Sgt. Martin Tours was a sculptural project which never reached completion mainly due to lack of interest on a theme I had been working on for at least five years.
Even though, the work remains "postponed" at its best, and I do regret not finishing it..
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Sgt. Martin Tours was a sculptural project which never reached completion mainly due to lack of interest on a theme I had been working on for at least five years.
Even though, the work remains "postponed" at its best, and I do regret not finishing it..
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05.2010
The project entitled “Dialogue” consists of a ping-pong table and two sound speakers. Measuring a total of 274 x 152 x 136 cm, this unfinished installation would have both speakers facing each other at both of the extremities of the table.
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05.2010
The project entitled “Dialogue” consists of a ping-pong table and two sound speakers. Measuring a total of 274 x 152 x 136 cm, this unfinished installation would have both speakers facing each other at both of the extremities of the table.
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Unrealized Project: Town Square - Rebecca Herman and Mark Shoffner
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Town Square is comprised of several sculptural elements: a tall, narrow, guillotine‐like structure in wood (without a blade); a series of steps leading up to the guillotine from the back; a basket on the floor in front of the guillotine; and two halves
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Town Square is comprised of several sculptural elements: a tall, narrow, guillotine‐like structure in wood (without a blade); a series of steps leading up to the guillotine from the back; a basket on the floor in front of the guillotine; and two halves
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Abstract:
The purpose of this document is to explore, establish, and develop the possible application of a large scale temporary installation in the earth’s orbit.
Concept:
Ideally in order to make that something which questions the materiality
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Abstract:
The purpose of this document is to explore, establish, and develop the possible application of a large scale temporary installation in the earth’s orbit.
Concept:
Ideally in order to make that something which questions the materiality
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso.
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso.
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Cenotaph /Golden Matress (working title) - Hannes Bend
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Cenotaph /Golden Matress (working title)
By Hannes Bend
Cenotaph/Golden Mattress (working title), will be a life-size candy cast golden mattress. The sculpture will be left unvarnished, inviting the viewers to lick the vertically standing piece. Pla
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Cenotaph /Golden Matress (working title)
By Hannes Bend
Cenotaph/Golden Mattress (working title), will be a life-size candy cast golden mattress. The sculpture will be left unvarnished, inviting the viewers to lick the vertically standing piece. Pla
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I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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Column, 2010
Candy cast sculpture of a Greek column, multi-colored, white or translucent
Proposal for Sculpture Center New York Open Call in June 2010
Column
Project Proposal for Sculpture Center New York 2010
by Hannes Bend
Candy Column, 2010 is
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Column, 2010
Candy cast sculpture of a Greek column, multi-colored, white or translucent
Proposal for Sculpture Center New York Open Call in June 2010
Column
Project Proposal for Sculpture Center New York 2010
by Hannes Bend
Candy Column, 2010 is
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The 'Not at...' series: Installations that never were... - Claire Manning
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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Aurora is a sculptural work that connects the citizen to the street with seating, lighting and sculptural forms. The work offers daytime and nighttime animation with a sculptural gesture of the familiar forms. Powered by a series of low wattage LED light
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Aurora is a sculptural work that connects the citizen to the street with seating, lighting and sculptural forms. The work offers daytime and nighttime animation with a sculptural gesture of the familiar forms. Powered by a series of low wattage LED light
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"God's ear wax." Large sculpture for public space. Multiple media. Conceived 2004/2011.
Janice Perry. B. 1950. USA.
The sculpture is comprised of an extremely large ball of wax (with a very high melting point), 100-500 feet in diameter, dark golden br
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"God's ear wax." Large sculpture for public space. Multiple media. Conceived 2004/2011.
Janice Perry. B. 1950. USA.
The sculpture is comprised of an extremely large ball of wax (with a very high melting point), 100-500 feet in diameter, dark golden br
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Ana Torfs, MORE LIGHT (2007)
Animated light sculpture in white neon letters. The two words, at 35 meters above street level, measure 18 m (L) x 2 m (H).
Four visual artists had been invited to propose a work for the new campus of the Sint-Lukas U
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Ana Torfs, MORE LIGHT (2007)
Animated light sculpture in white neon letters. The two words, at 35 meters above street level, measure 18 m (L) x 2 m (H).
Four visual artists had been invited to propose a work for the new campus of the Sint-Lukas U
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The project "Mount of Olives" is constituted by seven scaffolds with different heights, each one with an olive tree in a wooden box with earth inside in the top. The trees must be kept alive by an automatic irrigation system.
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The project "Mount of Olives" is constituted by seven scaffolds with different heights, each one with an olive tree in a wooden box with earth inside in the top. The trees must be kept alive by an automatic irrigation system.
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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The Unicorn Lake
Project for the lake of sculptures of Vassivière island, France
July 2009
On the lake of Vassivière
After creating in 2009, in the framework of the exhibition Etc. Balkis Island, The Vassivière Unicorn ("Unicorn Eiffel"), a sculp
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The Unicorn Lake
Project for the lake of sculptures of Vassivière island, France
July 2009
On the lake of Vassivière
After creating in 2009, in the framework of the exhibition Etc. Balkis Island, The Vassivière Unicorn ("Unicorn Eiffel"), a sculp
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William Livingstone house Detroit Project 2010 submitted to United States Artists Projects - Vincent Johnson
WWW
The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Proposal to re-use the dismantled aluminium Olympic Rings that were sited on Box Hill during the cycling road race of London 2012
The forms that resulted from the way the original aluminium Olympic rings had been deconstructed inspired me to design a s
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Proposal to re-use the dismantled aluminium Olympic Rings that were sited on Box Hill during the cycling road race of London 2012
The forms that resulted from the way the original aluminium Olympic rings had been deconstructed inspired me to design a s
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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Drawing for a human- scale wave, made from paper and biro pen. Using only the pressure of the pen to induce sculptural form from a flat surface. Referencing a common motif of the sublime, this work suggests something ordinary with extraordinar
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Drawing for a human- scale wave, made from paper and biro pen. Using only the pressure of the pen to induce sculptural form from a flat surface. Referencing a common motif of the sublime, this work suggests something ordinary with extraordinar
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