I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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Breath of Light (LED,recycled plastic blocks,steel computer software) was the finalist in the Northern Gate way Sculpture for Wellington City Council, NZ. as one of 3 finalist where told, there would be a result announced 23 sept 2010.
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Breath of Light (LED,recycled plastic blocks,steel computer software) was the finalist in the Northern Gate way Sculpture for Wellington City Council, NZ. as one of 3 finalist where told, there would be a result announced 23 sept 2010.
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THE FLUID PAVILION OF ARCHITECTURE - MARIA KARACHRISTOU
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The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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Aurora is a sculptural work that connects the citizen to the street with seating, lighting and sculptural forms. The work offers daytime and nighttime animation with a sculptural gesture of the familiar forms. Powered by a series of low wattage LED light
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Aurora is a sculptural work that connects the citizen to the street with seating, lighting and sculptural forms. The work offers daytime and nighttime animation with a sculptural gesture of the familiar forms. Powered by a series of low wattage LED light
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Human/ Animal. Mandibulae installation.
“Mandibulae installation” is part of the body of work “Human/ Animal” I have been doing since last year. At the moment this project installation that consists of a family of 5 pieces is postponed.
The pi
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Human/ Animal. Mandibulae installation.
“Mandibulae installation” is part of the body of work “Human/ Animal” I have been doing since last year. At the moment this project installation that consists of a family of 5 pieces is postponed.
The pi
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Economic Express or Mobility Express Project - reaction-lalou
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Economic Express or Mobility Express Project
Form: Cross-discipline Mediums: Sculpture, Performance, Installations, Film Artist-Author: reaction-lalou Exhibited: Technopolis-Industrial Museum of Athens-Greece-6th Video Art Festival 2010 Maktab Anbar Mus
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Economic Express or Mobility Express Project
Form: Cross-discipline Mediums: Sculpture, Performance, Installations, Film Artist-Author: reaction-lalou Exhibited: Technopolis-Industrial Museum of Athens-Greece-6th Video Art Festival 2010 Maktab Anbar Mus
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Art at the service of … Short history - Alina and Jeff Bliumis
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2010-present
“Art at the service of …,Short history”- a series of 5-7 sculptures represents monuments that were destroyed at various times around the world. Each sculpture consists of a scaled down replica of a monument on a pedestal. A short not
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2010-present
“Art at the service of …,Short history”- a series of 5-7 sculptures represents monuments that were destroyed at various times around the world. Each sculpture consists of a scaled down replica of a monument on a pedestal. A short not
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Two projects for the World Government Building - Samuil Stoyanov
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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Importance of some Note
12x8" Digital capture of graphite on 3x3" scrap paper
I once had a mentor who would grouse on about the term 'art projects', as though these were something that had a distinct end and finish. The debate would always return to
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Importance of some Note
12x8" Digital capture of graphite on 3x3" scrap paper
I once had a mentor who would grouse on about the term 'art projects', as though these were something that had a distinct end and finish. The debate would always return to
...
"Jello Cube," or "Eat Your Way In": - "Jello Cube," or "Eat Your Way In"
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"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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A Sculpture on Another Sculpture - Eduardo Villanueva
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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The Greatest Show on Earth is Leaving - Sascha Pohflepp
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The Greatest Show on Earth is Leaving
3000 helium-filled balloons are held in place form the column-like vertical plume that resembles the one found just after the launch of a space rocket. After being released, the column dissipates under the influenc
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The Greatest Show on Earth is Leaving
3000 helium-filled balloons are held in place form the column-like vertical plume that resembles the one found just after the launch of a space rocket. After being released, the column dissipates under the influenc
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Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma
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Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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Rushnik or Rushnyk- Ukrainian embroidered decorative towel. In ancient times, the towel, embroidered with the relevant patterns, symbols, has been an inherent part of many ceremonies. For centuries it has the importance of figurative-symbolic significanc
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Rushnik or Rushnyk- Ukrainian embroidered decorative towel. In ancient times, the towel, embroidered with the relevant patterns, symbols, has been an inherent part of many ceremonies. For centuries it has the importance of figurative-symbolic significanc
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Through my work, I explore the concept of how external surroundings impact the “internal” experience of the individual and how dimensional transformation alters the function of a form. I utilize the duality of material surfaces to create undulating pl
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Through my work, I explore the concept of how external surroundings impact the “internal” experience of the individual and how dimensional transformation alters the function of a form. I utilize the duality of material surfaces to create undulating pl
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