Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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new bridge for dilligence
beer bridge for oversitting. sitting on more chairs, oversitting from place to placeinstead of direct movement and compulsory czech beer.some ideas are thirsty.some need to be oversitted. tommorrow reality.
intention of new bri
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new bridge for dilligence
beer bridge for oversitting. sitting on more chairs, oversitting from place to placeinstead of direct movement and compulsory czech beer.some ideas are thirsty.some need to be oversitted. tommorrow reality.
intention of new bri
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PURGATORIUM
Purgatorium is a total art project with site-specific concept, which combines a contemporary visual art work with classical cultural values. The project focuses on the great and challenging theme of the Purgatory and tries to discover its mea
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PURGATORIUM
Purgatorium is a total art project with site-specific concept, which combines a contemporary visual art work with classical cultural values. The project focuses on the great and challenging theme of the Purgatory and tries to discover its mea
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THE STREET IS ALSO A HOUSE ... - António Rosa da Silva
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explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private.
The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve
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explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private.
The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve
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The project space is a public secondary school in a suburban area north-west of Brussels. It's an academy of visual arts, but to many pupils, most of whom have had a troublesome school career, the school is a refuge where they can retrieve their inquisiti
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The project space is a public secondary school in a suburban area north-west of Brussels. It's an academy of visual arts, but to many pupils, most of whom have had a troublesome school career, the school is a refuge where they can retrieve their inquisiti
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] - spmb [Eduardo Aquino & Karen Shanski]
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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I have created a proposal outlining a beautification project beginning in the city of Atlanta. Participants in the agenda sign up to receive locations of seed bomb caches. They can then distribute the seed bombs and log the locations of the bombing....
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I have created a proposal outlining a beautification project beginning in the city of Atlanta. Participants in the agenda sign up to receive locations of seed bomb caches. They can then distribute the seed bombs and log the locations of the bombing....
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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The project entitled “Contingency Zone” consist of 12 flagpoles, measuring 600cm tall by 6.5cm of diameter, and twelve flags, measuring 220 cm by 100cm, stamped with the repeating pattern [in the colors black and yellow] of the “caution” tapes
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The project entitled “Contingency Zone” consist of 12 flagpoles, measuring 600cm tall by 6.5cm of diameter, and twelve flags, measuring 220 cm by 100cm, stamped with the repeating pattern [in the colors black and yellow] of the “caution” tapes
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Irisation Field - Maria Gaspar, Alexander Eisenschmidt
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Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
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Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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Transferable skills / Compétances transfèrables - Erin Fortier and Scott Soullière
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Transferable skills | Compétances transfèrables
A site-specific installation in Ford City, Windsor-Detroit in the aftermath of the North American automotive industry crash. Both Soullière and Fortier were born and raised in Windsor....
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Transferable skills | Compétances transfèrables
A site-specific installation in Ford City, Windsor-Detroit in the aftermath of the North American automotive industry crash. Both Soullière and Fortier were born and raised in Windsor....
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Originally submitted to the 12 x 12 Project Space at the MCA in Chicago in 2003/04. The submitted images are showing the model book made for the demonstrative needs of the project. The size of the model book is H 6 x W 4,5 x 1, 5 cm and it pops-up /unfol
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Originally submitted to the 12 x 12 Project Space at the MCA in Chicago in 2003/04. The submitted images are showing the model book made for the demonstrative needs of the project. The size of the model book is H 6 x W 4,5 x 1, 5 cm and it pops-up /unfol
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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The Geese of Feliferhof - Esther Shalev-Gerz with Jochen Gerz
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Graz, Austria
In 1996, Esther Shalev-Gerz and Jochen Gerz won an international competition launched by the Austrian government to pay tribute to those who opposed the Nazi regime. The artists proposed installing four white flags carrying red inscriptio
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Graz, Austria
In 1996, Esther Shalev-Gerz and Jochen Gerz won an international competition launched by the Austrian government to pay tribute to those who opposed the Nazi regime. The artists proposed installing four white flags carrying red inscriptio
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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