Revolution Tree consists of the siting of a large mature Oak tree, where its rootball is planted in a purpose built container that is extremely slowly continuously revolving. The container and all mechanics are hidden underground and the work is completel
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Revolution Tree consists of the siting of a large mature Oak tree, where its rootball is planted in a purpose built container that is extremely slowly continuously revolving. The container and all mechanics are hidden underground and the work is completel
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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The action of breaking and turning over earth with a plow always fascinated me, the clods of earth being the result of this action, a simple 'gesture' from a machine which nevertheless brings about a dramatic change to the landscape, an awesome ephemeral
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The action of breaking and turning over earth with a plow always fascinated me, the clods of earth being the result of this action, a simple 'gesture' from a machine which nevertheless brings about a dramatic change to the landscape, an awesome ephemeral
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AUSSICHTSTURM, HOLZHAUS (WOHNHAUS), SCHWIMMBECKEN, FREIE FAHRT - Maria Eichhorn
Unbuilt Roads
AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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A Proposal – M86
As the end of the year is culled, we invite a fresh adventure. A journey, to the heart of the UK landscape. A journey, through the blood metaphor. We propose: a one-week road trip in which we will visit the site of all 86 of the se
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A Proposal – M86
As the end of the year is culled, we invite a fresh adventure. A journey, to the heart of the UK landscape. A journey, through the blood metaphor. We propose: a one-week road trip in which we will visit the site of all 86 of the se
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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Cultivating the Field of the Absurd - Barbara Nemitz
WWW
Title: " Cultivating the Field of the Absurd"
The work is to be made in the landscape. In an open part with a large plain - some shrubberies and trees may be around - an extensive embroidery is to be seen on the ground. It is made out of silky shimmer
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Title: " Cultivating the Field of the Absurd"
The work is to be made in the landscape. In an open part with a large plain - some shrubberies and trees may be around - an extensive embroidery is to be seen on the ground. It is made out of silky shimmer
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Strayed in Schizophrenic Landscapes of a Celibate Machine - Atelier Uraiqat
WWW
Strayed in Schizophrenic Landscapes of a Celibate Machine
Atelier Uraiqat
Strayed in Schizophrenic Landscapes of a Celibate Machine is the manifestation of the struggle between the desiring individual and controlling society, where desire acts as the
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Strayed in Schizophrenic Landscapes of a Celibate Machine
Atelier Uraiqat
Strayed in Schizophrenic Landscapes of a Celibate Machine is the manifestation of the struggle between the desiring individual and controlling society, where desire acts as the
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Breakdown: A Prototypical Monument to the Open Road - John Landewe
WWW
Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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It will realize a sonorous performance in the place in which I live, will take record on video and examples of the place of natural type, as land or stones and with this to construct a model similar to a table, in which it will show the material obtained
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It will realize a sonorous performance in the place in which I live, will take record on video and examples of the place of natural type, as land or stones and with this to construct a model similar to a table, in which it will show the material obtained
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"I love those who do not wish to preserve themselves; the down-going ones do I love with mine entire love, for they go beyond"
Frontier Monument (alternative title: Witchbunker) is the second in a series of public monuments on which I have been
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"I love those who do not wish to preserve themselves; the down-going ones do I love with mine entire love, for they go beyond"
Frontier Monument (alternative title: Witchbunker) is the second in a series of public monuments on which I have been
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‘Tyburn Tree’ is a site‐specific (powder coated) steel structure. Elevated upon three vertical beams, measuring approx 6 metres in height. To stand at the original site of the infamous historical location for state executions, situated on a partiall
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‘Tyburn Tree’ is a site‐specific (powder coated) steel structure. Elevated upon three vertical beams, measuring approx 6 metres in height. To stand at the original site of the infamous historical location for state executions, situated on a partiall
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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The idea was to give this former water tower a bright icecap on top, which would have changed its appearance dramatically, making it look more like an alp. Bringing the water, which used to be stored inside the tower, to the outside, illustrates its (form
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The idea was to give this former water tower a bright icecap on top, which would have changed its appearance dramatically, making it look more like an alp. Bringing the water, which used to be stored inside the tower, to the outside, illustrates its (form
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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We Might Be Snowmakers - Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
WWW
Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
Title: We Might Be Snowmakers
In order to slow or reverse the retreat of glaciers, the GRMI proposes setting up large-scale
snow blowers to increase the size of Europe’s la
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Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy
Title: We Might Be Snowmakers
In order to slow or reverse the retreat of glaciers, the GRMI proposes setting up large-scale
snow blowers to increase the size of Europe’s la
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Terminator – Final proposal to the Jerwood Foundation 2008 - Jonathan Parsons
WWW
This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
WWW
Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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