I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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Transformation #2 - Samuel Levack and Jennifer Lewandowski
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
...
Project 1 – It was the original idea…a new “dress” for my cutlery… a new grip for a knife, a fork, a spoon, which are not very changed in their functional part ( taking food!) but exactly in their grip! It doesn’t seem comfortable at first gla
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Project 1 – It was the original idea…a new “dress” for my cutlery… a new grip for a knife, a fork, a spoon, which are not very changed in their functional part ( taking food!) but exactly in their grip! It doesn’t seem comfortable at first gla
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"Jello Cube," or "Eat Your Way In": - "Jello Cube," or "Eat Your Way In"
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"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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Proposal for a sculpture that provides nesting habitat for peregrine falcons in a skyscraper.
Adam Kuby, Artis t adam@adamkuby.com www.adamkuby.com 7019 SE Morrison St. Portland, OR 97215 (503) 752-5241
Call for Unrealized Projects
Submission Cliff
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Proposal for a sculpture that provides nesting habitat for peregrine falcons in a skyscraper.
Adam Kuby, Artis t adam@adamkuby.com www.adamkuby.com 7019 SE Morrison St. Portland, OR 97215 (503) 752-5241
Call for Unrealized Projects
Submission Cliff
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SPEAKERS’ PLATFORM
Concept of work
‘SPEAKERS’ PLATFORM’ is inspired by the protests that took place in Athens in the summer of 2011 across Syntagma (Constitution) Square.
The protesters, known as “disappointed citizens”, in line with t
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SPEAKERS’ PLATFORM
Concept of work
‘SPEAKERS’ PLATFORM’ is inspired by the protests that took place in Athens in the summer of 2011 across Syntagma (Constitution) Square.
The protesters, known as “disappointed citizens”, in line with t
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Aurora is a sculptural work that connects the citizen to the street with seating, lighting and sculptural forms. The work offers daytime and nighttime animation with a sculptural gesture of the familiar forms. Powered by a series of low wattage LED light
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Aurora is a sculptural work that connects the citizen to the street with seating, lighting and sculptural forms. The work offers daytime and nighttime animation with a sculptural gesture of the familiar forms. Powered by a series of low wattage LED light
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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A Sculpture on Another Sculpture - Eduardo Villanueva
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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SASCHA MIKLOWEIT Unrealized project for a public transport or railway station
Title: INVESTIGATION2
INTRODUCTION INVESTIGATION2 is the continuation of my field research project which started 2010 with INVESTIGATION1 (for detailed material regarding
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SASCHA MIKLOWEIT Unrealized project for a public transport or railway station
Title: INVESTIGATION2
INTRODUCTION INVESTIGATION2 is the continuation of my field research project which started 2010 with INVESTIGATION1 (for detailed material regarding
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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The Blame is a proposal for an inflatable sign to be ferried around the island of Cyprus by Greek Cypriot and Turkish Cypriot tug boats. The sign will be made from multi-coloured letters mounted on a floating pontoon and stand around 4 metres high.
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The Blame is a proposal for an inflatable sign to be ferried around the island of Cyprus by Greek Cypriot and Turkish Cypriot tug boats. The sign will be made from multi-coloured letters mounted on a floating pontoon and stand around 4 metres high.
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Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
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Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
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Central Park Monument to the Nimbus of Victory, 2009 - Peter Joslyn
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The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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Condensed Playground: Le Pendu femelle, "Underskirt (detail)" as Postpartum Uterus Involution - Sheridan Lowrey
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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'The Wave' 1989.
Proposal for the Merchant marines memorial off shore Battery Park New York City.
More information can be found on. macadamsstudio.com
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'The Wave' 1989.
Proposal for the Merchant marines memorial off shore Battery Park New York City.
More information can be found on. macadamsstudio.com
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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The 'Not at...' series: Installations that never were... - Claire Manning
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Two projects for the World Government Building - Samuil Stoyanov
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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