My design for the competition “Denkzeichen Rosa Luxemburg” (Memory Marker Rosa Luxemburg; Berlin 2003) drew upon the Revolution Monument by Ludwig Mies van der Rohe, which was commissioned in 1926 by the German Communist Party as the central memorial
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My design for the competition “Denkzeichen Rosa Luxemburg” (Memory Marker Rosa Luxemburg; Berlin 2003) drew upon the Revolution Monument by Ludwig Mies van der Rohe, which was commissioned in 1926 by the German Communist Party as the central memorial
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Convention' was an unsolicited, and as I found out in March of this year, unaccepted proposal to the promoters of the Toronto International Art Fair.
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Convention' was an unsolicited, and as I found out in March of this year, unaccepted proposal to the promoters of the Toronto International Art Fair.
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A patinated plaster sculpture marble natural scale, contains two characters, the first is a riot police in position conqueror in one hand have a coat of riot police and the other as if it were a weapon, a piece of post and finally this a video surveillanc
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A patinated plaster sculpture marble natural scale, contains two characters, the first is a riot police in position conqueror in one hand have a coat of riot police and the other as if it were a weapon, a piece of post and finally this a video surveillanc
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Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood.
"The Gate"
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Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood.
"The Gate"
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THE TRIANGLE SHIRTWAIST FACTORY FIRE MEMORIAL - Kristin Jones / Andrew Ginzel
WWW
THE TRIANGLE SHIRTWAIST FACTORY FIRE MEMORIAL
New York, NY
Remember the Triangle Fire Coalition
October 2010
The Triangle Shirtwaist Fire
• Occurred March 25, 1911 on the top three floors of the ten-story Asch Building (23-29 Washington Place, ne
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THE TRIANGLE SHIRTWAIST FACTORY FIRE MEMORIAL
New York, NY
Remember the Triangle Fire Coalition
October 2010
The Triangle Shirtwaist Fire
• Occurred March 25, 1911 on the top three floors of the ten-story Asch Building (23-29 Washington Place, ne
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In March 2007 I was the artist in residence at the Department of Safety in Anacortes, WA, USA. Anacortes is a really small town. Partially out of frustration with me, my big city ways & my de-skilled & "post-conceptual" approach to the art task OLIVER ORI
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In March 2007 I was the artist in residence at the Department of Safety in Anacortes, WA, USA. Anacortes is a really small town. Partially out of frustration with me, my big city ways & my de-skilled & "post-conceptual" approach to the art task OLIVER ORI
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"Juarez's Feet" is a work in process which pretends to build someday in India a monument that will work as the extension of the monument dedicated to Benito Juarez in Mexico's capital city.
Mexico and India are antipodal territories in the northern hem
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"Juarez's Feet" is a work in process which pretends to build someday in India a monument that will work as the extension of the monument dedicated to Benito Juarez in Mexico's capital city.
Mexico and India are antipodal territories in the northern hem
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Transitional Monument (2004).
Digital montage.
Dimensions variable.
Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d
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Transitional Monument (2004).
Digital montage.
Dimensions variable.
Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d
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To Two Too; Hypothetical Monument for a Natural Disaster - Jeffrey Wisniewski
Unbuilt Roads
(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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Place Jacques-Cartier, Montréal 1990 (with Tony Fretton) - Mark Pimlott
WWW
This project proposed a monumental surface for Place Jacques-Cartier that resembled the streets an unconscious places that were typical of Montréal’s topography. The ground was conceived of as a portion of the granite shield that the city is built on,
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This project proposed a monumental surface for Place Jacques-Cartier that resembled the streets an unconscious places that were typical of Montréal’s topography. The ground was conceived of as a portion of the granite shield that the city is built on,
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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“Oil spill La Fenice” by KilMor Prod.
La Fenice
Teatro La Fenice is the biggest opera house in Venice, Italy and one of the most famous theatres in Europe. “La Fenice” means “The Phoenix”.
A phoenix is a mythical bird that is a fire spir
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“Oil spill La Fenice” by KilMor Prod.
La Fenice
Teatro La Fenice is the biggest opera house in Venice, Italy and one of the most famous theatres in Europe. “La Fenice” means “The Phoenix”.
A phoenix is a mythical bird that is a fire spir
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Early in 2008 I was planning a coloring action. There is a historical monument in Ljubljana called The Trail of Remembrance and Comradeship; consisting of a walkway almost ringing Ljubljana; its signposts bear the emblem of the red star. Over time, the re
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Early in 2008 I was planning a coloring action. There is a historical monument in Ljubljana called The Trail of Remembrance and Comradeship; consisting of a walkway almost ringing Ljubljana; its signposts bear the emblem of the red star. Over time, the re
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Monuments to Real Life
Monument 2. Twins
Digital Video installation research phase began Autumn 2008 in Nuertingen Germany and was aborted in May 2009.
Monument 2. ‘Twins’ is the unrealized sibling to Monument 1 ‘Well I Never…’ 2007(www.w
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Monuments to Real Life
Monument 2. Twins
Digital Video installation research phase began Autumn 2008 in Nuertingen Germany and was aborted in May 2009.
Monument 2. ‘Twins’ is the unrealized sibling to Monument 1 ‘Well I Never…’ 2007(www.w
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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On cherche à la lumière ce que l'on a perdu dans le noir - Nadine Lère
WWW
Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Monumentti Kutsunta. Monument Conscription. 2003, Helsinki.
Call a draft for individuals to become public Monuments for one hour.
The underline concept can be seen in ‘One & Other’ a work later realised by Antony Gormley on the fourth plinth.
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Monumentti Kutsunta. Monument Conscription. 2003, Helsinki.
Call a draft for individuals to become public Monuments for one hour.
The underline concept can be seen in ‘One & Other’ a work later realised by Antony Gormley on the fourth plinth.
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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The “freedom and democracy monument” is designed in the shape of an oversized transparent round table: People make use of the elements of that round table by their presence and help bring life into it.The round table is the symbol of the democratic id
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The “freedom and democracy monument” is designed in the shape of an oversized transparent round table: People make use of the elements of that round table by their presence and help bring life into it.The round table is the symbol of the democratic id
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