Abstract
Liberties is an experiment in giving and receiving and working together peacefully to create something of universal value and at the same time benefit individually. It is an interactive lear- ning experience, in which each participant learns tha
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Abstract
Liberties is an experiment in giving and receiving and working together peacefully to create something of universal value and at the same time benefit individually. It is an interactive lear- ning experience, in which each participant learns tha
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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Siphon Puti Fountain, Styrofoam, paper, wood and plastic tubing penis, two water containers.
The siphon Puti Fountain (suck it) directly references European Puti fountains. This Fountain was meant to be realized as a manual fountain based on the same
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Siphon Puti Fountain, Styrofoam, paper, wood and plastic tubing penis, two water containers.
The siphon Puti Fountain (suck it) directly references European Puti fountains. This Fountain was meant to be realized as a manual fountain based on the same
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The transformation of aesthetics and politics
A practical research explicitly distinguishes between what is beautiful and what is interesting, exploring the differences between representation and reality.
The project tackles the religious, social, c
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The transformation of aesthetics and politics
A practical research explicitly distinguishes between what is beautiful and what is interesting, exploring the differences between representation and reality.
The project tackles the religious, social, c
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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A Sculpture on Another Sculpture - Eduardo Villanueva
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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The Deer Problem Proposal: Schuylkill Center
The Schuylkill Center had a recent problem with an over population of white tailed deer, to the point where the ecosystem of the land could have been threatened. There are only suppose to be eight to ten dee
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The Deer Problem Proposal: Schuylkill Center
The Schuylkill Center had a recent problem with an over population of white tailed deer, to the point where the ecosystem of the land could have been threatened. There are only suppose to be eight to ten dee
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
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Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
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William Livingstone house Detroit Project 2010 submitted to United States Artists Projects - Vincent Johnson
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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An Island' is a proposal for a large scale work in public space, commissioned by the province of North-Holland in the Netherlands. 'Kunstgebouw' was involved with the choice of artists. My proposal will not be realised.
How many kubic metres of soil ca
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An Island' is a proposal for a large scale work in public space, commissioned by the province of North-Holland in the Netherlands. 'Kunstgebouw' was involved with the choice of artists. My proposal will not be realised.
How many kubic metres of soil ca
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Paul Muguet’s Unrealized Project for Year 2011: REVOLUTIONS
Revolutions is about the reversal of popular imagery in times of crisis. The inspiration for this project comes from the European imagery about a country in which everything is reversed: "
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Paul Muguet’s Unrealized Project for Year 2011: REVOLUTIONS
Revolutions is about the reversal of popular imagery in times of crisis. The inspiration for this project comes from the European imagery about a country in which everything is reversed: "
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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Press release.
Helen maher. ‘Experiments In Organza’
Textile Sculptor, living & working in London.
Current project, ‘Experiments in Organza’, investigates the interaction between
Primary Elements- Solids, Liquids & Gases & Secondary Elem
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Press release.
Helen maher. ‘Experiments In Organza’
Textile Sculptor, living & working in London.
Current project, ‘Experiments in Organza’, investigates the interaction between
Primary Elements- Solids, Liquids & Gases & Secondary Elem
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Raymonde van Santen
rvansanten@verizon.net
Unrealized Projects
fading memory
Part A and B fit in my ongoing exploration of the cycles of decay and renewal. They will visualize how the passage of time affects memory (Part A), and how memories n
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Raymonde van Santen
rvansanten@verizon.net
Unrealized Projects
fading memory
Part A and B fit in my ongoing exploration of the cycles of decay and renewal. They will visualize how the passage of time affects memory (Part A), and how memories n
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Proteiform is an uncompleted work started in May 2010. My first intention was to implant multiples yellow pins in big Styrofoam balls to create a 1:1 human scale installation.
At the time, my budget to create this new work was somehow limited. I choose
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Proteiform is an uncompleted work started in May 2010. My first intention was to implant multiples yellow pins in big Styrofoam balls to create a 1:1 human scale installation.
At the time, my budget to create this new work was somehow limited. I choose
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CURTAIN CALL: Giant drawing as suspended sculpture - Derek Michael Besant
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Client: Windspear Music Centre / City of Edmonton / Canada
Date: 1996
Sculpture designed to hang suspended in new Windspear music Hall Tower
The idea was to create a drawing in space that was linear, but described volume. The giant detail of fold
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Client: Windspear Music Centre / City of Edmonton / Canada
Date: 1996
Sculpture designed to hang suspended in new Windspear music Hall Tower
The idea was to create a drawing in space that was linear, but described volume. The giant detail of fold
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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