Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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Curatorial Statement : Icelandic Elements - 4 Directions in Icelandic Painting
Iceland o!ers the Artist an environment of extreme elements. "ese Elements indelibly imprint their impression. "e four Artists in this Exhibition represent these undercurrents
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Curatorial Statement : Icelandic Elements - 4 Directions in Icelandic Painting
Iceland o!ers the Artist an environment of extreme elements. "ese Elements indelibly imprint their impression. "e four Artists in this Exhibition represent these undercurrents
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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Europe Park / sculpture and landscape - THEODOULOS Gregoriou
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The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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Revolution Tree consists of the siting of a large mature Oak tree, where its rootball is planted in a purpose built container that is extremely slowly continuously revolving. The container and all mechanics are hidden underground and the work is completel
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Revolution Tree consists of the siting of a large mature Oak tree, where its rootball is planted in a purpose built container that is extremely slowly continuously revolving. The container and all mechanics are hidden underground and the work is completel
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‘Tyburn Tree’ is a site‐specific (powder coated) steel structure. Elevated upon three vertical beams, measuring approx 6 metres in height. To stand at the original site of the infamous historical location for state executions, situated on a partiall
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‘Tyburn Tree’ is a site‐specific (powder coated) steel structure. Elevated upon three vertical beams, measuring approx 6 metres in height. To stand at the original site of the infamous historical location for state executions, situated on a partiall
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We Might Be Snowmakers - Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
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Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
Title: We Might Be Snowmakers
In order to slow or reverse the retreat of glaciers, the GRMI proposes setting up large-scale
snow blowers to increase the size of Europe’s la
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Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
Title: We Might Be Snowmakers
In order to slow or reverse the retreat of glaciers, the GRMI proposes setting up large-scale
snow blowers to increase the size of Europe’s la
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"5.9-by-8.5-inch Exhibition"
Selecting one of sketchbooks from my drawing project Equivocal Landscape*
Publishing the same format (5.9 x 8.5 in. and 72 images of 144 pages) book as the sketchbook of Equivocal Landscape (at least 72 copies)
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"5.9-by-8.5-inch Exhibition"
Selecting one of sketchbooks from my drawing project Equivocal Landscape*
Publishing the same format (5.9 x 8.5 in. and 72 images of 144 pages) book as the sketchbook of Equivocal Landscape (at least 72 copies)
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The idea was to give this former water tower a bright icecap on top, which would have changed its appearance dramatically, making it look more like an alp. Bringing the water, which used to be stored inside the tower, to the outside, illustrates its (form
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The idea was to give this former water tower a bright icecap on top, which would have changed its appearance dramatically, making it look more like an alp. Bringing the water, which used to be stored inside the tower, to the outside, illustrates its (form
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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The action of breaking and turning over earth with a plow always fascinated me, the clods of earth being the result of this action, a simple 'gesture' from a machine which nevertheless brings about a dramatic change to the landscape, an awesome ephemeral
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The action of breaking and turning over earth with a plow always fascinated me, the clods of earth being the result of this action, a simple 'gesture' from a machine which nevertheless brings about a dramatic change to the landscape, an awesome ephemeral
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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Strayed in Schizophrenic Landscapes of a Celibate Machine - Atelier Uraiqat
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Strayed in Schizophrenic Landscapes of a Celibate Machine
Atelier Uraiqat
Strayed in Schizophrenic Landscapes of a Celibate Machine is the manifestation of the struggle between the desiring individual and controlling society, where desire acts as the
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Strayed in Schizophrenic Landscapes of a Celibate Machine
Atelier Uraiqat
Strayed in Schizophrenic Landscapes of a Celibate Machine is the manifestation of the struggle between the desiring individual and controlling society, where desire acts as the
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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Golf courses are artificial landscapes with artificial hills and small artificial sand dunes. Now imagine a golf course (in the Netherlands, in the meadows), without those artificial hills and the small sand dunes replaced by metal versions on poles to pu
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Golf courses are artificial landscapes with artificial hills and small artificial sand dunes. Now imagine a golf course (in the Netherlands, in the meadows), without those artificial hills and the small sand dunes replaced by metal versions on poles to pu
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Where are the California Rolls from? - Maki Na Kamura
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To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
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To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
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Apartamentul / Infobox for Bucharest
This architectural space was thought as a place where the memory of the city should had been activated through different initiatives and projects. The need to link our present, our memory with our recent past led us
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Apartamentul / Infobox for Bucharest
This architectural space was thought as a place where the memory of the city should had been activated through different initiatives and projects. The need to link our present, our memory with our recent past led us
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Myopian fields , proposal (2010)
This exhibition uses the notion of a virtual landscape as its structural foundation, materialised as a small theatre set or abstract film studio, playing with our conceptions of the natural and the man-made, the environ
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Myopian fields , proposal (2010)
This exhibition uses the notion of a virtual landscape as its structural foundation, materialised as a small theatre set or abstract film studio, playing with our conceptions of the natural and the man-made, the environ
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A Proposal – M86
As the end of the year is culled, we invite a fresh adventure. A journey, to the heart of the UK landscape. A journey, through the blood metaphor. We propose: a one-week road trip in which we will visit the site of all 86 of the se
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A Proposal – M86
As the end of the year is culled, we invite a fresh adventure. A journey, to the heart of the UK landscape. A journey, through the blood metaphor. We propose: a one-week road trip in which we will visit the site of all 86 of the se
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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