d'un projet dédié aux victimes de la Shoah. - Christian Boltanski
Unbuilt Roads
Il y a quelques années, j'ai éte invité à réfléchir à la réalisation d'un projet dédié aux victimes de la Shoah. Ce monument devait être installé en face du Reichstag à Berlin. J'avais répondu alors que je pensais que les monuments étaient
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Il y a quelques années, j'ai éte invité à réfléchir à la réalisation d'un projet dédié aux victimes de la Shoah. Ce monument devait être installé en face du Reichstag à Berlin. J'avais répondu alors que je pensais que les monuments étaient
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood.
"The Gate"
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Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood.
"The Gate"
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FOTA (Festival of the Arts) 2010 APPLICATION
Title of Project: Free to Choose
Name: Erik Wenzel
Location: The Chicago Theological Seminary
Duration: Installed for the length of FOTA, subject to CTS schedule
STATEMENT
I propose to make a
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FOTA (Festival of the Arts) 2010 APPLICATION
Title of Project: Free to Choose
Name: Erik Wenzel
Location: The Chicago Theological Seminary
Duration: Installed for the length of FOTA, subject to CTS schedule
STATEMENT
I propose to make a
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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"Juarez's Feet" is a work in process which pretends to build someday in India a monument that will work as the extension of the monument dedicated to Benito Juarez in Mexico's capital city.
Mexico and India are antipodal territories in the northern hem
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"Juarez's Feet" is a work in process which pretends to build someday in India a monument that will work as the extension of the monument dedicated to Benito Juarez in Mexico's capital city.
Mexico and India are antipodal territories in the northern hem
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My design for the competition “Denkzeichen Rosa Luxemburg” (Memory Marker Rosa Luxemburg; Berlin 2003) drew upon the Revolution Monument by Ludwig Mies van der Rohe, which was commissioned in 1926 by the German Communist Party as the central memorial
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My design for the competition “Denkzeichen Rosa Luxemburg” (Memory Marker Rosa Luxemburg; Berlin 2003) drew upon the Revolution Monument by Ludwig Mies van der Rohe, which was commissioned in 1926 by the German Communist Party as the central memorial
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A patinated plaster sculpture marble natural scale, contains two characters, the first is a riot police in position conqueror in one hand have a coat of riot police and the other as if it were a weapon, a piece of post and finally this a video surveillanc
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A patinated plaster sculpture marble natural scale, contains two characters, the first is a riot police in position conqueror in one hand have a coat of riot police and the other as if it were a weapon, a piece of post and finally this a video surveillanc
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Proposal Rockaway 9/11 memorial Lisa Hein 2002
THE CUBE
A bleacher faces the water on Jamaica Bay. It watches the Manhattan skyline to the northwest. The center of the bleacher is cut out in a square. A black cube rises through.
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Proposal Rockaway 9/11 memorial Lisa Hein 2002
THE CUBE
A bleacher faces the water on Jamaica Bay. It watches the Manhattan skyline to the northwest. The center of the bleacher is cut out in a square. A black cube rises through.
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The “freedom and democracy monument” is designed in the shape of an oversized transparent round table: People make use of the elements of that round table by their presence and help bring life into it.The round table is the symbol of the democratic id
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The “freedom and democracy monument” is designed in the shape of an oversized transparent round table: People make use of the elements of that round table by their presence and help bring life into it.The round table is the symbol of the democratic id
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I call my "ice actions", consisting in placing objects in principal downtown squares, the Monuments of Time. I find this title appropriately noble, considering in whose honor they are erected. In each case, I seek an adequate form to celebrate time as wel
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I call my "ice actions", consisting in placing objects in principal downtown squares, the Monuments of Time. I find this title appropriately noble, considering in whose honor they are erected. In each case, I seek an adequate form to celebrate time as wel
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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I wanted to purchase the coffee table in Room 503, Hong Lou Hotel, Lianzhou, China and to mount it as a monument for all the shady deals that have been worked out over this table at a solo at Vitamin Creative Space in Guangzhou.
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I wanted to purchase the coffee table in Room 503, Hong Lou Hotel, Lianzhou, China and to mount it as a monument for all the shady deals that have been worked out over this table at a solo at Vitamin Creative Space in Guangzhou.
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THE TRIANGLE SHIRTWAIST FACTORY FIRE MEMORIAL - Kristin Jones / Andrew Ginzel
WWW
THE TRIANGLE SHIRTWAIST FACTORY FIRE MEMORIAL
New York, NY
Remember the Triangle Fire Coalition
October 2010
The Triangle Shirtwaist Fire
• Occurred March 25, 1911 on the top three floors of the ten-story Asch Building (23-29 Washington Place, ne
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THE TRIANGLE SHIRTWAIST FACTORY FIRE MEMORIAL
New York, NY
Remember the Triangle Fire Coalition
October 2010
The Triangle Shirtwaist Fire
• Occurred March 25, 1911 on the top three floors of the ten-story Asch Building (23-29 Washington Place, ne
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Prototype of an opportunistic monument or a monument on call - Sylvie Boisseau
WWW
Prototype of an opportunistic monument or a monument on call
(in memory of the Stasi* victims)
The monument consist of an orthogonal concrete block of 200 x 150 x 50 cm which is embedded under the ground, It should be erected at places where the orig
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Prototype of an opportunistic monument or a monument on call
(in memory of the Stasi* victims)
The monument consist of an orthogonal concrete block of 200 x 150 x 50 cm which is embedded under the ground, It should be erected at places where the orig
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Central Park Monument to the Nimbus of Victory, 2009 - Peter Joslyn
WWW
The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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In March 2007 I was the artist in residence at the Department of Safety in Anacortes, WA, USA. Anacortes is a really small town. Partially out of frustration with me, my big city ways & my de-skilled & "post-conceptual" approach to the art task OLIVER ORI
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In March 2007 I was the artist in residence at the Department of Safety in Anacortes, WA, USA. Anacortes is a really small town. Partially out of frustration with me, my big city ways & my de-skilled & "post-conceptual" approach to the art task OLIVER ORI
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Transitional Monument (2004).
Digital montage.
Dimensions variable.
Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d
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Transitional Monument (2004).
Digital montage.
Dimensions variable.
Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d
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To Two Too; Hypothetical Monument for a Natural Disaster - Jeffrey Wisniewski
Unbuilt Roads
(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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Monumentti Kutsunta. Monument Conscription. 2003, Helsinki.
Call a draft for individuals to become public Monuments for one hour.
The underline concept can be seen in ‘One & Other’ a work later realised by Antony Gormley on the fourth plinth.
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Monumentti Kutsunta. Monument Conscription. 2003, Helsinki.
Call a draft for individuals to become public Monuments for one hour.
The underline concept can be seen in ‘One & Other’ a work later realised by Antony Gormley on the fourth plinth.
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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