This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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2007
Idea
The work is planed to be an interactive video animation, set in the gallery or on a window of the gallery.
Video is scene with the birds freely resting on the branches on a tree in the landscape.
AUDIO: ... sound of their “talk” ..
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2007
Idea
The work is planed to be an interactive video animation, set in the gallery or on a window of the gallery.
Video is scene with the birds freely resting on the branches on a tree in the landscape.
AUDIO: ... sound of their “talk” ..
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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Take all paintings out of octagonal red room in the Uffizi, Florence, Italy. Leave homo-erotic sculptures of men in battle, also keep large gold gilded frames. Replace canvases with flat screen video monitors that display footage recorded from Tuscan tree
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Take all paintings out of octagonal red room in the Uffizi, Florence, Italy. Leave homo-erotic sculptures of men in battle, also keep large gold gilded frames. Replace canvases with flat screen video monitors that display footage recorded from Tuscan tree
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Garden REtreat is an unrealized proposal for a temporary public art installation that addresses the issue of unused urban land. Its intention is to transform a vacant lot into a vibrant garden filled with organic forms made from recycled materials.
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Garden REtreat is an unrealized proposal for a temporary public art installation that addresses the issue of unused urban land. Its intention is to transform a vacant lot into a vibrant garden filled with organic forms made from recycled materials.
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Chain Link Fence(space between) Graphite and paint on diamond shapes made of styrofoam and masking tape.
The Chain Link Fence project represents the negative space between the wires that make up the steel fence material. The diamond shapes are some tim
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Chain Link Fence(space between) Graphite and paint on diamond shapes made of styrofoam and masking tape.
The Chain Link Fence project represents the negative space between the wires that make up the steel fence material. The diamond shapes are some tim
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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Proposal for Vision and Vernacular Eight African American Artists in Venice - Lonnie Holley
WWW
Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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Charlie Lucas (Tin Man)
Struggling with the Ancestors
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist Statement
I create beauty from t
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Charlie Lucas (Tin Man)
Struggling with the Ancestors
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist Statement
I create beauty from t
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GREEN & WET
Angel Borrego & Jana Leo
Repetition and Acumulation.
The wall is made out of individual plants.
Each plant is pretty similar to another
But, at the same time, different.
For long term installations, a person could sponsors one
or more p
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GREEN & WET
Angel Borrego & Jana Leo
Repetition and Acumulation.
The wall is made out of individual plants.
Each plant is pretty similar to another
But, at the same time, different.
For long term installations, a person could sponsors one
or more p
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Gilles Clément
The environmental charter
Project for Vassivière, France
From 2003
All the territory of Vassivière, France
In 2003, Gilles Clément proposes, following the request of the Region Limousin, an environmental charter of Vassivière te
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Gilles Clément
The environmental charter
Project for Vassivière, France
From 2003
All the territory of Vassivière, France
In 2003, Gilles Clément proposes, following the request of the Region Limousin, an environmental charter of Vassivière te
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Agency of Unrealized Projects Submission
Lev/Life Craig Leonard
Conceived sometime in 2008,
Lev/Life is an unsubmitted proposal to the Toronto Sculpture Garden located in the city's business district. The project was to be a replica of Soviet realis
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Agency of Unrealized Projects Submission
Lev/Life Craig Leonard
Conceived sometime in 2008,
Lev/Life is an unsubmitted proposal to the Toronto Sculpture Garden located in the city's business district. The project was to be a replica of Soviet realis
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The naturalness of the artificial, Ana Pissarra
This work explores associations between House and Domestic fantasy, always within a logic of ‘integration’. Thought games of association, the word House may bring about in us resonances that take the
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The naturalness of the artificial, Ana Pissarra
This work explores associations between House and Domestic fantasy, always within a logic of ‘integration’. Thought games of association, the word House may bring about in us resonances that take the
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Malin Ståhl: Becoming a Tree
Inside of me there is a wish to Become a Tree, to stand very still and serenely let my my branches wave in the wind. I made my first attempt at Becoming a Tree in 1999 shielding my naked body with the bark of a spruce tree
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Malin Ståhl: Becoming a Tree
Inside of me there is a wish to Become a Tree, to stand very still and serenely let my my branches wave in the wind. I made my first attempt at Becoming a Tree in 1999 shielding my naked body with the bark of a spruce tree
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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This was a proposal for a project called "Thanatopolis" --asking for outdoor works that explored the rituals of interment and memorialization.
(This proposal was for an outdoor art environment that was also a place of memory)
Imagine walking though
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This was a proposal for a project called "Thanatopolis" --asking for outdoor works that explored the rituals of interment and memorialization.
(This proposal was for an outdoor art environment that was also a place of memory)
Imagine walking though
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Nature is always quick to assume the position of history when history, like an impotent and weary creature, gradually loosens its hold on things, receding deeper and deeper into the negative space of oblivion, during its irreversible descent coming apart
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Nature is always quick to assume the position of history when history, like an impotent and weary creature, gradually loosens its hold on things, receding deeper and deeper into the negative space of oblivion, during its irreversible descent coming apart
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Climbing the Devil's table / the Daredevil - Romain Sein
WWW
Climbing the Devil's table / the Daredevil
(approximatively traduced from french)
Climbing the Devil's table is an unrealized project but it's not unrealizable. «The Teufelstisch», the devil table, is a spectacular sandstone from the region of
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Climbing the Devil's table / the Daredevil
(approximatively traduced from french)
Climbing the Devil's table is an unrealized project but it's not unrealizable. «The Teufelstisch», the devil table, is a spectacular sandstone from the region of
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photographic series “Nursery”
This series of photographs began as a project where Ismini Haholiadou was exploring different trajectories in her practice. Where she previously set up spaces and scenes to photograph, in this project she scouted for
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photographic series “Nursery”
This series of photographs began as a project where Ismini Haholiadou was exploring different trajectories in her practice. Where she previously set up spaces and scenes to photograph, in this project she scouted for
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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Eine Ontologie des Paradies: die Kunst als Illusion.
"Was verstehe ich unter Natur? Unter Natur verstehe ich, das erste innere Prinzip, des Seins eines Dinges. (...) Das ist was wirklich existiert". -„Kritik der reinen Vernunft“. Immanuel Kant
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Eine Ontologie des Paradies: die Kunst als Illusion.
"Was verstehe ich unter Natur? Unter Natur verstehe ich, das erste innere Prinzip, des Seins eines Dinges. (...) Das ist was wirklich existiert". -„Kritik der reinen Vernunft“. Immanuel Kant
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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