Building Of a Heterogeneous Space of the Disappearance - Daniel Castellanos Reyes
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Building Of An Heterogeneous Space Of The Disappearance will be an ephemeral construction shaped as one of the present balconies in what it used to be the Gebäude Des Reichsstatthalters Und Der Gauleitung.
This proposal pretends to make an historical
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Building Of An Heterogeneous Space Of The Disappearance will be an ephemeral construction shaped as one of the present balconies in what it used to be the Gebäude Des Reichsstatthalters Und Der Gauleitung.
This proposal pretends to make an historical
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Monuments to Real Life
Monument 2. Twins
Digital Video installation research phase began Autumn 2008 in Nuertingen Germany and was aborted in May 2009.
Monument 2. ‘Twins’ is the unrealized sibling to Monument 1 ‘Well I Never…’ 2007(www.w
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Monuments to Real Life
Monument 2. Twins
Digital Video installation research phase began Autumn 2008 in Nuertingen Germany and was aborted in May 2009.
Monument 2. ‘Twins’ is the unrealized sibling to Monument 1 ‘Well I Never…’ 2007(www.w
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Central Park Monument to the Nimbus of Victory, 2009 - Peter Joslyn
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The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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Convention' was an unsolicited, and as I found out in March of this year, unaccepted proposal to the promoters of the Toronto International Art Fair.
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Convention' was an unsolicited, and as I found out in March of this year, unaccepted proposal to the promoters of the Toronto International Art Fair.
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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three projects about which I have been thinking for some time.
The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in
the corrosion of meta
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A patinated plaster sculpture marble natural scale, contains two characters, the first is a riot police in position conqueror in one hand have a coat of riot police and the other as if it were a weapon, a piece of post and finally this a video surveillanc
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A patinated plaster sculpture marble natural scale, contains two characters, the first is a riot police in position conqueror in one hand have a coat of riot police and the other as if it were a weapon, a piece of post and finally this a video surveillanc
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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In March 2007 I was the artist in residence at the Department of Safety in Anacortes, WA, USA. Anacortes is a really small town. Partially out of frustration with me, my big city ways & my de-skilled & "post-conceptual" approach to the art task OLIVER ORI
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In March 2007 I was the artist in residence at the Department of Safety in Anacortes, WA, USA. Anacortes is a really small town. Partially out of frustration with me, my big city ways & my de-skilled & "post-conceptual" approach to the art task OLIVER ORI
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I call my "ice actions", consisting in placing objects in principal downtown squares, the Monuments of Time. I find this title appropriately noble, considering in whose honor they are erected. In each case, I seek an adequate form to celebrate time as wel
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I call my "ice actions", consisting in placing objects in principal downtown squares, the Monuments of Time. I find this title appropriately noble, considering in whose honor they are erected. In each case, I seek an adequate form to celebrate time as wel
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C.Q., 2010
honey jars, cosmetic containers, lipsticks, glue, mirror
C.Q. is a maquette study for a fantastical monument, a ‘Disney Palace on acid’, a tribute to Beauty. It is an arrangement of cosmetics that are used as pigments to add tones to
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C.Q., 2010
honey jars, cosmetic containers, lipsticks, glue, mirror
C.Q. is a maquette study for a fantastical monument, a ‘Disney Palace on acid’, a tribute to Beauty. It is an arrangement of cosmetics that are used as pigments to add tones to
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Prototype of an opportunistic monument or a monument on call - Sylvie Boisseau
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Prototype of an opportunistic monument or a monument on call
(in memory of the Stasi* victims)
The monument consist of an orthogonal concrete block of 200 x 150 x 50 cm which is embedded under the ground, It should be erected at places where the orig
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Prototype of an opportunistic monument or a monument on call
(in memory of the Stasi* victims)
The monument consist of an orthogonal concrete block of 200 x 150 x 50 cm which is embedded under the ground, It should be erected at places where the orig
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Place Jacques-Cartier, Montréal 1990 (with Tony Fretton) - Mark Pimlott
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This project proposed a monumental surface for Place Jacques-Cartier that resembled the streets an unconscious places that were typical of Montréal’s topography. The ground was conceived of as a portion of the granite shield that the city is built on,
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This project proposed a monumental surface for Place Jacques-Cartier that resembled the streets an unconscious places that were typical of Montréal’s topography. The ground was conceived of as a portion of the granite shield that the city is built on,
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Proposal Rockaway 9/11 memorial Lisa Hein 2002
THE CUBE
A bleacher faces the water on Jamaica Bay. It watches the Manhattan skyline to the northwest. The center of the bleacher is cut out in a square. A black cube rises through.
