STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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STRESS is fictitious industrial construction, whose only aim is to draw a perfectly straight red line that strikes through a wide landscape on the banks of Loire river estuary. It is drawn over 2 km between an oil refinery and some isolated grove, where i
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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"5.9-by-8.5-inch Exhibition"
Selecting one of sketchbooks from my drawing project Equivocal Landscape*
Publishing the same format (5.9 x 8.5 in. and 72 images of 144 pages) book as the sketchbook of Equivocal Landscape (at least 72 copies)
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"5.9-by-8.5-inch Exhibition"
Selecting one of sketchbooks from my drawing project Equivocal Landscape*
Publishing the same format (5.9 x 8.5 in. and 72 images of 144 pages) book as the sketchbook of Equivocal Landscape (at least 72 copies)
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Queen Anne Island
As the earth warms, the waters rise and our world becomes a very different place, we need to start making the changes to our cities, towns and neighborhoods that will allow us to move seamlessly into new realities. Locavorism will be
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Queen Anne Island
As the earth warms, the waters rise and our world becomes a very different place, we need to start making the changes to our cities, towns and neighborhoods that will allow us to move seamlessly into new realities. Locavorism will be
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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A Proposal – M86
As the end of the year is culled, we invite a fresh adventure. A journey, to the heart of the UK landscape. A journey, through the blood metaphor. We propose: a one-week road trip in which we will visit the site of all 86 of the se
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A Proposal – M86
As the end of the year is culled, we invite a fresh adventure. A journey, to the heart of the UK landscape. A journey, through the blood metaphor. We propose: a one-week road trip in which we will visit the site of all 86 of the se
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Painting as a Pastime 2001
Brett Prestidge Compton Verney, Oxfordshire, England (2000) Courtesy of Stanton Williams Architects We were invited to submit a proposal for Compton Verney, Oxfordshire, England. Our proposal was to offer a single first priz
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Painting as a Pastime 2001
Brett Prestidge Compton Verney, Oxfordshire, England (2000) Courtesy of Stanton Williams Architects We were invited to submit a proposal for Compton Verney, Oxfordshire, England. Our proposal was to offer a single first priz
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The idea was to give this former water tower a bright icecap on top, which would have changed its appearance dramatically, making it look more like an alp. Bringing the water, which used to be stored inside the tower, to the outside, illustrates its (form
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The idea was to give this former water tower a bright icecap on top, which would have changed its appearance dramatically, making it look more like an alp. Bringing the water, which used to be stored inside the tower, to the outside, illustrates its (form
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
...
Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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A hilly landscape makes lines of trees disappear behind nearby hills or offers a view at a tree from above.
In the Netherlands the flatness of the landscape makes that impossible.
But, since the whole country is manmade, the solution for this is also ma
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A hilly landscape makes lines of trees disappear behind nearby hills or offers a view at a tree from above.
In the Netherlands the flatness of the landscape makes that impossible.
But, since the whole country is manmade, the solution for this is also ma
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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"I love those who do not wish to preserve themselves; the down-going ones do I love with mine entire love, for they go beyond"
Frontier Monument (alternative title: Witchbunker) is the second in a series of public monuments on which I have been
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"I love those who do not wish to preserve themselves; the down-going ones do I love with mine entire love, for they go beyond"
Frontier Monument (alternative title: Witchbunker) is the second in a series of public monuments on which I have been
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Golf courses are artificial landscapes with artificial hills and small artificial sand dunes. Now imagine a golf course (in the Netherlands, in the meadows), without those artificial hills and the small sand dunes replaced by metal versions on poles to pu
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Golf courses are artificial landscapes with artificial hills and small artificial sand dunes. Now imagine a golf course (in the Netherlands, in the meadows), without those artificial hills and the small sand dunes replaced by metal versions on poles to pu
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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Breakdown: A Prototypical Monument to the Open Road - John Landewe
WWW
Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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Star Museum in Sharjah by A12 - A12 Star Museum in Sharjah
WWW
Star Museum in Sharjah by A12
Our proposal for Sharjah Art Foundation Production Programme was to build a temporary pavilion to host the first stage of the Star Museum, a travelling museum dedicated to the stars.
The stars in this museum are not inten
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Star Museum in Sharjah by A12
Our proposal for Sharjah Art Foundation Production Programme was to build a temporary pavilion to host the first stage of the Star Museum, a travelling museum dedicated to the stars.
The stars in this museum are not inten
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UNREALIZEABLE PROJECT A000003 - Stefano W. Pasquini
WWW
UNREALIZEABLE PROJECT A000003: The Queen of England becomes part of an installation / performance in a gallery.
I am sending you a selection of projects, all of them can be found here:
http://stefanopasquini.net/content/unremain.html
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UNREALIZEABLE PROJECT A000003: The Queen of England becomes part of an installation / performance in a gallery.
I am sending you a selection of projects, all of them can be found here:
http://stefanopasquini.net/content/unremain.html
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Revolution Tree consists of the siting of a large mature Oak tree, where its rootball is planted in a purpose built container that is extremely slowly continuously revolving. The container and all mechanics are hidden underground and the work is completel
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Revolution Tree consists of the siting of a large mature Oak tree, where its rootball is planted in a purpose built container that is extremely slowly continuously revolving. The container and all mechanics are hidden underground and the work is completel
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Curatorial Statement : Icelandic Elements - 4 Directions in Icelandic Painting
Iceland o!ers the Artist an environment of extreme elements. "ese Elements indelibly imprint their impression. "e four Artists in this Exhibition represent these undercurrents
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Curatorial Statement : Icelandic Elements - 4 Directions in Icelandic Painting
Iceland o!ers the Artist an environment of extreme elements. "ese Elements indelibly imprint their impression. "e four Artists in this Exhibition represent these undercurrents
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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