Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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see my letter
(eventually reasons why the work has not been realised)
Anxiety
Previous Publications (?)
This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed.
Exisiting Documents (photos, drawings, models):
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see my letter
(eventually reasons why the work has not been realised)
Anxiety
Previous Publications (?)
This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed.
Exisiting Documents (photos, drawings, models):
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UNTITLED
It was supposed to be a long-term project. I dreamed about it for long time.
Portrait photography is one of the biggest challenges in photography. Photographers identity and relational dynamics between photographer and model are crucial. Por
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UNTITLED
It was supposed to be a long-term project. I dreamed about it for long time.
Portrait photography is one of the biggest challenges in photography. Photographers identity and relational dynamics between photographer and model are crucial. Por
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MAPPING OBSCUR A (MEMORY AND PLACE) - Yamini Nayar
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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This project marks the last exhibition of a selection of works on paper from my past 30 years in printmaking, photography and painting. During the July 2013 storm, my basement studio was flooded, and 60 pieces of my artwork were damaged. While the water d
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This project marks the last exhibition of a selection of works on paper from my past 30 years in printmaking, photography and painting. During the July 2013 storm, my basement studio was flooded, and 60 pieces of my artwork were damaged. While the water d
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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Photography is a powerful two dimensional representation tool to document three dimensional volumes like architecture. It is possible to manipulate photos with two dimensional tools like Photoshop in order to suggest new three dimensional re/formations an
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Photography is a powerful two dimensional representation tool to document three dimensional volumes like architecture. It is possible to manipulate photos with two dimensional tools like Photoshop in order to suggest new three dimensional re/formations an
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Transitional Monument (2004).
Digital montage.
Dimensions variable.
Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d
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Transitional Monument (2004).
Digital montage.
Dimensions variable.
Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d
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A project of painting television static on a series of free standing billboards along an expressway.
TITLE: Static BillBoards
OVERVIEW: Having worked as a large-‐ scale public muralist and a fine artist for years, I propose to paint a large-
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A project of painting television static on a series of free standing billboards along an expressway.
TITLE: Static BillBoards
OVERVIEW: Having worked as a large-‐ scale public muralist and a fine artist for years, I propose to paint a large-
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THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY - Ulrich Bocker
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THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY
For the innocent photography is the most obvious form of visual communication in the world. The pictured situation seems clear at first sight until we read the title or the legend underneath. An opt
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THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY
For the innocent photography is the most obvious form of visual communication in the world. The pictured situation seems clear at first sight until we read the title or the legend underneath. An opt
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Pablo David Rojas Mencias
Kohlfurterstrasse 1, Berlin 10999
dadafoto@gmail.com
Project Name: “ñaña”
This project couldn’t be finished due to the fact that “ñaña” has passed away. In the native american language, quechua, “ñaña
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Pablo David Rojas Mencias
Kohlfurterstrasse 1, Berlin 10999
dadafoto@gmail.com
Project Name: “ñaña”
This project couldn’t be finished due to the fact that “ñaña” has passed away. In the native american language, quechua, “ñaña
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Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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I have started an archive of impossible art ideas. The archive, when exhibited, is a digitally projected slide show, projected on a small white wooden cube sitting on the floor of the exhibition space.
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I have started an archive of impossible art ideas. The archive, when exhibited, is a digitally projected slide show, projected on a small white wooden cube sitting on the floor of the exhibition space.
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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Mevagissey Old Fishermen is a panel of 40 hand painted ceramic tiles (each tile 15 x 15 cm) reproduction of an old photograph - with artistic licence - of a scene of a small harbour in Cornwall GB around 1900 - see image attached and on www.artmajeur.com/
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Mevagissey Old Fishermen is a panel of 40 hand painted ceramic tiles (each tile 15 x 15 cm) reproduction of an old photograph - with artistic licence - of a scene of a small harbour in Cornwall GB around 1900 - see image attached and on www.artmajeur.com/
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Theâtre (theatre) - Vincent Roumagnac / Aurélie Pétrel / le vrac
WWW
In April 2012 Roumagnac gets from the directors of L!Elysée (theatre – Lyon, France) to proceed the whitening of their whole theatre (stage + audience space). Through this whitening Roumagnac aims to «"reveal"» the illusion of the disappearence of th
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In April 2012 Roumagnac gets from the directors of L!Elysée (theatre – Lyon, France) to proceed the whitening of their whole theatre (stage + audience space). Through this whitening Roumagnac aims to «"reveal"» the illusion of the disappearence of th
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The Screenshot Project
After years of photographing and digital manipulation, I felt that I needed a bit more roughness, the imperfect roughness you have when using software in an unconventional way.
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The Screenshot Project
After years of photographing and digital manipulation, I felt that I needed a bit more roughness, the imperfect roughness you have when using software in an unconventional way.
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Fotografische Sammlung, Museum Folkwang - ANJA ROSS
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Fotografische Sammlung, Museum Folkwang, Goethestraße 41, D-45128 Essen
Stipendium der Alfried Krupp von Bohlen und Halbach-Stiftung für Zeitgenössische Fotografie 2008
Antragstellerin: ANJA ROSS
Schon lange arbeite ich mit der Fotografie intu
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Fotografische Sammlung, Museum Folkwang, Goethestraße 41, D-45128 Essen
Stipendium der Alfried Krupp von Bohlen und Halbach-Stiftung für Zeitgenössische Fotografie 2008
Antragstellerin: ANJA ROSS
Schon lange arbeite ich mit der Fotografie intu
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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Iranian Modernity during Qajar period - Reza Afhami, Farinaz Farbod
WWW
Iranian Modernity during Qajar period
During Qajar period, Iran starts the modernity and attention to Europe as an pattern of development. This series of digital photo arts tries to show the various aspects of Iranian modernity through the combination
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Iranian Modernity during Qajar period
During Qajar period, Iran starts the modernity and attention to Europe as an pattern of development. This series of digital photo arts tries to show the various aspects of Iranian modernity through the combination
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Evidence of Difference
criteria:
must take one photograph every day of 2011 that will represent evidence of my difference work must answer the question, “what makes me different? what am I doing today that is different than everyone else? what se
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Evidence of Difference
criteria:
must take one photograph every day of 2011 that will represent evidence of my difference work must answer the question, “what makes me different? what am I doing today that is different than everyone else? what se
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Lieber Hans - Ulrich!
Nochmals Danke für die nette Einlandung. In dem Buch, Meine normale Arbeitsweine mit meine künstlerischen Ideen for laufend auf listen zu schreiben. Diese werden zum Teil Jahre später erst realisiert, allendings zählt als jah
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Lieber Hans - Ulrich!
Nochmals Danke für die nette Einlandung. In dem Buch, Meine normale Arbeitsweine mit meine künstlerischen Ideen for laufend auf listen zu schreiben. Diese werden zum Teil Jahre später erst realisiert, allendings zählt als jah
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Breathless
Performance art by AWACS Group from 1980 - 1987
Project objective:
- introduction of work by AWACS Group
- AWACS and its place in history of Polish performance art
- emphasizing of the political aspect of the Group's activity during the Ma
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Breathless
Performance art by AWACS Group from 1980 - 1987
Project objective:
- introduction of work by AWACS Group
- AWACS and its place in history of Polish performance art
- emphasizing of the political aspect of the Group's activity during the Ma
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