Sgt. Martin Tours was a sculptural project which never reached completion mainly due to lack of interest on a theme I had been working on for at least five years.
Even though, the work remains "postponed" at its best, and I do regret not finishing it..
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Sgt. Martin Tours was a sculptural project which never reached completion mainly due to lack of interest on a theme I had been working on for at least five years.
Even though, the work remains "postponed" at its best, and I do regret not finishing it..
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KRISTIN JONES / ANDREW GINZEL
AFTER TILTED ARC, 1985
Proposal for Alternative to Existing Federal Plaza, Storefront for Art and Architecture, New York City.
Dimensions: 55' H x 20' W x 85' D (1676 H x 610 W x 2591 D cm.)
Elements: Water
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KRISTIN JONES / ANDREW GINZEL
AFTER TILTED ARC, 1985
Proposal for Alternative to Existing Federal Plaza, Storefront for Art and Architecture, New York City.
Dimensions: 55' H x 20' W x 85' D (1676 H x 610 W x 2591 D cm.)
Elements: Water
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Condensed Playground: Le Pendu femelle, "Underskirt (detail)" as Postpartum Uterus Involution - Sheridan Lowrey
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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Project outline (Version Ia):
‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute.
The parachute as such is
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Project outline (Version Ia):
‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute.
The parachute as such is
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Centre Pompidou Mobile
Berger&Berger (Laurent P. Berger & Cyrille Berger)
with T. Raynaud
2009 Restricted competition
1800 m² Mobile art museum
CNAC GEORGES-POMPIDOU, France
Structural Engineer : Bollinger + Gro
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Centre Pompidou Mobile
Berger&Berger (Laurent P. Berger & Cyrille Berger)
with T. Raynaud
2009 Restricted competition
1800 m² Mobile art museum
CNAC GEORGES-POMPIDOU, France
Structural Engineer : Bollinger + Gro
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
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Stalactite Machine is an unrealized mechanical sculpture that was prototyped 3 times in metal and in wood over two years before being laid to rest.
Karen Lofgren: Unrealized Art Project: Stalactite Machine
Stalactite Machine is a sculpture that bui
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Stalactite Machine is an unrealized mechanical sculpture that was prototyped 3 times in metal and in wood over two years before being laid to rest.
Karen Lofgren: Unrealized Art Project: Stalactite Machine
Stalactite Machine is a sculpture that bui
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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A Sculpture on Another Sculpture - Eduardo Villanueva
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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Stairway to Heaven
Sometime in the 1800's steps were cut into it on Haytor, a rocky belvedere on Dartmoor in Devon, and an iron handrail was erected alongside. A Doctor Coker, a visitor in 1851, noted the "...stair step to enable the enervated and ping
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Stairway to Heaven
Sometime in the 1800's steps were cut into it on Haytor, a rocky belvedere on Dartmoor in Devon, and an iron handrail was erected alongside. A Doctor Coker, a visitor in 1851, noted the "...stair step to enable the enervated and ping
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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The Blame is a proposal for an inflatable sign to be ferried around the island of Cyprus by Greek Cypriot and Turkish Cypriot tug boats. The sign will be made from multi-coloured letters mounted on a floating pontoon and stand around 4 metres high.
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The Blame is a proposal for an inflatable sign to be ferried around the island of Cyprus by Greek Cypriot and Turkish Cypriot tug boats. The sign will be made from multi-coloured letters mounted on a floating pontoon and stand around 4 metres high.
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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Proposal to re-use the dismantled aluminium Olympic Rings that were sited on Box Hill during the cycling road race of London 2012
The forms that resulted from the way the original aluminium Olympic rings had been deconstructed inspired me to design a s
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Proposal to re-use the dismantled aluminium Olympic Rings that were sited on Box Hill during the cycling road race of London 2012
The forms that resulted from the way the original aluminium Olympic rings had been deconstructed inspired me to design a s
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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The pyramids...to be seen to be believed - Jonathan Monk
Unbuilt Roads
Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
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Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Art at the service of … Short history - Alina and Jeff Bliumis
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2010-present
“Art at the service of …,Short history”- a series of 5-7 sculptures represents monuments that were destroyed at various times around the world. Each sculpture consists of a scaled down replica of a monument on a pedestal. A short not
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2010-present
“Art at the service of …,Short history”- a series of 5-7 sculptures represents monuments that were destroyed at various times around the world. Each sculpture consists of a scaled down replica of a monument on a pedestal. A short not
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Bronze Sculpture
80cm x 60cm x 70cm plus a base 100cm heigh.
“Tormented” is a comment on the ongoing use of torture and violence, the innate aggresiveness in man. Also a tribute to the women and their children, who are often left with nothing in t
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Bronze Sculpture
80cm x 60cm x 70cm plus a base 100cm heigh.
“Tormented” is a comment on the ongoing use of torture and violence, the innate aggresiveness in man. Also a tribute to the women and their children, who are often left with nothing in t
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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Hall of Residence for the UPV - Taller Basico de Arquitectura [TBA]
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Hall of Residence for the UPV (2011)
AIR STRATA
This metal cloud made from three air strata rises on its own footprint. The interior is opened into two equal halves, generating a large interior street opened to the sky and to the ground plane, which
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Hall of Residence for the UPV (2011)
AIR STRATA
This metal cloud made from three air strata rises on its own footprint. The interior is opened into two equal halves, generating a large interior street opened to the sky and to the ground plane, which
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