Two projects for the World Government Building - Samuil Stoyanov
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Originally submitted to the 12 x 12 Project Space at the MCA in Chicago in 2003/04. The submitted images are showing the model book made for the demonstrative needs of the project. The size of the model book is H 6 x W 4,5 x 1, 5 cm and it pops-up /unfol
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Originally submitted to the 12 x 12 Project Space at the MCA in Chicago in 2003/04. The submitted images are showing the model book made for the demonstrative needs of the project. The size of the model book is H 6 x W 4,5 x 1, 5 cm and it pops-up /unfol
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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The Deer Problem Proposal: Schuylkill Center
The Schuylkill Center had a recent problem with an over population of white tailed deer, to the point where the ecosystem of the land could have been threatened. There are only suppose to be eight to ten dee
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The Deer Problem Proposal: Schuylkill Center
The Schuylkill Center had a recent problem with an over population of white tailed deer, to the point where the ecosystem of the land could have been threatened. There are only suppose to be eight to ten dee
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The ‘E-Motion Pictures’ project by the Dutch multi-disciplinary artist Ron Weijers, one could review as a series of mixed media video works that are only present in a specific set space and time – as opposed to his regular mixed-media paintings whic
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The ‘E-Motion Pictures’ project by the Dutch multi-disciplinary artist Ron Weijers, one could review as a series of mixed media video works that are only present in a specific set space and time – as opposed to his regular mixed-media paintings whic
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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The Geese of Feliferhof - Esther Shalev-Gerz with Jochen Gerz
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Graz, Austria
In 1996, Esther Shalev-Gerz and Jochen Gerz won an international competition launched by the Austrian government to pay tribute to those who opposed the Nazi regime. The artists proposed installing four white flags carrying red inscriptio
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Graz, Austria
In 1996, Esther Shalev-Gerz and Jochen Gerz won an international competition launched by the Austrian government to pay tribute to those who opposed the Nazi regime. The artists proposed installing four white flags carrying red inscriptio
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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Transferable skills / Compétances transfèrables - Erin Fortier and Scott Soullière
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Transferable skills | Compétances transfèrables
A site-specific installation in Ford City, Windsor-Detroit in the aftermath of the North American automotive industry crash. Both Soullière and Fortier were born and raised in Windsor....
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Transferable skills | Compétances transfèrables
A site-specific installation in Ford City, Windsor-Detroit in the aftermath of the North American automotive industry crash. Both Soullière and Fortier were born and raised in Windsor....
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Green Times Square
Holly Tempo
In late 2007, I was invited to participate in Green-er Sessions: Sketching Solutions to Climate Change, an exhibition in which artists, scientists and architects presented solutions for climate change. I submitted a pr
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Green Times Square
Holly Tempo
In late 2007, I was invited to participate in Green-er Sessions: Sketching Solutions to Climate Change, an exhibition in which artists, scientists and architects presented solutions for climate change. I submitted a pr
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The Intellectual Refuge(e) Camp – 21 tents for the 21st Century - Patrick Meagher & WORK.ac
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Dear M. Buergel,
Please find enclosed our proposal ‘The Intellectual Refuge(e) Camp – 21 tents for the 21st Century’, which your Leitmotifs for Documenta 12 inspired.
Feeling immediately akin to your text, the Leitmotifs resonated with idea
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Dear M. Buergel,
Please find enclosed our proposal ‘The Intellectual Refuge(e) Camp – 21 tents for the 21st Century’, which your Leitmotifs for Documenta 12 inspired.
Feeling immediately akin to your text, the Leitmotifs resonated with idea
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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The 'Not at...' series: Installations that never were... - Claire Manning
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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Artist Statement:
It is interesting to see what one value or thinks should be contained, stored and kept. This idea of something being secure and safely tucked away or collected is fundamental in my work. I think it is an essential quality of humans to
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Artist Statement:
It is interesting to see what one value or thinks should be contained, stored and kept. This idea of something being secure and safely tucked away or collected is fundamental in my work. I think it is an essential quality of humans to
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Justyna Gruszczyk RETURN Project consists on scenting former Lutheran church in Toruń with the incense, which is used by Orthodox Church. Interior of the church will remain empty. In a visual way nothing will change. The source of the fragrance will be h
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Justyna Gruszczyk RETURN Project consists on scenting former Lutheran church in Toruń with the incense, which is used by Orthodox Church. Interior of the church will remain empty. In a visual way nothing will change. The source of the fragrance will be h
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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new bridge for dilligence
beer bridge for oversitting. sitting on more chairs, oversitting from place to placeinstead of direct movement and compulsory czech beer.some ideas are thirsty.some need to be oversitted. tommorrow reality.
intention of new bri
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new bridge for dilligence
beer bridge for oversitting. sitting on more chairs, oversitting from place to placeinstead of direct movement and compulsory czech beer.some ideas are thirsty.some need to be oversitted. tommorrow reality.
intention of new bri
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“Fireflies” is a site-specific installation, I got the idea while traveling for Bogota to Medellin by land, through the mountain. For the first time after sever years I saw groups of fireflies in the woods. Why there are not so many fireflies around t
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“Fireflies” is a site-specific installation, I got the idea while traveling for Bogota to Medellin by land, through the mountain. For the first time after sever years I saw groups of fireflies in the woods. Why there are not so many fireflies around t
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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THE STREET IS ALSO A HOUSE ... - António Rosa da Silva
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explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private.
The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve
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explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private.
The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve
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