Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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An abstract public sculpture that doubles as a large scale bike rack.
Our proposal is for a large-scale, powder-coated steel sculpture to be installed in the outdoor sculpture garden at the SculptureCenter. The project will appear to be a prototypical
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An abstract public sculpture that doubles as a large scale bike rack.
Our proposal is for a large-scale, powder-coated steel sculpture to be installed in the outdoor sculpture garden at the SculptureCenter. The project will appear to be a prototypical
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The transformation of aesthetics and politics
A practical research explicitly distinguishes between what is beautiful and what is interesting, exploring the differences between representation and reality.
The project tackles the religious, social, c
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The transformation of aesthetics and politics
A practical research explicitly distinguishes between what is beautiful and what is interesting, exploring the differences between representation and reality.
The project tackles the religious, social, c
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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Economic Express or Mobility Express Project - reaction-lalou
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Economic Express or Mobility Express Project
Form: Cross-discipline Mediums: Sculpture, Performance, Installations, Film Artist-Author: reaction-lalou Exhibited: Technopolis-Industrial Museum of Athens-Greece-6th Video Art Festival 2010 Maktab Anbar Mus
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Economic Express or Mobility Express Project
Form: Cross-discipline Mediums: Sculpture, Performance, Installations, Film Artist-Author: reaction-lalou Exhibited: Technopolis-Industrial Museum of Athens-Greece-6th Video Art Festival 2010 Maktab Anbar Mus
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Human/ Animal. Mandibulae installation.
“Mandibulae installation” is part of the body of work “Human/ Animal” I have been doing since last year. At the moment this project installation that consists of a family of 5 pieces is postponed.
The pi
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Human/ Animal. Mandibulae installation.
“Mandibulae installation” is part of the body of work “Human/ Animal” I have been doing since last year. At the moment this project installation that consists of a family of 5 pieces is postponed.
The pi
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Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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Two Years’ Untouched Garden 6th Momentum Biennial Moss, Norway (2011) Two Years’ Untouched Garden was Wooloo’s proposed work for the 6th Momentum Biennial. The work was to be a sculptural intervention among the gardens and grounds of the historical
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The 'Not at...' series: Installations that never were... - Claire Manning
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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Project: Gallery Tour
Year: 2001
Artist: Claudia Ulisses
Gallery Tour is a journey into the empty interior of some art galleries or museums (art spaces), where the visitor is literally transported by a chair that moves through the space. The visit
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Project: Gallery Tour
Year: 2001
Artist: Claudia Ulisses
Gallery Tour is a journey into the empty interior of some art galleries or museums (art spaces), where the visitor is literally transported by a chair that moves through the space. The visit
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Black balls represent carbon atoms. They are piled in the bottom of the container at their present accumulation in the atmosphere. Each time an equivalent amount of carbon is released in the atmosphere a ball would be dropped. Each time a carbon reductio
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Black balls represent carbon atoms. They are piled in the bottom of the container at their present accumulation in the atmosphere. Each time an equivalent amount of carbon is released in the atmosphere a ball would be dropped. Each time a carbon reductio
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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Through my work, I explore the concept of how external surroundings impact the “internal” experience of the individual and how dimensional transformation alters the function of a form. I utilize the duality of material surfaces to create undulating pl
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Through my work, I explore the concept of how external surroundings impact the “internal” experience of the individual and how dimensional transformation alters the function of a form. I utilize the duality of material surfaces to create undulating pl
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Centre Pompidou Mobile
Berger&Berger (Laurent P. Berger & Cyrille Berger)
with T. Raynaud
2009 Restricted competition
1800 m² Mobile art museum
CNAC GEORGES-POMPIDOU, France
Structural Engineer : Bollinger + Gro
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Centre Pompidou Mobile
Berger&Berger (Laurent P. Berger & Cyrille Berger)
with T. Raynaud
2009 Restricted competition
1800 m² Mobile art museum
CNAC GEORGES-POMPIDOU, France
Structural Engineer : Bollinger + Gro
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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SPEAKERS’ PLATFORM
Concept of work
‘SPEAKERS’ PLATFORM’ is inspired by the protests that took place in Athens in the summer of 2011 across Syntagma (Constitution) Square.
The protesters, known as “disappointed citizens”, in line with t
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SPEAKERS’ PLATFORM
Concept of work
‘SPEAKERS’ PLATFORM’ is inspired by the protests that took place in Athens in the summer of 2011 across Syntagma (Constitution) Square.
The protesters, known as “disappointed citizens”, in line with t
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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Untitled project Nobuo Yoda
This project is a proposal for Daikanyama Installation 2009 that was rejected. Daikanyama Installation 2009 is a call for installations that is held every two years in Daikanyama area (Meguro Ward),
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Untitled project Nobuo Yoda
This project is a proposal for Daikanyama Installation 2009 that was rejected. Daikanyama Installation 2009 is a call for installations that is held every two years in Daikanyama area (Meguro Ward),
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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‘fly-though’ animation of this project at:
http://www.re-title.com/artists/Kasper-Kovitz3.asp
‘witchbunker’, a project begun in 2001, is a walk-in sculpture. It consists of a one-room traditional American pioneer log cabin encased in a concret
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Hand Gardens
Vision Kaushik
Unrealized Berlin Proposal
October 18 2012
My idea is simple and can be visualized easily. Hanging gardens based around giant wooden hands, lush and overgrown. An oasis in the city, where one can pocket themselves off an
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Hand Gardens
Vision Kaushik
Unrealized Berlin Proposal
October 18 2012
My idea is simple and can be visualized easily. Hanging gardens based around giant wooden hands, lush and overgrown. An oasis in the city, where one can pocket themselves off an
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SCISSORGATE
Client: Banker’s Hall Downtown Tower Entry / Calgary Alberta Canada
Date: 2003
Based on the child’s game; Scissors, Paper, Rock, these giant forms create an obstacle course of forms akin to a Japanese Garden. The offset wall where t
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SCISSORGATE
Client: Banker’s Hall Downtown Tower Entry / Calgary Alberta Canada
Date: 2003
Based on the child’s game; Scissors, Paper, Rock, these giant forms create an obstacle course of forms akin to a Japanese Garden. The offset wall where t
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Abstract:
The purpose of this document is to explore, establish, and develop the possible application of a large scale temporary installation in the earth’s orbit.
Concept:
Ideally in order to make that something which questions the materiality
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Abstract:
The purpose of this document is to explore, establish, and develop the possible application of a large scale temporary installation in the earth’s orbit.
Concept:
Ideally in order to make that something which questions the materiality
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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