The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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World Trade Center Memorial Proposal - Stephen Canneto
WWW
The design honors and celebrates the lives of those killed in the September 11, 2001 attacks.
The figurative road to healing begins with a literal journey, with the soaring zenith of the Memorial Spire catching the eye of newly arriving visitors,
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The design honors and celebrates the lives of those killed in the September 11, 2001 attacks.
The figurative road to healing begins with a literal journey, with the soaring zenith of the Memorial Spire catching the eye of newly arriving visitors,
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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A patinated plaster sculpture marble natural scale, contains two characters, the first is a riot police in position conqueror in one hand have a coat of riot police and the other as if it were a weapon, a piece of post and finally this a video surveillanc
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A patinated plaster sculpture marble natural scale, contains two characters, the first is a riot police in position conqueror in one hand have a coat of riot police and the other as if it were a weapon, a piece of post and finally this a video surveillanc
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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Project for the Initiative Mahnmal Homosexuellenverfolgung, Frankfurt - Jeff Wall
Unbuilt Roads
My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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Proposal Rockaway 9/11 memorial Lisa Hein 2002
THE CUBE
A bleacher faces the water on Jamaica Bay. It watches the Manhattan skyline to the northwest. The center of the bleacher is cut out in a square. A black cube rises through.
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Proposal Rockaway 9/11 memorial Lisa Hein 2002
THE CUBE
A bleacher faces the water on Jamaica Bay. It watches the Manhattan skyline to the northwest. The center of the bleacher is cut out in a square. A black cube rises through.
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Monumentti Kutsunta. Monument Conscription. 2003, Helsinki.
Call a draft for individuals to become public Monuments for one hour.
The underline concept can be seen in ‘One & Other’ a work later realised by Antony Gormley on the fourth plinth.
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Monumentti Kutsunta. Monument Conscription. 2003, Helsinki.
Call a draft for individuals to become public Monuments for one hour.
The underline concept can be seen in ‘One & Other’ a work later realised by Antony Gormley on the fourth plinth.
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My design for the competition “Denkzeichen Rosa Luxemburg” (Memory Marker Rosa Luxemburg; Berlin 2003) drew upon the Revolution Monument by Ludwig Mies van der Rohe, which was commissioned in 1926 by the German Communist Party as the central memorial
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My design for the competition “Denkzeichen Rosa Luxemburg” (Memory Marker Rosa Luxemburg; Berlin 2003) drew upon the Revolution Monument by Ludwig Mies van der Rohe, which was commissioned in 1926 by the German Communist Party as the central memorial
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Place Jacques-Cartier, Montréal 1990 (with Tony Fretton) - Mark Pimlott
WWW
This project proposed a monumental surface for Place Jacques-Cartier that resembled the streets an unconscious places that were typical of Montréal’s topography. The ground was conceived of as a portion of the granite shield that the city is built on,
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This project proposed a monumental surface for Place Jacques-Cartier that resembled the streets an unconscious places that were typical of Montréal’s topography. The ground was conceived of as a portion of the granite shield that the city is built on,
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The Geese of Feliferhof - Esther Shalev-Gerz with Jochen Gerz
WWW
Graz, Austria
In 1996, Esther Shalev-Gerz and Jochen Gerz won an international competition launched by the Austrian government to pay tribute to those who opposed the Nazi regime. The artists proposed installing four white flags carrying red inscriptio
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Graz, Austria
In 1996, Esther Shalev-Gerz and Jochen Gerz won an international competition launched by the Austrian government to pay tribute to those who opposed the Nazi regime. The artists proposed installing four white flags carrying red inscriptio
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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To Two Too; Hypothetical Monument for a Natural Disaster - Jeffrey Wisniewski
Unbuilt Roads
(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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"In the Shadow of the Monument" 2009
PROPOSAL # 2
Images from the solo exhibition at Art Center Gävle, Sweden.
And a temporary public monument "In the shadow of the double" in City Hall Courtyard in the city of Gävle, Sweden.
more info
http://a
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"In the Shadow of the Monument" 2009
PROPOSAL # 2
Images from the solo exhibition at Art Center Gävle, Sweden.
And a temporary public monument "In the shadow of the double" in City Hall Courtyard in the city of Gävle, Sweden.
more info
http://a
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C.Q., 2010
honey jars, cosmetic containers, lipsticks, glue, mirror
C.Q. is a maquette study for a fantastical monument, a ‘Disney Palace on acid’, a tribute to Beauty. It is an arrangement of cosmetics that are used as pigments to add tones to
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C.Q., 2010
honey jars, cosmetic containers, lipsticks, glue, mirror
C.Q. is a maquette study for a fantastical monument, a ‘Disney Palace on acid’, a tribute to Beauty. It is an arrangement of cosmetics that are used as pigments to add tones to
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Transitional Monument (2004).
Digital montage.
Dimensions variable.
Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d
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Transitional Monument (2004).
Digital montage.
Dimensions variable.
Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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I call my "ice actions", consisting in placing objects in principal downtown squares, the Monuments of Time. I find this title appropriately noble, considering in whose honor they are erected. In each case, I seek an adequate form to celebrate time as wel
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I call my "ice actions", consisting in placing objects in principal downtown squares, the Monuments of Time. I find this title appropriately noble, considering in whose honor they are erected. In each case, I seek an adequate form to celebrate time as wel
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