Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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Kabakov
"MEMORIAL"
Short description of the project
The Concept of the Project "Memorial"
The Russian revolution which established the "era of Socialism" is considered to be a most important event of the twentieth century. The end of
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Kabakov
"MEMORIAL"
Short description of the project
The Concept of the Project "Memorial"
The Russian revolution which established the "era of Socialism" is considered to be a most important event of the twentieth century. The end of
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Making for Art - 100 Unsucceeded Presentation - 1995, 1996, - Yutaka Sone
Unbuilt Roads
In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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119. PROJET DE DESTRUCTION DU MUSEE 1970 - 1971 - Jef Geys
Unbuilt Roads
Plan pour devoir Musée o'anu[?]s avec autorisation et aide de ministères contactes
(Eventuellement raisons pour lesquelles le travail n'a pu etre realise)
Refus ministères de la defense etc.
Publications:
Kempens informatieblad
Contact
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Plan pour devoir Musée o'anu[?]s avec autorisation et aide de ministères contactes
(Eventuellement raisons pour lesquelles le travail n'a pu etre realise)
Refus ministères de la defense etc.
Publications:
Kempens informatieblad
Contact
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La Fonataine – Lasershot by Sílvia Pereira
Inside a museum room. A laser machine is mounted in a distance of 4 meters to the outer wall. Every thirty minutes it`s being activated and shoots its laser beam ag
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La Fonataine – Lasershot by Sílvia Pereira
Inside a museum room. A laser machine is mounted in a distance of 4 meters to the outer wall. Every thirty minutes it`s being activated and shoots its laser beam ag
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Dinedromoscope (from Greek: δινη, “vortex”, δρομοs, “run” e σkοπη, “to examine”)
PLAN A
Dinedromoscope is a project destined to the involvement of the visitors of the Guggenheim Museum, New York, who are invited to throw thems
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Dinedromoscope (from Greek: δινη, “vortex”, δρομοs, “run” e σkοπη, “to examine”)
PLAN A
Dinedromoscope is a project destined to the involvement of the visitors of the Guggenheim Museum, New York, who are invited to throw thems
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Project for the Initiative Mahnmal Homosexuellenverfolgung, Frankfurt - Jeff Wall
Unbuilt Roads
My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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The fragments presented here by the Migratory Museum, are the parts of a live cast mask of my face. Moved on in one hand by the incessant obsession with disappearance, invisibility, forgetfulness and nomadism, and on the other hand by the museum’s troub
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The fragments presented here by the Migratory Museum, are the parts of a live cast mask of my face. Moved on in one hand by the incessant obsession with disappearance, invisibility, forgetfulness and nomadism, and on the other hand by the museum’s troub
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Please find attached a work titled "Museum of Unrealized Projects," (2011). This museum can be utilized as the final resting place of the Agency of Unrealized Projects - this museum charges no entrance fees and accepts donations on an unjuried basis.
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Please find attached a work titled "Museum of Unrealized Projects," (2011). This museum can be utilized as the final resting place of the Agency of Unrealized Projects - this museum charges no entrance fees and accepts donations on an unjuried basis.
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Star Museum in Sharjah by A12 - A12 Star Museum in Sharjah
WWW
Star Museum in Sharjah by A12
Our proposal for Sharjah Art Foundation Production Programme was to build a temporary pavilion to host the first stage of the Star Museum, a travelling museum dedicated to the stars.
The stars in this museum are not inten
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Star Museum in Sharjah by A12
Our proposal for Sharjah Art Foundation Production Programme was to build a temporary pavilion to host the first stage of the Star Museum, a travelling museum dedicated to the stars.
The stars in this museum are not inten
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Glenn D. Lowry
Director
The Museum of Modern Art
11 West 53rd Street
New York, NY 10019
January 20, 2009
Dear Glenn,
The best way I can think of introducing myself after the brief conversation with you tonight is to say that,
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Glenn D. Lowry
Director
The Museum of Modern Art
11 West 53rd Street
New York, NY 10019
January 20, 2009
Dear Glenn,
The best way I can think of introducing myself after the brief conversation with you tonight is to say that,
...