I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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A Constructivist Artifact for Mourning the Weekdays - Inbal Strauss
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These sketches for a sculpture titled A Constructivist Artifact for Mourning the Weekdays, remain as a two dimensional proposal for the time being. As a sculptor, I use investigative sketching as a creative development tool for a sculpture that will event
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These sketches for a sculpture titled A Constructivist Artifact for Mourning the Weekdays, remain as a two dimensional proposal for the time being. As a sculptor, I use investigative sketching as a creative development tool for a sculpture that will event
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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SCISSORGATE
Client: Banker’s Hall Downtown Tower Entry / Calgary Alberta Canada
Date: 2003
Based on the child’s game; Scissors, Paper, Rock, these giant forms create an obstacle course of forms akin to a Japanese Garden. The offset wall where t
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SCISSORGATE
Client: Banker’s Hall Downtown Tower Entry / Calgary Alberta Canada
Date: 2003
Based on the child’s game; Scissors, Paper, Rock, these giant forms create an obstacle course of forms akin to a Japanese Garden. The offset wall where t
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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La liste non exhaustive qui suit correspond une á série de projets qui n'ont pas abouti. Ils sont de plusieurs types et les raisons de leur non aboutissement sont également différentes.
Tout d'abord, tous sont liés des situations précises et dict
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La liste non exhaustive qui suit correspond une á série de projets qui n'ont pas abouti. Ils sont de plusieurs types et les raisons de leur non aboutissement sont également différentes.
Tout d'abord, tous sont liés des situations précises et dict
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Paul Muguet’s Unrealized Project for Year 2011: REVOLUTIONS
Revolutions is about the reversal of popular imagery in times of crisis. The inspiration for this project comes from the European imagery about a country in which everything is reversed: "
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Paul Muguet’s Unrealized Project for Year 2011: REVOLUTIONS
Revolutions is about the reversal of popular imagery in times of crisis. The inspiration for this project comes from the European imagery about a country in which everything is reversed: "
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Household aluminium foil sculptures - Michel NORTH
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Household aluminium foil sculptures – development of a “fa presto” technique in sculpture
Those are two examples of statues (image 1: 1978; image 2: 1985), unrealised in that sense that the technique used and developed by me about 50 years ago
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Household aluminium foil sculptures – development of a “fa presto” technique in sculpture
Those are two examples of statues (image 1: 1978; image 2: 1985), unrealised in that sense that the technique used and developed by me about 50 years ago
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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An unrealized high relief sculpture project from Istanbul. - Dilara Akay
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An unrealized high relief sculpture project from Istanbul.
In October 2010 I was asked to propose a work for a building of a leading Turkish retail operation brand's headquarters in Istanbul. I made the presentation at the beginning of February 2011. And
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An unrealized high relief sculpture project from Istanbul.
In October 2010 I was asked to propose a work for a building of a leading Turkish retail operation brand's headquarters in Istanbul. I made the presentation at the beginning of February 2011. And
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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Sketches has indeed been looked upon as valuable, through various historians and art lovers. Even the meta-character of the proposals has been valued, but not to fulfilment. Leonardo da Vinci's draw- ings for a helicopter in the renaissance was seen at th
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Sketches has indeed been looked upon as valuable, through various historians and art lovers. Even the meta-character of the proposals has been valued, but not to fulfilment. Leonardo da Vinci's draw- ings for a helicopter in the renaissance was seen at th
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Economic Express or Mobility Express Project - reaction-lalou
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Economic Express or Mobility Express Project
Form: Cross-discipline Mediums: Sculpture, Performance, Installations, Film Artist-Author: reaction-lalou Exhibited: Technopolis-Industrial Museum of Athens-Greece-6th Video Art Festival 2010 Maktab Anbar Mus
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Economic Express or Mobility Express Project
Form: Cross-discipline Mediums: Sculpture, Performance, Installations, Film Artist-Author: reaction-lalou Exhibited: Technopolis-Industrial Museum of Athens-Greece-6th Video Art Festival 2010 Maktab Anbar Mus
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It sums up a trip to a temporary place where you live and work for a period of time. It depicts a leaf, not a seed which calls for roots, transported by wind, in a movement that goes along with the Planet Earth. It is, in fact, a digital leaf consisting o
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It sums up a trip to a temporary place where you live and work for a period of time. It depicts a leaf, not a seed which calls for roots, transported by wind, in a movement that goes along with the Planet Earth. It is, in fact, a digital leaf consisting o
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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I started a project that focused on the idea that we all project our thoughts, beliefs, ideas and values onto those that come across our paths in our daily lives. Sometimes tihs is a positive experience and sometimes it is a negative experience.
I c
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I started a project that focused on the idea that we all project our thoughts, beliefs, ideas and values onto those that come across our paths in our daily lives. Sometimes tihs is a positive experience and sometimes it is a negative experience.
I c
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Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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Rushnik or Rushnyk- Ukrainian embroidered decorative towel. In ancient times, the towel, embroidered with the relevant patterns, symbols, has been an inherent part of many ceremonies. For centuries it has the importance of figurative-symbolic significanc
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Rushnik or Rushnyk- Ukrainian embroidered decorative towel. In ancient times, the towel, embroidered with the relevant patterns, symbols, has been an inherent part of many ceremonies. For centuries it has the importance of figurative-symbolic significanc
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Yutaka Sone
The Snow Leopard Garden
Project for the wood of sculptures of Vassivière island, France
July 2009
In the meadow, in the front of the Centre international d’art et du paysage and the dam
In the framework of his solo exhibition for t
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Yutaka Sone
The Snow Leopard Garden
Project for the wood of sculptures of Vassivière island, France
July 2009
In the meadow, in the front of the Centre international d’art et du paysage and the dam
In the framework of his solo exhibition for t
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Raymonde van Santen
rvansanten@verizon.net
Unrealized Projects
fading memory
Part A and B fit in my ongoing exploration of the cycles of decay and renewal. They will visualize how the passage of time affects memory (Part A), and how memories n
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Raymonde van Santen
rvansanten@verizon.net
Unrealized Projects
fading memory
Part A and B fit in my ongoing exploration of the cycles of decay and renewal. They will visualize how the passage of time affects memory (Part A), and how memories n
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The working title for this yet to be realized sculpture is "untitled (covered bridge)." It is based largely on covered bridges found in Pennsylvania and the surrounding Mid-Atlantic United States. These historic bridges are predominantly red. This sculptu
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The working title for this yet to be realized sculpture is "untitled (covered bridge)." It is based largely on covered bridges found in Pennsylvania and the surrounding Mid-Atlantic United States. These historic bridges are predominantly red. This sculptu
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