with representatives of the foreign ministry of the Federal Republic of Germany. The attitudine diplomatica project was intended to find out to what point the government was interested in admitting Pi
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§79 Proceeding from this in 1983 Pitz negotiated with representatives of the foreign ministry of the Federal Republic of Germany. The attitudine diplomatica project was intended to find out to what point the government was interested in admitting Pi
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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No title, as the project only reached proposal stage - Rikrit Tiravanija
Unbuilt Roads
Proposal No. 1
(a) In the exhibition space, in proximation (as precisely as possible) to actual space. Replicate (Reconstruct) in architectural scale, space and in specific: detail, the office of the director of the museum.
(b) All contents (in deta
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Proposal No. 1
(a) In the exhibition space, in proximation (as precisely as possible) to actual space. Replicate (Reconstruct) in architectural scale, space and in specific: detail, the office of the director of the museum.
(b) All contents (in deta
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Jake and Dinos Chapman's five proposals for an empty plinth situated on central londons trafalgar square - Jake and Dinos Chapman
Unbuilt Roads
commissioned by liberal daily broadsheet newspaper ironically suggesting the most unsuitable artists possible to produce the most unsuitable public sculpture never to be realized: ha ha ha, very funny we suggest one of the following:
project 'Hawki
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commissioned by liberal daily broadsheet newspaper ironically suggesting the most unsuitable artists possible to produce the most unsuitable public sculpture never to be realized: ha ha ha, very funny we suggest one of the following:
project 'Hawki
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MODELL OF AN OFFICE FOR A COUPLE OF TWINS, BOTH 1,38 TALL" - Tobias Rehrenberg
Unbuilt Roads
WOOD, PLASTIC, 2 CHAIRS
ca 180 x 150 x 170 cm
PIECE OF THE SHOW
"CANCELLED PROJECTS"
IN MUSEUM FRIEDERICIANUM KASSEL
SUMMER 95
Previous Publications (?)
NO
Existing Documents (photos, drawings, models):
ENCLOSED
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WOOD, PLASTIC, 2 CHAIRS
ca 180 x 150 x 170 cm
PIECE OF THE SHOW
"CANCELLED PROJECTS"
IN MUSEUM FRIEDERICIANUM KASSEL
SUMMER 95
Previous Publications (?)
NO
Existing Documents (photos, drawings, models):
ENCLOSED
...
An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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13 Kuben
Granit Rosa Porrino,
jeweils horizontal und vertikal gespalten
jeweils ca. 300 x 200 x 200 cm
davon jeweils ca. 90 cm in die Erde
eingelassen
120 Bäume
jeweils in lOer Gruppen gepflanzt
Gesamtareal: 100 x 100 m
Dreize
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13 Kuben
Granit Rosa Porrino,
jeweils horizontal und vertikal gespalten
jeweils ca. 300 x 200 x 200 cm
davon jeweils ca. 90 cm in die Erde
eingelassen
120 Bäume
jeweils in lOer Gruppen gepflanzt
Gesamtareal: 100 x 100 m
Dreize
...
Project 1
Title: untitled. Seeding the Indian Ocean (between Europe and S. E. Asia) with text-coconuts.
Year: 1995
Description: Coconut palms (Cocos nucifera) inhabit the entire tropical belt. They were the only palms common to both the Old and t
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Project 1
Title: untitled. Seeding the Indian Ocean (between Europe and S. E. Asia) with text-coconuts.
Year: 1995
Description: Coconut palms (Cocos nucifera) inhabit the entire tropical belt. They were the only palms common to both the Old and t
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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Making for Art - 100 Unsucceeded Presentation - 1995, 1996, - Yutaka Sone
Unbuilt Roads
In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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Projet pour la Place Saint Léger à Chambery - Erik Dietman
Unbuilt Roads
Projet pour la Place Saint Léger à Chambery à l'occasion de l'exposition pour la préfiguration du Musée de sculptures de Buisson-Rond organisée par Françoise Guichon en 1982.
