Miscellaneous Instruments
FORM 5:I-3.02
RIGHT-OF-PRIVACY RELEASE
Short Form
[Name of Motion Picture Company]
[Address]
Dear Sirs:
I am one of the persons of whom [name of author] wrote in his book [name of book]. You are p
...
Miscellaneous Instruments
FORM 5:I-3.02
RIGHT-OF-PRIVACY RELEASE
Short Form
[Name of Motion Picture Company]
[Address]
Dear Sirs:
I am one of the persons of whom [name of author] wrote in his book [name of book]. You are p
...
Art and Ourselves: A Proposal for the city of Nordhorn - Allen Rupperssberg
Unbuilt Roads
see my catalog from the Magazine. The complete text is there.
(eventually reasons why the work has not been realised)
Political
Previous Publications (?)
Catalog from where art Magazine 1996
Exisiting Documents:
to be requested from No
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see my catalog from the Magazine. The complete text is there.
(eventually reasons why the work has not been realised)
Political
Previous Publications (?)
Catalog from where art Magazine 1996
Exisiting Documents:
to be requested from No
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House with half sphere swimming pool in the center
(eventually reasons why the work has not been realised)
No Time
Previous Publications (?)
No
Existing Documents (photos, drawings, models):
Drawing
Other remarks
Designed after a v
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House with half sphere swimming pool in the center
(eventually reasons why the work has not been realised)
No Time
Previous Publications (?)
No
Existing Documents (photos, drawings, models):
Drawing
Other remarks
Designed after a v
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The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan
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The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Placid Earth: A Project for the Meeting of Millennia - Cai Guo Quiang
Unbuilt Roads
Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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1996 progetto "ilana, I love you" per la galleria Stefano Basilico di New York.
Molte persone che conoscono Stefano Basilica per la sua galleria, conoscono anche che Stefano e' stato collaboratore per circa dieci anni alla galleria Sonnabend.
Questo
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1996 progetto "ilana, I love you" per la galleria Stefano Basilico di New York.
Molte persone che conoscono Stefano Basilica per la sua galleria, conoscono anche che Stefano e' stato collaboratore per circa dieci anni alla galleria Sonnabend.
Questo
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Douglas Gordon - 5 year drive-by; proposal for a public artwork.
Unbuilt Roads
Originally presented at the Biennale de Lyon, 1995.
The work is something of a companion piece to 24 Hour Psycho but it may, appear to be a little more extreme in some ways. I want to work with John Ford's film The Searchers which is, I think, the ar
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Originally presented at the Biennale de Lyon, 1995.
The work is something of a companion piece to 24 Hour Psycho but it may, appear to be a little more extreme in some ways. I want to work with John Ford's film The Searchers which is, I think, the ar
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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Auf dem Wege nach Amsterdam sollten wir 30 meter hohe stahltulpen im würde leicht Schwingend die Autofahrer. Links und rechts oder Autobahn begrußen. (Jede Blüte in ihre eigenen farbe)
(eventually reasons why the work has not been realised)
Die A
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Auf dem Wege nach Amsterdam sollten wir 30 meter hohe stahltulpen im würde leicht Schwingend die Autofahrer. Links und rechts oder Autobahn begrußen. (Jede Blüte in ihre eigenen farbe)
(eventually reasons why the work has not been realised)
Die A
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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A commission for the SkyDome sports stadium in Toronto, Canada.
"General Idea's World Record takes the form of an Illuminated sign suspended overhead and running for the complete circumference of the SkyDome's circular interior street. It will display
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A commission for the SkyDome sports stadium in Toronto, Canada.
"General Idea's World Record takes the form of an Illuminated sign suspended overhead and running for the complete circumference of the SkyDome's circular interior street. It will display
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The World is a Theater and we each have a role - Louise Bourgeois
Unbuilt Roads
A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
...
Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Color/16m.m - 50 minutes/£800
JUST BEFORE DAWN
by
Davd Lamelas
The project is basically an analysis of the elements by which narative primarily works on Film Narrative conventions.
There is already something that we understand as "comme
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Color/16m.m - 50 minutes/£800
JUST BEFORE DAWN
by
Davd Lamelas
The project is basically an analysis of the elements by which narative primarily works on Film Narrative conventions.
There is already something that we understand as "comme
...
Le Festival du film de famille est un événement qui séted sur 3 jours, c'est le pant de dipart d'une dénie partagée qui peut se répéter sur plusieurs [arnisé?]. Une communanté affactive [illisible] son [basan?] d'histories par sa propre producti
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Le Festival du film de famille est un événement qui séted sur 3 jours, c'est le pant de dipart d'une dénie partagée qui peut se répéter sur plusieurs [arnisé?]. Une communanté affactive [illisible] son [basan?] d'histories par sa propre producti
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Grand Concours International D'Architecture - Mahe Gilles
Unbuilt Roads
Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lamarée descendante + montante un batiment a l'aide des seuls materials trouvés sur la plage
Nature Des
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Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lamarée descendante + montante un batiment a l'aide des seuls materials trouvés sur la plage
Nature Des
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l'ecran video Geant construit dans le prolongement de l'architecture de l'opera de la ville (Philipszaal) difuse en continue une image de la mer inversée.
(Eventuellement raisons pour lesquelles le travail n'a pu etre realise)
Cout élevé. (Trop!)
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l'ecran video Geant construit dans le prolongement de l'architecture de l'opera de la ville (Philipszaal) difuse en continue une image de la mer inversée.
(Eventuellement raisons pour lesquelles le travail n'a pu etre realise)
Cout élevé. (Trop!)
...
In response to an invitation to propose a public art project anywhere in Italy I designed a house to be built in Milan. The basic drawings were completed and submitted for consideration. At this point an architectural practice in Milan became involved and
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In response to an invitation to propose a public art project anywhere in Italy I designed a house to be built in Milan. The basic drawings were completed and submitted for consideration. At this point an architectural practice in Milan became involved and
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Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3"
Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The
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Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3"
Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The
...
Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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