Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
...
Household aluminium foil sculptures - Michel NORTH
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Household aluminium foil sculptures – development of a “fa presto” technique in sculpture
Those are two examples of statues (image 1: 1978; image 2: 1985), unrealised in that sense that the technique used and developed by me about 50 years ago
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Household aluminium foil sculptures – development of a “fa presto” technique in sculpture
Those are two examples of statues (image 1: 1978; image 2: 1985), unrealised in that sense that the technique used and developed by me about 50 years ago
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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The Blame is a proposal for an inflatable sign to be ferried around the island of Cyprus by Greek Cypriot and Turkish Cypriot tug boats. The sign will be made from multi-coloured letters mounted on a floating pontoon and stand around 4 metres high.
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The Blame is a proposal for an inflatable sign to be ferried around the island of Cyprus by Greek Cypriot and Turkish Cypriot tug boats. The sign will be made from multi-coloured letters mounted on a floating pontoon and stand around 4 metres high.
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Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma
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Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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Hall of Residence for the UPV - Taller Basico de Arquitectura [TBA]
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Hall of Residence for the UPV (2011)
AIR STRATA
This metal cloud made from three air strata rises on its own footprint. The interior is opened into two equal halves, generating a large interior street opened to the sky and to the ground plane, which
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Hall of Residence for the UPV (2011)
AIR STRATA
This metal cloud made from three air strata rises on its own footprint. The interior is opened into two equal halves, generating a large interior street opened to the sky and to the ground plane, which
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This contains a proposal for the Sweet Auburn Multiscape. It is a steel sculpture that mimics the skyline seen in the Sweet Auburn district in Atlanta over 40 years ago. The purpose of this piece is to reactivate the neglected neighborhood by calling atte
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This contains a proposal for the Sweet Auburn Multiscape. It is a steel sculpture that mimics the skyline seen in the Sweet Auburn district in Atlanta over 40 years ago. The purpose of this piece is to reactivate the neglected neighborhood by calling atte
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“The Saffron Dome” is a project created in 2010 for a sculptural work recalling classical pavilions, made of materials that remind of industrial sheds, surmounted by domes in which it is possible to grow typical aromatic plants of the place where the
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“The Saffron Dome” is a project created in 2010 for a sculptural work recalling classical pavilions, made of materials that remind of industrial sheds, surmounted by domes in which it is possible to grow typical aromatic plants of the place where the
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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Condensed Playground: Le Pendu femelle, "Underskirt (detail)" as Postpartum Uterus Involution - Sheridan Lowrey
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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William Livingstone house Detroit Project 2010 submitted to United States Artists Projects - Vincent Johnson
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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The project "Mount of Olives" is constituted by seven scaffolds with different heights, each one with an olive tree in a wooden box with earth inside in the top. The trees must be kept alive by an automatic irrigation system.
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The project "Mount of Olives" is constituted by seven scaffolds with different heights, each one with an olive tree in a wooden box with earth inside in the top. The trees must be kept alive by an automatic irrigation system.
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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Charlie Lucas (Tin Man)
Struggling with the Ancestors
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist Statement
I create beauty from t
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Charlie Lucas (Tin Man)
Struggling with the Ancestors
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist Statement
I create beauty from t
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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Auf dem Wege nach Amsterdam sollten wir 30 meter hohe stahltulpen im würde leicht Schwingend die Autofahrer. Links und rechts oder Autobahn begrußen. (Jede Blüte in ihre eigenen farbe)
(eventually reasons why the work has not been realised)
Die A
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Auf dem Wege nach Amsterdam sollten wir 30 meter hohe stahltulpen im würde leicht Schwingend die Autofahrer. Links und rechts oder Autobahn begrußen. (Jede Blüte in ihre eigenen farbe)
(eventually reasons why the work has not been realised)
Die A
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Untitled project Nobuo Yoda
This project is a proposal for Daikanyama Installation 2009 that was rejected. Daikanyama Installation 2009 is a call for installations that is held every two years in Daikanyama area (Meguro Ward),
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Untitled project Nobuo Yoda
This project is a proposal for Daikanyama Installation 2009 that was rejected. Daikanyama Installation 2009 is a call for installations that is held every two years in Daikanyama area (Meguro Ward),
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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Two projects for the World Government Building - Samuil Stoyanov
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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