Cornflower tea and concealing chocolate - Alena Zhandarova
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Alena Zhandarova was born in 1988 and lives in Russia. Meanwhile her marketing studies she decided to open her creative chakras and started to probe and go deeper to herself. This way her series “Cornflower tea and concealing chocolate” came up.
It
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Alena Zhandarova was born in 1988 and lives in Russia. Meanwhile her marketing studies she decided to open her creative chakras and started to probe and go deeper to herself. This way her series “Cornflower tea and concealing chocolate” came up.
It
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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Civic Centre in Salburua - Taller Basico de Arquitectura [TBA]
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Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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The sign that would attract people to an empty area. - Annika Eriksson
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The sign that would attract people to an empty area.
For the show When Attitudes Become Form Become Attitudes at Wattis Institute in San Francisco this year I wanted to place an illuminated sign in the vast empty lot just behind the institution, a l
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The sign that would attract people to an empty area.
For the show When Attitudes Become Form Become Attitudes at Wattis Institute in San Francisco this year I wanted to place an illuminated sign in the vast empty lot just behind the institution, a l
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This living space design is for two people trying to balance their lives together. Every movement in this precarious space shifts that balance. Fortunately the furniture is all hinged. Even when the floor is falling out from under you, the basic amenities
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This living space design is for two people trying to balance their lives together. Every movement in this precarious space shifts that balance. Fortunately the furniture is all hinged. Even when the floor is falling out from under you, the basic amenities
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FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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WRAPPED MOON PROJECT
An Unrealized Project by Reynard Loki
http://wrappedmoonproject.blogspot.com/
BACKGROUND
On February 16, 1998, using the pseudonym of Red Q. Nary, I sent out the following e-mail to Woody Smith, the Curator of website of t
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WRAPPED MOON PROJECT
An Unrealized Project by Reynard Loki
http://wrappedmoonproject.blogspot.com/
BACKGROUND
On February 16, 1998, using the pseudonym of Red Q. Nary, I sent out the following e-mail to Woody Smith, the Curator of website of t
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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Unrealized Proposal for
LIGHT BRIDGE
Bradley Pitts, 2003
Light Bridge proposes to bring sunlight from one location on the earth to another, transporting space and time. Mirrors at the source location reflect daylight to a geostationary satellite,
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Unrealized Proposal for
LIGHT BRIDGE
Bradley Pitts, 2003
Light Bridge proposes to bring sunlight from one location on the earth to another, transporting space and time. Mirrors at the source location reflect daylight to a geostationary satellite,
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"2011 and my private destinations " and "Because of your coordination" - Nikolay Zanev
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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Structure for Formal and Material Imagination - Scott Massey
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Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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A FAIRLY TALL TOWER, 48,000 Miles High - - Siah Armajani
Unbuilt Roads
Location: Outer Space
Status: Theoretical study
Proposal to build a self-supporting tower suspended in space but anchored at one point to the earth (U. S. ).
All synchronous satellites of the earth are located at the synchronous altitude. This al
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Location: Outer Space
Status: Theoretical study
Proposal to build a self-supporting tower suspended in space but anchored at one point to the earth (U. S. ).
All synchronous satellites of the earth are located at the synchronous altitude. This al
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Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent,
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Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent,
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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