The Circumference is Everywhere, 2011
100 miles Northeast of Los Angeles in the Mojave Desert lies a city abandoned in advance of itself, a ruin that is an aerial monument to misguided optimism that was conceived of by Nat Mendelsohn and intended to r
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The Circumference is Everywhere, 2011
100 miles Northeast of Los Angeles in the Mojave Desert lies a city abandoned in advance of itself, a ruin that is an aerial monument to misguided optimism that was conceived of by Nat Mendelsohn and intended to r
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Proposal Rockaway 9/11 memorial Lisa Hein 2002
THE CUBE
A bleacher faces the water on Jamaica Bay. It watches the Manhattan skyline to the northwest. The center of the bleacher is cut out in a square. A black cube rises through.
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Proposal Rockaway 9/11 memorial Lisa Hein 2002
THE CUBE
A bleacher faces the water on Jamaica Bay. It watches the Manhattan skyline to the northwest. The center of the bleacher is cut out in a square. A black cube rises through.
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"In the Shadow of the Monument" 2009
PROPOSAL # 2
Images from the solo exhibition at Art Center Gävle, Sweden.
And a temporary public monument "In the shadow of the double" in City Hall Courtyard in the city of Gävle, Sweden.
more info
http://a
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"In the Shadow of the Monument" 2009
PROPOSAL # 2
Images from the solo exhibition at Art Center Gävle, Sweden.
And a temporary public monument "In the shadow of the double" in City Hall Courtyard in the city of Gävle, Sweden.
more info
http://a
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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I call my "ice actions", consisting in placing objects in principal downtown squares, the Monuments of Time. I find this title appropriately noble, considering in whose honor they are erected. In each case, I seek an adequate form to celebrate time as wel
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I call my "ice actions", consisting in placing objects in principal downtown squares, the Monuments of Time. I find this title appropriately noble, considering in whose honor they are erected. In each case, I seek an adequate form to celebrate time as wel
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My design for the competition “Denkzeichen Rosa Luxemburg” (Memory Marker Rosa Luxemburg; Berlin 2003) drew upon the Revolution Monument by Ludwig Mies van der Rohe, which was commissioned in 1926 by the German Communist Party as the central memorial
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My design for the competition “Denkzeichen Rosa Luxemburg” (Memory Marker Rosa Luxemburg; Berlin 2003) drew upon the Revolution Monument by Ludwig Mies van der Rohe, which was commissioned in 1926 by the German Communist Party as the central memorial
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Convention' was an unsolicited, and as I found out in March of this year, unaccepted proposal to the promoters of the Toronto International Art Fair.
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Convention' was an unsolicited, and as I found out in March of this year, unaccepted proposal to the promoters of the Toronto International Art Fair.
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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I'm here to write to offer my project, titled "Objekt. My work is centered above all on architecture and urban spaces.
I just need that on a construction site, harboring, in particular giving me a small space on the scaffold, a photo of variable size PVC
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I'm here to write to offer my project, titled "Objekt. My work is centered above all on architecture and urban spaces.
I just need that on a construction site, harboring, in particular giving me a small space on the scaffold, a photo of variable size PVC
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On cherche à la lumière ce que l'on a perdu dans le noir - Nadine Lère
WWW
Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Central Park Monument to the Nimbus of Victory, 2009 - Peter Joslyn
WWW
The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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“Oil spill La Fenice” by KilMor Prod.
La Fenice
Teatro La Fenice is the biggest opera house in Venice, Italy and one of the most famous theatres in Europe. “La Fenice” means “The Phoenix”.
A phoenix is a mythical bird that is a fire spir
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“Oil spill La Fenice” by KilMor Prod.
La Fenice
Teatro La Fenice is the biggest opera house in Venice, Italy and one of the most famous theatres in Europe. “La Fenice” means “The Phoenix”.
A phoenix is a mythical bird that is a fire spir
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Prototype of an opportunistic monument or a monument on call - Sylvie Boisseau
WWW
Prototype of an opportunistic monument or a monument on call
(in memory of the Stasi* victims)
The monument consist of an orthogonal concrete block of 200 x 150 x 50 cm which is embedded under the ground, It should be erected at places where the orig
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Prototype of an opportunistic monument or a monument on call
(in memory of the Stasi* victims)
The monument consist of an orthogonal concrete block of 200 x 150 x 50 cm which is embedded under the ground, It should be erected at places where the orig
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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The Geese of Feliferhof - Esther Shalev-Gerz with Jochen Gerz
WWW
Graz, Austria
In 1996, Esther Shalev-Gerz and Jochen Gerz won an international competition launched by the Austrian government to pay tribute to those who opposed the Nazi regime. The artists proposed installing four white flags carrying red inscriptio
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Graz, Austria
In 1996, Esther Shalev-Gerz and Jochen Gerz won an international competition launched by the Austrian government to pay tribute to those who opposed the Nazi regime. The artists proposed installing four white flags carrying red inscriptio
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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Breakdown: A Prototypical Monument to the Open Road - John Landewe
WWW
Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood.
"The Gate"
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Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood.
"The Gate"
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This Holocaust Memorial is comprised of two major elements: an above grade, open pavilion; a below grade, Sand Fall.
Although not immediately apparent, the disjunctive, stainless steel pavilion is constructed of components of the Star of David.
The
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This Holocaust Memorial is comprised of two major elements: an above grade, open pavilion; a below grade, Sand Fall.
Although not immediately apparent, the disjunctive, stainless steel pavilion is constructed of components of the Star of David.
The
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Place Jacques-Cartier, Montréal 1990 (with Tony Fretton) - Mark Pimlott
WWW
This project proposed a monumental surface for Place Jacques-Cartier that resembled the streets an unconscious places that were typical of Montréal’s topography. The ground was conceived of as a portion of the granite shield that the city is built on,
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This project proposed a monumental surface for Place Jacques-Cartier that resembled the streets an unconscious places that were typical of Montréal’s topography. The ground was conceived of as a portion of the granite shield that the city is built on,
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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