Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.
AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.
AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.
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Cruzeiro Do Sul, (Southern Cross) (Crucero del Sur) 1969-70* - Cildo Meireles
Right-of-Privacy Release - Tony Oursler
Passage - Richard Wentworth
Entwurf für einen erneuerten Malkasten 1992 - 1994 - Ulrike Holthöfer
Aguapracasa - Gabriel Orozco
No title, as the project only reached proposal stage - Rikrit Tiravanija
Douglas Gordon - 5 year drive-by; proposal for a public artwork.
Double Exposure 1995-6 - Dan Graham
WATERWORKS - Mona Hatoum
Prima del 73 - Fabio Mauri
Agency of Unrealised Projects
Logo by Liam Gillick
Logo by Liam Gillick