Abstract:
The purpose of this document is to explore, establish, and develop the possible application of a large scale temporary installation in the earth’s orbit.
Concept:
Ideally in order to make that something which questions the materiality
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Abstract:
The purpose of this document is to explore, establish, and develop the possible application of a large scale temporary installation in the earth’s orbit.
Concept:
Ideally in order to make that something which questions the materiality
...
Through my work, I explore the concept of how external surroundings impact the “internal” experience of the individual and how dimensional transformation alters the function of a form. I utilize the duality of material surfaces to create undulating pl
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Through my work, I explore the concept of how external surroundings impact the “internal” experience of the individual and how dimensional transformation alters the function of a form. I utilize the duality of material surfaces to create undulating pl
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Caution! Work in Progress
Rack or plastic folding board with vibrant yellow tone is a warning message that awakens the immediate interest of the observer in conferring closely with looking at what is happening.
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Caution! Work in Progress
Rack or plastic folding board with vibrant yellow tone is a warning message that awakens the immediate interest of the observer in conferring closely with looking at what is happening.
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KRISTIN JONES / ANDREW GINZEL
AFTER TILTED ARC, 1985
Proposal for Alternative to Existing Federal Plaza, Storefront for Art and Architecture, New York City.
Dimensions: 55' H x 20' W x 85' D (1676 H x 610 W x 2591 D cm.)
Elements: Water
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KRISTIN JONES / ANDREW GINZEL
AFTER TILTED ARC, 1985
Proposal for Alternative to Existing Federal Plaza, Storefront for Art and Architecture, New York City.
Dimensions: 55' H x 20' W x 85' D (1676 H x 610 W x 2591 D cm.)
Elements: Water
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
...
"God's ear wax." Large sculpture for public space. Multiple media. Conceived 2004/2011.
Janice Perry. B. 1950. USA.
The sculpture is comprised of an extremely large ball of wax (with a very high melting point), 100-500 feet in diameter, dark golden br
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"God's ear wax." Large sculpture for public space. Multiple media. Conceived 2004/2011.
Janice Perry. B. 1950. USA.
The sculpture is comprised of an extremely large ball of wax (with a very high melting point), 100-500 feet in diameter, dark golden br
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
WWW
Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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Transformation #2 - Samuel Levack and Jennifer Lewandowski
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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Website:
tmikey.com/wish
Wish Fountain is over 512 square feet of Glowing, Flowing Water Cascading down the sides of an 18 Foot High Transparent Pyramid.
Wish Fountain is over 512 square feet of Glowing, Flowing Water Cascading down the sides of
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Website:
tmikey.com/wish
Wish Fountain is over 512 square feet of Glowing, Flowing Water Cascading down the sides of an 18 Foot High Transparent Pyramid.
Wish Fountain is over 512 square feet of Glowing, Flowing Water Cascading down the sides of
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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An abstract sculpture is standing on an ellipse pavement platform, surrounded by city lights, a city seal and a small flower arrangement.
Een buitenaards stalen abstract object (±7m) is midden in de stadskem geland.
Er zijn balustraden rond gebouwd.
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An abstract sculpture is standing on an ellipse pavement platform, surrounded by city lights, a city seal and a small flower arrangement.
Een buitenaards stalen abstract object (±7m) is midden in de stadskem geland.
Er zijn balustraden rond gebouwd.
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In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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Unrealized Project: Town Square - Rebecca Herman and Mark Shoffner
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Town Square is comprised of several sculptural elements: a tall, narrow, guillotine‐like structure in wood (without a blade); a series of steps leading up to the guillotine from the back; a basket on the floor in front of the guillotine; and two halves
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Town Square is comprised of several sculptural elements: a tall, narrow, guillotine‐like structure in wood (without a blade); a series of steps leading up to the guillotine from the back; a basket on the floor in front of the guillotine; and two halves
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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"Jello Cube," or "Eat Your Way In": - "Jello Cube," or "Eat Your Way In"
WWW
"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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The 'Not at...' series: Installations that never were... - Claire Manning
WWW
This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
...