Agency of Unrealised Projects
Continue
Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

Click to continue...


Arrangement Stroom HCBK Den Haag - Ange Leccia

Unrealized Projects - Jonas Meckas

Why New Worlds Conceived by Artists Do Not Get Built - Peter Fend

Notebook Page: Home in the Form of a Banana with Garage,  - Claes Oldenburg

Ruderaltisch, 1994/95 Kunst am Bau - Projekt - Lois Weinberger

Proposal for a permanent video installation for the NYC headquarters of Sony Corporation - Dara Birnbaum

Invitation Space No.1 - Tania Mouraud

Catwalk - Sylive Fleury

A House of Dust - Alison Knowles

2 Architecture Towers - Robert Irwin

Agency of Unrealised Projects
Logo by Liam Gillick
#
Date
Title
Source
Description
Tags
W5478
21.10.2012
Static BillBoards  - Kenneth Millington
WWW
A project of painting television static on a series of free standing billboards along an expressway. TITLE: Static BillBoards OVERVIEW: Having worked as a large-­‐ scale public muralist and a fine artist for years, I propose to paint a large-­ ...
A project of painting television static on a series of free standing billboards along an expressway. TITLE: Static BillBoards OVERVIEW: Having worked as a large-­‐ scale public muralist and a fine artist for years, I propose to paint a large-­ ...
, , ,
U9759
06.04.1997
Monument to Democracy - Kounellis
Unbuilt Roads
La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven ...
La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven ...
, , , , ,
W4528
25.05.2011
The World Exhibition - Karl Kilian
WWW
The World Exhibition – A project by Karl Kilian General information The first time there will be an exhibition all over the world. The project combines the internet and the real world, space and place, the artworld and the world population. For this ...
The World Exhibition – A project by Karl Kilian General information The first time there will be an exhibition all over the world. The project combines the internet and the real world, space and place, the artworld and the world population. For this ...
, ,
W5448
20.10.2012
BUILDING DRAWING I: “THE LITTLE EASE” - Ann Daly
WWW
Ann Daly adaly@aya.yale.edu BUILDING DRAWING I: “THE LITTLE EASE” Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po ...
Ann Daly adaly@aya.yale.edu BUILDING DRAWING I: “THE LITTLE EASE” Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po ...
, , , ,
W4149
23.05.2011
Coming up for Air 2001  - Cornford & Cross
WWW
Coming up for Air 2001 Coming up for Air was a proposal for a temporary public art project based on the production of an imposing landmark in the reservoir of Chasewater Country Park, Staffordshire. The project aimed to promote debate on the relations ...
Coming up for Air 2001 Coming up for Air was a proposal for a temporary public art project based on the production of an imposing landmark in the reservoir of Chasewater Country Park, Staffordshire. The project aimed to promote debate on the relations ...
, ,
W3632
14.05.2011
(model for) REMOTE CONTROLLED STARS or HOW TO CHANGE YOUR DESTINY - Mary Sherman
WWW
Once someone came up to the oh-so dandy J. McNeil Whistler and exclaimed that they were both from Lowell and just a year apart – he was 68; Whistler, 67. To which Whistler replied - for all to hear, of course - “Very charming! And so you are 68 and we ...
Once someone came up to the oh-so dandy J. McNeil Whistler and exclaimed that they were both from Lowell and just a year apart – he was 68; Whistler, 67. To which Whistler replied - for all to hear, of course - “Very charming! And so you are 68 and we ...
, , ,
W4816
07.08.2012
Photographs of Common Objects - Bradley Olson
WWW
For the series of black and white still life’s, Photographs of Common Objects, I used a 4” x 5” view camera to capture in fine detail, the form and surface of relics from daily life. Among them - adding machines, ceramic, glass, and plastic cups, ki ...
For the series of black and white still life’s, Photographs of Common Objects, I used a 4” x 5” view camera to capture in fine detail, the form and surface of relics from daily life. Among them - adding machines, ceramic, glass, and plastic cups, ki ...
, , , ,
W3653
15.05.2011
Modular trajectories - Nikolay Zanev
WWW
Modules (15X15X15cm.) polymer, Black board The distinction of homomorphism displayed on lattice of vectors relation between groups, modules generated by one element as identity component for every one. Correspondence one by one in specifics trajectorie ...
