La Fonataine – Lasershot by Sílvia Pereira
Inside a museum room. A laser machine is mounted in a distance of 4 meters to the outer wall. Every thirty minutes it`s being activated and shoots its laser beam ag
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La Fonataine – Lasershot by Sílvia Pereira
Inside a museum room. A laser machine is mounted in a distance of 4 meters to the outer wall. Every thirty minutes it`s being activated and shoots its laser beam ag
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Project for the Initiative Mahnmal Homosexuellenverfolgung, Frankfurt - Jeff Wall
Unbuilt Roads
My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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No title, as the project only reached proposal stage - Rikrit Tiravanija
Unbuilt Roads
Proposal No. 1
(a) In the exhibition space, in proximation (as precisely as possible) to actual space. Replicate (Reconstruct) in architectural scale, space and in specific: detail, the office of the director of the museum.
(b) All contents (in deta
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Proposal No. 1
(a) In the exhibition space, in proximation (as precisely as possible) to actual space. Replicate (Reconstruct) in architectural scale, space and in specific: detail, the office of the director of the museum.
(b) All contents (in deta
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The fragments presented here by the Migratory Museum, are the parts of a live cast mask of my face. Moved on in one hand by the incessant obsession with disappearance, invisibility, forgetfulness and nomadism, and on the other hand by the museum’s troub
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The fragments presented here by the Migratory Museum, are the parts of a live cast mask of my face. Moved on in one hand by the incessant obsession with disappearance, invisibility, forgetfulness and nomadism, and on the other hand by the museum’s troub
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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Introduction
A few years ago, when I first visited the Louvre, I was surprised to see that the signposts giving directions for the painting La Gioconda already started at the gates. As I was to learn later, there exists a form of cultural pilgrimage t
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Introduction
A few years ago, when I first visited the Louvre, I was surprised to see that the signposts giving directions for the painting La Gioconda already started at the gates. As I was to learn later, there exists a form of cultural pilgrimage t
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Where Does It Itch? is a project involving 100 of my framed collage works aligned in grid or horizon on a wall. Originally slated for Ogilvy Mather Direct as a proposal, it was abandoned. This PDF is that original proposal.
Matthew Rose is an Americ
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Where Does It Itch? is a project involving 100 of my framed collage works aligned in grid or horizon on a wall. Originally slated for Ogilvy Mather Direct as a proposal, it was abandoned. This PDF is that original proposal.
Matthew Rose is an Americ
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PROPOSAL FOR SEATTLE ARTS COMMISSION, IN PUBLIC - Chris Burden
Unbuilt Roads
I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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MORCA
Museum of Rene’s Contemporary Art
Rene has produced too much Artstuff. He likes all of it and he has been able to afford to keep it all in storage. His website (www.reneprice.ca) presents 1000 of his more than 2000 3
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MORCA
Museum of Rene’s Contemporary Art
Rene has produced too much Artstuff. He likes all of it and he has been able to afford to keep it all in storage. His website (www.reneprice.ca) presents 1000 of his more than 2000 3
...
Dinedromoscope (from Greek: δινη, “vortex”, δρομοs, “run” e σkοπη, “to examine”)
PLAN A
Dinedromoscope is a project destined to the involvement of the visitors of the Guggenheim Museum, New York, who are invited to throw thems
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Dinedromoscope (from Greek: δινη, “vortex”, δρομοs, “run” e σkοπη, “to examine”)
PLAN A
Dinedromoscope is a project destined to the involvement of the visitors of the Guggenheim Museum, New York, who are invited to throw thems
...