This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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The ‘E-Motion Pictures’ project by the Dutch multi-disciplinary artist Ron Weijers, one could review as a series of mixed media video works that are only present in a specific set space and time – as opposed to his regular mixed-media paintings whic
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The ‘E-Motion Pictures’ project by the Dutch multi-disciplinary artist Ron Weijers, one could review as a series of mixed media video works that are only present in a specific set space and time – as opposed to his regular mixed-media paintings whic
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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The project space is a public secondary school in a suburban area north-west of Brussels. It's an academy of visual arts, but to many pupils, most of whom have had a troublesome school career, the school is a refuge where they can retrieve their inquisiti
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The project space is a public secondary school in a suburban area north-west of Brussels. It's an academy of visual arts, but to many pupils, most of whom have had a troublesome school career, the school is a refuge where they can retrieve their inquisiti
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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The project entitled “Contingency Zone” consist of 12 flagpoles, measuring 600cm tall by 6.5cm of diameter, and twelve flags, measuring 220 cm by 100cm, stamped with the repeating pattern [in the colors black and yellow] of the “caution” tapes
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The project entitled “Contingency Zone” consist of 12 flagpoles, measuring 600cm tall by 6.5cm of diameter, and twelve flags, measuring 220 cm by 100cm, stamped with the repeating pattern [in the colors black and yellow] of the “caution” tapes
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‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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JARDIN COTONCO
‘Jardin Cotonco’ is a local recreational park in the Waterwijk district in Ghent-
Belgium. It aspires to be a pedagogical garden/green area in the historical centre of the city of Ghent, a laboratory and extension to MIAT (Museum
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JARDIN COTONCO
‘Jardin Cotonco’ is a local recreational park in the Waterwijk district in Ghent-
Belgium. It aspires to be a pedagogical garden/green area in the historical centre of the city of Ghent, a laboratory and extension to MIAT (Museum
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Originally submitted to the 12 x 12 Project Space at the MCA in Chicago in 2003/04. The submitted images are showing the model book made for the demonstrative needs of the project. The size of the model book is H 6 x W 4,5 x 1, 5 cm and it pops-up /unfol
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Originally submitted to the 12 x 12 Project Space at the MCA in Chicago in 2003/04. The submitted images are showing the model book made for the demonstrative needs of the project. The size of the model book is H 6 x W 4,5 x 1, 5 cm and it pops-up /unfol
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One Thousand Worlds in 16 minutes and 40 seconds - Nuala Clarke
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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Brasília, Cars, Pools & Other Modernities - Clarissa Tossin
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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A Starry Minute proposes to collaborate with building owners in Times Square to turn off all of the commercial signage in the area (41 St. - 50 St. between Broadway and 7th Ave) simultaneously for one minute. A Starry Minute’s specific duration of 60 se
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A Starry Minute proposes to collaborate with building owners in Times Square to turn off all of the commercial signage in the area (41 St. - 50 St. between Broadway and 7th Ave) simultaneously for one minute. A Starry Minute’s specific duration of 60 se
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Building Of a Heterogeneous Space of the Disappearance - Daniel Castellanos Reyes
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Building Of An Heterogeneous Space Of The Disappearance will be an ephemeral construction shaped as one of the present balconies in what it used to be the Gebäude Des Reichsstatthalters Und Der Gauleitung.
This proposal pretends to make an historical
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Building Of An Heterogeneous Space Of The Disappearance will be an ephemeral construction shaped as one of the present balconies in what it used to be the Gebäude Des Reichsstatthalters Und Der Gauleitung.
This proposal pretends to make an historical
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PURGATORIUM
Purgatorium is a total art project with site-specific concept, which combines a contemporary visual art work with classical cultural values. The project focuses on the great and challenging theme of the Purgatory and tries to discover its mea
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PURGATORIUM
Purgatorium is a total art project with site-specific concept, which combines a contemporary visual art work with classical cultural values. The project focuses on the great and challenging theme of the Purgatory and tries to discover its mea
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Green Times Square
Holly Tempo
In late 2007, I was invited to participate in Green-er Sessions: Sketching Solutions to Climate Change, an exhibition in which artists, scientists and architects presented solutions for climate change. I submitted a pr
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Green Times Square
Holly Tempo
In late 2007, I was invited to participate in Green-er Sessions: Sketching Solutions to Climate Change, an exhibition in which artists, scientists and architects presented solutions for climate change. I submitted a pr
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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THE STREET IS ALSO A HOUSE ... - António Rosa da Silva
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explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private.
The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve
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explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private.
The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve
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The Deer Problem Proposal: Schuylkill Center
The Schuylkill Center had a recent problem with an over population of white tailed deer, to the point where the ecosystem of the land could have been threatened. There are only suppose to be eight to ten dee
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The Deer Problem Proposal: Schuylkill Center
The Schuylkill Center had a recent problem with an over population of white tailed deer, to the point where the ecosystem of the land could have been threatened. There are only suppose to be eight to ten dee
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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