Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
WWW
Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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Jake and Dinos Chapman's five proposals for an empty plinth situated on central londons trafalgar square - Jake and Dinos Chapman
Unbuilt Roads
commissioned by liberal daily broadsheet newspaper ironically suggesting the most unsuitable artists possible to produce the most unsuitable public sculpture never to be realized: ha ha ha, very funny we suggest one of the following:
project 'Hawki
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commissioned by liberal daily broadsheet newspaper ironically suggesting the most unsuitable artists possible to produce the most unsuitable public sculpture never to be realized: ha ha ha, very funny we suggest one of the following:
project 'Hawki
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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The transformation of aesthetics and politics
A practical research explicitly distinguishes between what is beautiful and what is interesting, exploring the differences between representation and reality.
The project tackles the religious, social, c
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The transformation of aesthetics and politics
A practical research explicitly distinguishes between what is beautiful and what is interesting, exploring the differences between representation and reality.
The project tackles the religious, social, c
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Untitled project Nobuo Yoda
This project is a proposal for Daikanyama Installation 2009 that was rejected. Daikanyama Installation 2009 is a call for installations that is held every two years in Daikanyama area (Meguro Ward),
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Untitled project Nobuo Yoda
This project is a proposal for Daikanyama Installation 2009 that was rejected. Daikanyama Installation 2009 is a call for installations that is held every two years in Daikanyama area (Meguro Ward),
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A Sculpture on Another Sculpture - Eduardo Villanueva
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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The project "Mount of Olives" is constituted by seven scaffolds with different heights, each one with an olive tree in a wooden box with earth inside in the top. The trees must be kept alive by an automatic irrigation system.
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The project "Mount of Olives" is constituted by seven scaffolds with different heights, each one with an olive tree in a wooden box with earth inside in the top. The trees must be kept alive by an automatic irrigation system.
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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La scultura doveva essere posata davanti alla nuova ala del parlamento olandese di Den Haag. Sono partito dalla struttura ampia, di grande presenza, degll fumaioli che si vedevano sui tetto del vecchio parlamento. Questa strutture architectonica era diven
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Proposal for a sculpture that provides nesting habitat for peregrine falcons in a skyscraper.
Adam Kuby, Artis t adam@adamkuby.com www.adamkuby.com 7019 SE Morrison St. Portland, OR 97215 (503) 752-5241
Call for Unrealized Projects
Submission Cliff
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Proposal for a sculpture that provides nesting habitat for peregrine falcons in a skyscraper.
Adam Kuby, Artis t adam@adamkuby.com www.adamkuby.com 7019 SE Morrison St. Portland, OR 97215 (503) 752-5241
Call for Unrealized Projects
Submission Cliff
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For the better part of the last 75 years, Seattle’s Alaska Way Viaduct has dominated Seattle’s Central Waterfront. Now scheduled for demolition, Seattle will, as apparently planned, simply clearcut the viaduct form the waterfront in as attempted exor
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For the better part of the last 75 years, Seattle’s Alaska Way Viaduct has dominated Seattle’s Central Waterfront. Now scheduled for demolition, Seattle will, as apparently planned, simply clearcut the viaduct form the waterfront in as attempted exor
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso.
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso.
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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I started a project that focused on the idea that we all project our thoughts, beliefs, ideas and values onto those that come across our paths in our daily lives. Sometimes tihs is a positive experience and sometimes it is a negative experience.
I c
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I started a project that focused on the idea that we all project our thoughts, beliefs, ideas and values onto those that come across our paths in our daily lives. Sometimes tihs is a positive experience and sometimes it is a negative experience.
I c
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