Project tor the Veterans Administration Hospital--Bay Pines, Florida. - Robert Morris
Unbuilt Roads
13 Feb 97
Att: Hans Ulrich Obrist
From: R. Morris (fax:914-255-2781)
Re: Unbuilt Roads
Dear Hans Ulrich Obrist,
Thanks for you recent fax inviting me to participate in your project. I send along some information about a project that might be
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13 Feb 97
Att: Hans Ulrich Obrist
From: R. Morris (fax:914-255-2781)
Re: Unbuilt Roads
Dear Hans Ulrich Obrist,
Thanks for you recent fax inviting me to participate in your project. I send along some information about a project that might be
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House with half sphere swimming pool in the center
(eventually reasons why the work has not been realised)
No Time
Previous Publications (?)
No
Existing Documents (photos, drawings, models):
Drawing
Other remarks
Designed after a v
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House with half sphere swimming pool in the center
(eventually reasons why the work has not been realised)
No Time
Previous Publications (?)
No
Existing Documents (photos, drawings, models):
Drawing
Other remarks
Designed after a v
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City Hall Tower Night Ilumination - Krysztof Wodiczko
Unbuilt Roads
"In the name of "progress" our official culture is striving to force the new media to do the work of the old."
-Marshall McLuhan
"For the city of today does speak to us, but it is also at certain points and in certain orders remarkably silent. There a
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"In the name of "progress" our official culture is striving to force the new media to do the work of the old."
-Marshall McLuhan
"For the city of today does speak to us, but it is also at certain points and in certain orders remarkably silent. There a
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Project for the Initiative Mahnmal Homosexuellenverfolgung, Frankfurt - Jeff Wall
Unbuilt Roads
My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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1995-96
Weile bestand ein Zusammenhang. eng. [unleserlich] ihn nicht gesucht. Möglichkeiten nahm er nicht wahr.
Das Sockel (1) ergibt 11-fach vervielfältigt, Modell einer grosser Wohn- und Geschäftsanlag; [M?]aßtab 1:100, welches im Ausstellung
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1995-96
Weile bestand ein Zusammenhang. eng. [unleserlich] ihn nicht gesucht. Möglichkeiten nahm er nicht wahr.
Das Sockel (1) ergibt 11-fach vervielfältigt, Modell einer grosser Wohn- und Geschäftsanlag; [M?]aßtab 1:100, welches im Ausstellung
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Placid Earth: A Project for the Meeting of Millennia - Cai Guo Quiang
Unbuilt Roads
Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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The pyramids...to be seen to be believed - Jonathan Monk
Unbuilt Roads
Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
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Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Auf dem Wege nach Amsterdam sollten wir 30 meter hohe stahltulpen im würde leicht Schwingend die Autofahrer. Links und rechts oder Autobahn begrußen. (Jede Blüte in ihre eigenen farbe)
(eventually reasons why the work has not been realised)
Die A
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Auf dem Wege nach Amsterdam sollten wir 30 meter hohe stahltulpen im würde leicht Schwingend die Autofahrer. Links und rechts oder Autobahn begrußen. (Jede Blüte in ihre eigenen farbe)
(eventually reasons why the work has not been realised)
Die A
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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Beschreibung des Modells bitte dem Katalog "Katharina Fritsch, Museum, Biennale Venedig 1995" entnehmen. (Erster Abschnitt: Modell 1:10) Der Katalog ist bei Cantz in Stuttgart gedruckt.
Previous Publications (?)
Katalog der Biennale Venedig 1995 (s
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Proposal for a permanent video installation for the NYC headquarters of Sony Corporation - Dara Birnbaum
Unbuilt Roads
INSTALLATION DESCRIPTION: At one end of the proposed installation space (main dining area designated for Sony employees), a wall is used to support a video wall or projection screen, which displays a seam-less flow of large-scale images. These large-s
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INSTALLATION DESCRIPTION: At one end of the proposed installation space (main dining area designated for Sony employees), a wall is used to support a video wall or projection screen, which displays a seam-less flow of large-scale images. These large-s
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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No title, as the project only reached proposal stage - Rikrit Tiravanija
Unbuilt Roads
Proposal No. 1
(a) In the exhibition space, in proximation (as precisely as possible) to actual space. Replicate (Reconstruct) in architectural scale, space and in specific: detail, the office of the director of the museum.
(b) All contents (in deta
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Proposal No. 1
(a) In the exhibition space, in proximation (as precisely as possible) to actual space. Replicate (Reconstruct) in architectural scale, space and in specific: detail, the office of the director of the museum.
(b) All contents (in deta
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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This pavilion is enterable through a sliding 2-way mirror door in one side, is sited in a landscape with some trees, a large visible vista.
The 4m x 4m x 4m pavilion has two 2-way mirror sides. The third side is a cibachrome transparency which shows th
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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A competition won in 1989
Tower One: was proposed to sit in a roundabout next to the Chicago river .. 65' (feet) in height, the base an octagonal cast iron construction stands on a slightly mounded cast rubber base ... eight triangular beams thrust upw
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A competition won in 1989
Tower One: was proposed to sit in a roundabout next to the Chicago river .. 65' (feet) in height, the base an octagonal cast iron construction stands on a slightly mounded cast rubber base ... eight triangular beams thrust upw
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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Grand Concours International D'Architecture - Sol Lewitt
Unbuilt Roads
TITRE DU PROJET:
Grand Concours D'International D'architecture
ANNEE:
1993/1994
DESCRIPTIF:
Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lama
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TITRE DU PROJET:
Grand Concours D'International D'architecture
ANNEE:
1993/1994
DESCRIPTIF:
Concours de plage ouvert surinvitation a des equipe D' Architectes de renomíe internationale.
Objet = construire en untemps limiteé entre lama
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Project pour le parc de sculpture de Vassiviére - Paul-Armand Gette
Unbuilt Roads
Un bloc de granite choisi dans la partie boisée de l'île sera considéré comme étant le centre d'une circonférence de 25m. de rayon, qui, sans que cela soit indiqué sur place d'aucune façon, restera vierge de toutes interventions (aménagements, co
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Un bloc de granite choisi dans la partie boisée de l'île sera considéré comme étant le centre d'une circonférence de 25m. de rayon, qui, sans que cela soit indiqué sur place d'aucune façon, restera vierge de toutes interventions (aménagements, co
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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d'un projet dédié aux victimes de la Shoah. - Christian Boltanski
Unbuilt Roads
Il y a quelques années, j'ai éte invité à réfléchir à la réalisation d'un projet dédié aux victimes de la Shoah. Ce monument devait être installé en face du Reichstag à Berlin. J'avais répondu alors que je pensais que les monuments étaient
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Il y a quelques années, j'ai éte invité à réfléchir à la réalisation d'un projet dédié aux victimes de la Shoah. Ce monument devait être installé en face du Reichstag à Berlin. J'avais répondu alors que je pensais que les monuments étaient
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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