Gilles Clément
The environmental charter
Project for Vassivière, France
From 2003
All the territory of Vassivière, France
In 2003, Gilles Clément proposes, following the request of the Region Limousin, an environmental charter of Vassivière te
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Gilles Clément
The environmental charter
Project for Vassivière, France
From 2003
All the territory of Vassivière, France
In 2003, Gilles Clément proposes, following the request of the Region Limousin, an environmental charter of Vassivière te
...
Climbing the Devil's table / the Daredevil - Romain Sein
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Climbing the Devil's table / the Daredevil
(approximatively traduced from french)
Climbing the Devil's table is an unrealized project but it's not unrealizable. «The Teufelstisch», the devil table, is a spectacular sandstone from the region of
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Climbing the Devil's table / the Daredevil
(approximatively traduced from french)
Climbing the Devil's table is an unrealized project but it's not unrealizable. «The Teufelstisch», the devil table, is a spectacular sandstone from the region of
...
2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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Unfinished and ongoing project called "Collectors" -all kinds of things and creatures are collected, and create a melody and tune.
Initial idea for “Collectors” series started after thinking how we miss unnoticeable things around surroundings, and th
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Unfinished and ongoing project called "Collectors" -all kinds of things and creatures are collected, and create a melody and tune.
Initial idea for “Collectors” series started after thinking how we miss unnoticeable things around surroundings, and th
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We Might Be Snowmakers - Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
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Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
Title: We Might Be Snowmakers
In order to slow or reverse the retreat of glaciers, the GRMI proposes setting up large-scale
snow blowers to increase the size of Europe’s la
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Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
Title: We Might Be Snowmakers
In order to slow or reverse the retreat of glaciers, the GRMI proposes setting up large-scale
snow blowers to increase the size of Europe’s la
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Garden REtreat is an unrealized proposal for a temporary public art installation that addresses the issue of unused urban land. Its intention is to transform a vacant lot into a vibrant garden filled with organic forms made from recycled materials.
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Garden REtreat is an unrealized proposal for a temporary public art installation that addresses the issue of unused urban land. Its intention is to transform a vacant lot into a vibrant garden filled with organic forms made from recycled materials.
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Proposal for Vision and Vernacular Eight African American Artists in Venice - Lonnie Holley
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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Second nature – A dystopian view into virtual farming - Aditi Ruiz
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Second nature – A dystopian view into virtual farming
There are 80 million urban farmers across the world, but they are farming virtually through social networks. What does this imply for the future of the farm? How is this reshaping our perception o
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Second nature – A dystopian view into virtual farming
There are 80 million urban farmers across the world, but they are farming virtually through social networks. What does this imply for the future of the farm? How is this reshaping our perception o
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2007
Idea
The work is planed to be an interactive video animation, set in the gallery or on a window of the gallery.
Video is scene with the birds freely resting on the branches on a tree in the landscape.
AUDIO: ... sound of their “talk” ..
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2007
Idea
The work is planed to be an interactive video animation, set in the gallery or on a window of the gallery.
Video is scene with the birds freely resting on the branches on a tree in the landscape.
AUDIO: ... sound of their “talk” ..
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Take all paintings out of octagonal red room in the Uffizi, Florence, Italy. Leave homo-erotic sculptures of men in battle, also keep large gold gilded frames. Replace canvases with flat screen video monitors that display footage recorded from Tuscan tree
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Take all paintings out of octagonal red room in the Uffizi, Florence, Italy. Leave homo-erotic sculptures of men in battle, also keep large gold gilded frames. Replace canvases with flat screen video monitors that display footage recorded from Tuscan tree
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The Unicorn Lake
Project for the lake of sculptures of Vassivière island, France
July 2009
On the lake of Vassivière
After creating in 2009, in the framework of the exhibition Etc. Balkis Island, The Vassivière Unicorn ("Unicorn Eiffel"), a sculp
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The Unicorn Lake
Project for the lake of sculptures of Vassivière island, France
July 2009
On the lake of Vassivière
After creating in 2009, in the framework of the exhibition Etc. Balkis Island, The Vassivière Unicorn ("Unicorn Eiffel"), a sculp
...
A proposal for a set of organ pipes to be mounted on the face of an oceanic cliff. The pipes are to be mounted vertically on simple steel rods that are strategically placed along a section of cliff in order to translate strong vertical updrafts into indiv
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A proposal for a set of organ pipes to be mounted on the face of an oceanic cliff. The pipes are to be mounted vertically on simple steel rods that are strategically placed along a section of cliff in order to translate strong vertical updrafts into indiv
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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Chain Link Fence(space between) Graphite and paint on diamond shapes made of styrofoam and masking tape.
The Chain Link Fence project represents the negative space between the wires that make up the steel fence material. The diamond shapes are some tim
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Chain Link Fence(space between) Graphite and paint on diamond shapes made of styrofoam and masking tape.
The Chain Link Fence project represents the negative space between the wires that make up the steel fence material. The diamond shapes are some tim
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Eine Ontologie des Paradies: die Kunst als Illusion.
"Was verstehe ich unter Natur? Unter Natur verstehe ich, das erste innere Prinzip, des Seins eines Dinges. (...) Das ist was wirklich existiert". -„Kritik der reinen Vernunft“. Immanuel Kant
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Eine Ontologie des Paradies: die Kunst als Illusion.
"Was verstehe ich unter Natur? Unter Natur verstehe ich, das erste innere Prinzip, des Seins eines Dinges. (...) Das ist was wirklich existiert". -„Kritik der reinen Vernunft“. Immanuel Kant
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The naturalness of the artificial, Ana Pissarra
This work explores associations between House and Domestic fantasy, always within a logic of ‘integration’. Thought games of association, the word House may bring about in us resonances that take the
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The naturalness of the artificial, Ana Pissarra
This work explores associations between House and Domestic fantasy, always within a logic of ‘integration’. Thought games of association, the word House may bring about in us resonances that take the
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] - spmb [Eduardo Aquino & Karen Shanski]
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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GREEN & WET
Angel Borrego & Jana Leo
Repetition and Acumulation.
The wall is made out of individual plants.
Each plant is pretty similar to another
But, at the same time, different.
For long term installations, a person could sponsors one
or more p
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GREEN & WET
Angel Borrego & Jana Leo
Repetition and Acumulation.
The wall is made out of individual plants.
Each plant is pretty similar to another
But, at the same time, different.
For long term installations, a person could sponsors one
or more p
...
Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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Path to nothingness
The mountains had been waiting for me, every rivulet, boulder, weathered rock too. And the icy winds let me know that. At 60kph, the wind resistance knocks down the speed to a mere 10kph and drills sand into my nose. Melting snow ha
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Path to nothingness
The mountains had been waiting for me, every rivulet, boulder, weathered rock too. And the icy winds let me know that. At 60kph, the wind resistance knocks down the speed to a mere 10kph and drills sand into my nose. Melting snow ha
...