2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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My plan was to make the front yard a moss garden beneath large oak trees here and create moss sculptures including a nativity scene with little moss trees and small animals.I used recycable materials as the armatures....
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My plan was to make the front yard a moss garden beneath large oak trees here and create moss sculptures including a nativity scene with little moss trees and small animals.I used recycable materials as the armatures....
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Second nature – A dystopian view into virtual farming - Aditi Ruiz
WWW
Second nature – A dystopian view into virtual farming
There are 80 million urban farmers across the world, but they are farming virtually through social networks. What does this imply for the future of the farm? How is this reshaping our perception o
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Second nature – A dystopian view into virtual farming
There are 80 million urban farmers across the world, but they are farming virtually through social networks. What does this imply for the future of the farm? How is this reshaping our perception o
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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photographic series “Nursery”
This series of photographs began as a project where Ismini Haholiadou was exploring different trajectories in her practice. Where she previously set up spaces and scenes to photograph, in this project she scouted for
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photographic series “Nursery”
This series of photographs began as a project where Ismini Haholiadou was exploring different trajectories in her practice. Where she previously set up spaces and scenes to photograph, in this project she scouted for
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Gilles Clément
The environmental charter
Project for Vassivière, France
From 2003
All the territory of Vassivière, France
In 2003, Gilles Clément proposes, following the request of the Region Limousin, an environmental charter of Vassivière te
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Gilles Clément
The environmental charter
Project for Vassivière, France
From 2003
All the territory of Vassivière, France
In 2003, Gilles Clément proposes, following the request of the Region Limousin, an environmental charter of Vassivière te
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There is a project which I have been thinking about and working on for quite some time now. Basically it is a living kinetic sculpture of a full sized tree (15/20 ft. tall), with living green tropical butterflies as the leaves. The tree itself, function
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There is a project which I have been thinking about and working on for quite some time now. Basically it is a living kinetic sculpture of a full sized tree (15/20 ft. tall), with living green tropical butterflies as the leaves. The tree itself, function
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Eine Ontologie des Paradies: die Kunst als Illusion.
"Was verstehe ich unter Natur? Unter Natur verstehe ich, das erste innere Prinzip, des Seins eines Dinges. (...) Das ist was wirklich existiert". -„Kritik der reinen Vernunft“. Immanuel Kant
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Eine Ontologie des Paradies: die Kunst als Illusion.
"Was verstehe ich unter Natur? Unter Natur verstehe ich, das erste innere Prinzip, des Seins eines Dinges. (...) Das ist was wirklich existiert". -„Kritik der reinen Vernunft“. Immanuel Kant
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The project "Mount of Olives" is constituted by seven scaffolds with different heights, each one with an olive tree in a wooden box with earth inside in the top. The trees must be kept alive by an automatic irrigation system.
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The project "Mount of Olives" is constituted by seven scaffolds with different heights, each one with an olive tree in a wooden box with earth inside in the top. The trees must be kept alive by an automatic irrigation system.
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Tides, Wind and Sails
Context
The island of Rathlin and its mainland port of Ballycastle on the north-eastern coast of Co. Antrim are linked by one of the most challenging tidal waters of Northern Europe: the Street of Moyle. These difficult sea con
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Tides, Wind and Sails
Context
The island of Rathlin and its mainland port of Ballycastle on the north-eastern coast of Co. Antrim are linked by one of the most challenging tidal waters of Northern Europe: the Street of Moyle. These difficult sea con
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Agency of Unrealized Projects Submission
Lev/Life Craig Leonard
Conceived sometime in 2008,
Lev/Life is an unsubmitted proposal to the Toronto Sculpture Garden located in the city's business district. The project was to be a replica of Soviet realis
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Agency of Unrealized Projects Submission
Lev/Life Craig Leonard
Conceived sometime in 2008,
Lev/Life is an unsubmitted proposal to the Toronto Sculpture Garden located in the city's business district. The project was to be a replica of Soviet realis
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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Garden REtreat is an unrealized proposal for a temporary public art installation that addresses the issue of unused urban land. Its intention is to transform a vacant lot into a vibrant garden filled with organic forms made from recycled materials.
