Two projects for the World Government Building - Samuil Stoyanov
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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PURGATORIUM
Purgatorium is a total art project with site-specific concept, which combines a contemporary visual art work with classical cultural values. The project focuses on the great and challenging theme of the Purgatory and tries to discover its mea
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PURGATORIUM
Purgatorium is a total art project with site-specific concept, which combines a contemporary visual art work with classical cultural values. The project focuses on the great and challenging theme of the Purgatory and tries to discover its mea
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I have created a proposal outlining a beautification project beginning in the city of Atlanta. Participants in the agenda sign up to receive locations of seed bomb caches. They can then distribute the seed bombs and log the locations of the bombing....
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I have created a proposal outlining a beautification project beginning in the city of Atlanta. Participants in the agenda sign up to receive locations of seed bomb caches. They can then distribute the seed bombs and log the locations of the bombing....
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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The Geese of Feliferhof - Esther Shalev-Gerz with Jochen Gerz
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Graz, Austria
In 1996, Esther Shalev-Gerz and Jochen Gerz won an international competition launched by the Austrian government to pay tribute to those who opposed the Nazi regime. The artists proposed installing four white flags carrying red inscriptio
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Graz, Austria
In 1996, Esther Shalev-Gerz and Jochen Gerz won an international competition launched by the Austrian government to pay tribute to those who opposed the Nazi regime. The artists proposed installing four white flags carrying red inscriptio
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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The Deer Problem Proposal: Schuylkill Center
The Schuylkill Center had a recent problem with an over population of white tailed deer, to the point where the ecosystem of the land could have been threatened. There are only suppose to be eight to ten dee
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The Deer Problem Proposal: Schuylkill Center
The Schuylkill Center had a recent problem with an over population of white tailed deer, to the point where the ecosystem of the land could have been threatened. There are only suppose to be eight to ten dee
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JARDIN COTONCO
‘Jardin Cotonco’ is a local recreational park in the Waterwijk district in Ghent-
Belgium. It aspires to be a pedagogical garden/green area in the historical centre of the city of Ghent, a laboratory and extension to MIAT (Museum
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JARDIN COTONCO
‘Jardin Cotonco’ is a local recreational park in the Waterwijk district in Ghent-
Belgium. It aspires to be a pedagogical garden/green area in the historical centre of the city of Ghent, a laboratory and extension to MIAT (Museum
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The Intellectual Refuge(e) Camp – 21 tents for the 21st Century - Patrick Meagher & WORK.ac
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Dear M. Buergel,
Please find enclosed our proposal ‘The Intellectual Refuge(e) Camp – 21 tents for the 21st Century’, which your Leitmotifs for Documenta 12 inspired.
Feeling immediately akin to your text, the Leitmotifs resonated with idea
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Dear M. Buergel,
Please find enclosed our proposal ‘The Intellectual Refuge(e) Camp – 21 tents for the 21st Century’, which your Leitmotifs for Documenta 12 inspired.
Feeling immediately akin to your text, the Leitmotifs resonated with idea
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One Thousand Worlds in 16 minutes and 40 seconds - Nuala Clarke
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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The 'Not at...' series: Installations that never were... - Claire Manning
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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THE STREET IS ALSO A HOUSE ... - António Rosa da Silva
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explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private.
The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve
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explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private.
The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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The project space is a public secondary school in a suburban area north-west of Brussels. It's an academy of visual arts, but to many pupils, most of whom have had a troublesome school career, the school is a refuge where they can retrieve their inquisiti
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The project space is a public secondary school in a suburban area north-west of Brussels. It's an academy of visual arts, but to many pupils, most of whom have had a troublesome school career, the school is a refuge where they can retrieve their inquisiti
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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