Untitled, modeled after the Leipzig Völkerschlachtdenkmal... - Jenny Holzer
Unbuilt Roads
Title of the project:
Untitled, modeled after the Leipzig Völkerschlachtdenkmal, a lazer projection of Lustmord texts onto a 1913 Battle of nations Monument. (100yr in Leipzig, Germany anniversary of 1813 battle)
Description:
Jenny s
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Title of the project:
Untitled, modeled after the Leipzig Völkerschlachtdenkmal, a lazer projection of Lustmord texts onto a 1913 Battle of nations Monument. (100yr in Leipzig, Germany anniversary of 1813 battle)
Description:
Jenny s
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In collaboration with Brooklyn Technical High School and Andrea Claire
The Rosetta Garden
Proposal for a vacant lot, Fort Greene, Brooklyn
Gary Simmons' proposal is both a reclamation of vacant land and the physical embodiment of philosophical pu
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In collaboration with Brooklyn Technical High School and Andrea Claire
The Rosetta Garden
Proposal for a vacant lot, Fort Greene, Brooklyn
Gary Simmons' proposal is both a reclamation of vacant land and the physical embodiment of philosophical pu
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Please see the enclosed leaflet· "Tower Crane, Paris"
(eventually reasons why the work has not been realised)
Financial, technical and organisation problems
Previous Publications (?)
Enclosed
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Please see the enclosed leaflet· "Tower Crane, Paris"
(eventually reasons why the work has not been realised)
Financial, technical and organisation problems
Previous Publications (?)
Enclosed
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Proposal for a permanent video installation for the NYC headquarters of Sony Corporation - Dara Birnbaum
Unbuilt Roads
INSTALLATION DESCRIPTION: At one end of the proposed installation space (main dining area designated for Sony employees), a wall is used to support a video wall or projection screen, which displays a seam-less flow of large-scale images. These large-s
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INSTALLATION DESCRIPTION: At one end of the proposed installation space (main dining area designated for Sony employees), a wall is used to support a video wall or projection screen, which displays a seam-less flow of large-scale images. These large-s
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J'ai [illegible] de [illegible] un faux [?]drome vous l' echangeur automatic à l'etui de la ville du Hare.
[Illegible] monde itait d'accord, c'ert la virou [illegible] [?]quelle cela ne it[?] pas fuit.
[illegible]
5.2.97
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J'ai [illegible] de [illegible] un faux [?]drome vous l' echangeur automatic à l'etui de la ville du Hare.
[Illegible] monde itait d'accord, c'ert la virou [illegible] [?]quelle cela ne it[?] pas fuit.
[illegible]
5.2.97
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Unbetitelt, Gänse-Projekt + Noch unbetitelt , " Durch den Mund sehen " + Kartoffeln - Carsten Holler
Unbuilt Roads
Unbetitelt, Gänse-Projekt
1996
Junge Graugänse werden auf einen ferhgesteurten Flugdrachen geprägt, indem sie im Moment des Schlüpfens mit diesem Objekt konfrontiert werden. Der Flugdrachen übernimmt die Rolle der Mutter. Später, wen
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Unbetitelt, Gänse-Projekt
1996
Junge Graugänse werden auf einen ferhgesteurten Flugdrachen geprägt, indem sie im Moment des Schlüpfens mit diesem Objekt konfrontiert werden. Der Flugdrachen übernimmt die Rolle der Mutter. Später, wen
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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1996 progetto "ilana, I love you" per la galleria Stefano Basilico di New York.
Molte persone che conoscono Stefano Basilica per la sua galleria, conoscono anche che Stefano e' stato collaboratore per circa dieci anni alla galleria Sonnabend.
Questo
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1996 progetto "ilana, I love you" per la galleria Stefano Basilico di New York.
Molte persone che conoscono Stefano Basilica per la sua galleria, conoscono anche che Stefano e' stato collaboratore per circa dieci anni alla galleria Sonnabend.
Questo
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1995-96
Weile bestand ein Zusammenhang. eng. [unleserlich] ihn nicht gesucht. Möglichkeiten nahm er nicht wahr.
Das Sockel (1) ergibt 11-fach vervielfältigt, Modell einer grosser Wohn- und Geschäftsanlag; [M?]aßtab 1:100, welches im Ausstellung
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1995-96
Weile bestand ein Zusammenhang. eng. [unleserlich] ihn nicht gesucht. Möglichkeiten nahm er nicht wahr.
Das Sockel (1) ergibt 11-fach vervielfältigt, Modell einer grosser Wohn- und Geschäftsanlag; [M?]aßtab 1:100, welches im Ausstellung
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Extracts from an unpublished interview with Michael Archer for Phaidon press:
...Around the same period I made a proposal for the New Contemporaries exhibition which was going to be held at the ICA. In those days the toilets were on either side of the
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Extracts from an unpublished interview with Michael Archer for Phaidon press:
...Around the same period I made a proposal for the New Contemporaries exhibition which was going to be held at the ICA. In those days the toilets were on either side of the
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§79 Proceeding from this in 1983 Pitz negotiated with representatives of the foreign ministry of the Federal Republic of Germany. The attitudine diplomatica project was intended to find out to what point the government was interested in admitting Pi
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§79 Proceeding from this in 1983 Pitz negotiated with representatives of the foreign ministry of the Federal Republic of Germany. The attitudine diplomatica project was intended to find out to what point the government was interested in admitting Pi
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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In August 1996 I was invited to propose a pedestrian bridge across the river Thames to connect St Pauls Cathedral to the new Tate Gallery of Modern Art. Realising that bridges are conventionally controlled by the economics of wheeled traffic, and invariab
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In August 1996 I was invited to propose a pedestrian bridge across the river Thames to connect St Pauls Cathedral to the new Tate Gallery of Modern Art. Realising that bridges are conventionally controlled by the economics of wheeled traffic, and invariab
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Aus: Katalog 'Kunst bleibt Kunst' - Hans Peter Feldman
Unbuilt Roads
Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande
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Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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AUSSICHTSTURM, HOLZHAUS (WOHNHAUS), SCHWIMMBECKEN, FREIE FAHRT - Maria Eichhorn
Unbuilt Roads
AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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Four natural stones are evenly places around an iron plate, facing each other. As the iron plate is buried one meter below the ground, only the four stones are visible to the viewer.
The absence of the iron plate is indicated by a title sign which ind
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Four natural stones are evenly places around an iron plate, facing each other. As the iron plate is buried one meter below the ground, only the four stones are visible to the viewer.
The absence of the iron plate is indicated by a title sign which ind
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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Financial Times Millennium Bridge Competition - Richard Serra and Frank Gehry
Unbuilt Roads
Design Intent:
The main purpose of a footbridge across the Thames should be more than to transport people most efficiently from point A to point B. We propose, instead, a bridge where sociality becomes the dominant practical purpose, a structure which
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Design Intent:
The main purpose of a footbridge across the Thames should be more than to transport people most efficiently from point A to point B. We propose, instead, a bridge where sociality becomes the dominant practical purpose, a structure which
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan
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The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
...
Merci, Thank you, Danke: Les 2 sujets - Thomas Hirschorn
Unbuilt Roads
Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j
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Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j
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