Terminator – Final proposal to the Jerwood Foundation 2008 - Jonathan Parsons
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
...
AUSSICHTSTURM, HOLZHAUS (WOHNHAUS), SCHWIMMBECKEN, FREIE FAHRT - Maria Eichhorn
Unbuilt Roads
AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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Painting as a Pastime 2001
Brett Prestidge Compton Verney, Oxfordshire, England (2000) Courtesy of Stanton Williams Architects We were invited to submit a proposal for Compton Verney, Oxfordshire, England. Our proposal was to offer a single first priz
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Painting as a Pastime 2001
Brett Prestidge Compton Verney, Oxfordshire, England (2000) Courtesy of Stanton Williams Architects We were invited to submit a proposal for Compton Verney, Oxfordshire, England. Our proposal was to offer a single first priz
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Unrealized Project #9: - Shiva Lynn Burgos and Javier Barrera (Ned and Shiva Productions)
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Unrealized Project #9:
“Illegal Crossings: An attempt to secretly enter the United States via the Mexico/Texas Border” January, 2008
-A performance documented with photography, film and soundscape
Project Aims
To make arrangements with Coy
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Unrealized Project #9:
“Illegal Crossings: An attempt to secretly enter the United States via the Mexico/Texas Border” January, 2008
-A performance documented with photography, film and soundscape
Project Aims
To make arrangements with Coy
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THE SERPENTINE PROJECT
Project Brief Pre Proposal
“Physics has found no strait lines - it’s only found waves. Physics has found no solids – only high frequency event fields. The universe is not conforming to a three dimensional perpendicula
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THE SERPENTINE PROJECT
Project Brief Pre Proposal
“Physics has found no strait lines - it’s only found waves. Physics has found no solids – only high frequency event fields. The universe is not conforming to a three dimensional perpendicula
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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A Proposal – M86
As the end of the year is culled, we invite a fresh adventure. A journey, to the heart of the UK landscape. A journey, through the blood metaphor. We propose: a one-week road trip in which we will visit the site of all 86 of the se
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A Proposal – M86
As the end of the year is culled, we invite a fresh adventure. A journey, to the heart of the UK landscape. A journey, through the blood metaphor. We propose: a one-week road trip in which we will visit the site of all 86 of the se
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Myopian fields , proposal (2010)
This exhibition uses the notion of a virtual landscape as its structural foundation, materialised as a small theatre set or abstract film studio, playing with our conceptions of the natural and the man-made, the environ
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Myopian fields , proposal (2010)
This exhibition uses the notion of a virtual landscape as its structural foundation, materialised as a small theatre set or abstract film studio, playing with our conceptions of the natural and the man-made, the environ
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colab studio, llc Reach 11 – Unbuilt Art Project AUP 05.25.11 Reach 11 is a sports complex in North Phoenix comprised of 18 soccer fields and 4 baseball fields. A Call for Artists went out to provide large amounts of shade at four diverse locations with
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colab studio, llc Reach 11 – Unbuilt Art Project AUP 05.25.11 Reach 11 is a sports complex in North Phoenix comprised of 18 soccer fields and 4 baseball fields. A Call for Artists went out to provide large amounts of shade at four diverse locations with
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Eine Kreisfläche von ca. 30m Durchmesser ist auf dem offenen zum Ministerium für Bildung und Wiesenschaft und dem Ministerium für Justiz der Bundesrepublik Deutschland gehörenden ebenen Gelände in Bonn-BadGodesberg zu markieren, wenn möglich auf d
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Eine Kreisfläche von ca. 30m Durchmesser ist auf dem offenen zum Ministerium für Bildung und Wiesenschaft und dem Ministerium für Justiz der Bundesrepublik Deutschland gehörenden ebenen Gelände in Bonn-BadGodesberg zu markieren, wenn möglich auf d
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"I love those who do not wish to preserve themselves; the down-going ones do I love with mine entire love, for they go beyond"
Frontier Monument (alternative title: Witchbunker) is the second in a series of public monuments on which I have been
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"I love those who do not wish to preserve themselves; the down-going ones do I love with mine entire love, for they go beyond"
Frontier Monument (alternative title: Witchbunker) is the second in a series of public monuments on which I have been
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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A hilly landscape makes lines of trees disappear behind nearby hills or offers a view at a tree from above.
In the Netherlands the flatness of the landscape makes that impossible.
But, since the whole country is manmade, the solution for this is also ma
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A hilly landscape makes lines of trees disappear behind nearby hills or offers a view at a tree from above.
In the Netherlands the flatness of the landscape makes that impossible.
But, since the whole country is manmade, the solution for this is also ma
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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MAPPING OBSCUR A (MEMORY AND PLACE) - Yamini Nayar
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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Breakdown: A Prototypical Monument to the Open Road - John Landewe
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Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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Curatorial Statement : Icelandic Elements - 4 Directions in Icelandic Painting
Iceland o!ers the Artist an environment of extreme elements. "ese Elements indelibly imprint their impression. "e four Artists in this Exhibition represent these undercurrents
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Curatorial Statement : Icelandic Elements - 4 Directions in Icelandic Painting
Iceland o!ers the Artist an environment of extreme elements. "ese Elements indelibly imprint their impression. "e four Artists in this Exhibition represent these undercurrents
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