Terminator – Final proposal to the Jerwood Foundation 2008 - Jonathan Parsons
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
...
Star Museum in Sharjah by A12 - A12 Star Museum in Sharjah
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Star Museum in Sharjah by A12
Our proposal for Sharjah Art Foundation Production Programme was to build a temporary pavilion to host the first stage of the Star Museum, a travelling museum dedicated to the stars.
The stars in this museum are not inten
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Star Museum in Sharjah by A12
Our proposal for Sharjah Art Foundation Production Programme was to build a temporary pavilion to host the first stage of the Star Museum, a travelling museum dedicated to the stars.
The stars in this museum are not inten
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A hilly landscape makes lines of trees disappear behind nearby hills or offers a view at a tree from above.
In the Netherlands the flatness of the landscape makes that impossible.
But, since the whole country is manmade, the solution for this is also ma
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A hilly landscape makes lines of trees disappear behind nearby hills or offers a view at a tree from above.
In the Netherlands the flatness of the landscape makes that impossible.
But, since the whole country is manmade, the solution for this is also ma
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Revolution Tree consists of the siting of a large mature Oak tree, where its rootball is planted in a purpose built container that is extremely slowly continuously revolving. The container and all mechanics are hidden underground and the work is completel
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Revolution Tree consists of the siting of a large mature Oak tree, where its rootball is planted in a purpose built container that is extremely slowly continuously revolving. The container and all mechanics are hidden underground and the work is completel
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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On the hour, as many clouds as hours. Drifting above city and/or landscape. Warm smoke of high density - such as is used for air shows (see image attached). Should preferably be realized in city or country with clear skies.
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On the hour, as many clouds as hours. Drifting above city and/or landscape. Warm smoke of high density - such as is used for air shows (see image attached). Should preferably be realized in city or country with clear skies.
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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It will realize a sonorous performance in the place in which I live, will take record on video and examples of the place of natural type, as land or stones and with this to construct a model similar to a table, in which it will show the material obtained
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It will realize a sonorous performance in the place in which I live, will take record on video and examples of the place of natural type, as land or stones and with this to construct a model similar to a table, in which it will show the material obtained
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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Queen Anne Island
As the earth warms, the waters rise and our world becomes a very different place, we need to start making the changes to our cities, towns and neighborhoods that will allow us to move seamlessly into new realities. Locavorism will be
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Queen Anne Island
As the earth warms, the waters rise and our world becomes a very different place, we need to start making the changes to our cities, towns and neighborhoods that will allow us to move seamlessly into new realities. Locavorism will be
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Unrealized Project #9: - Shiva Lynn Burgos and Javier Barrera (Ned and Shiva Productions)
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Unrealized Project #9:
“Illegal Crossings: An attempt to secretly enter the United States via the Mexico/Texas Border” January, 2008
-A performance documented with photography, film and soundscape
Project Aims
To make arrangements with Coy
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Unrealized Project #9:
“Illegal Crossings: An attempt to secretly enter the United States via the Mexico/Texas Border” January, 2008
-A performance documented with photography, film and soundscape
Project Aims
To make arrangements with Coy
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"I love those who do not wish to preserve themselves; the down-going ones do I love with mine entire love, for they go beyond"
Frontier Monument (alternative title: Witchbunker) is the second in a series of public monuments on which I have been
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"I love those who do not wish to preserve themselves; the down-going ones do I love with mine entire love, for they go beyond"
Frontier Monument (alternative title: Witchbunker) is the second in a series of public monuments on which I have been
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Myopian fields , proposal (2010)
This exhibition uses the notion of a virtual landscape as its structural foundation, materialised as a small theatre set or abstract film studio, playing with our conceptions of the natural and the man-made, the environ
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Myopian fields , proposal (2010)
This exhibition uses the notion of a virtual landscape as its structural foundation, materialised as a small theatre set or abstract film studio, playing with our conceptions of the natural and the man-made, the environ
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The action of breaking and turning over earth with a plow always fascinated me, the clods of earth being the result of this action, a simple 'gesture' from a machine which nevertheless brings about a dramatic change to the landscape, an awesome ephemeral
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The action of breaking and turning over earth with a plow always fascinated me, the clods of earth being the result of this action, a simple 'gesture' from a machine which nevertheless brings about a dramatic change to the landscape, an awesome ephemeral
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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colab studio, llc Reach 11 – Unbuilt Art Project AUP 05.25.11 Reach 11 is a sports complex in North Phoenix comprised of 18 soccer fields and 4 baseball fields. A Call for Artists went out to provide large amounts of shade at four diverse locations with
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colab studio, llc Reach 11 – Unbuilt Art Project AUP 05.25.11 Reach 11 is a sports complex in North Phoenix comprised of 18 soccer fields and 4 baseball fields. A Call for Artists went out to provide large amounts of shade at four diverse locations with
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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THE SERPENTINE PROJECT
Project Brief Pre Proposal
“Physics has found no strait lines - it’s only found waves. Physics has found no solids – only high frequency event fields. The universe is not conforming to a three dimensional perpendicula
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THE SERPENTINE PROJECT
Project Brief Pre Proposal
“Physics has found no strait lines - it’s only found waves. Physics has found no solids – only high frequency event fields. The universe is not conforming to a three dimensional perpendicula
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
...