Yutaka Sone
The Snow Leopard Garden
Project for the wood of sculptures of Vassivière island, France
July 2009
In the meadow, in the front of the Centre international d’art et du paysage and the dam
In the framework of his solo exhibition for t
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Yutaka Sone
The Snow Leopard Garden
Project for the wood of sculptures of Vassivière island, France
July 2009
In the meadow, in the front of the Centre international d’art et du paysage and the dam
In the framework of his solo exhibition for t
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso.
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso.
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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Sgt. Martin Tours was a sculptural project which never reached completion mainly due to lack of interest on a theme I had been working on for at least five years.
Even though, the work remains "postponed" at its best, and I do regret not finishing it..
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Sgt. Martin Tours was a sculptural project which never reached completion mainly due to lack of interest on a theme I had been working on for at least five years.
Even though, the work remains "postponed" at its best, and I do regret not finishing it..
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THE FLUID PAVILION OF ARCHITECTURE - MARIA KARACHRISTOU
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The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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“Otherhedron is a trip. From pole to pole, the object moves around the world like a pebble rolling gently on the ground. Demarcating locations as nodes or points in the globe that, when joined, trace a plane much like one of the sides of Otherhedron."
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“Otherhedron is a trip. From pole to pole, the object moves around the world like a pebble rolling gently on the ground. Demarcating locations as nodes or points in the globe that, when joined, trace a plane much like one of the sides of Otherhedron."
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Brücke Wein-Kanal Arch. Hermann Czech, Wein - Franz West
Unbuilt Roads
Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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Underwater Forest
Suspended sculpture for Palmetto Bay Village Hall, Florida
Underwater Forest is a large sculptural installation suspended from a 30’ ceiling, measuring 18’ in diameter. Its formal language derived from amorphous maritime life. Th
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Underwater Forest
Suspended sculpture for Palmetto Bay Village Hall, Florida
Underwater Forest is a large sculptural installation suspended from a 30’ ceiling, measuring 18’ in diameter. Its formal language derived from amorphous maritime life. Th
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"Confluence", five carved and glazed brick columns set in a green space next to a bus terminal in Philadelphia PA. They synthesize various aspects of the area. One of five shortlisted proposals for South Eastern Pennsylvania Transit....
Cheltenham Ogon
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"Confluence", five carved and glazed brick columns set in a green space next to a bus terminal in Philadelphia PA. They synthesize various aspects of the area. One of five shortlisted proposals for South Eastern Pennsylvania Transit....
Cheltenham Ogon
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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Whisper – Murmur – Howl
Installation Project
Framework
It all started a few years ago when I came across several sculptured heads lying down all messy in a back yard of an art college my ex-wife attended, just like scraps of junk. I photograp
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Whisper – Murmur – Howl
Installation Project
Framework
It all started a few years ago when I came across several sculptured heads lying down all messy in a back yard of an art college my ex-wife attended, just like scraps of junk. I photograp
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Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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It sums up a trip to a temporary place where you live and work for a period of time. It depicts a leaf, not a seed which calls for roots, transported by wind, in a movement that goes along with the Planet Earth. It is, in fact, a digital leaf consisting o
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It sums up a trip to a temporary place where you live and work for a period of time. It depicts a leaf, not a seed which calls for roots, transported by wind, in a movement that goes along with the Planet Earth. It is, in fact, a digital leaf consisting o
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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Through my work, I explore the concept of how external surroundings impact the “internal” experience of the individual and how dimensional transformation alters the function of a form. I utilize the duality of material surfaces to create undulating pl
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Through my work, I explore the concept of how external surroundings impact the “internal” experience of the individual and how dimensional transformation alters the function of a form. I utilize the duality of material surfaces to create undulating pl
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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Four natural stones are evenly places around an iron plate, facing each other. As the iron plate is buried one meter below the ground, only the four stones are visible to the viewer.
The absence of the iron plate is indicated by a title sign which ind
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Four natural stones are evenly places around an iron plate, facing each other. As the iron plate is buried one meter below the ground, only the four stones are visible to the viewer.
The absence of the iron plate is indicated by a title sign which ind
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https://twitter.com/tweetsculpture
In 1969, Douglas Huebler wrote “The world is full of objects, more or less interesting, I do
not wish to add any more.”
Since early january 2012 five writers / artists (between the ages of 24 and 60) create
s
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https://twitter.com/tweetsculpture
In 1969, Douglas Huebler wrote “The world is full of objects, more or less interesting, I do
not wish to add any more.”
Since early january 2012 five writers / artists (between the ages of 24 and 60) create
s
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‘Waiting for the Sunrise’ (To follow the light) - Betty Nigianni
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‘Waiting for the Sunrise’ (To follow the light) -
- Performance, digital photography, digital video, sculpture, varied dimensions (2011)
Undertaken as a means for research, walking journeys in the city allowed for emerging themes, such as pilgrim
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‘Waiting for the Sunrise’ (To follow the light) -
- Performance, digital photography, digital video, sculpture, varied dimensions (2011)
Undertaken as a means for research, walking journeys in the city allowed for emerging themes, such as pilgrim
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