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Garden REtreat is an unrealized proposal for a temporary public art installation that addresses the issue of unused urban land. Its intention is to transform a vacant lot into a vibrant garden filled with organic forms made from recycled materials.
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2007
Idea
The work is planed to be an interactive video animation, set in the gallery or on a window of the gallery.
Video is scene with the birds freely resting on the branches on a tree in the landscape.
AUDIO: ... sound of their “talk” ..
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2007
Idea
The work is planed to be an interactive video animation, set in the gallery or on a window of the gallery.
Video is scene with the birds freely resting on the branches on a tree in the landscape.
AUDIO: ... sound of their “talk” ..
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Pelican Bay maximum-security glass prison - Eugene Soler
WWW
California’s Pelican Bay maximum security prison is more than 150% over capacity with a high number of inmates re-offending after released. Located within a nearby clearing of forest, the proposal is to create a facility for inmate’s rehabilitation by
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California’s Pelican Bay maximum security prison is more than 150% over capacity with a high number of inmates re-offending after released. Located within a nearby clearing of forest, the proposal is to create a facility for inmate’s rehabilitation by
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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The Centralizer
The inspiration for this device came about to address the plight of the city-dweller trapped in a densely populated urban environment, who needed to decompress, ground themselves, and/or get in touch with nature and natural rhythms, a
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The Centralizer
The inspiration for this device came about to address the plight of the city-dweller trapped in a densely populated urban environment, who needed to decompress, ground themselves, and/or get in touch with nature and natural rhythms, a
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Climbing the Devil's table / the Daredevil - Romain Sein
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Climbing the Devil's table / the Daredevil
(approximatively traduced from french)
Climbing the Devil's table is an unrealized project but it's not unrealizable. «The Teufelstisch», the devil table, is a spectacular sandstone from the region of
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Climbing the Devil's table / the Daredevil
(approximatively traduced from french)
Climbing the Devil's table is an unrealized project but it's not unrealizable. «The Teufelstisch», the devil table, is a spectacular sandstone from the region of
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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A proposal for a set of organ pipes to be mounted on the face of an oceanic cliff. The pipes are to be mounted vertically on simple steel rods that are strategically placed along a section of cliff in order to translate strong vertical updrafts into indiv
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A proposal for a set of organ pipes to be mounted on the face of an oceanic cliff. The pipes are to be mounted vertically on simple steel rods that are strategically placed along a section of cliff in order to translate strong vertical updrafts into indiv
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Nature is always quick to assume the position of history when history, like an impotent and weary creature, gradually loosens its hold on things, receding deeper and deeper into the negative space of oblivion, during its irreversible descent coming apart
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Nature is always quick to assume the position of history when history, like an impotent and weary creature, gradually loosens its hold on things, receding deeper and deeper into the negative space of oblivion, during its irreversible descent coming apart
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Universal Boogie Woogie
‘Art All-Around’ visualization, Portland, USA 2008
This is the working title of the design for the ‘Art All-Around’ visualization.
The basic concept for this design relies on a system of contradictive thinking. S
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Universal Boogie Woogie
‘Art All-Around’ visualization, Portland, USA 2008
This is the working title of the design for the ‘Art All-Around’ visualization.
The basic concept for this design relies on a system of contradictive thinking. S
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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Statement
Blurring boundaries of art and architecture, G.F. Zaimis work explores the nature of shape and form from the most minimal to monumental, abstract to literal, painting to photography.
The essence of her work addresses architecture’s shap
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Statement
Blurring boundaries of art and architecture, G.F. Zaimis work explores the nature of shape and form from the most minimal to monumental, abstract to literal, painting to photography.
The essence of her work addresses architecture’s shap
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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