THE FLUID PAVILION OF ARCHITECTURE - MARIA KARACHRISTOU
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The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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Household aluminium foil sculptures - Michel NORTH
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Household aluminium foil sculptures – development of a “fa presto” technique in sculpture
Those are two examples of statues (image 1: 1978; image 2: 1985), unrealised in that sense that the technique used and developed by me about 50 years ago
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Household aluminium foil sculptures – development of a “fa presto” technique in sculpture
Those are two examples of statues (image 1: 1978; image 2: 1985), unrealised in that sense that the technique used and developed by me about 50 years ago
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Abstract
Liberties is an experiment in giving and receiving and working together peacefully to create something of universal value and at the same time benefit individually. It is an interactive lear- ning experience, in which each participant learns tha
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Abstract
Liberties is an experiment in giving and receiving and working together peacefully to create something of universal value and at the same time benefit individually. It is an interactive lear- ning experience, in which each participant learns tha
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Sgt. Martin Tours was a sculptural project which never reached completion mainly due to lack of interest on a theme I had been working on for at least five years.
Even though, the work remains "postponed" at its best, and I do regret not finishing it..
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Sgt. Martin Tours was a sculptural project which never reached completion mainly due to lack of interest on a theme I had been working on for at least five years.
Even though, the work remains "postponed" at its best, and I do regret not finishing it..
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Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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"Confluence", five carved and glazed brick columns set in a green space next to a bus terminal in Philadelphia PA. They synthesize various aspects of the area. One of five shortlisted proposals for South Eastern Pennsylvania Transit....
Cheltenham Ogon
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"Confluence", five carved and glazed brick columns set in a green space next to a bus terminal in Philadelphia PA. They synthesize various aspects of the area. One of five shortlisted proposals for South Eastern Pennsylvania Transit....
Cheltenham Ogon
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
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“Handy Space Bags”
Kafka wrote: "Everyone carries a room about him." Everyone carries a room about him through other rooms. I hope to examine and detect ‘traverse rooms’ . In daily life, moving through the city, the utilities needed are enclos
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“Handy Space Bags”
Kafka wrote: "Everyone carries a room about him." Everyone carries a room about him through other rooms. I hope to examine and detect ‘traverse rooms’ . In daily life, moving through the city, the utilities needed are enclos
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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SPEAKERS’ PLATFORM
Concept of work
‘SPEAKERS’ PLATFORM’ is inspired by the protests that took place in Athens in the summer of 2011 across Syntagma (Constitution) Square.
The protesters, known as “disappointed citizens”, in line with t
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SPEAKERS’ PLATFORM
Concept of work
‘SPEAKERS’ PLATFORM’ is inspired by the protests that took place in Athens in the summer of 2011 across Syntagma (Constitution) Square.
The protesters, known as “disappointed citizens”, in line with t
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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An abstract public sculpture that doubles as a large scale bike rack.
Our proposal is for a large-scale, powder-coated steel sculpture to be installed in the outdoor sculpture garden at the SculptureCenter. The project will appear to be a prototypical
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An abstract public sculpture that doubles as a large scale bike rack.
Our proposal is for a large-scale, powder-coated steel sculpture to be installed in the outdoor sculpture garden at the SculptureCenter. The project will appear to be a prototypical
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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HEIZKRAFTWERK RÖMERBRUCKE STADTWERKE SAARBROCKEN
- KUNSTPROJEKT -
Bauherr: Stadtwerke Saarbrücken
Projekt 3: "Eislandschaft"
Künstler: P. Fischli und D. Weiss, Zürich
Architekten: PAS, Jourdan und Müller
Lage und Baubeschreibung
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Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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"Jello Cube," or "Eat Your Way In": - "Jello Cube," or "Eat Your Way In"
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"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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The working title for this yet to be realized sculpture is "untitled (covered bridge)." It is based largely on covered bridges found in Pennsylvania and the surrounding Mid-Atlantic United States. These historic bridges are predominantly red. This sculptu
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The working title for this yet to be realized sculpture is "untitled (covered bridge)." It is based largely on covered bridges found in Pennsylvania and the surrounding Mid-Atlantic United States. These historic bridges are predominantly red. This sculptu
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“Mister Dosti” is a project that originates from the literature. In 2010, the Mr. Dosti was finished, and published only in a few copies, as a volume with Albanian stories. The text itself features various types of writings such as: poetry, notes, pro
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“Mister Dosti” is a project that originates from the literature. In 2010, the Mr. Dosti was finished, and published only in a few copies, as a volume with Albanian stories. The text itself features various types of writings such as: poetry, notes, pro
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Ana Torfs, MORE LIGHT (2007)
Animated light sculpture in white neon letters. The two words, at 35 meters above street level, measure 18 m (L) x 2 m (H).
Four visual artists had been invited to propose a work for the new campus of the Sint-Lukas U
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Ana Torfs, MORE LIGHT (2007)
Animated light sculpture in white neon letters. The two words, at 35 meters above street level, measure 18 m (L) x 2 m (H).
Four visual artists had been invited to propose a work for the new campus of the Sint-Lukas U
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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Four natural stones are evenly places around an iron plate, facing each other. As the iron plate is buried one meter below the ground, only the four stones are visible to the viewer.
The absence of the iron plate is indicated by a title sign which ind
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Four natural stones are evenly places around an iron plate, facing each other. As the iron plate is buried one meter below the ground, only the four stones are visible to the viewer.
The absence of the iron plate is indicated by a title sign which ind
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Monumental sculpture of an over-scaled sitting nude woman in the Thames River in London. - Tamas Jovanovics
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Tamas Jovanovics
(www.contemporary.hu)
Monumental sculpture of an over-scaled sitting nude woman in the Thames River in London.
Project presented for the ‘London 2012’ Cultural Olympiad ('Artists taking the lead', London)
Commission brief: Ar
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Tamas Jovanovics
(www.contemporary.hu)
Monumental sculpture of an over-scaled sitting nude woman in the Thames River in London.
Project presented for the ‘London 2012’ Cultural Olympiad ('Artists taking the lead', London)
Commission brief: Ar
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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