“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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The pyramids...to be seen to be believed - Jonathan Monk
Unbuilt Roads
Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
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Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
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Sketches has indeed been looked upon as valuable, through various historians and art lovers. Even the meta-character of the proposals has been valued, but not to fulfilment. Leonardo da Vinci's draw- ings for a helicopter in the renaissance was seen at th
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Sketches has indeed been looked upon as valuable, through various historians and art lovers. Even the meta-character of the proposals has been valued, but not to fulfilment. Leonardo da Vinci's draw- ings for a helicopter in the renaissance was seen at th
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Terminator – Final proposal to the Jerwood Foundation 2008 - Jonathan Parsons
WWW
This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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The transformation of aesthetics and politics
A practical research explicitly distinguishes between what is beautiful and what is interesting, exploring the differences between representation and reality.
The project tackles the religious, social, c
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The transformation of aesthetics and politics
A practical research explicitly distinguishes between what is beautiful and what is interesting, exploring the differences between representation and reality.
The project tackles the religious, social, c
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma
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Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma
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Jake and Dinos Chapman's five proposals for an empty plinth situated on central londons trafalgar square - Jake and Dinos Chapman
Unbuilt Roads
commissioned by liberal daily broadsheet newspaper ironically suggesting the most unsuitable artists possible to produce the most unsuitable public sculpture never to be realized: ha ha ha, very funny we suggest one of the following:
project 'Hawki
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commissioned by liberal daily broadsheet newspaper ironically suggesting the most unsuitable artists possible to produce the most unsuitable public sculpture never to be realized: ha ha ha, very funny we suggest one of the following:
project 'Hawki
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Project: Gallery Tour
Year: 2001
Artist: Claudia Ulisses
Gallery Tour is a journey into the empty interior of some art galleries or museums (art spaces), where the visitor is literally transported by a chair that moves through the space. The visit
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Project: Gallery Tour
Year: 2001
Artist: Claudia Ulisses
Gallery Tour is a journey into the empty interior of some art galleries or museums (art spaces), where the visitor is literally transported by a chair that moves through the space. The visit
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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Human/ Animal. Mandibulae installation.
“Mandibulae installation” is part of the body of work “Human/ Animal” I have been doing since last year. At the moment this project installation that consists of a family of 5 pieces is postponed.
The pi
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Human/ Animal. Mandibulae installation.
“Mandibulae installation” is part of the body of work “Human/ Animal” I have been doing since last year. At the moment this project installation that consists of a family of 5 pieces is postponed.
The pi
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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William Livingstone house Detroit Project 2010 submitted to United States Artists Projects - Vincent Johnson
WWW
The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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A Constructivist Artifact for Mourning the Weekdays - Inbal Strauss
WWW
These sketches for a sculpture titled A Constructivist Artifact for Mourning the Weekdays, remain as a two dimensional proposal for the time being. As a sculptor, I use investigative sketching as a creative development tool for a sculpture that will event
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These sketches for a sculpture titled A Constructivist Artifact for Mourning the Weekdays, remain as a two dimensional proposal for the time being. As a sculptor, I use investigative sketching as a creative development tool for a sculpture that will event
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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Brücke Wein-Kanal Arch. Hermann Czech, Wein - Franz West
Unbuilt Roads
Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
WWW
Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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Breath of Light (LED,recycled plastic blocks,steel computer software) was the finalist in the Northern Gate way Sculpture for Wellington City Council, NZ. as one of 3 finalist where told, there would be a result announced 23 sept 2010.
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Breath of Light (LED,recycled plastic blocks,steel computer software) was the finalist in the Northern Gate way Sculpture for Wellington City Council, NZ. as one of 3 finalist where told, there would be a result announced 23 sept 2010.
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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Household aluminium foil sculptures - development of a "fa presto" technique in sculpture.
Those are two examples of statues (image 1: 1978; image 2: 1985), unrealised in that sense that the technique used and developped by me about 50 years ago still do
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Household aluminium foil sculptures - development of a "fa presto" technique in sculpture.
Those are two examples of statues (image 1: 1978; image 2: 1985), unrealised in that sense that the technique used and developped by me about 50 years ago still do
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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"If Wishes Were..." was my proposal for a Public Realm sculpture based on the readily understood (in North America) practice at Christmas and Easter of wishing on the neck bone of the turkey eaten at these family feasts.
Venice has its “Bridge of Si
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"If Wishes Were..." was my proposal for a Public Realm sculpture based on the readily understood (in North America) practice at Christmas and Easter of wishing on the neck bone of the turkey eaten at these family feasts.
Venice has its “Bridge of Si
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"Public Sculpture" could not exist without an active public but it can exist without a strictly predetermined space and material form.
Public Sculpture is a work produced by the people of Limerick and their animals. Following is text for a sign that wi
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"Public Sculpture" could not exist without an active public but it can exist without a strictly predetermined space and material form.
Public Sculpture is a work produced by the people of Limerick and their animals. Following is text for a sign that wi
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