mamila pOOl - c a l c (omi - Thomas Scheiderbauer)
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mamila pOOl* we call a project which we wanted to realize downtown Jerusalem.
During a visit in Israel 2003 our friend Tal Adler showed us this amazing huge and empty space/pool - and we started do a research and to imagine..
For the Mamilla Pool we e
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mamila pOOl* we call a project which we wanted to realize downtown Jerusalem.
During a visit in Israel 2003 our friend Tal Adler showed us this amazing huge and empty space/pool - and we started do a research and to imagine..
For the Mamilla Pool we e
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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Along horizontality Joanna Geldard
My studies into the nature of horizontality extend to integrate an approach to space and site in non-spaces/in-between spaces. It aims to negotiate and contribute to the interpretations of non-spaces on the ed
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Along horizontality Joanna Geldard
My studies into the nature of horizontality extend to integrate an approach to space and site in non-spaces/in-between spaces. It aims to negotiate and contribute to the interpretations of non-spaces on the ed
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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WRAPPED MOON PROJECT
An Unrealized Project by Reynard Loki
http://wrappedmoonproject.blogspot.com/
BACKGROUND
On February 16, 1998, using the pseudonym of Red Q. Nary, I sent out the following e-mail to Woody Smith, the Curator of website of t
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WRAPPED MOON PROJECT
An Unrealized Project by Reynard Loki
http://wrappedmoonproject.blogspot.com/
BACKGROUND
On February 16, 1998, using the pseudonym of Red Q. Nary, I sent out the following e-mail to Woody Smith, the Curator of website of t
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Unfinished and ongoing project called "Collectors" -all kinds of things and creatures are collected, and create a melody and tune.
Initial idea for “Collectors” series started after thinking how we miss unnoticeable things around surroundings, and th
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Unfinished and ongoing project called "Collectors" -all kinds of things and creatures are collected, and create a melody and tune.
Initial idea for “Collectors” series started after thinking how we miss unnoticeable things around surroundings, and th
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"2011 and my private destinations " and "Because of your coordination" - Nikolay Zanev
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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My project forms a link between the subterranean, a rarely explored urban space, and the five principal stars of a particular constellation, Cancer. In a nutshell the idea is to construct an underground network linking five manhole covers, the positions o
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My project forms a link between the subterranean, a rarely explored urban space, and the five principal stars of a particular constellation, Cancer. In a nutshell the idea is to construct an underground network linking five manhole covers, the positions o
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Structure for Formal and Material Imagination - Scott Massey
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Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In graduate school I would rearrange my studio constantly. It wasn’t until after I learned of the term tabulology, while studying The Peter Principle. It is the study of unusual arrangements of desks, workbenches, etc. with acts of habituation and repet
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In graduate school I would rearrange my studio constantly. It wasn’t until after I learned of the term tabulology, while studying The Peter Principle. It is the study of unusual arrangements of desks, workbenches, etc. with acts of habituation and repet
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Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent,
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Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent,
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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Unrealized Proposal for
LIGHT BRIDGE
Bradley Pitts, 2003
Light Bridge proposes to bring sunlight from one location on the earth to another, transporting space and time. Mirrors at the source location reflect daylight to a geostationary satellite,
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Unrealized Proposal for
LIGHT BRIDGE
Bradley Pitts, 2003
Light Bridge proposes to bring sunlight from one location on the earth to another, transporting space and time. Mirrors at the source location reflect daylight to a geostationary satellite,
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School of Pharmacy in Sevilla - Taller Basico de Arquitectura [TBA]
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School of Pharmacy in Sevilla (2011)
We propose to build a new public space, a place opened to students and visitors, a room for the city. This room recreates an enclosed space, a courtyard. The new public space is affected by movements and pedestrian
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School of Pharmacy in Sevilla (2011)
We propose to build a new public space, a place opened to students and visitors, a room for the city. This room recreates an enclosed space, a courtyard. The new public space is affected by movements and pedestrian
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The sign that would attract people to an empty area. - Annika Eriksson
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The sign that would attract people to an empty area.
For the show When Attitudes Become Form Become Attitudes at Wattis Institute in San Francisco this year I wanted to place an illuminated sign in the vast empty lot just behind the institution, a l
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The sign that would attract people to an empty area.
For the show When Attitudes Become Form Become Attitudes at Wattis Institute in San Francisco this year I wanted to place an illuminated sign in the vast empty lot just behind the institution, a l
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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