Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.
AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.
AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.
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PROPOSALl + VOORSTEL - Guillame Bijl
den anonymen Tod ausstellen - Gregor Schneider
Aus: Katalog 'Kunst bleibt Kunst' - Hans Peter Feldman
Unrealized project for Tate Gallery + ICA, 1969 - Gilbert and George
Post Photographic apparatus - Steven Pippin
KEEPING IN TOUCH - Allan Kaprow
City Hall Tower Night Ilumination - Krysztof Wodiczko
Invitation Space No.1 - Tania Mouraud
The Clock - Ayse Erkmen
Entwurf für einen erneuerten Malkasten 1992 - 1994 - Ulrike Holthöfer
Agency of Unrealised Projects
Logo by Liam Gillick
Logo by Liam Gillick