1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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"Looking into the heart of light, the silence . . . " - T. S. Eliot
«Un agne passe» - „Ein Engel schwebt durch den Raum" - ein Moment due Ruhe, der selten geworden ist in unserer Gesellschaft, die vom visuellen und sonoren horror vacui verflogt wir
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"Looking into the heart of light, the silence . . . " - T. S. Eliot
«Un agne passe» - „Ein Engel schwebt durch den Raum" - ein Moment due Ruhe, der selten geworden ist in unserer Gesellschaft, die vom visuellen und sonoren horror vacui verflogt wir
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Unbetitelt, Gänse-Projekt + Noch unbetitelt , " Durch den Mund sehen " + Kartoffeln - Carsten Holler
Unbuilt Roads
Unbetitelt, Gänse-Projekt
1996
Junge Graugänse werden auf einen ferhgesteurten Flugdrachen geprägt, indem sie im Moment des Schlüpfens mit diesem Objekt konfrontiert werden. Der Flugdrachen übernimmt die Rolle der Mutter. Später, wen
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Unbetitelt, Gänse-Projekt
1996
Junge Graugänse werden auf einen ferhgesteurten Flugdrachen geprägt, indem sie im Moment des Schlüpfens mit diesem Objekt konfrontiert werden. Der Flugdrachen übernimmt die Rolle der Mutter. Später, wen
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Merci, Thank you, Danke: Les 2 sujets - Thomas Hirschorn
Unbuilt Roads
Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j
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Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j
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The World is a Theater and we each have a role - Louise Bourgeois
Unbuilt Roads
A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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Project pour le parc de sculpture de Vassiviére - Paul-Armand Gette
Unbuilt Roads
Un bloc de granite choisi dans la partie boisée de l'île sera considéré comme étant le centre d'une circonférence de 25m. de rayon, qui, sans que cela soit indiqué sur place d'aucune façon, restera vierge de toutes interventions (aménagements, co
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Un bloc de granite choisi dans la partie boisée de l'île sera considéré comme étant le centre d'une circonférence de 25m. de rayon, qui, sans que cela soit indiqué sur place d'aucune façon, restera vierge de toutes interventions (aménagements, co
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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PROPOSAL FOR SEATTLE ARTS COMMISSION, IN PUBLIC - Chris Burden
Unbuilt Roads
I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3"
Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The
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Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3"
Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The
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Ruderaltisch, 1994/95 Kunst am Bau - Projekt - Lois Weinberger
Unbuilt Roads
Die Arbeit besteht aus einem Betontisch im Freien / auf dem erdgefüllte / allgegenwärtige Behälter / wie entleerte Öldosen / leere Farbkübel / „unverwüstliche Plastiksäcke" stehen. Eine Bepflanzung wird nicht vorgenommen / da die im Freiland
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Die Arbeit besteht aus einem Betontisch im Freien / auf dem erdgefüllte / allgegenwärtige Behälter / wie entleerte Öldosen / leere Farbkübel / „unverwüstliche Plastiksäcke" stehen. Eine Bepflanzung wird nicht vorgenommen / da die im Freiland
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Dear Hans-Ulrich Obrist,
I'm sending some images to you on disk. There are four stills of a theater set. (et 1 and et 2 on the first disk and et 3 and et5 on the second disk.) These are printable using Photoshop 3.0.
Here is the text you asked for
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Dear Hans-Ulrich Obrist,
I'm sending some images to you on disk. There are four stills of a theater set. (et 1 and et 2 on the first disk and et 3 and et5 on the second disk.) These are printable using Photoshop 3.0.
