Making for Art - 100 Unsucceeded Presentation - 1995, 1996, - Yutaka Sone
Unbuilt Roads
In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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Placid Earth: A Project for the Meeting of Millennia - Cai Guo Quiang
Unbuilt Roads
Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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§79 Proceeding from this in 1983 Pitz negotiated with representatives of the foreign ministry of the Federal Republic of Germany. The attitudine diplomatica project was intended to find out to what point the government was interested in admitting Pi
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§79 Proceeding from this in 1983 Pitz negotiated with representatives of the foreign ministry of the Federal Republic of Germany. The attitudine diplomatica project was intended to find out to what point the government was interested in admitting Pi
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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Please see the enclosed leaflet· "Tower Crane, Paris"
(eventually reasons why the work has not been realised)
Financial, technical and organisation problems
Previous Publications (?)
Enclosed
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Please see the enclosed leaflet· "Tower Crane, Paris"
(eventually reasons why the work has not been realised)
Financial, technical and organisation problems
Previous Publications (?)
Enclosed
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The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan
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The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan
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Art and Ourselves: A Proposal for the city of Nordhorn - Allen Rupperssberg
Unbuilt Roads
see my catalog from the Magazine. The complete text is there.
(eventually reasons why the work has not been realised)
Political
Previous Publications (?)
Catalog from where art Magazine 1996
Exisiting Documents:
to be requested from No
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see my catalog from the Magazine. The complete text is there.
(eventually reasons why the work has not been realised)
Political
Previous Publications (?)
Catalog from where art Magazine 1996
Exisiting Documents:
to be requested from No
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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Four natural stones are evenly places around an iron plate, facing each other. As the iron plate is buried one meter below the ground, only the four stones are visible to the viewer.
The absence of the iron plate is indicated by a title sign which ind
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Four natural stones are evenly places around an iron plate, facing each other. As the iron plate is buried one meter below the ground, only the four stones are visible to the viewer.
The absence of the iron plate is indicated by a title sign which ind
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119. PROJET DE DESTRUCTION DU MUSEE 1970 - 1971 - Jef Geys
Unbuilt Roads
Plan pour devoir Musée o'anu[?]s avec autorisation et aide de ministères contactes
(Eventuellement raisons pour lesquelles le travail n'a pu etre realise)
Refus ministères de la defense etc.
Publications:
Kempens informatieblad
Contact
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Plan pour devoir Musée o'anu[?]s avec autorisation et aide de ministères contactes
(Eventuellement raisons pour lesquelles le travail n'a pu etre realise)
Refus ministères de la defense etc.
Publications:
Kempens informatieblad
Contact
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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In response to an invitation to propose a public art project anywhere in Italy I designed a house to be built in Milan. The basic drawings were completed and submitted for consideration. At this point an architectural practice in Milan became involved and
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In response to an invitation to propose a public art project anywhere in Italy I designed a house to be built in Milan. The basic drawings were completed and submitted for consideration. At this point an architectural practice in Milan became involved and
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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"Looking into the heart of light, the silence . . . " - T. S. Eliot
«Un agne passe» - „Ein Engel schwebt durch den Raum" - ein Moment due Ruhe, der selten geworden ist in unserer Gesellschaft, die vom visuellen und sonoren horror vacui verflogt wir
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"Looking into the heart of light, the silence . . . " - T. S. Eliot
«Un agne passe» - „Ein Engel schwebt durch den Raum" - ein Moment due Ruhe, der selten geworden ist in unserer Gesellschaft, die vom visuellen und sonoren horror vacui verflogt wir
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J'ai [illegible] de [illegible] un faux [?]drome vous l' echangeur automatic à l'etui de la ville du Hare.
[Illegible] monde itait d'accord, c'ert la virou [illegible] [?]quelle cela ne it[?] pas fuit.
[illegible]
5.2.97
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J'ai [illegible] de [illegible] un faux [?]drome vous l' echangeur automatic à l'etui de la ville du Hare.
[Illegible] monde itait d'accord, c'ert la virou [illegible] [?]quelle cela ne it[?] pas fuit.
[illegible]
5.2.97
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Sehr geehrte Frau Sabolewski,
auf Veranlassung von Herrn Obrist übersende ich Ihnen anbei die Kataloge " Yves Klein/Werner Ruhnau" und "Baukunst" . Dort finden Sie Zeichnungen, Modellfotos etc. , die Sie gern verwenden können. Das "Feuer-Wasser-Lu
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Sehr geehrte Frau Sabolewski,
auf Veranlassung von Herrn Obrist übersende ich Ihnen anbei die Kataloge " Yves Klein/Werner Ruhnau" und "Baukunst" . Dort finden Sie Zeichnungen, Modellfotos etc. , die Sie gern verwenden können. Das "Feuer-Wasser-Lu
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A global network of simultaneously transmitting and receiving " TV Arcades." Open to the public twenty-four hours a day, like any washerette. An arcade in every big city of the world. Each equipped with a hundred or more monitors of different sizes from a
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A global network of simultaneously transmitting and receiving " TV Arcades." Open to the public twenty-four hours a day, like any washerette. An arcade in every big city of the world. Each equipped with a hundred or more monitors of different sizes from a
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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A competition won in 1989
Tower One: was proposed to sit in a roundabout next to the Chicago river .. 65' (feet) in height, the base an octagonal cast iron construction stands on a slightly mounded cast rubber base ... eight triangular beams thrust upw
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A competition won in 1989
Tower One: was proposed to sit in a roundabout next to the Chicago river .. 65' (feet) in height, the base an octagonal cast iron construction stands on a slightly mounded cast rubber base ... eight triangular beams thrust upw
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1996 progetto "ilana, I love you" per la galleria Stefano Basilico di New York.
Molte persone che conoscono Stefano Basilica per la sua galleria, conoscono anche che Stefano e' stato collaboratore per circa dieci anni alla galleria Sonnabend.
Questo
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1996 progetto "ilana, I love you" per la galleria Stefano Basilico di New York.
Molte persone che conoscono Stefano Basilica per la sua galleria, conoscono anche che Stefano e' stato collaboratore per circa dieci anni alla galleria Sonnabend.
Questo
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City Hall Tower Night Ilumination - Krysztof Wodiczko
Unbuilt Roads
"In the name of "progress" our official culture is striving to force the new media to do the work of the old."
-Marshall McLuhan
"For the city of today does speak to us, but it is also at certain points and in certain orders remarkably silent. There a
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"In the name of "progress" our official culture is striving to force the new media to do the work of the old."
-Marshall McLuhan
"For the city of today does speak to us, but it is also at certain points and in certain orders remarkably silent. There a
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Unbetitelt, Gänse-Projekt + Noch unbetitelt , " Durch den Mund sehen " + Kartoffeln - Carsten Holler
Unbuilt Roads
Unbetitelt, Gänse-Projekt
1996
Junge Graugänse werden auf einen ferhgesteurten Flugdrachen geprägt, indem sie im Moment des Schlüpfens mit diesem Objekt konfrontiert werden. Der Flugdrachen übernimmt die Rolle der Mutter. Später, wen
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Unbetitelt, Gänse-Projekt
1996
Junge Graugänse werden auf einen ferhgesteurten Flugdrachen geprägt, indem sie im Moment des Schlüpfens mit diesem Objekt konfrontiert werden. Der Flugdrachen übernimmt die Rolle der Mutter. Später, wen
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