In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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Untitled, modeled after the Leipzig Völkerschlachtdenkmal... - Jenny Holzer
Unbuilt Roads
Title of the project:
Untitled, modeled after the Leipzig Völkerschlachtdenkmal, a lazer projection of Lustmord texts onto a 1913 Battle of nations Monument. (100yr in Leipzig, Germany anniversary of 1813 battle)
Description:
Jenny s
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Title of the project:
Untitled, modeled after the Leipzig Völkerschlachtdenkmal, a lazer projection of Lustmord texts onto a 1913 Battle of nations Monument. (100yr in Leipzig, Germany anniversary of 1813 battle)
Description:
Jenny s
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Project pour le parc de sculpture de Vassiviére - Paul-Armand Gette
Unbuilt Roads
Un bloc de granite choisi dans la partie boisée de l'île sera considéré comme étant le centre d'une circonférence de 25m. de rayon, qui, sans que cela soit indiqué sur place d'aucune façon, restera vierge de toutes interventions (aménagements, co
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Un bloc de granite choisi dans la partie boisée de l'île sera considéré comme étant le centre d'une circonférence de 25m. de rayon, qui, sans que cela soit indiqué sur place d'aucune façon, restera vierge de toutes interventions (aménagements, co
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13 Kuben
Granit Rosa Porrino,
jeweils horizontal und vertikal gespalten
jeweils ca. 300 x 200 x 200 cm
davon jeweils ca. 90 cm in die Erde
eingelassen
120 Bäume
jeweils in lOer Gruppen gepflanzt
Gesamtareal: 100 x 100 m
Dreize
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13 Kuben
Granit Rosa Porrino,
jeweils horizontal und vertikal gespalten
jeweils ca. 300 x 200 x 200 cm
davon jeweils ca. 90 cm in die Erde
eingelassen
120 Bäume
jeweils in lOer Gruppen gepflanzt
Gesamtareal: 100 x 100 m
Dreize
...
1995-96
Weile bestand ein Zusammenhang. eng. [unleserlich] ihn nicht gesucht. Möglichkeiten nahm er nicht wahr.
Das Sockel (1) ergibt 11-fach vervielfältigt, Modell einer grosser Wohn- und Geschäftsanlag; [M?]aßtab 1:100, welches im Ausstellung
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1995-96
Weile bestand ein Zusammenhang. eng. [unleserlich] ihn nicht gesucht. Möglichkeiten nahm er nicht wahr.
Das Sockel (1) ergibt 11-fach vervielfältigt, Modell einer grosser Wohn- und Geschäftsanlag; [M?]aßtab 1:100, welches im Ausstellung
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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In collaboration with Brooklyn Technical High School and Andrea Claire
The Rosetta Garden
Proposal for a vacant lot, Fort Greene, Brooklyn
Gary Simmons' proposal is both a reclamation of vacant land and the physical embodiment of philosophical pu
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In collaboration with Brooklyn Technical High School and Andrea Claire
The Rosetta Garden
Proposal for a vacant lot, Fort Greene, Brooklyn
Gary Simmons' proposal is both a reclamation of vacant land and the physical embodiment of philosophical pu
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Ce Projet était fait pour la vitrine (galerie) qui se situe autour de la salle principal et d'un autre côte vers las rues, la piece est un tuyau transparent de 75M longeur, 40 cm diamétre, delans mettre les plus sortes d'insecte = sorpion, lézards, ar
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Ce Projet était fait pour la vitrine (galerie) qui se situe autour de la salle principal et d'un autre côte vers las rues, la piece est un tuyau transparent de 75M longeur, 40 cm diamétre, delans mettre les plus sortes d'insecte = sorpion, lézards, ar
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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Fax Transmission - Raymond Pettibone and Jason Rhoades
Unbuilt Roads
Fax to: HANS-ULRICH OBRIST
From Jason Rhoades
Greeting HAN-ULRICH
Well the project sounded great but I didn't have any unfulfilled projects that I sad appropriate for the project, but just last sunday I was at the race track with raymon pettibone
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Fax to: HANS-ULRICH OBRIST
From Jason Rhoades
Greeting HAN-ULRICH
Well the project sounded great but I didn't have any unfulfilled projects that I sad appropriate for the project, but just last sunday I was at the race track with raymon pettibone
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3"
Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The
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Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3"
Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The
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Monsieur l'Abbe Pierre,
il y a sans doute d'autres points que je n'ai pas imagines mais une conversation permettrait sans doute d'apporter des rectifications. Je sollicite votre bienveillance et votre engagement pour pouvoir m'autoriser a vous rencontr
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Monsieur l'Abbe Pierre,
il y a sans doute d'autres points que je n'ai pas imagines mais une conversation permettrait sans doute d'apporter des rectifications. Je sollicite votre bienveillance et votre engagement pour pouvoir m'autoriser a vous rencontr
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Social Resource Project For the Munich Olympics - Stephen Willats
Unbuilt Roads
The social resource project for the Munich Olympics is specifically directed at members of athletic clubs and the audience of athletic fixtures. The project aims to get participants to articulate the rules and perceptual structure of the athletic social e
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The social resource project for the Munich Olympics is specifically directed at members of athletic clubs and the audience of athletic fixtures. The project aims to get participants to articulate the rules and perceptual structure of the athletic social e
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Miscellaneous Instruments
FORM 5:I-3.02
RIGHT-OF-PRIVACY RELEASE
Short Form
[Name of Motion Picture Company]
[Address]
Dear Sirs:
I am one of the persons of whom [name of author] wrote in his book [name of book]. You are p
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Miscellaneous Instruments
FORM 5:I-3.02
RIGHT-OF-PRIVACY RELEASE
Short Form
[Name of Motion Picture Company]
[Address]
Dear Sirs:
I am one of the persons of whom [name of author] wrote in his book [name of book]. You are p
...
three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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PROPOSAL FOR SEATTLE ARTS COMMISSION, IN PUBLIC - Chris Burden
Unbuilt Roads
I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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1996 progetto "ilana, I love you" per la galleria Stefano Basilico di New York.
Molte persone che conoscono Stefano Basilica per la sua galleria, conoscono anche che Stefano e' stato collaboratore per circa dieci anni alla galleria Sonnabend.
Questo
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1996 progetto "ilana, I love you" per la galleria Stefano Basilico di New York.
Molte persone che conoscono Stefano Basilica per la sua galleria, conoscono anche che Stefano e' stato collaboratore per circa dieci anni alla galleria Sonnabend.
Questo
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Making for Art - 100 Unsucceeded Presentation - 1995, 1996, - Yutaka Sone
Unbuilt Roads
In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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Proposal for a Times Square Business Improvement District
Traffic Median Public Art Project
Febuary 28th, 1995
Artist: Christian Marclay
Title: Broadway Musicals
Site: Traffic median between Broadway and Seventh Avenue, from 4
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Proposal for a Times Square Business Improvement District
Traffic Median Public Art Project
Febuary 28th, 1995
Artist: Christian Marclay
Title: Broadway Musicals
Site: Traffic median between Broadway and Seventh Avenue, from 4
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