Exp. : Isaac MONDELE
Tél. : +243 81 36 66 111
E-mail : mondeleisaac@yahoo.fr
Objet : candidature A monsieur les jures
Monsieur,
Votre annonce parue sur le site d appel aux artiste pour un appel a candida
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Exp. : Isaac MONDELE
Tél. : +243 81 36 66 111
E-mail : mondeleisaac@yahoo.fr
Objet : candidature A monsieur les jures
Monsieur,
Votre annonce parue sur le site d appel aux artiste pour un appel a candida
...
Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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An abstract sculpture is standing on an ellipse pavement platform, surrounded by city lights, a city seal and a small flower arrangement.
Een buitenaards stalen abstract object (±7m) is midden in de stadskem geland.
Er zijn balustraden rond gebouwd.
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An abstract sculpture is standing on an ellipse pavement platform, surrounded by city lights, a city seal and a small flower arrangement.
Een buitenaards stalen abstract object (±7m) is midden in de stadskem geland.
Er zijn balustraden rond gebouwd.
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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For the better part of the last 75 years, Seattle’s Alaska Way Viaduct has dominated Seattle’s Central Waterfront. Now scheduled for demolition, Seattle will, as apparently planned, simply clearcut the viaduct form the waterfront in as attempted exor
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For the better part of the last 75 years, Seattle’s Alaska Way Viaduct has dominated Seattle’s Central Waterfront. Now scheduled for demolition, Seattle will, as apparently planned, simply clearcut the viaduct form the waterfront in as attempted exor
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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The project "Mount of Olives" is constituted by seven scaffolds with different heights, each one with an olive tree in a wooden box with earth inside in the top. The trees must be kept alive by an automatic irrigation system.
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The project "Mount of Olives" is constituted by seven scaffolds with different heights, each one with an olive tree in a wooden box with earth inside in the top. The trees must be kept alive by an automatic irrigation system.
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A chrome machine with cut out letters is in constant production of the word "sorry." Made of smoke, the word lingers for a moment, then quickly dissipates.
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A chrome machine with cut out letters is in constant production of the word "sorry." Made of smoke, the word lingers for a moment, then quickly dissipates.
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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Impending Monument: Boston Baby Head - Carolyn Wirth
WWW
A large public auditorium and concert hall in the form of a giant baby head will be installed at the Castle Island monument overlooking Boston Harbor, Boston, Massachusetts. Visitors will climb inside the head using a spiral ramp way in an open rotunda si
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A large public auditorium and concert hall in the form of a giant baby head will be installed at the Castle Island monument overlooking Boston Harbor, Boston, Massachusetts. Visitors will climb inside the head using a spiral ramp way in an open rotunda si
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso.
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso.
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"God's ear wax." Large sculpture for public space. Multiple media. Conceived 2004/2011.
Janice Perry. B. 1950. USA.
The sculpture is comprised of an extremely large ball of wax (with a very high melting point), 100-500 feet in diameter, dark golden br
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"God's ear wax." Large sculpture for public space. Multiple media. Conceived 2004/2011.
Janice Perry. B. 1950. USA.
The sculpture is comprised of an extremely large ball of wax (with a very high melting point), 100-500 feet in diameter, dark golden br
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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Title: “Mission Impossible 1”
Materials: Wood and M.D.F board
Corridor space containing 5- 20 drawings in space, creating semi obstructed spaces to be engaged with by the viewer.
The work asks the viewer to investigate both space and time as each
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Title: “Mission Impossible 1”
Materials: Wood and M.D.F board
Corridor space containing 5- 20 drawings in space, creating semi obstructed spaces to be engaged with by the viewer.
The work asks the viewer to investigate both space and time as each
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A Tunnel - an unrealized project
The project was designed for "Fresh Paint 3" art fair in Tel Aviv, 2009, as a special project of Nimrod Reuveni in collaboration with Dani Karavan.
Explanation:
Three-dimensional composition, consisting of ready m
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A Tunnel - an unrealized project
The project was designed for "Fresh Paint 3" art fair in Tel Aviv, 2009, as a special project of Nimrod Reuveni in collaboration with Dani Karavan.
Explanation:
Three-dimensional composition, consisting of ready m
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
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Paul Muguet’s Unrealized Project for Year 2011: REVOLUTIONS
Revolutions is about the reversal of popular imagery in times of crisis. The inspiration for this project comes from the European imagery about a country in which everything is reversed: "
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Paul Muguet’s Unrealized Project for Year 2011: REVOLUTIONS
Revolutions is about the reversal of popular imagery in times of crisis. The inspiration for this project comes from the European imagery about a country in which everything is reversed: "
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20 Foot High x 12 foot circumference Spool of Thread; 3" foam core thread / yellow/ aluminum spool .
The large spool of thread is positioned next to Cleopatra's "Needle" ( obelisk ) in Central Park , NYC.
Location behind Metropolitan Museum of Art.
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20 Foot High x 12 foot circumference Spool of Thread; 3" foam core thread / yellow/ aluminum spool .
The large spool of thread is positioned next to Cleopatra's "Needle" ( obelisk ) in Central Park , NYC.
Location behind Metropolitan Museum of Art.
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Unrealized Project: Town Square - Rebecca Herman and Mark Shoffner
WWW
Town Square is comprised of several sculptural elements: a tall, narrow, guillotine‐like structure in wood (without a blade); a series of steps leading up to the guillotine from the back; a basket on the floor in front of the guillotine; and two halves
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Town Square is comprised of several sculptural elements: a tall, narrow, guillotine‐like structure in wood (without a blade); a series of steps leading up to the guillotine from the back; a basket on the floor in front of the guillotine; and two halves
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Economic Express or Mobility Express Project - reaction-lalou
WWW
Economic Express or Mobility Express Project
Form: Cross-discipline Mediums: Sculpture, Performance, Installations, Film Artist-Author: reaction-lalou Exhibited: Technopolis-Industrial Museum of Athens-Greece-6th Video Art Festival 2010 Maktab Anbar Mus
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Economic Express or Mobility Express Project
Form: Cross-discipline Mediums: Sculpture, Performance, Installations, Film Artist-Author: reaction-lalou Exhibited: Technopolis-Industrial Museum of Athens-Greece-6th Video Art Festival 2010 Maktab Anbar Mus
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'The Wave' 1989.
Proposal for the Merchant marines memorial off shore Battery Park New York City.
More information can be found on. macadamsstudio.com
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'The Wave' 1989.
Proposal for the Merchant marines memorial off shore Battery Park New York City.
More information can be found on. macadamsstudio.com
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Auf dem Wege nach Amsterdam sollten wir 30 meter hohe stahltulpen im würde leicht Schwingend die Autofahrer. Links und rechts oder Autobahn begrußen. (Jede Blüte in ihre eigenen farbe)
(eventually reasons why the work has not been realised)
Die A
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Auf dem Wege nach Amsterdam sollten wir 30 meter hohe stahltulpen im würde leicht Schwingend die Autofahrer. Links und rechts oder Autobahn begrußen. (Jede Blüte in ihre eigenen farbe)
(eventually reasons why the work has not been realised)
Die A
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Sketches has indeed been looked upon as valuable, through various historians and art lovers. Even the meta-character of the proposals has been valued, but not to fulfilment. Leonardo da Vinci's draw- ings for a helicopter in the renaissance was seen at th
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Sketches has indeed been looked upon as valuable, through various historians and art lovers. Even the meta-character of the proposals has been valued, but not to fulfilment. Leonardo da Vinci's draw- ings for a helicopter in the renaissance was seen at th
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