Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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Brücke Wein-Kanal Arch. Hermann Czech, Wein - Franz West
Unbuilt Roads
Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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Aus: Katalog 'Kunst bleibt Kunst' - Hans Peter Feldman
Unbuilt Roads
Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande
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Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3"
Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The
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Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3"
Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The
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To Two Too; Hypothetical Monument for a Natural Disaster - Jeffrey Wisniewski
Unbuilt Roads
(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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The location is Domplatz, Münster. The Place is the reconstructed wall at the west wing of the Dome. This was the previous entrance of the Dome before it was destroyed in the way. It does not have an entrance any more but has twelve large windows forming
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The location is Domplatz, Münster. The Place is the reconstructed wall at the west wing of the Dome. This was the previous entrance of the Dome before it was destroyed in the way. It does not have an entrance any more but has twelve large windows forming
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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see my letter
(eventually reasons why the work has not been realised)
Anxiety
Previous Publications (?)
This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed.
Exisiting Documents (photos, drawings, models):
...
see my letter
(eventually reasons why the work has not been realised)
Anxiety
Previous Publications (?)
This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed.
Exisiting Documents (photos, drawings, models):
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a "U.S, Highway" - size billboard structure built along some street or auto-route. It would be complete with lights, but built on a structure to look at, that is to say, without a 'message' Without text or images superimposed.
(eventually reasons why
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a "U.S, Highway" - size billboard structure built along some street or auto-route. It would be complete with lights, but built on a structure to look at, that is to say, without a 'message' Without text or images superimposed.
(eventually reasons why
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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„Entwurf für einen erneuerten Malkasten" 1992 - 1994
Gemeinschaftsprojekt
Jacobischer Garten/ Malkasten Düsseldorf:
22000 m2 großer historischer Garten und Gebäudesubstanz (Jacobihaus, Hentrichbau, Randgebäude) im Zentrum der Stadt Düsse
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„Entwurf für einen erneuerten Malkasten" 1992 - 1994
Gemeinschaftsprojekt
Jacobischer Garten/ Malkasten Düsseldorf:
22000 m2 großer historischer Garten und Gebäudesubstanz (Jacobihaus, Hentrichbau, Randgebäude) im Zentrum der Stadt Düsse
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
...
Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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PROPOSAL FOR SEATTLE ARTS COMMISSION, IN PUBLIC - Chris Burden
Unbuilt Roads
I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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Dear Hans-Ulrich Obrist,
I'm sending some images to you on disk. There are four stills of a theater set. (et 1 and et 2 on the first disk and et 3 and et5 on the second disk.) These are printable using Photoshop 3.0.
Here is the text you asked for
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Dear Hans-Ulrich Obrist,
I'm sending some images to you on disk. There are four stills of a theater set. (et 1 and et 2 on the first disk and et 3 and et5 on the second disk.) These are printable using Photoshop 3.0.
Here is the text you asked for
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Project for the Initiative Mahnmal Homosexuellenverfolgung, Frankfurt - Jeff Wall
Unbuilt Roads
My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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MODELL OF AN OFFICE FOR A COUPLE OF TWINS, BOTH 1,38 TALL" - Tobias Rehrenberg
Unbuilt Roads
WOOD, PLASTIC, 2 CHAIRS
ca 180 x 150 x 170 cm
PIECE OF THE SHOW
"CANCELLED PROJECTS"
IN MUSEUM FRIEDERICIANUM KASSEL
SUMMER 95
Previous Publications (?)
NO
Existing Documents (photos, drawings, models):
ENCLOSED
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WOOD, PLASTIC, 2 CHAIRS
ca 180 x 150 x 170 cm
PIECE OF THE SHOW
"CANCELLED PROJECTS"
IN MUSEUM FRIEDERICIANUM KASSEL
SUMMER 95
Previous Publications (?)
NO
Existing Documents (photos, drawings, models):
ENCLOSED
...
Project pour le parc de sculpture de Vassiviére - Paul-Armand Gette
Unbuilt Roads
Un bloc de granite choisi dans la partie boisée de l'île sera considéré comme étant le centre d'une circonférence de 25m. de rayon, qui, sans que cela soit indiqué sur place d'aucune façon, restera vierge de toutes interventions (aménagements, co
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Un bloc de granite choisi dans la partie boisée de l'île sera considéré comme étant le centre d'une circonférence de 25m. de rayon, qui, sans que cela soit indiqué sur place d'aucune façon, restera vierge de toutes interventions (aménagements, co
...
When the project to built the AVE train (Madrid-Scville-Madrid) was getting started, a design team was put together to design the mobile units of this high-speed train.
Visual Poet, Joan Brossa, was asked to collaborate in the final touches of this de
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When the project to built the AVE train (Madrid-Scville-Madrid) was getting started, a design team was put together to design the mobile units of this high-speed train.
Visual Poet, Joan Brossa, was asked to collaborate in the final touches of this de
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AUSSICHTSTURM, HOLZHAUS (WOHNHAUS), SCHWIMMBECKEN, FREIE FAHRT - Maria Eichhorn
Unbuilt Roads
AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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AUSSICHTSTURM
Auf der höchsten Erhebung einer Landschaft einen 33 Meter hohen Aussichtsturm in einer offenen Konstruktion (Stahlskelettbauweise) bauen. Mit standigen Offnungszeiten.
HOLZHAUS (WOHNHAUS)
In einer Gegend mit wenigen oder keinen Hau
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