Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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The project entitled “Contingency Zone” consist of 12 flagpoles, measuring 600cm tall by 6.5cm of diameter, and twelve flags, measuring 220 cm by 100cm, stamped with the repeating pattern [in the colors black and yellow] of the “caution” tapes
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The project entitled “Contingency Zone” consist of 12 flagpoles, measuring 600cm tall by 6.5cm of diameter, and twelve flags, measuring 220 cm by 100cm, stamped with the repeating pattern [in the colors black and yellow] of the “caution” tapes
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My submission calls for a form of weir to be built at the Schuylkill River Environmental Center in Philadelphia, Pennsylvania. The structure, which is designed to aerate the water and allow for the deposit of silt, is built in the shape of skyscrapers...
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My submission calls for a form of weir to be built at the Schuylkill River Environmental Center in Philadelphia, Pennsylvania. The structure, which is designed to aerate the water and allow for the deposit of silt, is built in the shape of skyscrapers...
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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The project space is a public secondary school in a suburban area north-west of Brussels. It's an academy of visual arts, but to many pupils, most of whom have had a troublesome school career, the school is a refuge where they can retrieve their inquisiti
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The project space is a public secondary school in a suburban area north-west of Brussels. It's an academy of visual arts, but to many pupils, most of whom have had a troublesome school career, the school is a refuge where they can retrieve their inquisiti
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] - spmb [Eduardo Aquino & Karen Shanski]
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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PURGATORIUM
Purgatorium is a total art project with site-specific concept, which combines a contemporary visual art work with classical cultural values. The project focuses on the great and challenging theme of the Purgatory and tries to discover its mea
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PURGATORIUM
Purgatorium is a total art project with site-specific concept, which combines a contemporary visual art work with classical cultural values. The project focuses on the great and challenging theme of the Purgatory and tries to discover its mea
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“Fireflies” is a site-specific installation, I got the idea while traveling for Bogota to Medellin by land, through the mountain. For the first time after sever years I saw groups of fireflies in the woods. Why there are not so many fireflies around t
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“Fireflies” is a site-specific installation, I got the idea while traveling for Bogota to Medellin by land, through the mountain. For the first time after sever years I saw groups of fireflies in the woods. Why there are not so many fireflies around t
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One Thousand Worlds in 16 minutes and 40 seconds - Nuala Clarke
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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Before The Gates Of Our Vacant Future - Joseph Shaeffer
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Project initially proposed for the Garage Center For Contemporary Culture in Moscow, Russia which is housed in the historic Bakhmetevsky Bus Garage designed by Konstantin Melnikov in 1926.
“Before the gates of our vacant future.” Thus reads the ope
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Project initially proposed for the Garage Center For Contemporary Culture in Moscow, Russia which is housed in the historic Bakhmetevsky Bus Garage designed by Konstantin Melnikov in 1926.
“Before the gates of our vacant future.” Thus reads the ope
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The 'Not at...' series: Installations that never were... - Claire Manning
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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Project Name: CayucoTours
Artist: Ralph Kistler
Email: check-in@subtours.com
Webpage: http://www.subtours.com
CayucoTours was a selected project for the 3.Biennale of the Canary Islands that
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Project Name: CayucoTours
Artist: Ralph Kistler
Email: check-in@subtours.com
Webpage: http://www.subtours.com
CayucoTours was a selected project for the 3.Biennale of the Canary Islands that
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Work Description:
In this proposed project for Watermans, 1000 bargain bin CDs are purchased and made available to visitors to browse, playback and take-away if they wish. Rather than a constantly updated library of the latest hits, these albums are the
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Work Description:
In this proposed project for Watermans, 1000 bargain bin CDs are purchased and made available to visitors to browse, playback and take-away if they wish. Rather than a constantly updated library of the latest hits, these albums are the
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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