A Tunnel - an unrealized project
The project was designed for "Fresh Paint 3" art fair in Tel Aviv, 2009, as a special project of Nimrod Reuveni in collaboration with Dani Karavan.
Explanation:
Three-dimensional composition, consisting of ready m
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A Tunnel - an unrealized project
The project was designed for "Fresh Paint 3" art fair in Tel Aviv, 2009, as a special project of Nimrod Reuveni in collaboration with Dani Karavan.
Explanation:
Three-dimensional composition, consisting of ready m
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THE FLUID PAVILION OF ARCHITECTURE - MARIA KARACHRISTOU
WWW
The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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Ana Torfs, MORE LIGHT (2007)
Animated light sculpture in white neon letters. The two words, at 35 meters above street level, measure 18 m (L) x 2 m (H).
Four visual artists had been invited to propose a work for the new campus of the Sint-Lukas U
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Ana Torfs, MORE LIGHT (2007)
Animated light sculpture in white neon letters. The two words, at 35 meters above street level, measure 18 m (L) x 2 m (H).
Four visual artists had been invited to propose a work for the new campus of the Sint-Lukas U
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Project 1 – It was the original idea…a new “dress” for my cutlery… a new grip for a knife, a fork, a spoon, which are not very changed in their functional part ( taking food!) but exactly in their grip! It doesn’t seem comfortable at first gla
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Project 1 – It was the original idea…a new “dress” for my cutlery… a new grip for a knife, a fork, a spoon, which are not very changed in their functional part ( taking food!) but exactly in their grip! It doesn’t seem comfortable at first gla
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Press release.
Helen maher. ‘Experiments In Organza’
Textile Sculptor, living & working in London.
Current project, ‘Experiments in Organza’, investigates the interaction between
Primary Elements- Solids, Liquids & Gases & Secondary Elem
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Press release.
Helen maher. ‘Experiments In Organza’
Textile Sculptor, living & working in London.
Current project, ‘Experiments in Organza’, investigates the interaction between
Primary Elements- Solids, Liquids & Gases & Secondary Elem
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Central Park Monument to the Nimbus of Victory, 2009 - Peter Joslyn
WWW
The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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Black balls represent carbon atoms. They are piled in the bottom of the container at their present accumulation in the atmosphere. Each time an equivalent amount of carbon is released in the atmosphere a ball would be dropped. Each time a carbon reductio
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Black balls represent carbon atoms. They are piled in the bottom of the container at their present accumulation in the atmosphere. Each time an equivalent amount of carbon is released in the atmosphere a ball would be dropped. Each time a carbon reductio
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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The 'Not at...' series: Installations that never were... - Claire Manning
WWW
This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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Jerzy Olek
Accumulation of space – idea for an exhibition
For me, space is a form of sculpture. It is generally formless, but its manifestations assume definite formal shapes. These forms—imagined, found, constructed—appear in my works as proj
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Jerzy Olek
Accumulation of space – idea for an exhibition
For me, space is a form of sculpture. It is generally formless, but its manifestations assume definite formal shapes. These forms—imagined, found, constructed—appear in my works as proj
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Caution! Work in Progress
Rack or plastic folding board with vibrant yellow tone is a warning message that awakens the immediate interest of the observer in conferring closely with looking at what is happening.
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Caution! Work in Progress
Rack or plastic folding board with vibrant yellow tone is a warning message that awakens the immediate interest of the observer in conferring closely with looking at what is happening.
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
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"God's ear wax." Large sculpture for public space. Multiple media. Conceived 2004/2011.
Janice Perry. B. 1950. USA.
The sculpture is comprised of an extremely large ball of wax (with a very high melting point), 100-500 feet in diameter, dark golden br
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"God's ear wax." Large sculpture for public space. Multiple media. Conceived 2004/2011.
Janice Perry. B. 1950. USA.
The sculpture is comprised of an extremely large ball of wax (with a very high melting point), 100-500 feet in diameter, dark golden br
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Proposal to re-use the dismantled aluminium Olympic Rings that were sited on Box Hill during the cycling road race of London 2012
The forms that resulted from the way the original aluminium Olympic rings had been deconstructed inspired me to design a s
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Proposal to re-use the dismantled aluminium Olympic Rings that were sited on Box Hill during the cycling road race of London 2012
The forms that resulted from the way the original aluminium Olympic rings had been deconstructed inspired me to design a s
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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The World is a Theater and we each have a role - Louise Bourgeois
Unbuilt Roads
A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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Jake and Dinos Chapman's five proposals for an empty plinth situated on central londons trafalgar square - Jake and Dinos Chapman
Unbuilt Roads
commissioned by liberal daily broadsheet newspaper ironically suggesting the most unsuitable artists possible to produce the most unsuitable public sculpture never to be realized: ha ha ha, very funny we suggest one of the following:
project 'Hawki
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commissioned by liberal daily broadsheet newspaper ironically suggesting the most unsuitable artists possible to produce the most unsuitable public sculpture never to be realized: ha ha ha, very funny we suggest one of the following:
project 'Hawki
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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