Editorial Sculpture: Divina Commedia - Javier Toro Blum
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso. With a 2.5mm typography ev
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso. With a 2.5mm typography ev
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An unrealized high relief sculpture project from Istanbul. - Dilara Akay
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An unrealized high relief sculpture project from Istanbul.
In October 2010 I was asked to propose a work for a building of a leading Turkish retail operation brand's headquarters in Istanbul. I made the presentation at the beginning of February 2011. And
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An unrealized high relief sculpture project from Istanbul.
In October 2010 I was asked to propose a work for a building of a leading Turkish retail operation brand's headquarters in Istanbul. I made the presentation at the beginning of February 2011. And
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Breath of Light (LED,recycled plastic blocks,steel computer software) was the finalist in the Northern Gate way Sculpture for Wellington City Council, NZ. as one of 3 finalist where told, there would be a result announced 23 sept 2010.
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Breath of Light (LED,recycled plastic blocks,steel computer software) was the finalist in the Northern Gate way Sculpture for Wellington City Council, NZ. as one of 3 finalist where told, there would be a result announced 23 sept 2010.
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FREE (Sculpture in steel with real or fake birds)
La question des rapports désirables entre les êtres humains et leur environnement est devenue une des plus importants de notre temps. Le passage du temps peut être ressenti avec le corps et pensée c
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FREE (Sculpture in steel with real or fake birds)
La question des rapports désirables entre les êtres humains et leur environnement est devenue une des plus importants de notre temps. Le passage du temps peut être ressenti avec le corps et pensée c
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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“Handy Space Bags”
Kafka wrote: "Everyone carries a room about him." Everyone carries a room about him through other rooms. I hope to examine and detect ‘traverse rooms’ . In daily life, moving through the city, the utilities needed are enclos
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“Handy Space Bags”
Kafka wrote: "Everyone carries a room about him." Everyone carries a room about him through other rooms. I hope to examine and detect ‘traverse rooms’ . In daily life, moving through the city, the utilities needed are enclos
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An Island' is a proposal for a large scale work in public space, commissioned by the province of North-Holland in the Netherlands. 'Kunstgebouw' was involved with the choice of artists. My proposal will not be realised.
How many kubic metres of soil ca
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An Island' is a proposal for a large scale work in public space, commissioned by the province of North-Holland in the Netherlands. 'Kunstgebouw' was involved with the choice of artists. My proposal will not be realised.
How many kubic metres of soil ca
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
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Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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Hall of Residence for the UPV - Taller Basico de Arquitectura [TBA]
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Hall of Residence for the UPV (2011)
AIR STRATA
This metal cloud made from three air strata rises on its own footprint. The interior is opened into two equal halves, generating a large interior street opened to the sky and to the ground plane, which
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Hall of Residence for the UPV (2011)
AIR STRATA
This metal cloud made from three air strata rises on its own footprint. The interior is opened into two equal halves, generating a large interior street opened to the sky and to the ground plane, which
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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Abstract
Liberties is an experiment in giving and receiving and working together peacefully to create something of universal value and at the same time benefit individually. It is an interactive lear- ning experience, in which each participant learns tha
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Abstract
Liberties is an experiment in giving and receiving and working together peacefully to create something of universal value and at the same time benefit individually. It is an interactive lear- ning experience, in which each participant learns tha
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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Centre Pompidou Mobile
Berger&Berger (Laurent P. Berger & Cyrille Berger)
with T. Raynaud
2009 Restricted competition
1800 m² Mobile art museum
CNAC GEORGES-POMPIDOU, France
Structural Engineer : Bollinger + Gro
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Centre Pompidou Mobile
Berger&Berger (Laurent P. Berger & Cyrille Berger)
with T. Raynaud
2009 Restricted competition
1800 m² Mobile art museum
CNAC GEORGES-POMPIDOU, France
Structural Engineer : Bollinger + Gro
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Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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