Project for the Initiative Mahnmal Homosexuellenverfolgung, Frankfurt - Jeff Wall
Unbuilt Roads
My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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When the project to built the AVE train (Madrid-Scville-Madrid) was getting started, a design team was put together to design the mobile units of this high-speed train.
Visual Poet, Joan Brossa, was asked to collaborate in the final touches of this de
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When the project to built the AVE train (Madrid-Scville-Madrid) was getting started, a design team was put together to design the mobile units of this high-speed train.
Visual Poet, Joan Brossa, was asked to collaborate in the final touches of this de
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Grand Concours International D'Architecture - Mahe Gilles
Unbuilt Roads
Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lamarée descendante + montante un batiment a l'aide des seuls materials trouvés sur la plage
Nature Des
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Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lamarée descendante + montante un batiment a l'aide des seuls materials trouvés sur la plage
Nature Des
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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A FAIRLY TALL TOWER, 48,000 Miles High - - Siah Armajani
Unbuilt Roads
Location: Outer Space
Status: Theoretical study
Proposal to build a self-supporting tower suspended in space but anchored at one point to the earth (U. S. ).
All synchronous satellites of the earth are located at the synchronous altitude. This al
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Location: Outer Space
Status: Theoretical study
Proposal to build a self-supporting tower suspended in space but anchored at one point to the earth (U. S. ).
All synchronous satellites of the earth are located at the synchronous altitude. This al
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Please see the enclosed leaflet· "Tower Crane, Paris"
(eventually reasons why the work has not been realised)
Financial, technical and organisation problems
Previous Publications (?)
Enclosed
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Please see the enclosed leaflet· "Tower Crane, Paris"
(eventually reasons why the work has not been realised)
Financial, technical and organisation problems
Previous Publications (?)
Enclosed
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Dear Hans-Ulrich Obrist,
I'm sending some images to you on disk. There are four stills of a theater set. (et 1 and et 2 on the first disk and et 3 and et5 on the second disk.) These are printable using Photoshop 3.0.
Here is the text you asked for
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Dear Hans-Ulrich Obrist,
I'm sending some images to you on disk. There are four stills of a theater set. (et 1 and et 2 on the first disk and et 3 and et5 on the second disk.) These are printable using Photoshop 3.0.
Here is the text you asked for
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1996 progetto "ilana, I love you" per la galleria Stefano Basilico di New York.
Molte persone che conoscono Stefano Basilica per la sua galleria, conoscono anche che Stefano e' stato collaboratore per circa dieci anni alla galleria Sonnabend.
Questo
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1996 progetto "ilana, I love you" per la galleria Stefano Basilico di New York.
Molte persone che conoscono Stefano Basilica per la sua galleria, conoscono anche che Stefano e' stato collaboratore per circa dieci anni alla galleria Sonnabend.
Questo
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A competition won in 1989
Tower One: was proposed to sit in a roundabout next to the Chicago river .. 65' (feet) in height, the base an octagonal cast iron construction stands on a slightly mounded cast rubber base ... eight triangular beams thrust upw
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A competition won in 1989
Tower One: was proposed to sit in a roundabout next to the Chicago river .. 65' (feet) in height, the base an octagonal cast iron construction stands on a slightly mounded cast rubber base ... eight triangular beams thrust upw
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d'un projet dédié aux victimes de la Shoah. - Christian Boltanski
Unbuilt Roads
Il y a quelques années, j'ai éte invité à réfléchir à la réalisation d'un projet dédié aux victimes de la Shoah. Ce monument devait être installé en face du Reichstag à Berlin. J'avais répondu alors que je pensais que les monuments étaient
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Il y a quelques années, j'ai éte invité à réfléchir à la réalisation d'un projet dédié aux victimes de la Shoah. Ce monument devait être installé en face du Reichstag à Berlin. J'avais répondu alors que je pensais que les monuments étaient
