The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan
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The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan
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Ce Projet était fait pour la vitrine (galerie) qui se situe autour de la salle principal et d'un autre côte vers las rues, la piece est un tuyau transparent de 75M longeur, 40 cm diamétre, delans mettre les plus sortes d'insecte = sorpion, lézards, ar
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Ce Projet était fait pour la vitrine (galerie) qui se situe autour de la salle principal et d'un autre côte vers las rues, la piece est un tuyau transparent de 75M longeur, 40 cm diamétre, delans mettre les plus sortes d'insecte = sorpion, lézards, ar
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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Ruderaltisch, 1994/95 Kunst am Bau - Projekt - Lois Weinberger
Unbuilt Roads
Die Arbeit besteht aus einem Betontisch im Freien / auf dem erdgefüllte / allgegenwärtige Behälter / wie entleerte Öldosen / leere Farbkübel / „unverwüstliche Plastiksäcke" stehen. Eine Bepflanzung wird nicht vorgenommen / da die im Freiland
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Die Arbeit besteht aus einem Betontisch im Freien / auf dem erdgefüllte / allgegenwärtige Behälter / wie entleerte Öldosen / leere Farbkübel / „unverwüstliche Plastiksäcke" stehen. Eine Bepflanzung wird nicht vorgenommen / da die im Freiland
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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When the project to built the AVE train (Madrid-Scville-Madrid) was getting started, a design team was put together to design the mobile units of this high-speed train.
Visual Poet, Joan Brossa, was asked to collaborate in the final touches of this de
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When the project to built the AVE train (Madrid-Scville-Madrid) was getting started, a design team was put together to design the mobile units of this high-speed train.
Visual Poet, Joan Brossa, was asked to collaborate in the final touches of this de
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This was a proposal for the Defense Urban Development area in the city of Paris. The work, which takes on the appearance of a monument, would consist of stone or marble plates, bolted together to create a weather proof box-shaped container, housing shelve
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This was a proposal for the Defense Urban Development area in the city of Paris. The work, which takes on the appearance of a monument, would consist of stone or marble plates, bolted together to create a weather proof box-shaped container, housing shelve
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Project tor the Veterans Administration Hospital--Bay Pines, Florida. - Robert Morris
Unbuilt Roads
13 Feb 97
Att: Hans Ulrich Obrist
From: R. Morris (fax:914-255-2781)
Re: Unbuilt Roads
Dear Hans Ulrich Obrist,
Thanks for you recent fax inviting me to participate in your project. I send along some information about a project that might be
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13 Feb 97
Att: Hans Ulrich Obrist
From: R. Morris (fax:914-255-2781)
Re: Unbuilt Roads
Dear Hans Ulrich Obrist,
Thanks for you recent fax inviting me to participate in your project. I send along some information about a project that might be
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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In collaboration with Brooklyn Technical High School and Andrea Claire
The Rosetta Garden
Proposal for a vacant lot, Fort Greene, Brooklyn
Gary Simmons' proposal is both a reclamation of vacant land and the physical embodiment of philosophical pu
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In collaboration with Brooklyn Technical High School and Andrea Claire
The Rosetta Garden
Proposal for a vacant lot, Fort Greene, Brooklyn
Gary Simmons' proposal is both a reclamation of vacant land and the physical embodiment of philosophical pu
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A competition won in 1989
Tower One: was proposed to sit in a roundabout next to the Chicago river .. 65' (feet) in height, the base an octagonal cast iron construction stands on a slightly mounded cast rubber base ... eight triangular beams thrust upw
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A competition won in 1989
Tower One: was proposed to sit in a roundabout next to the Chicago river .. 65' (feet) in height, the base an octagonal cast iron construction stands on a slightly mounded cast rubber base ... eight triangular beams thrust upw
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House with half sphere swimming pool in the center
(eventually reasons why the work has not been realised)
No Time
Previous Publications (?)
No
Existing Documents (photos, drawings, models):
Drawing
Other remarks
Designed after a v
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House with half sphere swimming pool in the center
(eventually reasons why the work has not been realised)
No Time
Previous Publications (?)
No
Existing Documents (photos, drawings, models):
Drawing
Other remarks
Designed after a v
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MODELL OF AN OFFICE FOR A COUPLE OF TWINS, BOTH 1,38 TALL" - Tobias Rehrenberg
Unbuilt Roads
WOOD, PLASTIC, 2 CHAIRS
ca 180 x 150 x 170 cm
PIECE OF THE SHOW
"CANCELLED PROJECTS"
IN MUSEUM FRIEDERICIANUM KASSEL
SUMMER 95
Previous Publications (?)
NO
Existing Documents (photos, drawings, models):
ENCLOSED
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WOOD, PLASTIC, 2 CHAIRS
ca 180 x 150 x 170 cm
PIECE OF THE SHOW
"CANCELLED PROJECTS"
IN MUSEUM FRIEDERICIANUM KASSEL
SUMMER 95
Previous Publications (?)
NO
Existing Documents (photos, drawings, models):
ENCLOSED
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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Projet pour la Place Saint Léger à Chambery - Erik Dietman
Unbuilt Roads
Projet pour la Place Saint Léger à Chambery à l'occasion de l'exposition pour la préfiguration du Musée de sculptures de Buisson-Rond organisée par Françoise Guichon en 1982.
Comme toutes Jes places publiques, la Place Saint Léger est peuplée
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Projet pour la Place Saint Léger à Chambery à l'occasion de l'exposition pour la préfiguration du Musée de sculptures de Buisson-Rond organisée par Françoise Guichon en 1982.
Comme toutes Jes places publiques, la Place Saint Léger est peuplée
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Brücke Wein-Kanal Arch. Hermann Czech, Wein - Franz West
Unbuilt Roads
Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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Dear Hans-Ulrich Obrist,
I'm sending some images to you on disk. There are four stills of a theater set. (et 1 and et 2 on the first disk and et 3 and et5 on the second disk.) These are printable using Photoshop 3.0.
Here is the text you asked for
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Dear Hans-Ulrich Obrist,
I'm sending some images to you on disk. There are four stills of a theater set. (et 1 and et 2 on the first disk and et 3 and et5 on the second disk.) These are printable using Photoshop 3.0.
Here is the text you asked for
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Untitled, modeled after the Leipzig Völkerschlachtdenkmal... - Jenny Holzer
Unbuilt Roads
Title of the project:
Untitled, modeled after the Leipzig Völkerschlachtdenkmal, a lazer projection of Lustmord texts onto a 1913 Battle of nations Monument. (100yr in Leipzig, Germany anniversary of 1813 battle)
Description:
Jenny s
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Title of the project:
Untitled, modeled after the Leipzig Völkerschlachtdenkmal, a lazer projection of Lustmord texts onto a 1913 Battle of nations Monument. (100yr in Leipzig, Germany anniversary of 1813 battle)
Description:
Jenny s
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La liste non exhaustive qui suit correspond une á série de projets qui n'ont pas abouti. Ils sont de plusieurs types et les raisons de leur non aboutissement sont également différentes.
Tout d'abord, tous sont liés des situations précises et dict
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La liste non exhaustive qui suit correspond une á série de projets qui n'ont pas abouti. Ils sont de plusieurs types et les raisons de leur non aboutissement sont également différentes.
Tout d'abord, tous sont liés des situations précises et dict
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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AUSSICHTSTURM, HOLZHAUS (WOHNHAUS), SCHWIMMBECKEN, FREIE FAHRT - Maria Eichhorn
Unbuilt Roads
AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3"
Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The
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Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3"
Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The
...