Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
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Yutaka Sone
The Snow Leopard Garden
Project for the wood of sculptures of Vassivière island, France
July 2009
In the meadow, in the front of the Centre international d’art et du paysage and the dam
In the framework of his solo exhibition for t
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Yutaka Sone
The Snow Leopard Garden
Project for the wood of sculptures of Vassivière island, France
July 2009
In the meadow, in the front of the Centre international d’art et du paysage and the dam
In the framework of his solo exhibition for t
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Column, 2010
Candy cast sculpture of a Greek column, multi-colored, white or translucent
Proposal for Sculpture Center New York Open Call in June 2010
Column
Project Proposal for Sculpture Center New York 2010
by Hannes Bend
Candy Column, 2010 is
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Column, 2010
Candy cast sculpture of a Greek column, multi-colored, white or translucent
Proposal for Sculpture Center New York Open Call in June 2010
Column
Project Proposal for Sculpture Center New York 2010
by Hannes Bend
Candy Column, 2010 is
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A Sculpture on Another Sculpture - Eduardo Villanueva
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Europe Park / sculpture and landscape - THEODOULOS Gregoriou
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The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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Human/ Animal. Mandibulae installation.
“Mandibulae installation” is part of the body of work “Human/ Animal” I have been doing since last year. At the moment this project installation that consists of a family of 5 pieces is postponed.
The pi
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Human/ Animal. Mandibulae installation.
“Mandibulae installation” is part of the body of work “Human/ Animal” I have been doing since last year. At the moment this project installation that consists of a family of 5 pieces is postponed.
The pi
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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Raymonde van Santen
rvansanten@verizon.net
Unrealized Projects
fading memory
Part A and B fit in my ongoing exploration of the cycles of decay and renewal. They will visualize how the passage of time affects memory (Part A), and how memories n
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Raymonde van Santen
rvansanten@verizon.net
Unrealized Projects
fading memory
Part A and B fit in my ongoing exploration of the cycles of decay and renewal. They will visualize how the passage of time affects memory (Part A), and how memories n
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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"Public Sculpture" could not exist without an active public but it can exist without a strictly predetermined space and material form.
Public Sculpture is a work produced by the people of Limerick and their animals. Following is text for a sign that wi
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"Public Sculpture" could not exist without an active public but it can exist without a strictly predetermined space and material form.
Public Sculpture is a work produced by the people of Limerick and their animals. Following is text for a sign that wi
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
...
The Greatest Show on Earth is Leaving - Sascha Pohflepp
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The Greatest Show on Earth is Leaving
3000 helium-filled balloons are held in place form the column-like vertical plume that resembles the one found just after the launch of a space rocket. After being released, the column dissipates under the influenc
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The Greatest Show on Earth is Leaving
3000 helium-filled balloons are held in place form the column-like vertical plume that resembles the one found just after the launch of a space rocket. After being released, the column dissipates under the influenc
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The O.U.R.S. project concerns the concept of a monumental orbiting ring sculpture designed for realization in the outer space environment in the year 2000.
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The O.U.R.S. project concerns the concept of a monumental orbiting ring sculpture designed for realization in the outer space environment in the year 2000.
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Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
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Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
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Irisation Field - Maria Gaspar, Alexander Eisenschmidt
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Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
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Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
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Rushnik or Rushnyk- Ukrainian embroidered decorative towel. In ancient times, the towel, embroidered with the relevant patterns, symbols, has been an inherent part of many ceremonies. For centuries it has the importance of figurative-symbolic significanc
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Rushnik or Rushnyk- Ukrainian embroidered decorative towel. In ancient times, the towel, embroidered with the relevant patterns, symbols, has been an inherent part of many ceremonies. For centuries it has the importance of figurative-symbolic significanc
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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Caution! Work in Progress
Rack or plastic folding board with vibrant yellow tone is a warning message that awakens the immediate interest of the observer in conferring closely with looking at what is happening.
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Caution! Work in Progress
Rack or plastic folding board with vibrant yellow tone is a warning message that awakens the immediate interest of the observer in conferring closely with looking at what is happening.
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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