Modules (15X15X15cm.) polymer, Black board The distinction of homomorphism displayed on lattice of vectors relation between groups, modules generated by one element as identity component for every one. Correspondence one by one in specifics trajectorie ...
, ,
W5463
21.10.2012
The House I Grew Up In - Zena Zakanycz
WWW
Artist Statement: It is interesting to see what one value or thinks should be contained, stored and kept. This idea of something being secure and safely tucked away or collected is fundamental in my work. I think it is an essential quality of humans to ...
Artist Statement: It is interesting to see what one value or thinks should be contained, stored and kept. This idea of something being secure and safely tucked away or collected is fundamental in my work. I think it is an essential quality of humans to ...
, , , ,
W4527
25.05.2011
Sculpture Installation - Jaime Szczepanski
WWW
Proposal 3: Sculpture Installation Location: Convention Center Boulevard, Canal Boulevard For this project, two standard bus stop shelters will be installed in two locations. The appearance, dimensions and scale of these awnings will match those seen ...
Proposal 3: Sculpture Installation Location: Convention Center Boulevard, Canal Boulevard For this project, two standard bus stop shelters will be installed in two locations. The appearance, dimensions and scale of these awnings will match those seen ...
, ,
W4966
22.08.2012
Bed-line - Efi Spyrou
WWW
Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent, ...
Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent, ...
, , , ,
U9263
01.01.1974
CIVITAS Stadtpostkarten - Lothar Baumgarten
Unbuilt Roads
Einige Überlegungen zur Emblematik von Ansichtskarten. Abgebildete Sehenswürdigkeiten gelangen auf Ansichtskarten durch die häufig gewählte Zentralperspektive in die Nähe ausgestellter Backwaren. Die siegelhaft stilisierte Heraldik, eines immer wiede ...
Einige Überlegungen zur Emblematik von Ansichtskarten. Abgebildete Sehenswürdigkeiten gelangen auf Ansichtskarten durch die häufig gewählte Zentralperspektive in die Nähe ausgestellter Backwaren. Die siegelhaft stilisierte Heraldik, eines immer wiede ...
, , , , , ,
W5274
15.10.2012
Regret - Francesca Arri
WWW
Francesca Arri Regret 2010, onions, size ambient In a place of forced passage, without windows, which can be accessed through a curtain, you find yourself in front of a floor completely covered with onions, cut almost all the user will have to st ...
Francesca Arri Regret 2010, onions, size ambient In a place of forced passage, without windows, which can be accessed through a curtain, you find yourself in front of a floor completely covered with onions, cut almost all the user will have to st ...
, ,
W4337
24.05.2011
Mitchell Marco
WWW
Mitchell Marco This is a sketch from a found photograph of a criminal. I wanted to present him as a dark and mysterious figure in a big narrative painting. I imagined his environment would be hazy and atmospheric, an enigmatic character in the mids ...
Mitchell Marco This is a sketch from a found photograph of a criminal. I wanted to present him as a dark and mysterious figure in a big narrative painting. I imagined his environment would be hazy and atmospheric, an enigmatic character in the mids ...
,
W5233
08.10.2012
Surface Enlightenment - Bill Vielehr
WWW
Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces. Bill Vielehr PO Box 19734 Boulder, CO 80308-27 ...
Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces. Bill Vielehr PO Box 19734 Boulder, CO 80308-27 ...
, ,
U9277
01.01.1997
PROPOSALl + VOORSTEL - Guillame Bijl
Unbuilt Roads
An abstract sculpture is standing on an ellipse pavement platform, surrounded by city lights, a city seal and a small flower arrangement. Een buitenaards stalen abstract object (±7m) is midden in de stadskem geland. Er zijn balustraden rond gebouwd. ...
An abstract sculpture is standing on an ellipse pavement platform, surrounded by city lights, a city seal and a small flower arrangement. Een buitenaards stalen abstract object (±7m) is midden in de stadskem geland. Er zijn balustraden rond gebouwd. ...
, , ,
W3529
11.05.2011
Babylon Dictionary – A spoken sounds Dictionary - Nitsan David Hamerman
WWW
Babylon Dictionary – A spoken sounds Dictionary The work “Babylon Dictionary” engages in locating areas of misunderstanding between languages. Not like any other dictionary, Babylon Dictionary mach between two (or more) different meaning of the s ...
