I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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"5.9-by-8.5-inch Exhibition"
Selecting one of sketchbooks from my drawing project Equivocal Landscape*
Publishing the same format (5.9 x 8.5 in. and 72 images of 144 pages) book as the sketchbook of Equivocal Landscape (at least 72 copies)
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"5.9-by-8.5-inch Exhibition"
Selecting one of sketchbooks from my drawing project Equivocal Landscape*
Publishing the same format (5.9 x 8.5 in. and 72 images of 144 pages) book as the sketchbook of Equivocal Landscape (at least 72 copies)
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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We Might Be Snowmakers - Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
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Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
Title: We Might Be Snowmakers
In order to slow or reverse the retreat of glaciers, the GRMI proposes setting up large-scale
snow blowers to increase the size of Europe’s la
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Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
Title: We Might Be Snowmakers
In order to slow or reverse the retreat of glaciers, the GRMI proposes setting up large-scale
snow blowers to increase the size of Europe’s la
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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A hilly landscape makes lines of trees disappear behind nearby hills or offers a view at a tree from above.
In the Netherlands the flatness of the landscape makes that impossible.
But, since the whole country is manmade, the solution for this is also ma
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A hilly landscape makes lines of trees disappear behind nearby hills or offers a view at a tree from above.
In the Netherlands the flatness of the landscape makes that impossible.
But, since the whole country is manmade, the solution for this is also ma
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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Myopian fields , proposal (2010)
This exhibition uses the notion of a virtual landscape as its structural foundation, materialised as a small theatre set or abstract film studio, playing with our conceptions of the natural and the man-made, the environ
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Myopian fields , proposal (2010)
This exhibition uses the notion of a virtual landscape as its structural foundation, materialised as a small theatre set or abstract film studio, playing with our conceptions of the natural and the man-made, the environ
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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When we are sick, we are vulnerable. Increasingly assailed by medicine, we maintain a fearful and passive attitude towards our health and therapy, an attitude of hopeful expectation which often has an uncertain outcome.
The Sotiria Project, Memory and
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When we are sick, we are vulnerable. Increasingly assailed by medicine, we maintain a fearful and passive attitude towards our health and therapy, an attitude of hopeful expectation which often has an uncertain outcome.
The Sotiria Project, Memory and
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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‘Tyburn Tree’ is a site‐specific (powder coated) steel structure. Elevated upon three vertical beams, measuring approx 6 metres in height. To stand at the original site of the infamous historical location for state executions, situated on a partiall
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‘Tyburn Tree’ is a site‐specific (powder coated) steel structure. Elevated upon three vertical beams, measuring approx 6 metres in height. To stand at the original site of the infamous historical location for state executions, situated on a partiall
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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Unrealized Project #9: - Shiva Lynn Burgos and Javier Barrera (Ned and Shiva Productions)
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Unrealized Project #9:
“Illegal Crossings: An attempt to secretly enter the United States via the Mexico/Texas Border” January, 2008
-A performance documented with photography, film and soundscape
Project Aims
To make arrangements with Coy
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Unrealized Project #9:
“Illegal Crossings: An attempt to secretly enter the United States via the Mexico/Texas Border” January, 2008
-A performance documented with photography, film and soundscape
Project Aims
To make arrangements with Coy
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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Terminator – Final proposal to the Jerwood Foundation 2008 - Jonathan Parsons
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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We would like to propose a situation in which we would place a landscape of a proposed city surrounding area under video surveillance.
We are MA’s of Departments of Painting, Faculty of Fine Arts, University of Arts, Belgrade. We live in Belgrade, S
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We would like to propose a situation in which we would place a landscape of a proposed city surrounding area under video surveillance.
We are MA’s of Departments of Painting, Faculty of Fine Arts, University of Arts, Belgrade. We live in Belgrade, S
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Painting as a Pastime 2001
Brett Prestidge Compton Verney, Oxfordshire, England (2000) Courtesy of Stanton Williams Architects We were invited to submit a proposal for Compton Verney, Oxfordshire, England. Our proposal was to offer a single first priz
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Painting as a Pastime 2001
Brett Prestidge Compton Verney, Oxfordshire, England (2000) Courtesy of Stanton Williams Architects We were invited to submit a proposal for Compton Verney, Oxfordshire, England. Our proposal was to offer a single first priz
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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Proposed Future
Architecture is the most visible sign of a society's faith and trust in the future. The ability to move forward and construct a future is greatly effected by how our views are framed.
This work explores the built landsc
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Proposed Future
Architecture is the most visible sign of a society's faith and trust in the future. The ability to move forward and construct a future is greatly effected by how our views are framed.
This work explores the built landsc
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