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Date
Title
Source
Description
Tags
W5095
12.09.2012
(un)realized words - Kathryn Hummel
WWW
(un)realized words Kathryn Hummel (un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements. I do not recall at what age I first began ...
(un)realized words Kathryn Hummel (un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements. I do not recall at what age I first began ...
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U9543
01.01.1974
Aus: Katalog 'Kunst bleibt Kunst' - Hans Peter Feldman
Unbuilt Roads
Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande ...
Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande ...
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W3830
19.05.2011
Michael Tsegaye
WWW
This images are of grave stones.In Ethiopia when a person dies the relatives places a photograph into the tomb stone and inscribes a short history of the deceased. Inspired by Ethiopian poet and painter Gebrekirstos Desta. ...
This images are of grave stones.In Ethiopia when a person dies the relatives places a photograph into the tomb stone and inscribes a short history of the deceased. Inspired by Ethiopian poet and painter Gebrekirstos Desta. ...
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W4810
07.08.2012
Emily Windon
WWW
Emily Windon The Proposed Work to be developed: Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an ...
Emily Windon The Proposed Work to be developed: Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an ...
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W10357
18.04.2014
After The Flood - Ingrid Mayrhofer
WWW
This project marks the last exhibition of a selection of works on paper from my past 30 years in printmaking, photography and painting. During the July 2013 storm, my basement studio was flooded, and 60 pieces of my artwork were damaged. While the water d ...
This project marks the last exhibition of a selection of works on paper from my past 30 years in printmaking, photography and painting. During the July 2013 storm, my basement studio was flooded, and 60 pieces of my artwork were damaged. While the water d ...
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W5420
20.10.2012
“These things I do, and shall do, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere”. - Alessandro Laita
WWW
TITLE “These things I do, and shall do, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere”. DESCRIPTION The who ...
TITLE “These things I do, and shall do, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere”. DESCRIPTION The who ...
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W3790
18.05.2011
Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000)  - Ken Gonzales-Day
WWW
Original blurb: Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally ...
Original blurb: Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally ...
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W3537
11.05.2011
‘Against the fall’ - Sarah Luedemann
WWW
Project outline (Version Ia): ‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute. The parachute as such is ...
Project outline (Version Ia): ‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute. The parachute as such is ...
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U9798
01.01.1972
Prima del 73 - Fabio Mauri
Unbuilt Roads
see my letter (eventually reasons why the work has not been realised) Anxiety Previous Publications (?) This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed. Exisiting Documents (photos, drawings, models): ...
see my letter (eventually reasons why the work has not been realised) Anxiety Previous Publications (?) This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed. Exisiting Documents (photos, drawings, models): ...
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U10007
01.09.1995
Merci, Thank you, Danke: Les 2 sujets  - Thomas Hirschorn
Unbuilt Roads
Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j ...
Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j ...
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W3909
20.05.2011
Unrealised proposal for Saatchi New Sensations, 2009 - Petra Swais and Najda El-Amriti
WWW
Having worked for three years alongside one another, but never producing work collaboratively, we have come to realise the strong connection between our individual practices. The most prominent link between our works is the notion of manipulation. By mani ...
Having worked for three years alongside one another, but never producing work collaboratively, we have come to realise the strong connection between our individual practices. The most prominent link between our works is the notion of manipulation. By mani ...
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W3590
13.05.2011
IN-OUTDOOR PROJECT - Helena Trindade
WWW
Unrealized Public Art Project For images and text please refer to the PDF ...
Unrealized Public Art Project For images and text please refer to the PDF ...
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W4852
08.08.2012
Ada Muntean
WWW
These are 2 photos of 2 experimental works which consist in the process of the reconstruction of possible realities from former realities. Basicaly they are stripes (cut from photos and drawings) reordered and sticked in a different way from the initial.. ...
These are 2 photos of 2 experimental works which consist in the process of the reconstruction of possible realities from former realities. Basicaly they are stripes (cut from photos and drawings) reordered and sticked in a different way from the initial.. ...
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W10484
28.04.2014
Tower (Without Walls) - Esther Shalev-Gerz
WWW
Jerusalem, Israel In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont ...
Jerusalem, Israel In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont ...
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W3506
11.05.2011
Evidence of Difference - Sarah Hemm
WWW
Evidence of Difference criteria: must take one photograph every day of 2011 that will represent evidence of my difference
work must answer the question, “what makes me different? what am I doing today that is different than everyone else? what se ...
