Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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I started a project that focused on the idea that we all project our thoughts, beliefs, ideas and values onto those that come across our paths in our daily lives. Sometimes tihs is a positive experience and sometimes it is a negative experience.
I c
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I started a project that focused on the idea that we all project our thoughts, beliefs, ideas and values onto those that come across our paths in our daily lives. Sometimes tihs is a positive experience and sometimes it is a negative experience.
I c
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Underwater Forest
Suspended sculpture for Palmetto Bay Village Hall, Florida
Underwater Forest is a large sculptural installation suspended from a 30’ ceiling, measuring 18’ in diameter. Its formal language derived from amorphous maritime life. Th
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Underwater Forest
Suspended sculpture for Palmetto Bay Village Hall, Florida
Underwater Forest is a large sculptural installation suspended from a 30’ ceiling, measuring 18’ in diameter. Its formal language derived from amorphous maritime life. Th
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To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
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To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
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Proposal for a sculpture that provides nesting habitat for peregrine falcons in a skyscraper.
Adam Kuby, Artis t adam@adamkuby.com www.adamkuby.com 7019 SE Morrison St. Portland, OR 97215 (503) 752-5241
Call for Unrealized Projects
Submission Cliff
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Proposal for a sculpture that provides nesting habitat for peregrine falcons in a skyscraper.
Adam Kuby, Artis t adam@adamkuby.com www.adamkuby.com 7019 SE Morrison St. Portland, OR 97215 (503) 752-5241
Call for Unrealized Projects
Submission Cliff
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A Constructivist Artifact for Mourning the Weekdays - Inbal Strauss
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These sketches for a sculpture titled A Constructivist Artifact for Mourning the Weekdays, remain as a two dimensional proposal for the time being. As a sculptor, I use investigative sketching as a creative development tool for a sculpture that will event
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These sketches for a sculpture titled A Constructivist Artifact for Mourning the Weekdays, remain as a two dimensional proposal for the time being. As a sculptor, I use investigative sketching as a creative development tool for a sculpture that will event
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Centre Pompidou Mobile
Berger&Berger (Laurent P. Berger & Cyrille Berger)
with T. Raynaud
2009 Restricted competition
1800 m² Mobile art museum
CNAC GEORGES-POMPIDOU, France
Structural Engineer : Bollinger + Gro
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Centre Pompidou Mobile
Berger&Berger (Laurent P. Berger & Cyrille Berger)
with T. Raynaud
2009 Restricted competition
1800 m² Mobile art museum
CNAC GEORGES-POMPIDOU, France
Structural Engineer : Bollinger + Gro
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SASCHA MIKLOWEIT Unrealized project for a public transport or railway station
Title: INVESTIGATION2
INTRODUCTION INVESTIGATION2 is the continuation of my field research project which started 2010 with INVESTIGATION1 (for detailed material regarding
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SASCHA MIKLOWEIT Unrealized project for a public transport or railway station
Title: INVESTIGATION2
INTRODUCTION INVESTIGATION2 is the continuation of my field research project which started 2010 with INVESTIGATION1 (for detailed material regarding
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For the better part of the last 75 years, Seattle’s Alaska Way Viaduct has dominated Seattle’s Central Waterfront. Now scheduled for demolition, Seattle will, as apparently planned, simply clearcut the viaduct form the waterfront in as attempted exor
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For the better part of the last 75 years, Seattle’s Alaska Way Viaduct has dominated Seattle’s Central Waterfront. Now scheduled for demolition, Seattle will, as apparently planned, simply clearcut the viaduct form the waterfront in as attempted exor
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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A Sculpture on Another Sculpture - Eduardo Villanueva
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
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Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright -
Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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Column, 2010
Candy cast sculpture of a Greek column, multi-colored, white or translucent
Proposal for Sculpture Center New York Open Call in June 2010
Column
Project Proposal for Sculpture Center New York 2010
by Hannes Bend
Candy Column, 2010 is
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Column, 2010
Candy cast sculpture of a Greek column, multi-colored, white or translucent
Proposal for Sculpture Center New York Open Call in June 2010
Column
Project Proposal for Sculpture Center New York 2010
by Hannes Bend
Candy Column, 2010 is
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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"If Wishes Were..." was my proposal for a Public Realm sculpture based on the readily understood (in North America) practice at Christmas and Easter of wishing on the neck bone of the turkey eaten at these family feasts.
Venice has its “Bridge of Si
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"If Wishes Were..." was my proposal for a Public Realm sculpture based on the readily understood (in North America) practice at Christmas and Easter of wishing on the neck bone of the turkey eaten at these family feasts.
Venice has its “Bridge of Si
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Transformation #2 - Samuel Levack and Jennifer Lewandowski
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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This contains a proposal for the Sweet Auburn Multiscape. It is a steel sculpture that mimics the skyline seen in the Sweet Auburn district in Atlanta over 40 years ago. The purpose of this piece is to reactivate the neglected neighborhood by calling atte
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This contains a proposal for the Sweet Auburn Multiscape. It is a steel sculpture that mimics the skyline seen in the Sweet Auburn district in Atlanta over 40 years ago. The purpose of this piece is to reactivate the neglected neighborhood by calling atte
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Household aluminium foil sculptures - development of a "fa presto" technique in sculpture.
Those are two examples of statues (image 1: 1978; image 2: 1985), unrealised in that sense that the technique used and developped by me about 50 years ago still do
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Household aluminium foil sculptures - development of a "fa presto" technique in sculpture.
Those are two examples of statues (image 1: 1978; image 2: 1985), unrealised in that sense that the technique used and developped by me about 50 years ago still do
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Central Park Monument to the Nimbus of Victory, 2009 - Peter Joslyn
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The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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The monument is one of a series of proposals for large scale public sculptures to celebrate the visionary nature of the artist. The aim is to bring to the world an understanding of the artists point of view by providing the spectacular, and by sharing the
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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