The project space is a public secondary school in a suburban area north-west of Brussels. It's an academy of visual arts, but to many pupils, most of whom have had a troublesome school career, the school is a refuge where they can retrieve their inquisiti
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The project space is a public secondary school in a suburban area north-west of Brussels. It's an academy of visual arts, but to many pupils, most of whom have had a troublesome school career, the school is a refuge where they can retrieve their inquisiti
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Green Times Square
Holly Tempo
In late 2007, I was invited to participate in Green-er Sessions: Sketching Solutions to Climate Change, an exhibition in which artists, scientists and architects presented solutions for climate change. I submitted a pr
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Green Times Square
Holly Tempo
In late 2007, I was invited to participate in Green-er Sessions: Sketching Solutions to Climate Change, an exhibition in which artists, scientists and architects presented solutions for climate change. I submitted a pr
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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Transferable skills / Compétances transfèrables - Erin Fortier and Scott Soullière
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Transferable skills | Compétances transfèrables
A site-specific installation in Ford City, Windsor-Detroit in the aftermath of the North American automotive industry crash. Both Soullière and Fortier were born and raised in Windsor....
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Transferable skills | Compétances transfèrables
A site-specific installation in Ford City, Windsor-Detroit in the aftermath of the North American automotive industry crash. Both Soullière and Fortier were born and raised in Windsor....
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Artist Statement:
It is interesting to see what one value or thinks should be contained, stored and kept. This idea of something being secure and safely tucked away or collected is fundamental in my work. I think it is an essential quality of humans to
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Artist Statement:
It is interesting to see what one value or thinks should be contained, stored and kept. This idea of something being secure and safely tucked away or collected is fundamental in my work. I think it is an essential quality of humans to
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A Starry Minute proposes to collaborate with building owners in Times Square to turn off all of the commercial signage in the area (41 St. - 50 St. between Broadway and 7th Ave) simultaneously for one minute. A Starry Minute’s specific duration of 60 se
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A Starry Minute proposes to collaborate with building owners in Times Square to turn off all of the commercial signage in the area (41 St. - 50 St. between Broadway and 7th Ave) simultaneously for one minute. A Starry Minute’s specific duration of 60 se
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Justyna Gruszczyk RETURN Project consists on scenting former Lutheran church in Toruń with the incense, which is used by Orthodox Church. Interior of the church will remain empty. In a visual way nothing will change. The source of the fragrance will be h
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Justyna Gruszczyk RETURN Project consists on scenting former Lutheran church in Toruń with the incense, which is used by Orthodox Church. Interior of the church will remain empty. In a visual way nothing will change. The source of the fragrance will be h
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‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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Irisation Field - Maria Gaspar, Alexander Eisenschmidt
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Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
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Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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The project entitled “Contingency Zone” consist of 12 flagpoles, measuring 600cm tall by 6.5cm of diameter, and twelve flags, measuring 220 cm by 100cm, stamped with the repeating pattern [in the colors black and yellow] of the “caution” tapes
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The project entitled “Contingency Zone” consist of 12 flagpoles, measuring 600cm tall by 6.5cm of diameter, and twelve flags, measuring 220 cm by 100cm, stamped with the repeating pattern [in the colors black and yellow] of the “caution” tapes
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One Thousand Worlds in 16 minutes and 40 seconds - Nuala Clarke
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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Before The Gates Of Our Vacant Future - Joseph Shaeffer
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Project initially proposed for the Garage Center For Contemporary Culture in Moscow, Russia which is housed in the historic Bakhmetevsky Bus Garage designed by Konstantin Melnikov in 1926.
“Before the gates of our vacant future.” Thus reads the ope
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Project initially proposed for the Garage Center For Contemporary Culture in Moscow, Russia which is housed in the historic Bakhmetevsky Bus Garage designed by Konstantin Melnikov in 1926.
“Before the gates of our vacant future.” Thus reads the ope
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Brasília, Cars, Pools & Other Modernities - Clarissa Tossin
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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This was a proposal for a project called "Thanatopolis" --asking for outdoor works that explored the rituals of interment and memorialization.
(This proposal was for an outdoor art environment that was also a place of memory)
Imagine walking though
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This was a proposal for a project called "Thanatopolis" --asking for outdoor works that explored the rituals of interment and memorialization.
(This proposal was for an outdoor art environment that was also a place of memory)
Imagine walking though
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Originally submitted to the 12 x 12 Project Space at the MCA in Chicago in 2003/04. The submitted images are showing the model book made for the demonstrative needs of the project. The size of the model book is H 6 x W 4,5 x 1, 5 cm and it pops-up /unfol
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Originally submitted to the 12 x 12 Project Space at the MCA in Chicago in 2003/04. The submitted images are showing the model book made for the demonstrative needs of the project. The size of the model book is H 6 x W 4,5 x 1, 5 cm and it pops-up /unfol
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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