Agency of Unrealised Projects
Continue
Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

Click to continue...


Grand Concours International D'Architecture  - Sol Lewitt

654 THINGS from The United States - Edward Ruscha

Projekt für die Landschaft des Mont-de-Sene (Burgund) im Rahmen eines öffentlichen Auftrags des französischen Kultusministeriums - Markus Raetz

Tulips for Amsterdam - Isa Genzken

Dog Jaw Monument - A Futurist Tele-introject - Leon Golub

Aguapracasa - Gabriel Orozco

Project tor the Veterans Administration Hospital--Bay Pines, Florida. - Robert Morris

The bridge according to Jeong-a's dream - Koo Jeong

Tower Cranes, Paris  - Tadashi Kawamata

Eislandschaft - P. Fischli und D. Weiss

Agency of Unrealised Projects
Logo by Liam Gillick
#
Date
Title
Source
Description
Tags
U9543
01.01.1974
Aus: Katalog 'Kunst bleibt Kunst' - Hans Peter Feldman
Unbuilt Roads
Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande ...
Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande ...
, , , , , , , , , ,
W4096
23.05.2011
Stefano W. Pasquini
WWW
UNREALIZEABLE PROJECT A000014: a new mountain gets built in a country that has no mountains, another way of saying thank you to the little welcoming world of contemporary art. (2004) This is my last submission, if you need further explanations feel fre ...
UNREALIZEABLE PROJECT A000014: a new mountain gets built in a country that has no mountains, another way of saying thank you to the little welcoming world of contemporary art. (2004) This is my last submission, if you need further explanations feel fre ...
W5446
20.10.2012
Tree Friendly Tree House - Kim Zalatan
WWW
Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before. ...
Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before. ...
, , ,
W11050
01.06.2016
B R E A T H E - Acrylicize
WWW
‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat ...
‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat ...
, , , , , , , , , , , , ,
W3476
11.05.2011
Works of Denisa Lehocká - Denisa Lehocka
WWW
Born 1971 in Trencin, SK, Lives and works in Bratislava, SK Works of Denisa Lehocká association, imagination, intuition, subconscioussness, shape, question-mark, vessel, plate, bowl, container, vase, bin, hoppit, pot, receptacle, utensil, dish, tray, ...
Born 1971 in Trencin, SK, Lives and works in Bratislava, SK Works of Denisa Lehocká association, imagination, intuition, subconscioussness, shape, question-mark, vessel, plate, bowl, container, vase, bin, hoppit, pot, receptacle, utensil, dish, tray, ...
, ,
W4917
15.08.2012
Oxford Toilet Exchange - Katie Herzog
WWW
Oxford Toilet Exchange My proposed exchange will be facilitated via the swapping of doors in the stalls of the public toilet at the Oxford University Library with stall doors in the Oxford Public Library. Library Toilet as Final Frontier: On Reject ...
Oxford Toilet Exchange My proposed exchange will be facilitated via the swapping of doors in the stalls of the public toilet at the Oxford University Library with stall doors in the Oxford Public Library. Library Toilet as Final Frontier: On Reject ...
, , , ,
W4189
24.05.2011
“What It’s Gonna Take“ - Anne Herzblut
WWW
“What It’s Gonna Take“ An installation about death, time and consumption The initial point fort this installation are thoughts about a very common place: about my own death. The question is: HOW MANY things and HOW MUCH I will need until I die ...
“What It’s Gonna Take“ An installation about death, time and consumption The initial point fort this installation are thoughts about a very common place: about my own death. The question is: HOW MANY things and HOW MUCH I will need until I die ...
, ,
U9816
05.02.1990
The pyramids...to be seen to be believed - Jonathan Monk
Unbuilt Roads
Glasgow 1990 Cultural Capital of Europe 5 February 1990 Mr Jonathan Monk 22 Cecil Street Hillhead Glasgow G12 8RH Dear Jonathan Monk Thank you very much for your exciting letter concerning your proposed project for this year namely ...
Glasgow 1990 Cultural Capital of Europe 5 February 1990 Mr Jonathan Monk 22 Cecil Street Hillhead Glasgow G12 8RH Dear Jonathan Monk Thank you very much for your exciting letter concerning your proposed project for this year namely ...
, , , ,
W3509
11.05.2011
I gave you this picture because I was afraid you might forget me - Yvonne O'Reilly
WWW
