Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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PURGATORIUM
Purgatorium is a total art project with site-specific concept, which combines a contemporary visual art work with classical cultural values. The project focuses on the great and challenging theme of the Purgatory and tries to discover its mea
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PURGATORIUM
Purgatorium is a total art project with site-specific concept, which combines a contemporary visual art work with classical cultural values. The project focuses on the great and challenging theme of the Purgatory and tries to discover its mea
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Building Of a Heterogeneous Space of the Disappearance - Daniel Castellanos Reyes
WWW
Building Of An Heterogeneous Space Of The Disappearance will be an ephemeral construction shaped as one of the present balconies in what it used to be the Gebäude Des Reichsstatthalters Und Der Gauleitung.
This proposal pretends to make an historical
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Building Of An Heterogeneous Space Of The Disappearance will be an ephemeral construction shaped as one of the present balconies in what it used to be the Gebäude Des Reichsstatthalters Und Der Gauleitung.
This proposal pretends to make an historical
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Brasília, Cars, Pools & Other Modernities - Clarissa Tossin
WWW
“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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A Starry Minute proposes to collaborate with building owners in Times Square to turn off all of the commercial signage in the area (41 St. - 50 St. between Broadway and 7th Ave) simultaneously for one minute. A Starry Minute’s specific duration of 60 se
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A Starry Minute proposes to collaborate with building owners in Times Square to turn off all of the commercial signage in the area (41 St. - 50 St. between Broadway and 7th Ave) simultaneously for one minute. A Starry Minute’s specific duration of 60 se
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The 'Not at...' series: Installations that never were... - Claire Manning
WWW
This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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Before The Gates Of Our Vacant Future - Joseph Shaeffer
WWW
Project initially proposed for the Garage Center For Contemporary Culture in Moscow, Russia which is housed in the historic Bakhmetevsky Bus Garage designed by Konstantin Melnikov in 1926.
“Before the gates of our vacant future.” Thus reads the ope
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Project initially proposed for the Garage Center For Contemporary Culture in Moscow, Russia which is housed in the historic Bakhmetevsky Bus Garage designed by Konstantin Melnikov in 1926.
“Before the gates of our vacant future.” Thus reads the ope
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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One Thousand Worlds in 16 minutes and 40 seconds - Nuala Clarke
WWW
TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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Work Description:
In this proposed project for Watermans, 1000 bargain bin CDs are purchased and made available to visitors to browse, playback and take-away if they wish. Rather than a constantly updated library of the latest hits, these albums are the
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Work Description:
In this proposed project for Watermans, 1000 bargain bin CDs are purchased and made available to visitors to browse, playback and take-away if they wish. Rather than a constantly updated library of the latest hits, these albums are the
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JARDIN COTONCO
‘Jardin Cotonco’ is a local recreational park in the Waterwijk district in Ghent-
Belgium. It aspires to be a pedagogical garden/green area in the historical centre of the city of Ghent, a laboratory and extension to MIAT (Museum
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JARDIN COTONCO
‘Jardin Cotonco’ is a local recreational park in the Waterwijk district in Ghent-
Belgium. It aspires to be a pedagogical garden/green area in the historical centre of the city of Ghent, a laboratory and extension to MIAT (Museum
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The Intellectual Refuge(e) Camp – 21 tents for the 21st Century - Patrick Meagher & WORK.ac
WWW
Dear M. Buergel,
Please find enclosed our proposal ‘The Intellectual Refuge(e) Camp – 21 tents for the 21st Century’, which your Leitmotifs for Documenta 12 inspired.
Feeling immediately akin to your text, the Leitmotifs resonated with idea
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Dear M. Buergel,
Please find enclosed our proposal ‘The Intellectual Refuge(e) Camp – 21 tents for the 21st Century’, which your Leitmotifs for Documenta 12 inspired.
Feeling immediately akin to your text, the Leitmotifs resonated with idea
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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new bridge for dilligence
beer bridge for oversitting. sitting on more chairs, oversitting from place to placeinstead of direct movement and compulsory czech beer.some ideas are thirsty.some need to be oversitted. tommorrow reality.
intention of new bri
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new bridge for dilligence
beer bridge for oversitting. sitting on more chairs, oversitting from place to placeinstead of direct movement and compulsory czech beer.some ideas are thirsty.some need to be oversitted. tommorrow reality.
intention of new bri
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
...
As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
...