My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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I will navigate through the city by its interstitial spaces. Using predetermined criteria for what qualifies as an interstitial space and matching mapping symbolism, I will go on walks through the city, avoiding usual thoroughfares and attraction points.
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I will navigate through the city by its interstitial spaces. Using predetermined criteria for what qualifies as an interstitial space and matching mapping symbolism, I will go on walks through the city, avoiding usual thoroughfares and attraction points.
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Park a person traces an individual’s life and their highs and lows. The piece offers an unusual treatment. Every individual troubled, can go to a space were you can park yourself, as a place for refuge or time out.
Based on a true documented account.
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Park a person traces an individual’s life and their highs and lows. The piece offers an unusual treatment. Every individual troubled, can go to a space were you can park yourself, as a place for refuge or time out.
Based on a true documented account.
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The World is a Theater and we each have a role - Louise Bourgeois
Unbuilt Roads
A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
...
WRAPPED MOON PROJECT
An Unrealized Project by Reynard Loki
http://wrappedmoonproject.blogspot.com/
BACKGROUND
On February 16, 1998, using the pseudonym of Red Q. Nary, I sent out the following e-mail to Woody Smith, the Curator of website of t
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WRAPPED MOON PROJECT
An Unrealized Project by Reynard Loki
http://wrappedmoonproject.blogspot.com/
BACKGROUND
On February 16, 1998, using the pseudonym of Red Q. Nary, I sent out the following e-mail to Woody Smith, the Curator of website of t
...
Statement for The Agency Of Unrealized Projects
I use found postcards as miniature environments for sinister and fantastical scenarios. These proposals are not intended be realized and are also distanced from us by the age of the postcard, the only pl
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Statement for The Agency Of Unrealized Projects
I use found postcards as miniature environments for sinister and fantastical scenarios. These proposals are not intended be realized and are also distanced from us by the age of the postcard, the only pl
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Call for Unrealized Projects Olivia Booth
September, 2012 oabooth@yahoo.com
www.oliviabooth.net
GLASS DRUMMERS PAVILION
This repositionable glass drummer's pavilion is meant to latch on to the ground level of any international style
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Call for Unrealized Projects Olivia Booth
September, 2012 oabooth@yahoo.com
www.oliviabooth.net
GLASS DRUMMERS PAVILION
This repositionable glass drummer's pavilion is meant to latch on to the ground level of any international style
...
1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
...
FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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Structure for Formal and Material Imagination - Scott Massey
WWW
Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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My project forms a link between the subterranean, a rarely explored urban space, and the five principal stars of a particular constellation, Cancer. In a nutshell the idea is to construct an underground network linking five manhole covers, the positions o
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My project forms a link between the subterranean, a rarely explored urban space, and the five principal stars of a particular constellation, Cancer. In a nutshell the idea is to construct an underground network linking five manhole covers, the positions o
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Unfinished and ongoing project called "Collectors" -all kinds of things and creatures are collected, and create a melody and tune.
Initial idea for “Collectors” series started after thinking how we miss unnoticeable things around surroundings, and th
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Unfinished and ongoing project called "Collectors" -all kinds of things and creatures are collected, and create a melody and tune.
Initial idea for “Collectors” series started after thinking how we miss unnoticeable things around surroundings, and th
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Along horizontality Joanna Geldard
My studies into the nature of horizontality extend to integrate an approach to space and site in non-spaces/in-between spaces. It aims to negotiate and contribute to the interpretations of non-spaces on the ed
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Along horizontality Joanna Geldard
My studies into the nature of horizontality extend to integrate an approach to space and site in non-spaces/in-between spaces. It aims to negotiate and contribute to the interpretations of non-spaces on the ed
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AUP - Berliner Künstlerprogramm/ DAAD
Nicole De Brabandere
In 2009 I put in motion the possibility of amassing all of the doorknobs from an institutional building that was slated for demolition. After many phone calls to various authorities I disco
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AUP - Berliner Künstlerprogramm/ DAAD
Nicole De Brabandere
In 2009 I put in motion the possibility of amassing all of the doorknobs from an institutional building that was slated for demolition. After many phone calls to various authorities I disco
...
The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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"2011 and my private destinations " and "Because of your coordination" - Nikolay Zanev
WWW
Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
...
In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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“Otherhedron is a trip. From pole to pole, the object moves around the world like a pebble rolling gently on the ground. Demarcating locations as nodes or points in the globe that, when joined, trace a plane much like one of the sides of Otherhedron."
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“Otherhedron is a trip. From pole to pole, the object moves around the world like a pebble rolling gently on the ground. Demarcating locations as nodes or points in the globe that, when joined, trace a plane much like one of the sides of Otherhedron."
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These images were submitted as a proposal as to the Bemis Centre USA. The modus operanti of this and related projects is to introduce as little as possible into an architectural space in order to heighten the perception and experience of ‘reality’. Wh
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These images were submitted as a proposal as to the Bemis Centre USA. The modus operanti of this and related projects is to introduce as little as possible into an architectural space in order to heighten the perception and experience of ‘reality’. Wh
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Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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