Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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The World is a Theater and we each have a role - Louise Bourgeois
Unbuilt Roads
A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Socrates Sculpture Park
Proposal 2009
“The Game”
Observation on the use of a rural, renewable plant media within an urban industrial setting
I am curious as to the various adaptations and boundaries of bamboo.
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Socrates Sculpture Park
Proposal 2009
“The Game”
Observation on the use of a rural, renewable plant media within an urban industrial setting
I am curious as to the various adaptations and boundaries of bamboo.
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Condensed Playground: Le Pendu femelle, "Underskirt (detail)" as Postpartum Uterus Involution - Sheridan Lowrey
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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Ana Torfs, MORE LIGHT (2007)
Animated light sculpture in white neon letters. The two words, at 35 meters above street level, measure 18 m (L) x 2 m (H).
Four visual artists had been invited to propose a work for the new campus of the Sint-Lukas U
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Ana Torfs, MORE LIGHT (2007)
Animated light sculpture in white neon letters. The two words, at 35 meters above street level, measure 18 m (L) x 2 m (H).
Four visual artists had been invited to propose a work for the new campus of the Sint-Lukas U
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
...
Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Importance of some Note
12x8" Digital capture of graphite on 3x3" scrap paper
I once had a mentor who would grouse on about the term 'art projects', as though these were something that had a distinct end and finish. The debate would always return to
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Importance of some Note
12x8" Digital capture of graphite on 3x3" scrap paper
I once had a mentor who would grouse on about the term 'art projects', as though these were something that had a distinct end and finish. The debate would always return to
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
WWW
Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
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Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
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Through my work, I explore the concept of how external surroundings impact the “internal” experience of the individual and how dimensional transformation alters the function of a form. I utilize the duality of material surfaces to create undulating pl
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Through my work, I explore the concept of how external surroundings impact the “internal” experience of the individual and how dimensional transformation alters the function of a form. I utilize the duality of material surfaces to create undulating pl
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Irisation Field - Maria Gaspar, Alexander Eisenschmidt
WWW
Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
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Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
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The Deer Problem Proposal: Schuylkill Center
The Schuylkill Center had a recent problem with an over population of white tailed deer, to the point where the ecosystem of the land could have been threatened. There are only suppose to be eight to ten dee
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The Deer Problem Proposal: Schuylkill Center
The Schuylkill Center had a recent problem with an over population of white tailed deer, to the point where the ecosystem of the land could have been threatened. There are only suppose to be eight to ten dee
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Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma
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Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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"Jello Cube," or "Eat Your Way In": - "Jello Cube," or "Eat Your Way In"
WWW
"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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This contains a proposal for the Sweet Auburn Multiscape. It is a steel sculpture that mimics the skyline seen in the Sweet Auburn district in Atlanta over 40 years ago. The purpose of this piece is to reactivate the neglected neighborhood by calling atte
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This contains a proposal for the Sweet Auburn Multiscape. It is a steel sculpture that mimics the skyline seen in the Sweet Auburn district in Atlanta over 40 years ago. The purpose of this piece is to reactivate the neglected neighborhood by calling atte
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Website:
tmikey.com/wish
Wish Fountain is over 512 square feet of Glowing, Flowing Water Cascading down the sides of an 18 Foot High Transparent Pyramid.
Wish Fountain is over 512 square feet of Glowing, Flowing Water Cascading down the sides of
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Website:
tmikey.com/wish
Wish Fountain is over 512 square feet of Glowing, Flowing Water Cascading down the sides of an 18 Foot High Transparent Pyramid.
Wish Fountain is over 512 square feet of Glowing, Flowing Water Cascading down the sides of
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Title: “Mission Impossible 1”
Materials: Wood and M.D.F board
Corridor space containing 5- 20 drawings in space, creating semi obstructed spaces to be engaged with by the viewer.
The work asks the viewer to investigate both space and time as each
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Title: “Mission Impossible 1”
Materials: Wood and M.D.F board
Corridor space containing 5- 20 drawings in space, creating semi obstructed spaces to be engaged with by the viewer.
The work asks the viewer to investigate both space and time as each
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
...