Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
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Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
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Cenotaph /Golden Matress (working title) - Hannes Bend
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Cenotaph /Golden Matress (working title)
By Hannes Bend
Cenotaph/Golden Mattress (working title), will be a life-size candy cast golden mattress. The sculpture will be left unvarnished, inviting the viewers to lick the vertically standing piece. Pla
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Cenotaph /Golden Matress (working title)
By Hannes Bend
Cenotaph/Golden Mattress (working title), will be a life-size candy cast golden mattress. The sculpture will be left unvarnished, inviting the viewers to lick the vertically standing piece. Pla
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Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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'The Wave' 1989.
Proposal for the Merchant marines memorial off shore Battery Park New York City.
More information can be found on. macadamsstudio.com
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'The Wave' 1989.
Proposal for the Merchant marines memorial off shore Battery Park New York City.
More information can be found on. macadamsstudio.com
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Stalactite Machine is an unrealized mechanical sculpture that was prototyped 3 times in metal and in wood over two years before being laid to rest.
Karen Lofgren: Unrealized Art Project: Stalactite Machine
Stalactite Machine is a sculpture that bui
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Stalactite Machine is an unrealized mechanical sculpture that was prototyped 3 times in metal and in wood over two years before being laid to rest.
Karen Lofgren: Unrealized Art Project: Stalactite Machine
Stalactite Machine is a sculpture that bui
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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Auf dem Wege nach Amsterdam sollten wir 30 meter hohe stahltulpen im würde leicht Schwingend die Autofahrer. Links und rechts oder Autobahn begrußen. (Jede Blüte in ihre eigenen farbe)
(eventually reasons why the work has not been realised)
Die A
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Auf dem Wege nach Amsterdam sollten wir 30 meter hohe stahltulpen im würde leicht Schwingend die Autofahrer. Links und rechts oder Autobahn begrußen. (Jede Blüte in ihre eigenen farbe)
(eventually reasons why the work has not been realised)
Die A
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Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma
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Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma
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Press release.
Helen maher. ‘Experiments In Organza’
Textile Sculptor, living & working in London.
Current project, ‘Experiments in Organza’, investigates the interaction between
Primary Elements- Solids, Liquids & Gases & Secondary Elem
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Press release.
Helen maher. ‘Experiments In Organza’
Textile Sculptor, living & working in London.
Current project, ‘Experiments in Organza’, investigates the interaction between
Primary Elements- Solids, Liquids & Gases & Secondary Elem
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“Otherhedron is a trip. From pole to pole, the object moves around the world like a pebble rolling gently on the ground. Demarcating locations as nodes or points in the globe that, when joined, trace a plane much like one of the sides of Otherhedron."
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“Otherhedron is a trip. From pole to pole, the object moves around the world like a pebble rolling gently on the ground. Demarcating locations as nodes or points in the globe that, when joined, trace a plane much like one of the sides of Otherhedron."
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Untitled project Nobuo Yoda
This project is a proposal for Daikanyama Installation 2009 that was rejected. Daikanyama Installation 2009 is a call for installations that is held every two years in Daikanyama area (Meguro Ward),
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Untitled project Nobuo Yoda
This project is a proposal for Daikanyama Installation 2009 that was rejected. Daikanyama Installation 2009 is a call for installations that is held every two years in Daikanyama area (Meguro Ward),
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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"God's ear wax." Large sculpture for public space. Multiple media. Conceived 2004/2011.
Janice Perry. B. 1950. USA.
The sculpture is comprised of an extremely large ball of wax (with a very high melting point), 100-500 feet in diameter, dark golden br
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"God's ear wax." Large sculpture for public space. Multiple media. Conceived 2004/2011.
Janice Perry. B. 1950. USA.
The sculpture is comprised of an extremely large ball of wax (with a very high melting point), 100-500 feet in diameter, dark golden br
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Whisper – Murmur – Howl
Installation Project
Framework
It all started a few years ago when I came across several sculptured heads lying down all messy in a back yard of an art college my ex-wife attended, just like scraps of junk. I photograp
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Whisper – Murmur – Howl
Installation Project
Framework
It all started a few years ago when I came across several sculptured heads lying down all messy in a back yard of an art college my ex-wife attended, just like scraps of junk. I photograp
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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"Public Sculpture" could not exist without an active public but it can exist without a strictly predetermined space and material form.
Public Sculpture is a work produced by the people of Limerick and their animals. Following is text for a sign that wi
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"Public Sculpture" could not exist without an active public but it can exist without a strictly predetermined space and material form.
Public Sculpture is a work produced by the people of Limerick and their animals. Following is text for a sign that wi
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Hand Gardens
Vision Kaushik
Unrealized Berlin Proposal
October 18 2012
My idea is simple and can be visualized easily. Hanging gardens based around giant wooden hands, lush and overgrown. An oasis in the city, where one can pocket themselves off an
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Hand Gardens
Vision Kaushik
Unrealized Berlin Proposal
October 18 2012
My idea is simple and can be visualized easily. Hanging gardens based around giant wooden hands, lush and overgrown. An oasis in the city, where one can pocket themselves off an
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Terminator – Final proposal to the Jerwood Foundation 2008 - Jonathan Parsons
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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