Dear Hans-Ulrich Obrist,
I'm sending some images to you on disk. There are four stills of a theater set. (et 1 and et 2 on the first disk and et 3 and et5 on the second disk.) These are printable using Photoshop 3.0.
Here is the text you asked for
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Dear Hans-Ulrich Obrist,
I'm sending some images to you on disk. There are four stills of a theater set. (et 1 and et 2 on the first disk and et 3 and et5 on the second disk.) These are printable using Photoshop 3.0.
Here is the text you asked for
...
1995-96
Weile bestand ein Zusammenhang. eng. [unleserlich] ihn nicht gesucht. Möglichkeiten nahm er nicht wahr.
Das Sockel (1) ergibt 11-fach vervielfältigt, Modell einer grosser Wohn- und Geschäftsanlag; [M?]aßtab 1:100, welches im Ausstellung
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1995-96
Weile bestand ein Zusammenhang. eng. [unleserlich] ihn nicht gesucht. Möglichkeiten nahm er nicht wahr.
Das Sockel (1) ergibt 11-fach vervielfältigt, Modell einer grosser Wohn- und Geschäftsanlag; [M?]aßtab 1:100, welches im Ausstellung
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
...
No title, as the project only reached proposal stage - Rikrit Tiravanija
Unbuilt Roads
Proposal No. 1
(a) In the exhibition space, in proximation (as precisely as possible) to actual space. Replicate (Reconstruct) in architectural scale, space and in specific: detail, the office of the director of the museum.
(b) All contents (in deta
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Proposal No. 1
(a) In the exhibition space, in proximation (as precisely as possible) to actual space. Replicate (Reconstruct) in architectural scale, space and in specific: detail, the office of the director of the museum.
(b) All contents (in deta
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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Ogni anno un giro di 60" attorno ad un albero seguendo un cerchio fisso. Le riprese montate in successione anno per anno testimoniano la crescita concentrica del tronco.
Progetto per Gerry Schum.
Novembre 1972.
Giuseppe Penone
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An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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Making for Art - 100 Unsucceeded Presentation - 1995, 1996, - Yutaka Sone
Unbuilt Roads
In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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Please see the enclosed leaflet· "Tower Crane, Paris"
(eventually reasons why the work has not been realised)
Financial, technical and organisation problems
Previous Publications (?)
Enclosed
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Please see the enclosed leaflet· "Tower Crane, Paris"
(eventually reasons why the work has not been realised)
Financial, technical and organisation problems
Previous Publications (?)
Enclosed
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In August 1996 I was invited to propose a pedestrian bridge across the river Thames to connect St Pauls Cathedral to the new Tate Gallery of Modern Art. Realising that bridges are conventionally controlled by the economics of wheeled traffic, and invariab
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In August 1996 I was invited to propose a pedestrian bridge across the river Thames to connect St Pauls Cathedral to the new Tate Gallery of Modern Art. Realising that bridges are conventionally controlled by the economics of wheeled traffic, and invariab
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119. PROJET DE DESTRUCTION DU MUSEE 1970 - 1971 - Jef Geys
Unbuilt Roads
Plan pour devoir Musée o'anu[?]s avec autorisation et aide de ministères contactes
(Eventuellement raisons pour lesquelles le travail n'a pu etre realise)
Refus ministères de la defense etc.
Publications:
Kempens informatieblad
Contact
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Plan pour devoir Musée o'anu[?]s avec autorisation et aide de ministères contactes
(Eventuellement raisons pour lesquelles le travail n'a pu etre realise)
Refus ministères de la defense etc.
Publications:
Kempens informatieblad
Contact
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House with half sphere swimming pool in the center
(eventually reasons why the work has not been realised)
No Time
Previous Publications (?)
No
Existing Documents (photos, drawings, models):
Drawing
Other remarks
Designed after a v
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House with half sphere swimming pool in the center
(eventually reasons why the work has not been realised)
No Time
Previous Publications (?)
No
Existing Documents (photos, drawings, models):
Drawing
Other remarks
Designed after a v
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Unbetitelt, Gänse-Projekt + Noch unbetitelt , " Durch den Mund sehen " + Kartoffeln - Carsten Holler
Unbuilt Roads
Unbetitelt, Gänse-Projekt
1996
Junge Graugänse werden auf einen ferhgesteurten Flugdrachen geprägt, indem sie im Moment des Schlüpfens mit diesem Objekt konfrontiert werden. Der Flugdrachen übernimmt die Rolle der Mutter. Später, wen
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Unbetitelt, Gänse-Projekt
1996
Junge Graugänse werden auf einen ferhgesteurten Flugdrachen geprägt, indem sie im Moment des Schlüpfens mit diesem Objekt konfrontiert werden. Der Flugdrachen übernimmt die Rolle der Mutter. Später, wen
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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§79 Proceeding from this in 1983 Pitz negotiated with representatives of the foreign ministry of the Federal Republic of Germany. The attitudine diplomatica project was intended to find out to what point the government was interested in admitting Pi
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§79 Proceeding from this in 1983 Pitz negotiated with representatives of the foreign ministry of the Federal Republic of Germany. The attitudine diplomatica project was intended to find out to what point the government was interested in admitting Pi
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Dear Hans Ulrich:
Tonight I am thinking about my unrealized projects. I have many of them. One is: To publish a book of IDEAS. I consider that ideas are the cheapest thing in the world. I have about 10,000 of them. But I have no time to put them all in
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Dear Hans Ulrich:
Tonight I am thinking about my unrealized projects. I have many of them. One is: To publish a book of IDEAS. I consider that ideas are the cheapest thing in the world. I have about 10,000 of them. But I have no time to put them all in
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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Extracts from an unpublished interview with Michael Archer for Phaidon press:
...Around the same period I made a proposal for the New Contemporaries exhibition which was going to be held at the ICA. In those days the toilets were on either side of the
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Extracts from an unpublished interview with Michael Archer for Phaidon press:
...Around the same period I made a proposal for the New Contemporaries exhibition which was going to be held at the ICA. In those days the toilets were on either side of the
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The pyramids...to be seen to be believed - Jonathan Monk
Unbuilt Roads
Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
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Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
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PROPOSAL FOR SEATTLE ARTS COMMISSION, IN PUBLIC - Chris Burden
Unbuilt Roads
I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
...
Sehr geehrte Frau Sabolewski,
auf Veranlassung von Herrn Obrist übersende ich Ihnen anbei die Kataloge " Yves Klein/Werner Ruhnau" und "Baukunst" . Dort finden Sie Zeichnungen, Modellfotos etc. , die Sie gern verwenden können. Das "Feuer-Wasser-Lu
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Sehr geehrte Frau Sabolewski,
auf Veranlassung von Herrn Obrist übersende ich Ihnen anbei die Kataloge " Yves Klein/Werner Ruhnau" und "Baukunst" . Dort finden Sie Zeichnungen, Modellfotos etc. , die Sie gern verwenden können. Das "Feuer-Wasser-Lu
...
Miscellaneous Instruments
FORM 5:I-3.02
RIGHT-OF-PRIVACY RELEASE
Short Form
[Name of Motion Picture Company]
[Address]
Dear Sirs:
I am one of the persons of whom [name of author] wrote in his book [name of book]. You are p
...
Miscellaneous Instruments
FORM 5:I-3.02
RIGHT-OF-PRIVACY RELEASE
Short Form
[Name of Motion Picture Company]
[Address]
Dear Sirs:
I am one of the persons of whom [name of author] wrote in his book [name of book]. You are p
...