Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
...
FREE (Sculpture in steel with real or fake birds)
La question des rapports désirables entre les êtres humains et leur environnement est devenue une des plus importants de notre temps. Le passage du temps peut être ressenti avec le corps et pensée c
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FREE (Sculpture in steel with real or fake birds)
La question des rapports désirables entre les êtres humains et leur environnement est devenue une des plus importants de notre temps. Le passage du temps peut être ressenti avec le corps et pensée c
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Jerzy Olek
Accumulation of space – idea for an exhibition
For me, space is a form of sculpture. It is generally formless, but its manifestations assume definite formal shapes. These forms—imagined, found, constructed—appear in my works as proj
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Jerzy Olek
Accumulation of space – idea for an exhibition
For me, space is a form of sculpture. It is generally formless, but its manifestations assume definite formal shapes. These forms—imagined, found, constructed—appear in my works as proj
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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William Livingstone house Detroit Project 2010 submitted to United States Artists Projects - Vincent Johnson
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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The Deer Problem Proposal: Schuylkill Center
The Schuylkill Center had a recent problem with an over population of white tailed deer, to the point where the ecosystem of the land could have been threatened. There are only suppose to be eight to ten dee
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The Deer Problem Proposal: Schuylkill Center
The Schuylkill Center had a recent problem with an over population of white tailed deer, to the point where the ecosystem of the land could have been threatened. There are only suppose to be eight to ten dee
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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In Turin von Alighiero Boetti für Fiat entworfenes Projekt, das im Rahmen der Landwirtschaftsausstellung 1970 in Verona prasentiert werden sollte, auf der die Firma vertreten war. Es sah eine etwa zwanzig Meter hohe Saüle vor, die die verschiedenen Schi
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Aurora is a sculptural work that connects the citizen to the street with seating, lighting and sculptural forms. The work offers daytime and nighttime animation with a sculptural gesture of the familiar forms. Powered by a series of low wattage LED light
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Aurora is a sculptural work that connects the citizen to the street with seating, lighting and sculptural forms. The work offers daytime and nighttime animation with a sculptural gesture of the familiar forms. Powered by a series of low wattage LED light
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The O.U.R.S. project concerns the concept of a monumental orbiting ring sculpture designed for realization in the outer space environment in the year 2000.
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The O.U.R.S. project concerns the concept of a monumental orbiting ring sculpture designed for realization in the outer space environment in the year 2000.
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To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
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To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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Chain Link Fence(space between) Graphite and paint on diamond shapes made of styrofoam and masking tape.
The Chain Link Fence project represents the negative space between the wires that make up the steel fence material. The diamond shapes are some tim
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Chain Link Fence(space between) Graphite and paint on diamond shapes made of styrofoam and masking tape.
The Chain Link Fence project represents the negative space between the wires that make up the steel fence material. The diamond shapes are some tim
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Abstract:
The purpose of this document is to explore, establish, and develop the possible application of a large scale temporary installation in the earth’s orbit.
Concept:
Ideally in order to make that something which questions the materiality
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Abstract:
The purpose of this document is to explore, establish, and develop the possible application of a large scale temporary installation in the earth’s orbit.
Concept:
Ideally in order to make that something which questions the materiality
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Paul Muguet’s Unrealized Project for Year 2011: REVOLUTIONS
Revolutions is about the reversal of popular imagery in times of crisis. The inspiration for this project comes from the European imagery about a country in which everything is reversed: "
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Paul Muguet’s Unrealized Project for Year 2011: REVOLUTIONS
Revolutions is about the reversal of popular imagery in times of crisis. The inspiration for this project comes from the European imagery about a country in which everything is reversed: "
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In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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SCISSORGATE
Client: Banker’s Hall Downtown Tower Entry / Calgary Alberta Canada
Date: 2003
Based on the child’s game; Scissors, Paper, Rock, these giant forms create an obstacle course of forms akin to a Japanese Garden. The offset wall where t
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SCISSORGATE
Client: Banker’s Hall Downtown Tower Entry / Calgary Alberta Canada
Date: 2003
Based on the child’s game; Scissors, Paper, Rock, these giant forms create an obstacle course of forms akin to a Japanese Garden. The offset wall where t
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Editorial Sculpture: Divina Commedia - Javier Toro Blum
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso. With a 2.5mm typography ev
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso. With a 2.5mm typography ev
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Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma
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Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma
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Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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Title: “Mission Impossible 1”
Materials: Wood and M.D.F board
Corridor space containing 5- 20 drawings in space, creating semi obstructed spaces to be engaged with by the viewer.
The work asks the viewer to investigate both space and time as each
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Title: “Mission Impossible 1”
Materials: Wood and M.D.F board
Corridor space containing 5- 20 drawings in space, creating semi obstructed spaces to be engaged with by the viewer.
The work asks the viewer to investigate both space and time as each
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Condensed Playground: Le Pendu femelle, "Underskirt (detail)" as Postpartum Uterus Involution - Sheridan Lowrey
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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