Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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Aus: Katalog 'Kunst bleibt Kunst' - Hans Peter Feldman
Unbuilt Roads
Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande
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Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande
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An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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Monsieur l'Abbe Pierre,
il y a sans doute d'autres points que je n'ai pas imagines mais une conversation permettrait sans doute d'apporter des rectifications. Je sollicite votre bienveillance et votre engagement pour pouvoir m'autoriser a vous rencontr
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Monsieur l'Abbe Pierre,
il y a sans doute d'autres points que je n'ai pas imagines mais une conversation permettrait sans doute d'apporter des rectifications. Je sollicite votre bienveillance et votre engagement pour pouvoir m'autoriser a vous rencontr
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Ce Projet était fait pour la vitrine (galerie) qui se situe autour de la salle principal et d'un autre côte vers las rues, la piece est un tuyau transparent de 75M longeur, 40 cm diamétre, delans mettre les plus sortes d'insecte = sorpion, lézards, ar
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Ce Projet était fait pour la vitrine (galerie) qui se situe autour de la salle principal et d'un autre côte vers las rues, la piece est un tuyau transparent de 75M longeur, 40 cm diamétre, delans mettre les plus sortes d'insecte = sorpion, lézards, ar
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Projet pour la Place Saint Léger à Chambery - Erik Dietman
Unbuilt Roads
Projet pour la Place Saint Léger à Chambery à l'occasion de l'exposition pour la préfiguration du Musée de sculptures de Buisson-Rond organisée par Françoise Guichon en 1982.
Comme toutes Jes places publiques, la Place Saint Léger est peuplée
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Projet pour la Place Saint Léger à Chambery à l'occasion de l'exposition pour la préfiguration du Musée de sculptures de Buisson-Rond organisée par Françoise Guichon en 1982.
Comme toutes Jes places publiques, la Place Saint Léger est peuplée
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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PROPOSAL FOR SEATTLE ARTS COMMISSION, IN PUBLIC - Chris Burden
Unbuilt Roads
I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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"Looking into the heart of light, the silence . . . " - T. S. Eliot
«Un agne passe» - „Ein Engel schwebt durch den Raum" - ein Moment due Ruhe, der selten geworden ist in unserer Gesellschaft, die vom visuellen und sonoren horror vacui verflogt wir
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"Looking into the heart of light, the silence . . . " - T. S. Eliot
«Un agne passe» - „Ein Engel schwebt durch den Raum" - ein Moment due Ruhe, der selten geworden ist in unserer Gesellschaft, die vom visuellen und sonoren horror vacui verflogt wir
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3"
Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The
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Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3"
Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The
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Making for Art - 100 Unsucceeded Presentation - 1995, 1996, - Yutaka Sone
Unbuilt Roads
In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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Placid Earth: A Project for the Meeting of Millennia - Cai Guo Quiang
Unbuilt Roads
Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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The World is a Theater and we each have a role - Louise Bourgeois
Unbuilt Roads
A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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City Hall Tower Night Ilumination - Krysztof Wodiczko
Unbuilt Roads
"In the name of "progress" our official culture is striving to force the new media to do the work of the old."
-Marshall McLuhan
"For the city of today does speak to us, but it is also at certain points and in certain orders remarkably silent. There a
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"In the name of "progress" our official culture is striving to force the new media to do the work of the old."
-Marshall McLuhan
"For the city of today does speak to us, but it is also at certain points and in certain orders remarkably silent. There a
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Brücke Wein-Kanal Arch. Hermann Czech, Wein - Franz West
Unbuilt Roads
Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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Please see the enclosed leaflet· "Tower Crane, Paris"
(eventually reasons why the work has not been realised)
Financial, technical and organisation problems
Previous Publications (?)
Enclosed
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Please see the enclosed leaflet· "Tower Crane, Paris"
(eventually reasons why the work has not been realised)
Financial, technical and organisation problems
Previous Publications (?)
Enclosed
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Temple of the western buddha (1971 Kathmedu) - Herman de Vries
Unbuilt Roads
a circle of sacred trees in the east side of the circle a flat stone as seat uder a boddhi tree (ficus religiosa). other trees in the circle:
ficus bengalensis, aegle marmelos,butea frondosa,melia azadirachta,prosopis spicigera,thevetia neriifolia,
sa
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a circle of sacred trees in the east side of the circle a flat stone as seat uder a boddhi tree (ficus religiosa). other trees in the circle:
ficus bengalensis, aegle marmelos,butea frondosa,melia azadirachta,prosopis spicigera,thevetia neriifolia,
sa
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