Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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Impending Monument: Boston Baby Head - Carolyn Wirth
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A large public auditorium and concert hall in the form of a giant baby head will be installed at the Castle Island monument overlooking Boston Harbor, Boston, Massachusetts. Visitors will climb inside the head using a spiral ramp way in an open rotunda si
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A large public auditorium and concert hall in the form of a giant baby head will be installed at the Castle Island monument overlooking Boston Harbor, Boston, Massachusetts. Visitors will climb inside the head using a spiral ramp way in an open rotunda si
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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Two projects for the World Government Building - Samuil Stoyanov
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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KRISTIN JONES / ANDREW GINZEL
AFTER TILTED ARC, 1985
Proposal for Alternative to Existing Federal Plaza, Storefront for Art and Architecture, New York City.
Dimensions: 55' H x 20' W x 85' D (1676 H x 610 W x 2591 D cm.)
Elements: Water
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KRISTIN JONES / ANDREW GINZEL
AFTER TILTED ARC, 1985
Proposal for Alternative to Existing Federal Plaza, Storefront for Art and Architecture, New York City.
Dimensions: 55' H x 20' W x 85' D (1676 H x 610 W x 2591 D cm.)
Elements: Water
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Proteiform is an uncompleted work started in May 2010. My first intention was to implant multiples yellow pins in big Styrofoam balls to create a 1:1 human scale installation.
At the time, my budget to create this new work was somehow limited. I choose
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Proteiform is an uncompleted work started in May 2010. My first intention was to implant multiples yellow pins in big Styrofoam balls to create a 1:1 human scale installation.
At the time, my budget to create this new work was somehow limited. I choose
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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La liste non exhaustive qui suit correspond une á série de projets qui n'ont pas abouti. Ils sont de plusieurs types et les raisons de leur non aboutissement sont également différentes.
Tout d'abord, tous sont liés des situations précises et dict
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La liste non exhaustive qui suit correspond une á série de projets qui n'ont pas abouti. Ils sont de plusieurs types et les raisons de leur non aboutissement sont également différentes.
Tout d'abord, tous sont liés des situations précises et dict
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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A Constructivist Artifact for Mourning the Weekdays - Inbal Strauss
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These sketches for a sculpture titled A Constructivist Artifact for Mourning the Weekdays, remain as a two dimensional proposal for the time being. As a sculptor, I use investigative sketching as a creative development tool for a sculpture that will event
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These sketches for a sculpture titled A Constructivist Artifact for Mourning the Weekdays, remain as a two dimensional proposal for the time being. As a sculptor, I use investigative sketching as a creative development tool for a sculpture that will event
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A chrome machine with cut out letters is in constant production of the word "sorry." Made of smoke, the word lingers for a moment, then quickly dissipates.
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A chrome machine with cut out letters is in constant production of the word "sorry." Made of smoke, the word lingers for a moment, then quickly dissipates.
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Rushnik or Rushnyk- Ukrainian embroidered decorative towel. In ancient times, the towel, embroidered with the relevant patterns, symbols, has been an inherent part of many ceremonies. For centuries it has the importance of figurative-symbolic significanc
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Rushnik or Rushnyk- Ukrainian embroidered decorative towel. In ancient times, the towel, embroidered with the relevant patterns, symbols, has been an inherent part of many ceremonies. For centuries it has the importance of figurative-symbolic significanc
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Transformation #2 - Samuel Levack and Jennifer Lewandowski
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Raymonde van Santen
rvansanten@verizon.net
Unrealized Projects
fading memory
Part A and B fit in my ongoing exploration of the cycles of decay and renewal. They will visualize how the passage of time affects memory (Part A), and how memories n
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Raymonde van Santen
rvansanten@verizon.net
Unrealized Projects
fading memory
Part A and B fit in my ongoing exploration of the cycles of decay and renewal. They will visualize how the passage of time affects memory (Part A), and how memories n
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William Livingstone house Detroit Project 2010 submitted to United States Artists Projects - Vincent Johnson
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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Editorial Sculpture: Divina Commedia - Javier Toro Blum
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso. With a 2.5mm typography ev
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso. With a 2.5mm typography ev
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Representations of space must… have a substantial role and a specific influence in the production of space Henri Lefebvre
Reason
Reason is a 1994 unrealized project. Try to relate Art, Enlightenment, the development class city, urban geography, cl
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Representations of space must… have a substantial role and a specific influence in the production of space Henri Lefebvre
Reason
Reason is a 1994 unrealized project. Try to relate Art, Enlightenment, the development class city, urban geography, cl
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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Through my work, I explore the concept of how external surroundings impact the “internal” experience of the individual and how dimensional transformation alters the function of a form. I utilize the duality of material surfaces to create undulating pl
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Through my work, I explore the concept of how external surroundings impact the “internal” experience of the individual and how dimensional transformation alters the function of a form. I utilize the duality of material surfaces to create undulating pl
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