In August 1996 I was invited to propose a pedestrian bridge across the river Thames to connect St Pauls Cathedral to the new Tate Gallery of Modern Art. Realising that bridges are conventionally controlled by the economics of wheeled traffic, and invariab
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In August 1996 I was invited to propose a pedestrian bridge across the river Thames to connect St Pauls Cathedral to the new Tate Gallery of Modern Art. Realising that bridges are conventionally controlled by the economics of wheeled traffic, and invariab
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Aus: Katalog 'Kunst bleibt Kunst' - Hans Peter Feldman
Unbuilt Roads
Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande
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Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Temple of the western buddha (1971 Kathmedu) - Herman de Vries
Unbuilt Roads
a circle of sacred trees in the east side of the circle a flat stone as seat uder a boddhi tree (ficus religiosa). other trees in the circle:
ficus bengalensis, aegle marmelos,butea frondosa,melia azadirachta,prosopis spicigera,thevetia neriifolia,
sa
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a circle of sacred trees in the east side of the circle a flat stone as seat uder a boddhi tree (ficus religiosa). other trees in the circle:
ficus bengalensis, aegle marmelos,butea frondosa,melia azadirachta,prosopis spicigera,thevetia neriifolia,
sa
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Project 1
Title: untitled. Seeding the Indian Ocean (between Europe and S. E. Asia) with text-coconuts.
Year: 1995
Description: Coconut palms (Cocos nucifera) inhabit the entire tropical belt. They were the only palms common to both the Old and t
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Project 1
Title: untitled. Seeding the Indian Ocean (between Europe and S. E. Asia) with text-coconuts.
Year: 1995
Description: Coconut palms (Cocos nucifera) inhabit the entire tropical belt. They were the only palms common to both the Old and t
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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Making for Art - 100 Unsucceeded Presentation - 1995, 1996, - Yutaka Sone
Unbuilt Roads
In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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PROPOSAL FOR SEATTLE ARTS COMMISSION, IN PUBLIC - Chris Burden
Unbuilt Roads
I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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Financial Times Millennium Bridge Competition - Richard Serra and Frank Gehry
Unbuilt Roads
Design Intent:
The main purpose of a footbridge across the Thames should be more than to transport people most efficiently from point A to point B. We propose, instead, a bridge where sociality becomes the dominant practical purpose, a structure which
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Design Intent:
The main purpose of a footbridge across the Thames should be more than to transport people most efficiently from point A to point B. We propose, instead, a bridge where sociality becomes the dominant practical purpose, a structure which
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"Looking into the heart of light, the silence . . . " - T. S. Eliot
«Un agne passe» - „Ein Engel schwebt durch den Raum" - ein Moment due Ruhe, der selten geworden ist in unserer Gesellschaft, die vom visuellen und sonoren horror vacui verflogt wir
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"Looking into the heart of light, the silence . . . " - T. S. Eliot
«Un agne passe» - „Ein Engel schwebt durch den Raum" - ein Moment due Ruhe, der selten geworden ist in unserer Gesellschaft, die vom visuellen und sonoren horror vacui verflogt wir
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An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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Color/16m.m - 50 minutes/£800
JUST BEFORE DAWN
by
Davd Lamelas
The project is basically an analysis of the elements by which narative primarily works on Film Narrative conventions.
There is already something that we understand as "comme
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Color/16m.m - 50 minutes/£800
JUST BEFORE DAWN
by
Davd Lamelas
The project is basically an analysis of the elements by which narative primarily works on Film Narrative conventions.
There is already something that we understand as "comme
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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In response to an invitation to propose a public art project anywhere in Italy I designed a house to be built in Milan. The basic drawings were completed and submitted for consideration. At this point an architectural practice in Milan became involved and
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In response to an invitation to propose a public art project anywhere in Italy I designed a house to be built in Milan. The basic drawings were completed and submitted for consideration. At this point an architectural practice in Milan became involved and
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Proposal for a Times Square Business Improvement District
Traffic Median Public Art Project
Febuary 28th, 1995
Artist: Christian Marclay
Title: Broadway Musicals
Site: Traffic median between Broadway and Seventh Avenue, from 4
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Proposal for a Times Square Business Improvement District
Traffic Median Public Art Project
Febuary 28th, 1995
Artist: Christian Marclay
Title: Broadway Musicals
Site: Traffic median between Broadway and Seventh Avenue, from 4
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The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan
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The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan
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Grand Concours International D'Architecture - Sol Lewitt
Unbuilt Roads
TITRE DU PROJET:
Grand Concours D'International D'architecture
ANNEE:
1993/1994
DESCRIPTIF:
Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lama
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TITRE DU PROJET:
Grand Concours D'International D'architecture
ANNEE:
1993/1994
DESCRIPTIF:
Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lama
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A competition won in 1989
Tower One: was proposed to sit in a roundabout next to the Chicago river .. 65' (feet) in height, the base an octagonal cast iron construction stands on a slightly mounded cast rubber base ... eight triangular beams thrust upw
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A competition won in 1989
Tower One: was proposed to sit in a roundabout next to the Chicago river .. 65' (feet) in height, the base an octagonal cast iron construction stands on a slightly mounded cast rubber base ... eight triangular beams thrust upw
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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