proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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Sculpture Center In Practice - Kristin Jones / Andrew Ginzel
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KRISTIN JONES / ANDREW GINZEL
Sculpture Center In Practice
PROPOSAL
In the open-air volume of the garden courtyard adjacent to the mass of the main building we propose to draw three precise geometries that the site itself suggests: Two planes of pa
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KRISTIN JONES / ANDREW GINZEL
Sculpture Center In Practice
PROPOSAL
In the open-air volume of the garden courtyard adjacent to the mass of the main building we propose to draw three precise geometries that the site itself suggests: Two planes of pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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I call my "ice actions", consisting in placing objects in principal downtown squares, the Monuments of Time. I find this title appropriately noble, considering in whose honor they are erected. In each case, I seek an adequate form to celebrate time as wel
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I call my "ice actions", consisting in placing objects in principal downtown squares, the Monuments of Time. I find this title appropriately noble, considering in whose honor they are erected. In each case, I seek an adequate form to celebrate time as wel
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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Early in 2008 I was planning a coloring action. There is a historical monument in Ljubljana called The Trail of Remembrance and Comradeship; consisting of a walkway almost ringing Ljubljana; its signposts bear the emblem of the red star. Over time, the re
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Early in 2008 I was planning a coloring action. There is a historical monument in Ljubljana called The Trail of Remembrance and Comradeship; consisting of a walkway almost ringing Ljubljana; its signposts bear the emblem of the red star. Over time, the re
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The Circumference is Everywhere, 2011
100 miles Northeast of Los Angeles in the Mojave Desert lies a city abandoned in advance of itself, a ruin that is an aerial monument to misguided optimism that was conceived of by Nat Mendelsohn and intended to r
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The Circumference is Everywhere, 2011
100 miles Northeast of Los Angeles in the Mojave Desert lies a city abandoned in advance of itself, a ruin that is an aerial monument to misguided optimism that was conceived of by Nat Mendelsohn and intended to r
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Monuments to Real Life
Monument 2. Twins
Digital Video installation research phase began Autumn 2008 in Nuertingen Germany and was aborted in May 2009.
Monument 2. ‘Twins’ is the unrealized sibling to Monument 1 ‘Well I Never…’ 2007(www.w
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Monuments to Real Life
Monument 2. Twins
Digital Video installation research phase began Autumn 2008 in Nuertingen Germany and was aborted in May 2009.
Monument 2. ‘Twins’ is the unrealized sibling to Monument 1 ‘Well I Never…’ 2007(www.w
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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“Oil spill La Fenice” by KilMor Prod.
La Fenice
Teatro La Fenice is the biggest opera house in Venice, Italy and one of the most famous theatres in Europe. “La Fenice” means “The Phoenix”.
A phoenix is a mythical bird that is a fire spir
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“Oil spill La Fenice” by KilMor Prod.
La Fenice
Teatro La Fenice is the biggest opera house in Venice, Italy and one of the most famous theatres in Europe. “La Fenice” means “The Phoenix”.
A phoenix is a mythical bird that is a fire spir
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Central Park Monument to the Nimbus of Victory, 2009 - Peter Joslyn
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The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Solar City Tower for Rio de Janeiro 2016 Olympics - Rafael Schmidt, RAFAA
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International Architecture Competition for the Olympic Games 2016 in Rio de Janeiro.
„The project under consideration should be located in the bay of the city of Rio de Janeiro on the Cotonduba Island, which is the obligatory approach for aircraft la
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International Architecture Competition for the Olympic Games 2016 in Rio de Janeiro.
„The project under consideration should be located in the bay of the city of Rio de Janeiro on the Cotonduba Island, which is the obligatory approach for aircraft la
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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"In the Shadow of the Monument" 2009
PROPOSAL # 2
Images from the solo exhibition at Art Center Gävle, Sweden.
And a temporary public monument "In the shadow of the double" in City Hall Courtyard in the city of Gävle, Sweden.
more info
http://a
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"In the Shadow of the Monument" 2009
PROPOSAL # 2
Images from the solo exhibition at Art Center Gävle, Sweden.
And a temporary public monument "In the shadow of the double" in City Hall Courtyard in the city of Gävle, Sweden.
more info
http://a
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To the unknown Broker /
Tomb of the Unknown Broker
( Dem unbekannten Broker )
a monument about artistic vision as social comment
The installation (Tomb of an Unknown Broker) is dedicated to the virtual character of an Unidentified Broker. It highl
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To the unknown Broker /
Tomb of the Unknown Broker
( Dem unbekannten Broker )
a monument about artistic vision as social comment
The installation (Tomb of an Unknown Broker) is dedicated to the virtual character of an Unidentified Broker. It highl
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The “freedom and democracy monument” is designed in the shape of an oversized transparent round table: People make use of the elements of that round table by their presence and help bring life into it.The round table is the symbol of the democratic id
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The “freedom and democracy monument” is designed in the shape of an oversized transparent round table: People make use of the elements of that round table by their presence and help bring life into it.The round table is the symbol of the democratic id
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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The Geese of Feliferhof - Esther Shalev-Gerz with Jochen Gerz
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Graz, Austria
In 1996, Esther Shalev-Gerz and Jochen Gerz won an international competition launched by the Austrian government to pay tribute to those who opposed the Nazi regime. The artists proposed installing four white flags carrying red inscriptio
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Graz, Austria
In 1996, Esther Shalev-Gerz and Jochen Gerz won an international competition launched by the Austrian government to pay tribute to those who opposed the Nazi regime. The artists proposed installing four white flags carrying red inscriptio
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My design for the competition “Denkzeichen Rosa Luxemburg” (Memory Marker Rosa Luxemburg; Berlin 2003) drew upon the Revolution Monument by Ludwig Mies van der Rohe, which was commissioned in 1926 by the German Communist Party as the central memorial
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My design for the competition “Denkzeichen Rosa Luxemburg” (Memory Marker Rosa Luxemburg; Berlin 2003) drew upon the Revolution Monument by Ludwig Mies van der Rohe, which was commissioned in 1926 by the German Communist Party as the central memorial
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Place Jacques-Cartier, Montréal 1990 (with Tony Fretton) - Mark Pimlott
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This project proposed a monumental surface for Place Jacques-Cartier that resembled the streets an unconscious places that were typical of Montréal’s topography. The ground was conceived of as a portion of the granite shield that the city is built on,
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This project proposed a monumental surface for Place Jacques-Cartier that resembled the streets an unconscious places that were typical of Montréal’s topography. The ground was conceived of as a portion of the granite shield that the city is built on,
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Proposal Rockaway 9/11 memorial Lisa Hein 2002
THE CUBE
A bleacher faces the water on Jamaica Bay. It watches the Manhattan skyline to the northwest. The center of the bleacher is cut out in a square. A black cube rises through.
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Proposal Rockaway 9/11 memorial Lisa Hein 2002
THE CUBE
A bleacher faces the water on Jamaica Bay. It watches the Manhattan skyline to the northwest. The center of the bleacher is cut out in a square. A black cube rises through.
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