Evidence of Difference criteria: must take one photograph every day of 2011 that will represent evidence of my difference
work must answer the question, “what makes me different? what am I doing today that is different than everyone else? what se ...
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W5478
21.10.2012
Static BillBoards  - Kenneth Millington
WWW
A project of painting television static on a series of free standing billboards along an expressway. TITLE: Static BillBoards OVERVIEW: Having worked as a large-­‐ scale public muralist and a fine artist for years, I propose to paint a large-­ ...
A project of painting television static on a series of free standing billboards along an expressway. TITLE: Static BillBoards OVERVIEW: Having worked as a large-­‐ scale public muralist and a fine artist for years, I propose to paint a large-­ ...
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W3528
11.05.2011
MARS / SPIRIT 2009/12 - KLAUS HU
WWW
KLAUS HU Studio Wildenbruch 77 12045 Berlin / Germany tel (49).30.68081524 em: klaushu[at]yahoo.de KLAUS HU IS REPRESENTED BY VG BILD-KUNST. TRILOGY MARS DESERT BEACH 2006/12 MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/ MAR ...
KLAUS HU Studio Wildenbruch 77 12045 Berlin / Germany tel (49).30.68081524 em: klaushu[at]yahoo.de KLAUS HU IS REPRESENTED BY VG BILD-KUNST. TRILOGY MARS DESERT BEACH 2006/12 MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/ MAR ...
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W3550
12.05.2011
Diary Project 2011 - Anna-Marya Tompa
WWW
I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi ...
I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi ...
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W3862
19.05.2011
WATER’, A Concept for Exhibition (to include the Site Specific Installation titled ‘Glint’)  - Kate Petley
WWW
Water: -As historical structure for migration, agriculture, and conflict -As political catalyst -Defining geography, location, and place or point of reference -As a poetic source for all kinds of inspiration -Mutable, shape-shifting substance that ca ...
Water: -As historical structure for migration, agriculture, and conflict -As political catalyst -Defining geography, location, and place or point of reference -As a poetic source for all kinds of inspiration -Mutable, shape-shifting substance that ca ...
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W4808
07.08.2012
Objekt - Dritan Hyska
WWW
I'm here to write to offer my project, titled "Objekt. My work is centered above all on architecture and urban spaces. I just need that on a construction site, harboring, in particular giving me a small space on the scaffold, a photo of variable size PVC ...
I'm here to write to offer my project, titled "Objekt. My work is centered above all on architecture and urban spaces. I just need that on a construction site, harboring, in particular giving me a small space on the scaffold, a photo of variable size PVC ...
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W4809
07.08.2012
Transitional Monument - David Mabb
WWW
Transitional Monument (2004). Digital montage. Dimensions variable. Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d ...
Transitional Monument (2004). Digital montage. Dimensions variable. Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d ...
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W3654
15.05.2011
nigal goodship
WWW
They say, art no longer produces beauty, she produces meaning. I say, one cannot paint a picture or make an image of a woman and not deal with the concept of beauty. Marlene Dumas Assignment 5fp001 Contemporary photographic practice, The Venus project ...
They say, art no longer produces beauty, she produces meaning. I say, one cannot paint a picture or make an image of a woman and not deal with the concept of beauty. Marlene Dumas Assignment 5fp001 Contemporary photographic practice, The Venus project ...
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W5005
30.08.2012
Hanover House - Peter Friedl
WWW
Peter Friedl, Hanover House, 2003 Proposal for Hanover 5 inkjet prints, 100 x 133 cm each Hanover House (2003) Treehouses are common images and objects of desire for individualism, dropping out, childhood, being in tune with nature, self-determin ...
Peter Friedl, Hanover House, 2003 Proposal for Hanover 5 inkjet prints, 100 x 133 cm each Hanover House (2003) Treehouses are common images and objects of desire for individualism, dropping out, childhood, being in tune with nature, self-determin ...
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W5231
08.10.2012
Trespassing - Ole Brodersen
WWW
The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded. The photographer harnesses the forces of wind, currents and wave ...
The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded. The photographer harnesses the forces of wind, currents and wave ...
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W10404
19.04.2014
The 'Not at...' series: Installations that never were... - Claire Manning
WWW
This series of work is a set of installations proposed but not realised. It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei ...
This series of work is a set of installations proposed but not realised. It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei ...
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W7067
24.11.2013
Ardfert “Miracle Hill”  - Julie Forrester
WWW
THEMES The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions: What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles? ...
THEMES The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions: What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles? ...
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