Here is the text you asked for
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Unrealized project for Tate Gallery + ICA, 1969 - Gilbert and George
Unbuilt Roads
Memo to: Director
From: Richard
Christmas Crib sculpture by Gilbert and George
Gilbert and George have asked if, despite our discouraging reply about their recent proposal to present a sculpture for one evening, I will present to you personally the
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Memo to: Director
From: Richard
Christmas Crib sculpture by Gilbert and George
Gilbert and George have asked if, despite our discouraging reply about their recent proposal to present a sculpture for one evening, I will present to you personally the
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Cruzeiro Do Sul, (Southern Cross) (Crucero del Sur) 1969-70* - Cildo Meireles
Unbuilt Roads
A cube with a side measurement of 9 mm, consisting of two transverse sections: one of pine and the other of oak, trees that represented mythical beings in the cosmology of the Tupi Indians, beings whose correlation (mistakenly interpreted by the Jesuits a
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A cube with a side measurement of 9 mm, consisting of two transverse sections: one of pine and the other of oak, trees that represented mythical beings in the cosmology of the Tupi Indians, beings whose correlation (mistakenly interpreted by the Jesuits a
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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To Two Too; Hypothetical Monument for a Natural Disaster - Jeffrey Wisniewski
Unbuilt Roads
(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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City Hall Tower Night Ilumination - Krysztof Wodiczko
Unbuilt Roads
"In the name of "progress" our official culture is striving to force the new media to do the work of the old."
-Marshall McLuhan
"For the city of today does speak to us, but it is also at certain points and in certain orders remarkably silent. There a
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"In the name of "progress" our official culture is striving to force the new media to do the work of the old."
-Marshall McLuhan
"For the city of today does speak to us, but it is also at certain points and in certain orders remarkably silent. There a
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Kabakov
"MEMORIAL"
Short description of the project
The Concept of the Project "Memorial"
The Russian revolution which established the "era of Socialism" is considered to be a most important event of the twentieth century. The end of
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Kabakov
"MEMORIAL"
Short description of the project
The Concept of the Project "Memorial"
The Russian revolution which established the "era of Socialism" is considered to be a most important event of the twentieth century. The end of
...
Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Brücke Wein-Kanal Arch. Hermann Czech, Wein - Franz West
Unbuilt Roads
Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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Le Festival du film de famille est un événement qui séted sur 3 jours, c'est le pant de dipart d'une dénie partagée qui peut se répéter sur plusieurs [arnisé?]. Une communanté affactive [illisible] son [basan?] d'histories par sa propre producti
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Le Festival du film de famille est un événement qui séted sur 3 jours, c'est le pant de dipart d'une dénie partagée qui peut se répéter sur plusieurs [arnisé?]. Une communanté affactive [illisible] son [basan?] d'histories par sa propre producti
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1995-96
Weile bestand ein Zusammenhang. eng. [unleserlich] ihn nicht gesucht. Möglichkeiten nahm er nicht wahr.
Das Sockel (1) ergibt 11-fach vervielfältigt, Modell einer grosser Wohn- und Geschäftsanlag; [M?]aßtab 1:100, welches im Ausstellung
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1995-96
Weile bestand ein Zusammenhang. eng. [unleserlich] ihn nicht gesucht. Möglichkeiten nahm er nicht wahr.
Das Sockel (1) ergibt 11-fach vervielfältigt, Modell einer grosser Wohn- und Geschäftsanlag; [M?]aßtab 1:100, welches im Ausstellung
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Grand Concours International D'Architecture - Mahe Gilles
Unbuilt Roads
Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lamarée descendante + montante un batiment a l'aide des seuls materials trouvés sur la plage
Nature Des
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Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lamarée descendante + montante un batiment a l'aide des seuls materials trouvés sur la plage
Nature Des
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119. PROJET DE DESTRUCTION DU MUSEE 1970 - 1971 - Jef Geys
Unbuilt Roads
Plan pour devoir Musée o'anu[?]s avec autorisation et aide de ministères contactes
(Eventuellement raisons pour lesquelles le travail n'a pu etre realise)
Refus ministères de la defense etc.
Publications:
Kempens informatieblad
Contact
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Plan pour devoir Musée o'anu[?]s avec autorisation et aide de ministères contactes
(Eventuellement raisons pour lesquelles le travail n'a pu etre realise)
Refus ministères de la defense etc.
Publications:
Kempens informatieblad
Contact
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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