CORNERHOUSE MICRO COMMISSIONS - (a site specific proposal) 'I gave you this picture because I was afraid you might forget me.' About your idea: What is your idea? The location – the CORNERHOUSE would provide me with the opportunity to create a ...
CORNERHOUSE MICRO COMMISSIONS - (a site specific proposal) 'I gave you this picture because I was afraid you might forget me.' About your idea: What is your idea? The location – the CORNERHOUSE would provide me with the opportunity to create a ...
, ,
W3785
18.05.2011
STORI-O-GRAPH - Dan Sinclair
WWW
We currently live in a culture where the vacuum of the digital market supersedes the marginalized interaction with LP’s. Because of this I believe there is a need for others to experience the tangible ritual with records. I am curating a collectio ...
We currently live in a culture where the vacuum of the digital market supersedes the marginalized interaction with LP’s. Because of this I believe there is a need for others to experience the tangible ritual with records. I am curating a collectio ...
, , ,
W4895
10.08.2012
CayucoTours - Ralph Kistler
WWW
Project Name: CayucoTours Artist: Ralph Kistler Email: check-in@subtours.com Webpage: http://www.subtours.com CayucoTours was a selected project for the 3.Biennale of the Canary Islands that ...
Project Name: CayucoTours Artist: Ralph Kistler Email: check-in@subtours.com Webpage: http://www.subtours.com CayucoTours was a selected project for the 3.Biennale of the Canary Islands that ...
, , ,
W3676
15.05.2011
THE DIARY OF SAMUEL PEPYS, ESQ., F.R.S. FROM 1659 TO 1669 WITH MEMOIR - Press this (The Rsnn Show)
WWW
PREFACE TO THE PRESENT EDITION. The Celebrated work here presented to the public under peculiar advantages may require a few introductory remarks. By the publication, during the last half century, of autobiographies, Diaries, and Records of Personal ...
PREFACE TO THE PRESENT EDITION. The Celebrated work here presented to the public under peculiar advantages may require a few introductory remarks. By the publication, during the last half century, of autobiographies, Diaries, and Records of Personal ...
, ,
W3907
20.05.2011
Alan Yates
WWW
As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora ...
As Contemporary art exhibitions develop towards a multiplicity of practises and genres, many are being used for urban regeneration and environmental projects. In this new landscape I wish to lead on initiatives to re-shape the urban landscape to incorpora ...
, , ,
D10828
09.09.2012
Stage-Corridor +Secuestro Colectivo + Demolition with chronometred explosive-charges + Meeting Points  - DoloresZinny & Juan Maidagan
DAAD
Stage-Corridor,1992 Theater director Palma asked us to design the stage for a theater piece. In a crossed confluence to meet at the stage four glass corridors corresponding to the 4 actors of the piece to make visible the transformation actor/characte ...
Stage-Corridor,1992 Theater director Palma asked us to design the stage for a theater piece. In a crossed confluence to meet at the stage four glass corridors corresponding to the 4 actors of the piece to make visible the transformation actor/characte ...
, , , ,
W4699
26.05.2011
I never said I was deep - Marcela Torres
WWW
“I never said I was deep” is the name of a project that deals with notions such as How can we retell History? And how can we manage to live with the official facts in History and ap-ply them to our everyday life and our own notions of them. Some of ...
“I never said I was deep” is the name of a project that deals with notions such as How can we retell History? And how can we manage to live with the official facts in History and ap-ply them to our everyday life and our own notions of them. Some of ...
, , , ,
W4346
24.05.2011
Sane Jung
WWW
Through my art, I can go fishing, I can eat burgers, I can play with balls, I can go to the sea and go to mountain. I can meet people and talk to people, I can see the sky and I can see the moon. How gorgeous it is and what a wonderful, exciting privilege ...
Through my art, I can go fishing, I can eat burgers, I can play with balls, I can go to the sea and go to mountain. I can meet people and talk to people, I can see the sky and I can see the moon. How gorgeous it is and what a wonderful, exciting privilege ...
,
W3920
20.05.2011
Sameena Azam
WWW
The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured. ...
The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured. ...
