My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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I will navigate through the city by its interstitial spaces. Using predetermined criteria for what qualifies as an interstitial space and matching mapping symbolism, I will go on walks through the city, avoiding usual thoroughfares and attraction points.
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I will navigate through the city by its interstitial spaces. Using predetermined criteria for what qualifies as an interstitial space and matching mapping symbolism, I will go on walks through the city, avoiding usual thoroughfares and attraction points.
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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I am always interested in “Transitional” or “In Between” -a process of transformation. I believe that the transitional state is one kind of human conditions that we all have to face sometime in our live.
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I am always interested in “Transitional” or “In Between” -a process of transformation. I believe that the transitional state is one kind of human conditions that we all have to face sometime in our live.
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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Park a person traces an individual’s life and their highs and lows. The piece offers an unusual treatment. Every individual troubled, can go to a space were you can park yourself, as a place for refuge or time out.
Based on a true documented account.
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Park a person traces an individual’s life and their highs and lows. The piece offers an unusual treatment. Every individual troubled, can go to a space were you can park yourself, as a place for refuge or time out.
Based on a true documented account.
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"2011 and my private destinations " and "Because of your coordination" - Nikolay Zanev
WWW
Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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THE CAUCUS ROOM
Project proposal for OVERGADEN
By Javier Tapia
The authentic moment of discovery, the breakthrough, occurs when a properly universal dimension explodes from within a particular context and becomes “for itself”, and is directly ex
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THE CAUCUS ROOM
Project proposal for OVERGADEN
By Javier Tapia
The authentic moment of discovery, the breakthrough, occurs when a properly universal dimension explodes from within a particular context and becomes “for itself”, and is directly ex
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Structure for Formal and Material Imagination - Scott Massey
WWW
Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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24 hours – surveillance of the sun - renata padovan
WWW
"24 Hs - Surveillance of the sun" is a project that maps sunsets and sunrises around the world. It aims at placing the viewer face to face with the idea of relative time and space.
Considering that in 24 hours the Earth completes a full rotation in re
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"24 Hs - Surveillance of the sun" is a project that maps sunsets and sunrises around the world. It aims at placing the viewer face to face with the idea of relative time and space.
Considering that in 24 hours the Earth completes a full rotation in re
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Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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Statement for The Agency Of Unrealized Projects
I use found postcards as miniature environments for sinister and fantastical scenarios. These proposals are not intended be realized and are also distanced from us by the age of the postcard, the only pl
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Statement for The Agency Of Unrealized Projects
I use found postcards as miniature environments for sinister and fantastical scenarios. These proposals are not intended be realized and are also distanced from us by the age of the postcard, the only pl
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Civic Centre in Salburua - Taller Basico de Arquitectura [TBA]
WWW
Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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Sheltered Apartments in Buztintxuri - Taller Basico de Arquitectura [TBA]
WWW
Sheltered Apartments in Buztintxuri (2009)
We understand the site as an opportunity to inhabit a space that ends in a dividing wall, and so, an uncompleted space. From this wall, we build a bone that links the existing buildings with the new project an
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Sheltered Apartments in Buztintxuri (2009)
We understand the site as an opportunity to inhabit a space that ends in a dividing wall, and so, an uncompleted space. From this wall, we build a bone that links the existing buildings with the new project an
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In graduate school I would rearrange my studio constantly. It wasn’t until after I learned of the term tabulology, while studying The Peter Principle. It is the study of unusual arrangements of desks, workbenches, etc. with acts of habituation and repet
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In graduate school I would rearrange my studio constantly. It wasn’t until after I learned of the term tabulology, while studying The Peter Principle. It is the study of unusual arrangements of desks, workbenches, etc. with acts of habituation and repet
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Placid Earth: A Project for the Meeting of Millennia - Cai Guo Quiang
Unbuilt Roads
Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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Unrealized Proposal for
LIGHT BRIDGE
Bradley Pitts, 2003
Light Bridge proposes to bring sunlight from one location on the earth to another, transporting space and time. Mirrors at the source location reflect daylight to a geostationary satellite,
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Unrealized Proposal for
LIGHT BRIDGE
Bradley Pitts, 2003
Light Bridge proposes to bring sunlight from one location on the earth to another, transporting space and time. Mirrors at the source location reflect daylight to a geostationary satellite,
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