Comme toutes Jes places publiques, la Place Saint Léger est peuplée
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Projet pour la Place Saint Léger à Chambery à l'occasion de l'exposition pour la préfiguration du Musée de sculptures de Buisson-Rond organisée par Françoise Guichon en 1982.
Comme toutes Jes places publiques, la Place Saint Léger est peuplée
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Einige Überlegungen zur Emblematik von Ansichtskarten. Abgebildete Sehenswürdigkeiten gelangen auf Ansichtskarten durch die häufig gewählte Zentralperspektive in die Nähe ausgestellter Backwaren. Die siegelhaft stilisierte Heraldik, eines immer wiede
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Einige Überlegungen zur Emblematik von Ansichtskarten. Abgebildete Sehenswürdigkeiten gelangen auf Ansichtskarten durch die häufig gewählte Zentralperspektive in die Nähe ausgestellter Backwaren. Die siegelhaft stilisierte Heraldik, eines immer wiede
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Proposal for a permanent video installation for the NYC headquarters of Sony Corporation - Dara Birnbaum
Unbuilt Roads
INSTALLATION DESCRIPTION: At one end of the proposed installation space (main dining area designated for Sony employees), a wall is used to support a video wall or projection screen, which displays a seam-less flow of large-scale images. These large-s
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INSTALLATION DESCRIPTION: At one end of the proposed installation space (main dining area designated for Sony employees), a wall is used to support a video wall or projection screen, which displays a seam-less flow of large-scale images. These large-s
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Grand Concours International D'Architecture - Sol Lewitt
Unbuilt Roads
TITRE DU PROJET:
Grand Concours D'International D'architecture
ANNEE:
1993/1994
DESCRIPTIF:
Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lama
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TITRE DU PROJET:
Grand Concours D'International D'architecture
ANNEE:
1993/1994
DESCRIPTIF:
Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lama
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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In August 1996 I was invited to propose a pedestrian bridge across the river Thames to connect St Pauls Cathedral to the new Tate Gallery of Modern Art. Realising that bridges are conventionally controlled by the economics of wheeled traffic, and invariab
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In August 1996 I was invited to propose a pedestrian bridge across the river Thames to connect St Pauls Cathedral to the new Tate Gallery of Modern Art. Realising that bridges are conventionally controlled by the economics of wheeled traffic, and invariab
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A Public Misery Message, was designed as temporary public art for a US city. The Reagan/Bush era was coming to a close, and the financial restructuring of the classes was complete: The top wealth holders in America controlled more wealth than at any previ
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A Public Misery Message, was designed as temporary public art for a US city. The Reagan/Bush era was coming to a close, and the financial restructuring of the classes was complete: The top wealth holders in America controlled more wealth than at any previ
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Douglas Gordon - 5 year drive-by; proposal for a public artwork.
Unbuilt Roads
Originally presented at the Biennale de Lyon, 1995.
The work is something of a companion piece to 24 Hour Psycho but it may, appear to be a little more extreme in some ways. I want to work with John Ford's film The Searchers which is, I think, the ar
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Originally presented at the Biennale de Lyon, 1995.
The work is something of a companion piece to 24 Hour Psycho but it may, appear to be a little more extreme in some ways. I want to work with John Ford's film The Searchers which is, I think, the ar
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1996 progetto "ilana, I love you" per la galleria Stefano Basilico di New York.
Molte persone che conoscono Stefano Basilica per la sua galleria, conoscono anche che Stefano e' stato collaboratore per circa dieci anni alla galleria Sonnabend.
Questo
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1996 progetto "ilana, I love you" per la galleria Stefano Basilico di New York.
Molte persone che conoscono Stefano Basilica per la sua galleria, conoscono anche che Stefano e' stato collaboratore per circa dieci anni alla galleria Sonnabend.
Questo
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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