BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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THE SERPENTINE PROJECT
Project Brief Pre Proposal
“Physics has found no strait lines - it’s only found waves. Physics has found no solids – only high frequency event fields. The universe is not conforming to a three dimensional perpendicula
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THE SERPENTINE PROJECT
Project Brief Pre Proposal
“Physics has found no strait lines - it’s only found waves. Physics has found no solids – only high frequency event fields. The universe is not conforming to a three dimensional perpendicula
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"I love those who do not wish to preserve themselves; the down-going ones do I love with mine entire love, for they go beyond"
Frontier Monument (alternative title: Witchbunker) is the second in a series of public monuments on which I have been
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"I love those who do not wish to preserve themselves; the down-going ones do I love with mine entire love, for they go beyond"
Frontier Monument (alternative title: Witchbunker) is the second in a series of public monuments on which I have been
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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MAPPING OBSCUR A (MEMORY AND PLACE) - Yamini Nayar
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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"5.9-by-8.5-inch Exhibition"
Selecting one of sketchbooks from my drawing project Equivocal Landscape*
Publishing the same format (5.9 x 8.5 in. and 72 images of 144 pages) book as the sketchbook of Equivocal Landscape (at least 72 copies)
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"5.9-by-8.5-inch Exhibition"
Selecting one of sketchbooks from my drawing project Equivocal Landscape*
Publishing the same format (5.9 x 8.5 in. and 72 images of 144 pages) book as the sketchbook of Equivocal Landscape (at least 72 copies)
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Painting as a Pastime 2001
Brett Prestidge Compton Verney, Oxfordshire, England (2000) Courtesy of Stanton Williams Architects We were invited to submit a proposal for Compton Verney, Oxfordshire, England. Our proposal was to offer a single first priz
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Painting as a Pastime 2001
Brett Prestidge Compton Verney, Oxfordshire, England (2000) Courtesy of Stanton Williams Architects We were invited to submit a proposal for Compton Verney, Oxfordshire, England. Our proposal was to offer a single first priz
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It will realize a sonorous performance in the place in which I live, will take record on video and examples of the place of natural type, as land or stones and with this to construct a model similar to a table, in which it will show the material obtained
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It will realize a sonorous performance in the place in which I live, will take record on video and examples of the place of natural type, as land or stones and with this to construct a model similar to a table, in which it will show the material obtained
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AUSSICHTSTURM, HOLZHAUS (WOHNHAUS), SCHWIMMBECKEN, FREIE FAHRT - Maria Eichhorn
Unbuilt Roads
AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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Curatorial Statement : Icelandic Elements - 4 Directions in Icelandic Painting
Iceland o!ers the Artist an environment of extreme elements. "ese Elements indelibly imprint their impression. "e four Artists in this Exhibition represent these undercurrents
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Curatorial Statement : Icelandic Elements - 4 Directions in Icelandic Painting
Iceland o!ers the Artist an environment of extreme elements. "ese Elements indelibly imprint their impression. "e four Artists in this Exhibition represent these undercurrents
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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Breakdown: A Prototypical Monument to the Open Road - John Landewe
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Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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Where are the California Rolls from? - Maki Na Kamura
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To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
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To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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Golf courses are artificial landscapes with artificial hills and small artificial sand dunes. Now imagine a golf course (in the Netherlands, in the meadows), without those artificial hills and the small sand dunes replaced by metal versions on poles to pu
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Golf courses are artificial landscapes with artificial hills and small artificial sand dunes. Now imagine a golf course (in the Netherlands, in the meadows), without those artificial hills and the small sand dunes replaced by metal versions on poles to pu
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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