Robot Building Museum Shop from MCA to DIA - Maymay Jumsai
WWW
My proposal is to make a museum shop for the Robot Building my father designed. I’m asian, I have a strong family value. The Robot Building was part of the project ‘City on the Move’, that went to Venice Biennale in 1996. We had to pay for the ship
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My proposal is to make a museum shop for the Robot Building my father designed. I’m asian, I have a strong family value. The Robot Building was part of the project ‘City on the Move’, that went to Venice Biennale in 1996. We had to pay for the ship
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A short proposal for Matt's Gallery entitled 'The Museum of Patheticness'
THE MUSEUM OF PATHETICNESS
It has been a long held ambition of mine to establish a Museum of Patheticness. My interest in the idea of patheticness was kindled by my sightings
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A short proposal for Matt's Gallery entitled 'The Museum of Patheticness'
THE MUSEUM OF PATHETICNESS
It has been a long held ambition of mine to establish a Museum of Patheticness. My interest in the idea of patheticness was kindled by my sightings
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The fragments presented here by the Migratory Museum, are the parts of a live cast mask of my face. Moved on in one hand by the incessant obsession with disappearance, invisibility, forgetfulness and nomadism, and on the other hand by the museum’s troub
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The fragments presented here by the Migratory Museum, are the parts of a live cast mask of my face. Moved on in one hand by the incessant obsession with disappearance, invisibility, forgetfulness and nomadism, and on the other hand by the museum’s troub
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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La Fonataine – Lasershot by Sílvia Pereira
Inside a museum room. A laser machine is mounted in a distance of 4 meters to the outer wall. Every thirty minutes it`s being activated and shoots its laser beam ag
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La Fonataine – Lasershot by Sílvia Pereira
Inside a museum room. A laser machine is mounted in a distance of 4 meters to the outer wall. Every thirty minutes it`s being activated and shoots its laser beam ag
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The museum as sleeping quarters for a man of the street - Danilo Duenas
DAAD
Adorned* with 5 very tall constructive paintings made of “formaletas”* and tape and 11 smaller paintings on canvas with two colors installed in the exhibition hall of the “Museo Nacional” in Bogotá (a former 19th century panopticon), I had imagin
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Adorned* with 5 very tall constructive paintings made of “formaletas”* and tape and 11 smaller paintings on canvas with two colors installed in the exhibition hall of the “Museo Nacional” in Bogotá (a former 19th century panopticon), I had imagin
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No title, as the project only reached proposal stage - Rikrit Tiravanija
Unbuilt Roads
Proposal No. 1
(a) In the exhibition space, in proximation (as precisely as possible) to actual space. Replicate (Reconstruct) in architectural scale, space and in specific: detail, the office of the director of the museum.
(b) All contents (in deta
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Proposal No. 1
(a) In the exhibition space, in proximation (as precisely as possible) to actual space. Replicate (Reconstruct) in architectural scale, space and in specific: detail, the office of the director of the museum.
(b) All contents (in deta
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Dinedromoscope (from Greek: δινη, “vortex”, δρομοs, “run” e σkοπη, “to examine”)
PLAN A
Dinedromoscope is a project destined to the involvement of the visitors of the Guggenheim Museum, New York, who are invited to throw thems
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Dinedromoscope (from Greek: δινη, “vortex”, δρομοs, “run” e σkοπη, “to examine”)
PLAN A
Dinedromoscope is a project destined to the involvement of the visitors of the Guggenheim Museum, New York, who are invited to throw thems
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Glenn D. Lowry
Director
The Museum of Modern Art
11 West 53rd Street
New York, NY 10019
January 20, 2009
Dear Glenn,
The best way I can think of introducing myself after the brief conversation with you tonight is to say that,
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Glenn D. Lowry
Director
The Museum of Modern Art
11 West 53rd Street
New York, NY 10019
January 20, 2009
Dear Glenn,
The best way I can think of introducing myself after the brief conversation with you tonight is to say that,
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Ten years ago in a museum in Milan Italy it was pointed out to me that there was an uncanny resemblance between myself and one of the multitude of Roman marble bust sculptures in the museum… This moment got me thinking about the connections between peop
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Ten years ago in a museum in Milan Italy it was pointed out to me that there was an uncanny resemblance between myself and one of the multitude of Roman marble bust sculptures in the museum… This moment got me thinking about the connections between peop
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WHITE CUBE RESEARCH aims to set up a full operative institute for theoretical research in an exhibition context. The researchers are asked to gather in a small building, the white cube (or just in an office-like setup) inside an art exhibition.
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WHITE CUBE RESEARCH aims to set up a full operative institute for theoretical research in an exhibition context. The researchers are asked to gather in a small building, the white cube (or just in an office-like setup) inside an art exhibition.
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PROPOSAL FOR SEATTLE ARTS COMMISSION, IN PUBLIC - Chris Burden
Unbuilt Roads
I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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