The pyramids...to be seen to be believed - Jonathan Monk
Unbuilt Roads
Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
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Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
...
Einige Überlegungen zur Emblematik von Ansichtskarten. Abgebildete Sehenswürdigkeiten gelangen auf Ansichtskarten durch die häufig gewählte Zentralperspektive in die Nähe ausgestellter Backwaren. Die siegelhaft stilisierte Heraldik, eines immer wiede
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Einige Überlegungen zur Emblematik von Ansichtskarten. Abgebildete Sehenswürdigkeiten gelangen auf Ansichtskarten durch die häufig gewählte Zentralperspektive in die Nähe ausgestellter Backwaren. Die siegelhaft stilisierte Heraldik, eines immer wiede
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Sehr geehrte Frau Sabolewski,
auf Veranlassung von Herrn Obrist übersende ich Ihnen anbei die Kataloge " Yves Klein/Werner Ruhnau" und "Baukunst" . Dort finden Sie Zeichnungen, Modellfotos etc. , die Sie gern verwenden können. Das "Feuer-Wasser-Lu
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Sehr geehrte Frau Sabolewski,
auf Veranlassung von Herrn Obrist übersende ich Ihnen anbei die Kataloge " Yves Klein/Werner Ruhnau" und "Baukunst" . Dort finden Sie Zeichnungen, Modellfotos etc. , die Sie gern verwenden können. Das "Feuer-Wasser-Lu
...
I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
...
three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
...
HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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§79 Proceeding from this in 1983 Pitz negotiated with representatives of the foreign ministry of the Federal Republic of Germany. The attitudine diplomatica project was intended to find out to what point the government was interested in admitting Pi
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§79 Proceeding from this in 1983 Pitz negotiated with representatives of the foreign ministry of the Federal Republic of Germany. The attitudine diplomatica project was intended to find out to what point the government was interested in admitting Pi
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Douglas Gordon - 5 year drive-by; proposal for a public artwork.
Unbuilt Roads
Originally presented at the Biennale de Lyon, 1995.
The work is something of a companion piece to 24 Hour Psycho but it may, appear to be a little more extreme in some ways. I want to work with John Ford's film The Searchers which is, I think, the ar
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Originally presented at the Biennale de Lyon, 1995.
The work is something of a companion piece to 24 Hour Psycho but it may, appear to be a little more extreme in some ways. I want to work with John Ford's film The Searchers which is, I think, the ar
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Art and Ourselves: A Proposal for the city of Nordhorn - Allen Rupperssberg
Unbuilt Roads
see my catalog from the Magazine. The complete text is there.
(eventually reasons why the work has not been realised)
Political
Previous Publications (?)
Catalog from where art Magazine 1996
Exisiting Documents:
to be requested from No
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see my catalog from the Magazine. The complete text is there.
(eventually reasons why the work has not been realised)
Political
Previous Publications (?)
Catalog from where art Magazine 1996
Exisiting Documents:
to be requested from No
...
1995-96
Weile bestand ein Zusammenhang. eng. [unleserlich] ihn nicht gesucht. Möglichkeiten nahm er nicht wahr.
Das Sockel (1) ergibt 11-fach vervielfältigt, Modell einer grosser Wohn- und Geschäftsanlag; [M?]aßtab 1:100, welches im Ausstellung
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1995-96
Weile bestand ein Zusammenhang. eng. [unleserlich] ihn nicht gesucht. Möglichkeiten nahm er nicht wahr.
Das Sockel (1) ergibt 11-fach vervielfältigt, Modell einer grosser Wohn- und Geschäftsanlag; [M?]aßtab 1:100, welches im Ausstellung
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Grand Concours International D'Architecture - Sol Lewitt
Unbuilt Roads
TITRE DU PROJET:
Grand Concours D'International D'architecture
ANNEE:
1993/1994
DESCRIPTIF:
Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lama
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TITRE DU PROJET:
Grand Concours D'International D'architecture
ANNEE:
1993/1994
DESCRIPTIF:
Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lama
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PROPOSAL FOR SEATTLE ARTS COMMISSION, IN PUBLIC - Chris Burden
Unbuilt Roads
I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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An abstract sculpture is standing on an ellipse pavement platform, surrounded by city lights, a city seal and a small flower arrangement.
Een buitenaards stalen abstract object (±7m) is midden in de stadskem geland.
Er zijn balustraden rond gebouwd.
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An abstract sculpture is standing on an ellipse pavement platform, surrounded by city lights, a city seal and a small flower arrangement.
Een buitenaards stalen abstract object (±7m) is midden in de stadskem geland.
Er zijn balustraden rond gebouwd.
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Project pour le parc de sculpture de Vassiviére - Paul-Armand Gette
Unbuilt Roads
Un bloc de granite choisi dans la partie boisée de l'île sera considéré comme étant le centre d'une circonférence de 25m. de rayon, qui, sans que cela soit indiqué sur place d'aucune façon, restera vierge de toutes interventions (aménagements, co
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Un bloc de granite choisi dans la partie boisée de l'île sera considéré comme étant le centre d'une circonférence de 25m. de rayon, qui, sans que cela soit indiqué sur place d'aucune façon, restera vierge de toutes interventions (aménagements, co
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Project 1
Title: untitled. Seeding the Indian Ocean (between Europe and S. E. Asia) with text-coconuts.
Year: 1995
Description: Coconut palms (Cocos nucifera) inhabit the entire tropical belt. They were the only palms common to both the Old and t
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Project 1
Title: untitled. Seeding the Indian Ocean (between Europe and S. E. Asia) with text-coconuts.
Year: 1995
Description: Coconut palms (Cocos nucifera) inhabit the entire tropical belt. They were the only palms common to both the Old and t
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Merci, Thank you, Danke: Les 2 sujets - Thomas Hirschorn
Unbuilt Roads
Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j
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Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
...
This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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The World is a Theater and we each have a role - Louise Bourgeois
Unbuilt Roads
A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
...
In collaboration with Brooklyn Technical High School and Andrea Claire
The Rosetta Garden
Proposal for a vacant lot, Fort Greene, Brooklyn
Gary Simmons' proposal is both a reclamation of vacant land and the physical embodiment of philosophical pu
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In collaboration with Brooklyn Technical High School and Andrea Claire
The Rosetta Garden
Proposal for a vacant lot, Fort Greene, Brooklyn
Gary Simmons' proposal is both a reclamation of vacant land and the physical embodiment of philosophical pu
...