Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Straight-Line Residency Project (SLRP): - Margaret Roberts
WWW
Straight-Line Residency Project (SLRP):
Executive summary
A. The SLRP aims to • support interdimensional travel from virtual to physical space, • encourage the re-valuation of physical space by showing it as a desirable destination for interdimens
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Straight-Line Residency Project (SLRP):
Executive summary
A. The SLRP aims to • support interdimensional travel from virtual to physical space, • encourage the re-valuation of physical space by showing it as a desirable destination for interdimens
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"2011 and my private destinations " and "Because of your coordination" - Nikolay Zanev
WWW
Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent,
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Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent,
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FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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Placid Earth: A Project for the Meeting of Millennia - Cai Guo Quiang
Unbuilt Roads
Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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The European Space Agency (ESA) currently runs a space exploration programme called Aurora which includes a planned robotic mission to the surface of Mars.
The ExoMars rover will be sent in 2018 to gather and analyse data they receive and includes a nu
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The European Space Agency (ESA) currently runs a space exploration programme called Aurora which includes a planned robotic mission to the surface of Mars.
The ExoMars rover will be sent in 2018 to gather and analyse data they receive and includes a nu
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About
Future Studies is a process of iconographic and structural relationships across time and space. This series of images begins as an ironic adaptation of archaeological anastylosis concept; the technique of reconstruction of a monument i
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About
Future Studies is a process of iconographic and structural relationships across time and space. This series of images begins as an ironic adaptation of archaeological anastylosis concept; the technique of reconstruction of a monument i
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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AUP - Berliner Künstlerprogramm/ DAAD
Nicole De Brabandere
In 2009 I put in motion the possibility of amassing all of the doorknobs from an institutional building that was slated for demolition. After many phone calls to various authorities I disco
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AUP - Berliner Künstlerprogramm/ DAAD
Nicole De Brabandere
In 2009 I put in motion the possibility of amassing all of the doorknobs from an institutional building that was slated for demolition. After many phone calls to various authorities I disco
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This living space design is for two people trying to balance their lives together. Every movement in this precarious space shifts that balance. Fortunately the furniture is all hinged. Even when the floor is falling out from under you, the basic amenities
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This living space design is for two people trying to balance their lives together. Every movement in this precarious space shifts that balance. Fortunately the furniture is all hinged. Even when the floor is falling out from under you, the basic amenities
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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24 hours – surveillance of the sun - renata padovan
WWW
"24 Hs - Surveillance of the sun" is a project that maps sunsets and sunrises around the world. It aims at placing the viewer face to face with the idea of relative time and space.
Considering that in 24 hours the Earth completes a full rotation in re
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"24 Hs - Surveillance of the sun" is a project that maps sunsets and sunrises around the world. It aims at placing the viewer face to face with the idea of relative time and space.
Considering that in 24 hours the Earth completes a full rotation in re
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Civic Centre in Salburua - Taller Basico de Arquitectura [TBA]
WWW
Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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The World is a Theater and we each have a role - Louise Bourgeois
Unbuilt Roads
A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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Park a person traces an individual’s life and their highs and lows. The piece offers an unusual treatment. Every individual troubled, can go to a space were you can park yourself, as a place for refuge or time out.
Based on a true documented account.
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Park a person traces an individual’s life and their highs and lows. The piece offers an unusual treatment. Every individual troubled, can go to a space were you can park yourself, as a place for refuge or time out.
Based on a true documented account.
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I will navigate through the city by its interstitial spaces. Using predetermined criteria for what qualifies as an interstitial space and matching mapping symbolism, I will go on walks through the city, avoiding usual thoroughfares and attraction points.
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I will navigate through the city by its interstitial spaces. Using predetermined criteria for what qualifies as an interstitial space and matching mapping symbolism, I will go on walks through the city, avoiding usual thoroughfares and attraction points.
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Cornflower tea and concealing chocolate - Alena Zhandarova
WWW
Alena Zhandarova was born in 1988 and lives in Russia. Meanwhile her marketing studies she decided to open her creative chakras and started to probe and go deeper to herself. This way her series “Cornflower tea and concealing chocolate” came up.
It
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Alena Zhandarova was born in 1988 and lives in Russia. Meanwhile her marketing studies she decided to open her creative chakras and started to probe and go deeper to herself. This way her series “Cornflower tea and concealing chocolate” came up.
It
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Parish in Buztintxuri - Taller Basico de Arquitectura [TBA]
WWW
Parish in Buztintxuri (2011)
The building is principally developed on the ground floor. Functional issues make necessary to emerge a second level in the central area. This space contains technical spaces.
The building is functionally differentiated
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Parish in Buztintxuri (2011)
The building is principally developed on the ground floor. Functional issues make necessary to emerge a second level in the central area. This space contains technical spaces.
The building is functionally differentiated
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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