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Proposal Rockaway 9/11 memorial Lisa Hein 2002
THE CUBE
A bleacher faces the water on Jamaica Bay. It watches the Manhattan skyline to the northwest. The center of the bleacher is cut out in a square. A black cube rises through.
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I wanted to purchase the coffee table in Room 503, Hong Lou Hotel, Lianzhou, China and to mount it as a monument for all the shady deals that have been worked out over this table at a solo at Vitamin Creative Space in Guangzhou.
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I wanted to purchase the coffee table in Room 503, Hong Lou Hotel, Lianzhou, China and to mount it as a monument for all the shady deals that have been worked out over this table at a solo at Vitamin Creative Space in Guangzhou.
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood.
"The Gate"
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Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood.
"The Gate"
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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1964-66
Two Lower Manhattan Wrapped Buildings, Project for New York, U.S.A.
1967
Wrapped Galleria Nazionale, Project for Rome, Italy.
Ponte Sant' Angelo Wrapped, Project for Rome, Italy.
Wrapped Trees, Project for Washington Pa
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On cherche à la lumière ce que l'on a perdu dans le noir - Nadine Lère
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Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Sculpture Center In Practice - Kristin Jones / Andrew Ginzel
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KRISTIN JONES / ANDREW GINZEL
Sculpture Center In Practice
PROPOSAL
In the open-air volume of the garden courtyard adjacent to the mass of the main building we propose to draw three precise geometries that the site itself suggests: Two planes of pa
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KRISTIN JONES / ANDREW GINZEL
Sculpture Center In Practice
PROPOSAL
In the open-air volume of the garden courtyard adjacent to the mass of the main building we propose to draw three precise geometries that the site itself suggests: Two planes of pa
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The “freedom and democracy monument” is designed in the shape of an oversized transparent round table: People make use of the elements of that round table by their presence and help bring life into it.The round table is the symbol of the democratic id
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The “freedom and democracy monument” is designed in the shape of an oversized transparent round table: People make use of the elements of that round table by their presence and help bring life into it.The round table is the symbol of the democratic id
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Monument for bridges.
Visuals of a monumental sculpture to be made out of the remains of two countryside bridges. A road of about 20 kilometres long was rebuild. Therefore as much as 50 bridges accessing the farmlands where taken apart and demolished.
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Monument for bridges.
Visuals of a monumental sculpture to be made out of the remains of two countryside bridges. A road of about 20 kilometres long was rebuild. Therefore as much as 50 bridges accessing the farmlands where taken apart and demolished.
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My design for the competition “Denkzeichen Rosa Luxemburg” (Memory Marker Rosa Luxemburg; Berlin 2003) drew upon the Revolution Monument by Ludwig Mies van der Rohe, which was commissioned in 1926 by the German Communist Party as the central memorial
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My design for the competition “Denkzeichen Rosa Luxemburg” (Memory Marker Rosa Luxemburg; Berlin 2003) drew upon the Revolution Monument by Ludwig Mies van der Rohe, which was commissioned in 1926 by the German Communist Party as the central memorial
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Breakdown: A Prototypical Monument to the Open Road - John Landewe
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Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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Proposal
John Landewe 152 Douglass St. Brooklyn, NY 917.676.950
Breakdown: A Prototypical Monument to the Open Road
Breakdown is a self-contained, nomadic monument dedicated to industrial-strength mobility and the acceleration of the postmodern c
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