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This was a proposal for the Defense Urban Development area in the city of Paris. The work, which takes on the appearance of a monument, would consist of stone or marble plates, bolted together to create a weather proof box-shaped container, housing shelve
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This was a proposal for the Defense Urban Development area in the city of Paris. The work, which takes on the appearance of a monument, would consist of stone or marble plates, bolted together to create a weather proof box-shaped container, housing shelve
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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„Entwurf für einen erneuerten Malkasten" 1992 - 1994
Gemeinschaftsprojekt
Jacobischer Garten/ Malkasten Düsseldorf:
22000 m2 großer historischer Garten und Gebäudesubstanz (Jacobihaus, Hentrichbau, Randgebäude) im Zentrum der Stadt Düsse
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„Entwurf für einen erneuerten Malkasten" 1992 - 1994
Gemeinschaftsprojekt
Jacobischer Garten/ Malkasten Düsseldorf:
22000 m2 großer historischer Garten und Gebäudesubstanz (Jacobihaus, Hentrichbau, Randgebäude) im Zentrum der Stadt Düsse
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Financial Times Millennium Bridge Competition - Richard Serra and Frank Gehry
Unbuilt Roads
Design Intent:
The main purpose of a footbridge across the Thames should be more than to transport people most efficiently from point A to point B. We propose, instead, a bridge where sociality becomes the dominant practical purpose, a structure which
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Design Intent:
The main purpose of a footbridge across the Thames should be more than to transport people most efficiently from point A to point B. We propose, instead, a bridge where sociality becomes the dominant practical purpose, a structure which
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Unbetitelt, Gänse-Projekt + Noch unbetitelt , " Durch den Mund sehen " + Kartoffeln - Carsten Holler
Unbuilt Roads
Unbetitelt, Gänse-Projekt
1996
Junge Graugänse werden auf einen ferhgesteurten Flugdrachen geprägt, indem sie im Moment des Schlüpfens mit diesem Objekt konfrontiert werden. Der Flugdrachen übernimmt die Rolle der Mutter. Später, wen
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Unbetitelt, Gänse-Projekt
1996
Junge Graugänse werden auf einen ferhgesteurten Flugdrachen geprägt, indem sie im Moment des Schlüpfens mit diesem Objekt konfrontiert werden. Der Flugdrachen übernimmt die Rolle der Mutter. Später, wen
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Miscellaneous Instruments
FORM 5:I-3.02
RIGHT-OF-PRIVACY RELEASE
Short Form
[Name of Motion Picture Company]
[Address]
Dear Sirs:
I am one of the persons of whom [name of author] wrote in his book [name of book]. You are p
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Miscellaneous Instruments
FORM 5:I-3.02
RIGHT-OF-PRIVACY RELEASE
Short Form
[Name of Motion Picture Company]
[Address]
Dear Sirs:
I am one of the persons of whom [name of author] wrote in his book [name of book]. You are p
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan
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The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan
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Ruderaltisch, 1994/95 Kunst am Bau - Projekt - Lois Weinberger
Unbuilt Roads
Die Arbeit besteht aus einem Betontisch im Freien / auf dem erdgefüllte / allgegenwärtige Behälter / wie entleerte Öldosen / leere Farbkübel / „unverwüstliche Plastiksäcke" stehen. Eine Bepflanzung wird nicht vorgenommen / da die im Freiland
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Die Arbeit besteht aus einem Betontisch im Freien / auf dem erdgefüllte / allgegenwärtige Behälter / wie entleerte Öldosen / leere Farbkübel / „unverwüstliche Plastiksäcke" stehen. Eine Bepflanzung wird nicht vorgenommen / da die im Freiland
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"Looking into the heart of light, the silence . . . " - T. S. Eliot
«Un agne passe» - „Ein Engel schwebt durch den Raum" - ein Moment due Ruhe, der selten geworden ist in unserer Gesellschaft, die vom visuellen und sonoren horror vacui verflogt wir
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"Looking into the heart of light, the silence . . . " - T. S. Eliot
«Un agne passe» - „Ein Engel schwebt durch den Raum" - ein Moment due Ruhe, der selten geworden ist in unserer Gesellschaft, die vom visuellen und sonoren horror vacui verflogt wir
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