Babylon Dictionary – A spoken sounds Dictionary The work “Babylon Dictionary” engages in locating areas of misunderstanding between languages. Not like any other dictionary, Babylon Dictionary mach between two (or more) different meaning of the s ...
, ,
W3781
18.05.2011
Squatting Abandoned Villages - Hannah Kaihovirta-Rosvik
WWW
The vision was that this art project would examine how to visualize contemporary art in a rural area and to make a social art project involving local community in art. Brief project concept The Social Art Project IN THE MIDDLE OF NOWHERE is an artist ...
The vision was that this art project would examine how to visualize contemporary art in a rural area and to make a social art project involving local community in art. Brief project concept The Social Art Project IN THE MIDDLE OF NOWHERE is an artist ...
, , ,
W4633
25.05.2011
ELENA BAJO
WWW
WHEN YOU CUT INTO THE PRESENT THE FUTURE LEAKS OUT (PRODUCTION OF SPACE) “The form of social space is encounter, assembly, simultaneity; social space implies actual or potential assembly at a single point or around that point.” - Henri Lefebvre, from ...
WHEN YOU CUT INTO THE PRESENT THE FUTURE LEAKS OUT (PRODUCTION OF SPACE) “The form of social space is encounter, assembly, simultaneity; social space implies actual or potential assembly at a single point or around that point.” - Henri Lefebvre, from ...
W5006
30.08.2012
Das soziale NetzKunstwerk - Karen Eliot
WWW
An internet forum/ social network for Open Source Art projects: Artists always have unrealized ideas - things that just slumber in sketchbooks forever. We want to create a website, where users can propose such projects and leave it open for others to adop ...
An internet forum/ social network for Open Source Art projects: Artists always have unrealized ideas - things that just slumber in sketchbooks forever. We want to create a website, where users can propose such projects and leave it open for others to adop ...
, , ,
W4585
25.05.2011
land in sight! / land? - Ulrich Ludat
WWW
land in sight! / land? [2011#02] Multimedia-based installation / performance Project description In a container1, of which the doors are opened at an angle of ca. 45°, there are 13 vacuum cleaners2. At the end of the container there is a projection scr ...
land in sight! / land? [2011#02] Multimedia-based installation / performance Project description In a container1, of which the doors are opened at an angle of ca. 45°, there are 13 vacuum cleaners2. At the end of the container there is a projection scr ...
, ,
W4379
25.05.2011
“Shifting Images of Marseille”  - Srinivas Mangipudi
WWW
Project Proposal: “Shifting Images of Marseille” The urban city areas are often filled with cars and vehicles of all kinds parked in different places, like parking lots, on the streets, or just moving on the road. These can be turned into dynamic ...
Project Proposal: “Shifting Images of Marseille” The urban city areas are often filled with cars and vehicles of all kinds parked in different places, like parking lots, on the streets, or just moving on the road. These can be turned into dynamic ...
, ,
W4770
29.05.2011
jean-paul moreira
WWW
For the location of a site specific vegetable garden installation, from the end of winter 2007 until fall, behind Blaak bus stop, near the WdKA in Rotterdam, The Netherlands, I imagined, designed and planned a 4x6x3metres glass house where climbing plants ...
For the location of a site specific vegetable garden installation, from the end of winter 2007 until fall, behind Blaak bus stop, near the WdKA in Rotterdam, The Netherlands, I imagined, designed and planned a 4x6x3metres glass house where climbing plants ...
W10766
26.11.2014
Monument to civilization - Pablo Angel Lugo
WWW
A patinated plaster sculpture marble natural scale, contains two characters, the first is a riot police in position conqueror in one hand have a coat of riot police and the other as if it were a weapon, a piece of post and finally this a video surveillanc ...
A patinated plaster sculpture marble natural scale, contains two characters, the first is a riot police in position conqueror in one hand have a coat of riot police and the other as if it were a weapon, a piece of post and finally this a video surveillanc ...
, , , , ,
W3580
13.05.2011
Diary - Brocken Column, 1989 - Dan Mihaltianu
WWW
Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days ...
Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days ...
, ,
W4364
25.05.2011
AUTOPOIETIC AMALGAMATE  - Brandon Walls Olsen
WWW
AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an ...
AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an ...