Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
...
Europe Park / sculpture and landscape - THEODOULOS Gregoriou
WWW
The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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The action of breaking and turning over earth with a plow always fascinated me, the clods of earth being the result of this action, a simple 'gesture' from a machine which nevertheless brings about a dramatic change to the landscape, an awesome ephemeral
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The action of breaking and turning over earth with a plow always fascinated me, the clods of earth being the result of this action, a simple 'gesture' from a machine which nevertheless brings about a dramatic change to the landscape, an awesome ephemeral
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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Eine Kreisfläche von ca. 30m Durchmesser ist auf dem offenen zum Ministerium für Bildung und Wiesenschaft und dem Ministerium für Justiz der Bundesrepublik Deutschland gehörenden ebenen Gelände in Bonn-BadGodesberg zu markieren, wenn möglich auf d
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Eine Kreisfläche von ca. 30m Durchmesser ist auf dem offenen zum Ministerium für Bildung und Wiesenschaft und dem Ministerium für Justiz der Bundesrepublik Deutschland gehörenden ebenen Gelände in Bonn-BadGodesberg zu markieren, wenn möglich auf d
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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Breakdown: A Prototypical Monument to the Open Road - John Landewe
WWW
Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
WWW
Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Golf courses are artificial landscapes with artificial hills and small artificial sand dunes. Now imagine a golf course (in the Netherlands, in the meadows), without those artificial hills and the small sand dunes replaced by metal versions on poles to pu
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Golf courses are artificial landscapes with artificial hills and small artificial sand dunes. Now imagine a golf course (in the Netherlands, in the meadows), without those artificial hills and the small sand dunes replaced by metal versions on poles to pu
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We would like to propose a situation in which we would place a landscape of a proposed city surrounding area under video surveillance.
We are MA’s of Departments of Painting, Faculty of Fine Arts, University of Arts, Belgrade. We live in Belgrade, S
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We would like to propose a situation in which we would place a landscape of a proposed city surrounding area under video surveillance.
We are MA’s of Departments of Painting, Faculty of Fine Arts, University of Arts, Belgrade. We live in Belgrade, S
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Cultivating the Field of the Absurd - Barbara Nemitz
WWW
Title: " Cultivating the Field of the Absurd"
The work is to be made in the landscape. In an open part with a large plain - some shrubberies and trees may be around - an extensive embroidery is to be seen on the ground. It is made out of silky shimmer
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Title: " Cultivating the Field of the Absurd"
The work is to be made in the landscape. In an open part with a large plain - some shrubberies and trees may be around - an extensive embroidery is to be seen on the ground. It is made out of silky shimmer
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When we are sick, we are vulnerable. Increasingly assailed by medicine, we maintain a fearful and passive attitude towards our health and therapy, an attitude of hopeful expectation which often has an uncertain outcome.
The Sotiria Project, Memory and
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When we are sick, we are vulnerable. Increasingly assailed by medicine, we maintain a fearful and passive attitude towards our health and therapy, an attitude of hopeful expectation which often has an uncertain outcome.
The Sotiria Project, Memory and
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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‘Tyburn Tree’ is a site‐specific (powder coated) steel structure. Elevated upon three vertical beams, measuring approx 6 metres in height. To stand at the original site of the infamous historical location for state executions, situated on a partiall
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‘Tyburn Tree’ is a site‐specific (powder coated) steel structure. Elevated upon three vertical beams, measuring approx 6 metres in height. To stand at the original site of the infamous historical location for state executions, situated on a partiall
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We Might Be Snowmakers - Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
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Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
Title: We Might Be Snowmakers
In order to slow or reverse the retreat of glaciers, the GRMI proposes setting up large-scale
snow blowers to increase the size of Europe’s la
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Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
Title: We Might Be Snowmakers
In order to slow or reverse the retreat of glaciers, the GRMI proposes setting up large-scale
snow blowers to increase the size of Europe’s la
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