Revolution Tree consists of the siting of a large mature Oak tree, where its rootball is planted in a purpose built container that is extremely slowly continuously revolving. The container and all mechanics are hidden underground and the work is completel
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Revolution Tree consists of the siting of a large mature Oak tree, where its rootball is planted in a purpose built container that is extremely slowly continuously revolving. The container and all mechanics are hidden underground and the work is completel
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Queen Anne Island
As the earth warms, the waters rise and our world becomes a very different place, we need to start making the changes to our cities, towns and neighborhoods that will allow us to move seamlessly into new realities. Locavorism will be
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Queen Anne Island
As the earth warms, the waters rise and our world becomes a very different place, we need to start making the changes to our cities, towns and neighborhoods that will allow us to move seamlessly into new realities. Locavorism will be
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The idea was to give this former water tower a bright icecap on top, which would have changed its appearance dramatically, making it look more like an alp. Bringing the water, which used to be stored inside the tower, to the outside, illustrates its (form
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The idea was to give this former water tower a bright icecap on top, which would have changed its appearance dramatically, making it look more like an alp. Bringing the water, which used to be stored inside the tower, to the outside, illustrates its (form
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It will realize a sonorous performance in the place in which I live, will take record on video and examples of the place of natural type, as land or stones and with this to construct a model similar to a table, in which it will show the material obtained
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It will realize a sonorous performance in the place in which I live, will take record on video and examples of the place of natural type, as land or stones and with this to construct a model similar to a table, in which it will show the material obtained
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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MAPPING OBSCUR A (MEMORY AND PLACE) - Yamini Nayar
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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Strayed in Schizophrenic Landscapes of a Celibate Machine - Atelier Uraiqat
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Strayed in Schizophrenic Landscapes of a Celibate Machine
Atelier Uraiqat
Strayed in Schizophrenic Landscapes of a Celibate Machine is the manifestation of the struggle between the desiring individual and controlling society, where desire acts as the
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Strayed in Schizophrenic Landscapes of a Celibate Machine
Atelier Uraiqat
Strayed in Schizophrenic Landscapes of a Celibate Machine is the manifestation of the struggle between the desiring individual and controlling society, where desire acts as the
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The action of breaking and turning over earth with a plow always fascinated me, the clods of earth being the result of this action, a simple 'gesture' from a machine which nevertheless brings about a dramatic change to the landscape, an awesome ephemeral
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The action of breaking and turning over earth with a plow always fascinated me, the clods of earth being the result of this action, a simple 'gesture' from a machine which nevertheless brings about a dramatic change to the landscape, an awesome ephemeral
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AUSSICHTSTURM, HOLZHAUS (WOHNHAUS), SCHWIMMBECKEN, FREIE FAHRT - Maria Eichhorn
Unbuilt Roads
AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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We would like to propose a situation in which we would place a landscape of a proposed city surrounding area under video surveillance.
We are MA’s of Departments of Painting, Faculty of Fine Arts, University of Arts, Belgrade. We live in Belgrade, S
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We would like to propose a situation in which we would place a landscape of a proposed city surrounding area under video surveillance.
We are MA’s of Departments of Painting, Faculty of Fine Arts, University of Arts, Belgrade. We live in Belgrade, S
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On the hour, as many clouds as hours. Drifting above city and/or landscape. Warm smoke of high density - such as is used for air shows (see image attached). Should preferably be realized in city or country with clear skies.
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On the hour, as many clouds as hours. Drifting above city and/or landscape. Warm smoke of high density - such as is used for air shows (see image attached). Should preferably be realized in city or country with clear skies.
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Unrealized Project #9: - Shiva Lynn Burgos and Javier Barrera (Ned and Shiva Productions)
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Unrealized Project #9:
“Illegal Crossings: An attempt to secretly enter the United States via the Mexico/Texas Border” January, 2008
-A performance documented with photography, film and soundscape
Project Aims
To make arrangements with Coy
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Unrealized Project #9:
“Illegal Crossings: An attempt to secretly enter the United States via the Mexico/Texas Border” January, 2008
-A performance documented with photography, film and soundscape
Project Aims
To make arrangements with Coy
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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"5.9-by-8.5-inch Exhibition"
Selecting one of sketchbooks from my drawing project Equivocal Landscape*
Publishing the same format (5.9 x 8.5 in. and 72 images of 144 pages) book as the sketchbook of Equivocal Landscape (at least 72 copies)
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"5.9-by-8.5-inch Exhibition"
Selecting one of sketchbooks from my drawing project Equivocal Landscape*
Publishing the same format (5.9 x 8.5 in. and 72 images of 144 pages) book as the sketchbook of Equivocal Landscape (at least 72 copies)
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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Cultivating the Field of the Absurd - Barbara Nemitz
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Title: " Cultivating the Field of the Absurd"
The work is to be made in the landscape. In an open part with a large plain - some shrubberies and trees may be around - an extensive embroidery is to be seen on the ground. It is made out of silky shimmer
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Title: " Cultivating the Field of the Absurd"
The work is to be made in the landscape. In an open part with a large plain - some shrubberies and trees may be around - an extensive embroidery is to be seen on the ground. It is made out of silky shimmer
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‘Tyburn Tree’ is a site‐specific (powder coated) steel structure. Elevated upon three vertical beams, measuring approx 6 metres in height. To stand at the original site of the infamous historical location for state executions, situated on a partiall
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‘Tyburn Tree’ is a site‐specific (powder coated) steel structure. Elevated upon three vertical beams, measuring approx 6 metres in height. To stand at the original site of the infamous historical location for state executions, situated on a partiall
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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