Eine Kreisfläche von ca. 30m Durchmesser ist auf dem offenen zum Ministerium für Bildung und Wiesenschaft und dem Ministerium für Justiz der Bundesrepublik Deutschland gehörenden ebenen Gelände in Bonn-BadGodesberg zu markieren, wenn möglich auf d
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Eine Kreisfläche von ca. 30m Durchmesser ist auf dem offenen zum Ministerium für Bildung und Wiesenschaft und dem Ministerium für Justiz der Bundesrepublik Deutschland gehörenden ebenen Gelände in Bonn-BadGodesberg zu markieren, wenn möglich auf d
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Europe Park / sculpture and landscape - THEODOULOS Gregoriou
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The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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Revolution Tree consists of the siting of a large mature Oak tree, where its rootball is planted in a purpose built container that is extremely slowly continuously revolving. The container and all mechanics are hidden underground and the work is completel
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Revolution Tree consists of the siting of a large mature Oak tree, where its rootball is planted in a purpose built container that is extremely slowly continuously revolving. The container and all mechanics are hidden underground and the work is completel
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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MAPPING OBSCUR A (MEMORY AND PLACE) - Yamini Nayar
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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Terminator – Final proposal to the Jerwood Foundation 2008 - Jonathan Parsons
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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"5.9-by-8.5-inch Exhibition"
Selecting one of sketchbooks from my drawing project Equivocal Landscape*
Publishing the same format (5.9 x 8.5 in. and 72 images of 144 pages) book as the sketchbook of Equivocal Landscape (at least 72 copies)
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"5.9-by-8.5-inch Exhibition"
Selecting one of sketchbooks from my drawing project Equivocal Landscape*
Publishing the same format (5.9 x 8.5 in. and 72 images of 144 pages) book as the sketchbook of Equivocal Landscape (at least 72 copies)
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A hilly landscape makes lines of trees disappear behind nearby hills or offers a view at a tree from above.
In the Netherlands the flatness of the landscape makes that impossible.
But, since the whole country is manmade, the solution for this is also ma
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A hilly landscape makes lines of trees disappear behind nearby hills or offers a view at a tree from above.
In the Netherlands the flatness of the landscape makes that impossible.
But, since the whole country is manmade, the solution for this is also ma
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Where are the California Rolls from? - Maki Na Kamura
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To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
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To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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Proposed Future
Architecture is the most visible sign of a society's faith and trust in the future. The ability to move forward and construct a future is greatly effected by how our views are framed.
This work explores the built landsc
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Proposed Future
Architecture is the most visible sign of a society's faith and trust in the future. The ability to move forward and construct a future is greatly effected by how our views are framed.
This work explores the built landsc
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A Proposal – M86
As the end of the year is culled, we invite a fresh adventure. A journey, to the heart of the UK landscape. A journey, through the blood metaphor. We propose: a one-week road trip in which we will visit the site of all 86 of the se
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A Proposal – M86
As the end of the year is culled, we invite a fresh adventure. A journey, to the heart of the UK landscape. A journey, through the blood metaphor. We propose: a one-week road trip in which we will visit the site of all 86 of the se
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The idea was to give this former water tower a bright icecap on top, which would have changed its appearance dramatically, making it look more like an alp. Bringing the water, which used to be stored inside the tower, to the outside, illustrates its (form
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The idea was to give this former water tower a bright icecap on top, which would have changed its appearance dramatically, making it look more like an alp. Bringing the water, which used to be stored inside the tower, to the outside, illustrates its (form
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Strayed in Schizophrenic Landscapes of a Celibate Machine - Atelier Uraiqat
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Strayed in Schizophrenic Landscapes of a Celibate Machine
Atelier Uraiqat
Strayed in Schizophrenic Landscapes of a Celibate Machine is the manifestation of the struggle between the desiring individual and controlling society, where desire acts as the
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Strayed in Schizophrenic Landscapes of a Celibate Machine
Atelier Uraiqat
Strayed in Schizophrenic Landscapes of a Celibate Machine is the manifestation of the struggle between the desiring individual and controlling society, where desire acts as the
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On the hour, as many clouds as hours. Drifting above city and/or landscape. Warm smoke of high density - such as is used for air shows (see image attached). Should preferably be realized in city or country with clear skies.
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On the hour, as many clouds as hours. Drifting above city and/or landscape. Warm smoke of high density - such as is used for air shows (see image attached). Should preferably be realized in city or country with clear skies.
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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colab studio, llc Reach 11 – Unbuilt Art Project AUP 05.25.11 Reach 11 is a sports complex in North Phoenix comprised of 18 soccer fields and 4 baseball fields. A Call for Artists went out to provide large amounts of shade at four diverse locations with
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colab studio, llc Reach 11 – Unbuilt Art Project AUP 05.25.11 Reach 11 is a sports complex in North Phoenix comprised of 18 soccer fields and 4 baseball fields. A Call for Artists went out to provide large amounts of shade at four diverse locations with
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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AUSSICHTSTURM, HOLZHAUS (WOHNHAUS), SCHWIMMBECKEN, FREIE FAHRT - Maria Eichhorn
Unbuilt Roads
AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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