I will navigate through the city by its interstitial spaces. Using predetermined criteria for what qualifies as an interstitial space and matching mapping symbolism, I will go on walks through the city, avoiding usual thoroughfares and attraction points.
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I will navigate through the city by its interstitial spaces. Using predetermined criteria for what qualifies as an interstitial space and matching mapping symbolism, I will go on walks through the city, avoiding usual thoroughfares and attraction points.
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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The European Space Agency (ESA) currently runs a space exploration programme called Aurora which includes a planned robotic mission to the surface of Mars.
The ExoMars rover will be sent in 2018 to gather and analyse data they receive and includes a nu
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The European Space Agency (ESA) currently runs a space exploration programme called Aurora which includes a planned robotic mission to the surface of Mars.
The ExoMars rover will be sent in 2018 to gather and analyse data they receive and includes a nu
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METEORITE AL CONTRARIO (INVERTED METEORITE) - Davide Bertocchi
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METEORITE AL CONTRARIO (INVERTED METEORITE) - 2011 PROJECT. STONE, SPACE MISSION Courtesy the artist
A medium size stone (more or less 50 cm x 50 cm x 50 cm) is sent into space. Like a meteorite but following an opposite trajectory, that is, inste
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METEORITE AL CONTRARIO (INVERTED METEORITE) - 2011 PROJECT. STONE, SPACE MISSION Courtesy the artist
A medium size stone (more or less 50 cm x 50 cm x 50 cm) is sent into space. Like a meteorite but following an opposite trajectory, that is, inste
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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Civic Centre in Salburua - Taller Basico de Arquitectura [TBA]
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Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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School of Pharmacy in Sevilla - Taller Basico de Arquitectura [TBA]
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School of Pharmacy in Sevilla (2011)
We propose to build a new public space, a place opened to students and visitors, a room for the city. This room recreates an enclosed space, a courtyard. The new public space is affected by movements and pedestrian
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School of Pharmacy in Sevilla (2011)
We propose to build a new public space, a place opened to students and visitors, a room for the city. This room recreates an enclosed space, a courtyard. The new public space is affected by movements and pedestrian
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Sculptural installation:
This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition.
The two sculptures here, each
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Sculptural installation:
This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition.
The two sculptures here, each
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Unfinished and ongoing project called "Collectors" -all kinds of things and creatures are collected, and create a melody and tune.
Initial idea for “Collectors” series started after thinking how we miss unnoticeable things around surroundings, and th
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Unfinished and ongoing project called "Collectors" -all kinds of things and creatures are collected, and create a melody and tune.
Initial idea for “Collectors” series started after thinking how we miss unnoticeable things around surroundings, and th
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WRAPPED MOON PROJECT
An Unrealized Project by Reynard Loki
http://wrappedmoonproject.blogspot.com/
BACKGROUND
On February 16, 1998, using the pseudonym of Red Q. Nary, I sent out the following e-mail to Woody Smith, the Curator of website of t
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WRAPPED MOON PROJECT
An Unrealized Project by Reynard Loki
http://wrappedmoonproject.blogspot.com/
BACKGROUND
On February 16, 1998, using the pseudonym of Red Q. Nary, I sent out the following e-mail to Woody Smith, the Curator of website of t
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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"2011 and my private destinations " and "Because of your coordination" - Nikolay Zanev
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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I am always interested in “Transitional” or “In Between” -a process of transformation. I believe that the transitional state is one kind of human conditions that we all have to face sometime in our live.
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I am always interested in “Transitional” or “In Between” -a process of transformation. I believe that the transitional state is one kind of human conditions that we all have to face sometime in our live.
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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In graduate school I would rearrange my studio constantly. It wasn’t until after I learned of the term tabulology, while studying The Peter Principle. It is the study of unusual arrangements of desks, workbenches, etc. with acts of habituation and repet
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In graduate school I would rearrange my studio constantly. It wasn’t until after I learned of the term tabulology, while studying The Peter Principle. It is the study of unusual arrangements of desks, workbenches, etc. with acts of habituation and repet
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Structure for Formal and Material Imagination - Scott Massey
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Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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TheStore: The Construct of a Life Package. Proposal for Arhus Kunstbygning 2011.
The exhibition space is piled with boxes, containing (fragments of) works of art, gathered around a wooden framework. The visitor is invited to fill up the framework with
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TheStore: The Construct of a Life Package. Proposal for Arhus Kunstbygning 2011.
The exhibition space is piled with boxes, containing (fragments of) works of art, gathered around a wooden framework. The visitor is invited to fill up the framework with
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FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent,
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Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent,
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mamila pOOl - c a l c (omi - Thomas Scheiderbauer)
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mamila pOOl* we call a project which we wanted to realize downtown Jerusalem.
During a visit in Israel 2003 our friend Tal Adler showed us this amazing huge and empty space/pool - and we started do a research and to imagine..
For the Mamilla Pool we e
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mamila pOOl* we call a project which we wanted to realize downtown Jerusalem.
During a visit in Israel 2003 our friend Tal Adler showed us this amazing huge and empty space/pool - and we started do a research and to imagine..
For the Mamilla Pool we e
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The World is a Theater and we each have a role - Louise Bourgeois
Unbuilt Roads
A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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