A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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The Installation series of Untitled (Wishes, Lies and Dreams >> Wonderfully Wonderful ...) - Sarawut Chutiwongpeti
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“The Installation series of Untitled (Wishes, Lies and Dreams >> Wonderfully Wonderful ...)”
Basic Concept: My goal is to investigate the expressive possibilities of conceptual visual language and to develop Collaborative New Art as part of bot
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“The Installation series of Untitled (Wishes, Lies and Dreams >> Wonderfully Wonderful ...)”
Basic Concept: My goal is to investigate the expressive possibilities of conceptual visual language and to develop Collaborative New Art as part of bot
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Proposal Model for Installation – Sensor activated walls that move back and forth alternately in the space very slowly using an automatic gate mechanism, dissecting the space and controlling the movement of the viewer within it, creating a disruption of
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Proposal Model for Installation – Sensor activated walls that move back and forth alternately in the space very slowly using an automatic gate mechanism, dissecting the space and controlling the movement of the viewer within it, creating a disruption of
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Interactive-Installation
1) At the height of at least 5th or 6th floor of a public art space (museum or foundation) it will be installed a door opening on the void. The door must be red and in wood, liek the door leading to a room in a house. Actuall
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Interactive-Installation
1) At the height of at least 5th or 6th floor of a public art space (museum or foundation) it will be installed a door opening on the void. The door must be red and in wood, liek the door leading to a room in a house. Actuall
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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‘Jsut Code’ is a collaborative installation in which participants are invited to decode electronic texts written by a collective of distributed writers.
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‘Jsut Code’ is a collaborative installation in which participants are invited to decode electronic texts written by a collective of distributed writers.
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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Unrealized project for AUP archive submission:
US Dollar Incense, 2010
Christian Burnoski
Description
The concept is to make incense-sticks from US dollars, which would cost as much as the number of bills used in making the incense, so that th
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Unrealized project for AUP archive submission:
US Dollar Incense, 2010
Christian Burnoski
Description
The concept is to make incense-sticks from US dollars, which would cost as much as the number of bills used in making the incense, so that th
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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Proposal to an open call for the 2011 Emdash Award - Boris Dornbusch
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The following project was a proposal to an open call for the 2011 Emdash Award. However, it is an idea I have developed in response to any Art Fair:
A smaller-scale replica of the Frieze's exhibition tent is pitched in the exhibition pavilion.
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The following project was a proposal to an open call for the 2011 Emdash Award. However, it is an idea I have developed in response to any Art Fair:
A smaller-scale replica of the Frieze's exhibition tent is pitched in the exhibition pavilion.
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A Tunnel - an unrealized project
The project was designed for "Fresh Paint 3" art fair in Tel Aviv, 2009, as a special project of Nimrod Reuveni in collaboration with Dani Karavan.
Explanation:
Three-dimensional composition, consisting of ready m
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A Tunnel - an unrealized project
The project was designed for "Fresh Paint 3" art fair in Tel Aviv, 2009, as a special project of Nimrod Reuveni in collaboration with Dani Karavan.
Explanation:
Three-dimensional composition, consisting of ready m
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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One Thousand Worlds in 16 minutes and 40 seconds - Nuala Clarke
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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The Centralizer
The inspiration for this device came about to address the plight of the city-dweller trapped in a densely populated urban environment, who needed to decompress, ground themselves, and/or get in touch with nature and natural rhythms, a
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The Centralizer
The inspiration for this device came about to address the plight of the city-dweller trapped in a densely populated urban environment, who needed to decompress, ground themselves, and/or get in touch with nature and natural rhythms, a
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Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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DATENRAUM DEUTSCHLAND (GERMANY DATA SPACE) (A TOPOGRAPHIC, NON-NARRATIVE INFORMATION COLLAGE / VIDEO INSTALLATION) - Ira Schneider
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With support from the Fulbright Commission, Ira Schneider has produced a video installation which in one space presents the historic and contemporary German contribution to world culture. A map of Germany with its 16 federal states (Bundeslands) is tra
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With support from the Fulbright Commission, Ira Schneider has produced a video installation which in one space presents the historic and contemporary German contribution to world culture. A map of Germany with its 16 federal states (Bundeslands) is tra
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wall installation
variable dimensions
water pain on wall and oil on paper transfered on wooden tables (26 x 19 cm each element)
The project consists of a large installation that runs on the walls, creating a visually stunning work of able to relate g
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wall installation
variable dimensions
water pain on wall and oil on paper transfered on wooden tables (26 x 19 cm each element)
The project consists of a large installation that runs on the walls, creating a visually stunning work of able to relate g
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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