, ,
W3759
18.05.2011
MAPPING OBSCUR A (MEMORY AND PLACE) - Yamini Nayar
WWW
Mapping Obscura - a Proposal for a Memorial to Partition Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe ...
Mapping Obscura - a Proposal for a Memorial to Partition Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe ...
, , ,
W5410
20.10.2012
Things For An Urban Neighbourhood Cleansing (After Kinmont) - Ann Fuata
WWW
Things For An Urban Neighbourhood Cleansing (After Kinmont) is a series of 11 photographs of the artist holding a collection of domestic objects for an urban cleansing. These photographs were meant to become a unified image using a lenticular printing... ...
Things For An Urban Neighbourhood Cleansing (After Kinmont) is a series of 11 photographs of the artist holding a collection of domestic objects for an urban cleansing. These photographs were meant to become a unified image using a lenticular printing... ...
, ,
W4778
02.06.2011
Twin Towers - Joao Felino
WWW
The work title is Twin Towers, and is constituted by two piles of Letter size office paper sheets with overall dimensions around 21.5" x 22" and 60" high, according not with scale but with the proportions of the World Trade Center buildings 1 and 2 once e ...
The work title is Twin Towers, and is constituted by two piles of Letter size office paper sheets with overall dimensions around 21.5" x 22" and 60" high, according not with scale but with the proportions of the World Trade Center buildings 1 and 2 once e ...
, , , , ,
W4902
12.08.2012
City of Fountains - A. Bitterman
WWW
City of Fountains proposes an exchange between the Nelson-Atkins Museum of Art and Kansas City's east side neighborhoods in an effort to disrupt and reposition geographies of race and privilege. ...
City of Fountains proposes an exchange between the Nelson-Atkins Museum of Art and Kansas City's east side neighborhoods in an effort to disrupt and reposition geographies of race and privilege. ...
, , ,
D10808
01.01.2003
The House of Language - Bethan Huws
DAAD
To print this phrase on a relatively large number of (bird) nest boxes – the German concrete cylinder type which are not analogous to human houses, unlike their French and British counterparts – and then to install these in an area of a forest that do ...
To print this phrase on a relatively large number of (bird) nest boxes – the German concrete cylinder type which are not analogous to human houses, unlike their French and British counterparts – and then to install these in an area of a forest that do ...
, , , ,
W4823
07.08.2012
Outstretched Arms - Todd Williamson
WWW
"Outstretched Arms" is a project that was originally conceived in 2009 for a university show. It features a 4ft diameter hanging painting that slowly rotates with the air currents. It also features a 10 minute commissioned work of music that supports ...
"Outstretched Arms" is a project that was originally conceived in 2009 for a university show. It features a 4ft diameter hanging painting that slowly rotates with the air currents. It also features a 10 minute commissioned work of music that supports ...
, , , ,
W5132
19.09.2012
Leo Morrissey
WWW
Leo Morrissey 310 West 4th Street 1107 Winston Salem NC, 27101 USA 336-473 –3888 Leomorrissey58@hotmail.com Lmorrissey22@hotmail.com Project Concept – (Summary/Description ) Create a postcard in an edition of 8875 (representing the popula ...
Leo Morrissey 310 West 4th Street 1107 Winston Salem NC, 27101 USA 336-473 –3888 Leomorrissey58@hotmail.com Lmorrissey22@hotmail.com Project Concept – (Summary/Description ) Create a postcard in an edition of 8875 (representing the popula ...
, ,
W4285
24.05.2011
Overlords - Tom Estes
WWW
Overlords by Tom Estes Description Overlords was originally conceived as a video installation comprised of images of ‘Time Travel’ projected on to a book called ‘Local History and Antiquities’. The work was deliberately left incomplete. The ph ...
Overlords by Tom Estes Description Overlords was originally conceived as a video installation comprised of images of ‘Time Travel’ projected on to a book called ‘Local History and Antiquities’. The work was deliberately left incomplete. The ph ...
, ,
W4138
23.05.2011
No manʼs land - Constanza Alarcón Tennen
WWW
No manʼs land This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs ...
No manʼs land This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs ...
, ,