https://twitter.com/tweetsculpture
In 1969, Douglas Huebler wrote “The world is full of objects, more or less interesting, I do
not wish to add any more.”
Since early january 2012 five writers / artists (between the ages of 24 and 60) create
s
...
https://twitter.com/tweetsculpture
In 1969, Douglas Huebler wrote “The world is full of objects, more or less interesting, I do
not wish to add any more.”
Since early january 2012 five writers / artists (between the ages of 24 and 60) create
s
...
Irisation Field - Maria Gaspar, Alexander Eisenschmidt
WWW
Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
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Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
...
“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso.
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso.
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William Livingstone house Detroit Project 2010 submitted to United States Artists Projects - Vincent Johnson
WWW
The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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Ten years ago in a museum in Milan Italy it was pointed out to me that there was an uncanny resemblance between myself and one of the multitude of Roman marble bust sculptures in the museum… This moment got me thinking about the connections between peop
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Ten years ago in a museum in Milan Italy it was pointed out to me that there was an uncanny resemblance between myself and one of the multitude of Roman marble bust sculptures in the museum… This moment got me thinking about the connections between peop
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SCISSORGATE
Client: Banker’s Hall Downtown Tower Entry / Calgary Alberta Canada
Date: 2003
Based on the child’s game; Scissors, Paper, Rock, these giant forms create an obstacle course of forms akin to a Japanese Garden. The offset wall where t
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SCISSORGATE
Client: Banker’s Hall Downtown Tower Entry / Calgary Alberta Canada
Date: 2003
Based on the child’s game; Scissors, Paper, Rock, these giant forms create an obstacle course of forms akin to a Japanese Garden. The offset wall where t
...
Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
WWW
Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Surgical Intervention (Intervençao cirurgica) - Kelly Tavares
WWW
English translation from Portuguese:
This project is still underway. It started to be developed in Brasil, in 2007. The work has the modular unit, consisting of “cubificated” photographs cased in an acrylic transparent cube that is turned into art
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English translation from Portuguese:
This project is still underway. It started to be developed in Brasil, in 2007. The work has the modular unit, consisting of “cubificated” photographs cased in an acrylic transparent cube that is turned into art
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Abstract
Liberties is an experiment in giving and receiving and working together peacefully to create something of universal value and at the same time benefit individually. It is an interactive lear- ning experience, in which each participant learns tha
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Abstract
Liberties is an experiment in giving and receiving and working together peacefully to create something of universal value and at the same time benefit individually. It is an interactive lear- ning experience, in which each participant learns tha
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A chrome machine with cut out letters is in constant production of the word "sorry." Made of smoke, the word lingers for a moment, then quickly dissipates.
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A chrome machine with cut out letters is in constant production of the word "sorry." Made of smoke, the word lingers for a moment, then quickly dissipates.
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Project outline (Version Ia):
‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute.
The parachute as such is
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Project outline (Version Ia):
‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute.
The parachute as such is
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Siphon Puti Fountain, Styrofoam, paper, wood and plastic tubing penis, two water containers.
The siphon Puti Fountain (suck it) directly references European Puti fountains. This Fountain was meant to be realized as a manual fountain based on the same
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Siphon Puti Fountain, Styrofoam, paper, wood and plastic tubing penis, two water containers.
The siphon Puti Fountain (suck it) directly references European Puti fountains. This Fountain was meant to be realized as a manual fountain based on the same
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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Unrealized project for Tate Gallery + ICA, 1969 - Gilbert and George
Unbuilt Roads
Memo to: Director
From: Richard
Christmas Crib sculpture by Gilbert and George
Gilbert and George have asked if, despite our discouraging reply about their recent proposal to present a sculpture for one evening, I will present to you personally the
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Memo to: Director
From: Richard
Christmas Crib sculpture by Gilbert and George
Gilbert and George have asked if, despite our discouraging reply about their recent proposal to present a sculpture for one evening, I will present to you personally the
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To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
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To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
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Socrates Sculpture Park
Proposal 2009
“The Game”
Observation on the use of a rural, renewable plant media within an urban industrial setting
I am curious as to the various adaptations and boundaries of bamboo.
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Socrates Sculpture Park
Proposal 2009
“The Game”
Observation on the use of a rural, renewable plant media within an urban industrial setting
I am curious as to the various adaptations and boundaries of bamboo.
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Charlie Lucas (Tin Man)
Struggling with the Ancestors
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist Statement
I create beauty from t
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Charlie Lucas (Tin Man)
Struggling with the Ancestors
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist Statement
I create beauty from t
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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