Star Museum in Sharjah by A12 - A12 Star Museum in Sharjah
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Star Museum in Sharjah by A12
Our proposal for Sharjah Art Foundation Production Programme was to build a temporary pavilion to host the first stage of the Star Museum, a travelling museum dedicated to the stars.
The stars in this museum are not inten
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Star Museum in Sharjah by A12
Our proposal for Sharjah Art Foundation Production Programme was to build a temporary pavilion to host the first stage of the Star Museum, a travelling museum dedicated to the stars.
The stars in this museum are not inten
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Eine Kreisfläche von ca. 30m Durchmesser ist auf dem offenen zum Ministerium für Bildung und Wiesenschaft und dem Ministerium für Justiz der Bundesrepublik Deutschland gehörenden ebenen Gelände in Bonn-BadGodesberg zu markieren, wenn möglich auf d
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Eine Kreisfläche von ca. 30m Durchmesser ist auf dem offenen zum Ministerium für Bildung und Wiesenschaft und dem Ministerium für Justiz der Bundesrepublik Deutschland gehörenden ebenen Gelände in Bonn-BadGodesberg zu markieren, wenn möglich auf d
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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Outopia
‘Outopia’ (meaning no place) is an on-going, fragmented project based on a fictional landscape. This landscape is neither here nor there; it exists only as representation of the internal self, in perpetual relation with the world.
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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This proposal seeks to confront problems in the disciplines of art and architecture in an ecological age. (1) Our infrastructure and aesthetic culture does not attune itself to the ever present crisis of nuclear waste, the bi-product of nuclear energy, wh
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Apartamentul / Infobox for Bucharest
This architectural space was thought as a place where the memory of the city should had been activated through different initiatives and projects. The need to link our present, our memory with our recent past led us
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Apartamentul / Infobox for Bucharest
This architectural space was thought as a place where the memory of the city should had been activated through different initiatives and projects. The need to link our present, our memory with our recent past led us
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Proposed Future
Architecture is the most visible sign of a society's faith and trust in the future. The ability to move forward and construct a future is greatly effected by how our views are framed.
This work explores the built landsc
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Proposed Future
Architecture is the most visible sign of a society's faith and trust in the future. The ability to move forward and construct a future is greatly effected by how our views are framed.
This work explores the built landsc
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Breakdown: A Prototypical Monument to the Open Road - John Landewe
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Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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On the hour, as many clouds as hours. Drifting above city and/or landscape. Warm smoke of high density - such as is used for air shows (see image attached). Should preferably be realized in city or country with clear skies.
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On the hour, as many clouds as hours. Drifting above city and/or landscape. Warm smoke of high density - such as is used for air shows (see image attached). Should preferably be realized in city or country with clear skies.
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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Europe Park / sculpture and landscape - THEODOULOS Gregoriou
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The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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Curatorial Statement : Icelandic Elements - 4 Directions in Icelandic Painting
Iceland o!ers the Artist an environment of extreme elements. "ese Elements indelibly imprint their impression. "e four Artists in this Exhibition represent these undercurrents
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Curatorial Statement : Icelandic Elements - 4 Directions in Icelandic Painting
Iceland o!ers the Artist an environment of extreme elements. "ese Elements indelibly imprint their impression. "e four Artists in this Exhibition represent these undercurrents
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The idea was to give this former water tower a bright icecap on top, which would have changed its appearance dramatically, making it look more like an alp. Bringing the water, which used to be stored inside the tower, to the outside, illustrates its (form
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The idea was to give this former water tower a bright icecap on top, which would have changed its appearance dramatically, making it look more like an alp. Bringing the water, which used to be stored inside the tower, to the outside, illustrates its (form
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The action of breaking and turning over earth with a plow always fascinated me, the clods of earth being the result of this action, a simple 'gesture' from a machine which nevertheless brings about a dramatic change to the landscape, an awesome ephemeral
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The action of breaking and turning over earth with a plow always fascinated me, the clods of earth being the result of this action, a simple 'gesture' from a machine which nevertheless brings about a dramatic change to the landscape, an awesome ephemeral
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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We would like to propose a situation in which we would place a landscape of a proposed city surrounding area under video surveillance.
We are MA’s of Departments of Painting, Faculty of Fine Arts, University of Arts, Belgrade. We live in Belgrade, S
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We would like to propose a situation in which we would place a landscape of a proposed city surrounding area under video surveillance.
We are MA’s of Departments of Painting, Faculty of Fine Arts, University of Arts, Belgrade. We live in Belgrade, S
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It will realize a sonorous performance in the place in which I live, will take record on video and examples of the place of natural type, as land or stones and with this to construct a model similar to a table, in which it will show the material obtained
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It will realize a sonorous performance in the place in which I live, will take record on video and examples of the place of natural type, as land or stones and with this to construct a model similar to a table, in which it will show the material obtained
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Golf courses are artificial landscapes with artificial hills and small artificial sand dunes. Now imagine a golf course (in the Netherlands, in the meadows), without those artificial hills and the small sand dunes replaced by metal versions on poles to pu
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Golf courses are artificial landscapes with artificial hills and small artificial sand dunes. Now imagine a golf course (in the Netherlands, in the meadows), without those artificial hills and the small sand dunes replaced by metal versions on poles to pu
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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Floating Web
Radio Kootwijk used to be the symbol of vision and innovation. However, the last couple of years it became the symbol of vacancy and stagnation. “The Web” – Radio Kootwijk revitalizes the alien innovation landscape from 1920. The Web
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Myopian fields , proposal (2010)
This exhibition uses the notion of a virtual landscape as its structural foundation, materialised as a small theatre set or abstract film studio, playing with our conceptions of the natural and the man-made, the environ
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Myopian fields , proposal (2010)
This exhibition uses the notion of a virtual landscape as its structural foundation, materialised as a small theatre set or abstract film studio, playing with our conceptions of the natural and the man-made, the environ
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