Unrealised proposal for Saatchi New Sensations, 2009 - Petra Swais and Najda El-Amriti
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Having worked for three years alongside one another, but never producing work collaboratively, we have come to realise the strong connection between our individual practices. The most prominent link between our works is the notion of manipulation. By mani
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Having worked for three years alongside one another, but never producing work collaboratively, we have come to realise the strong connection between our individual practices. The most prominent link between our works is the notion of manipulation. By mani
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(un)realized words
Kathryn Hummel
(un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements.
I do not recall at what age I first began
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(un)realized words
Kathryn Hummel
(un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements.
I do not recall at what age I first began
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The king of the changing face - Transvestites in China - Andreas Guibert
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This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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Pablo David Rojas Mencias
Kohlfurterstrasse 1, Berlin 10999
dadafoto@gmail.com
Project Name: “ñaña”
This project couldn’t be finished due to the fact that “ñaña” has passed away. In the native american language, quechua, “ñaña
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Pablo David Rojas Mencias
Kohlfurterstrasse 1, Berlin 10999
dadafoto@gmail.com
Project Name: “ñaña”
This project couldn’t be finished due to the fact that “ñaña” has passed away. In the native american language, quechua, “ñaña
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I have started an archive of impossible art ideas. The archive, when exhibited, is a digitally projected slide show, projected on a small white wooden cube sitting on the floor of the exhibition space.
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I have started an archive of impossible art ideas. The archive, when exhibited, is a digitally projected slide show, projected on a small white wooden cube sitting on the floor of the exhibition space.
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Portrait of a village in contemporary art - Eugen Alupopanu
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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Merci, Thank you, Danke: Les 2 sujets - Thomas Hirschorn
Unbuilt Roads
Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j
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Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j
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Lieber Hans - Ulrich!
Nochmals Danke für die nette Einlandung. In dem Buch, Meine normale Arbeitsweine mit meine künstlerischen Ideen for laufend auf listen zu schreiben. Diese werden zum Teil Jahre später erst realisiert, allendings zählt als jah
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Lieber Hans - Ulrich!
Nochmals Danke für die nette Einlandung. In dem Buch, Meine normale Arbeitsweine mit meine künstlerischen Ideen for laufend auf listen zu schreiben. Diese werden zum Teil Jahre später erst realisiert, allendings zählt als jah
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The library is a project about books and readers. It consist of two parts, one is the photographic register of books rescued from the street, the beach, or even from the garbage, over my years of immigrant in Israel.
los libros de la biblioteca no tie
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The library is a project about books and readers. It consist of two parts, one is the photographic register of books rescued from the street, the beach, or even from the garbage, over my years of immigrant in Israel.
los libros de la biblioteca no tie
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Convention' was an unsolicited, and as I found out in March of this year, unaccepted proposal to the promoters of the Toronto International Art Fair.
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Convention' was an unsolicited, and as I found out in March of this year, unaccepted proposal to the promoters of the Toronto International Art Fair.
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They say, art no longer produces beauty, she produces meaning. I say, one cannot paint a picture or make an image of a woman and not deal with the concept of beauty. Marlene Dumas
Assignment 5fp001 Contemporary photographic practice, The Venus project
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They say, art no longer produces beauty, she produces meaning. I say, one cannot paint a picture or make an image of a woman and not deal with the concept of beauty. Marlene Dumas
Assignment 5fp001 Contemporary photographic practice, The Venus project
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About "Hole"
This work is made by stop motion animation. A monitor installed into the small hole. From the hole, you may peek people eating and cooking. It is ordinaries of life for us. This work idea is based on "mement mori" This Latin phrase means, "R
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About "Hole"
This work is made by stop motion animation. A monitor installed into the small hole. From the hole, you may peek people eating and cooking. It is ordinaries of life for us. This work idea is based on "mement mori" This Latin phrase means, "R
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a project to create images - icons - that represent choices open to a person not get HIV. Each image was to be inserted in one arm bandit machine and be photographed - each line of 4 images coming up being a winner.
This work is in archive - if it i
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a project to create images - icons - that represent choices open to a person not get HIV. Each image was to be inserted in one arm bandit machine and be photographed - each line of 4 images coming up being a winner.
This work is in archive - if it i
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Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) - Ken Gonzales-Day
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Original blurb:
Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally
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Original blurb:
Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally
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Evidence of Difference
criteria:
must take one photograph every day of 2011 that will represent evidence of my difference work must answer the question, “what makes me different? what am I doing today that is different than everyone else? what se
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Evidence of Difference
criteria:
must take one photograph every day of 2011 that will represent evidence of my difference work must answer the question, “what makes me different? what am I doing today that is different than everyone else? what se
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With the “Blueprint” series I seek to draw a new experience from the blueprint, something not normally considered for artistic purposes. My process utilizes the cyanotype print, which was the process first used to make modern blueprints beginning in.
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With the “Blueprint” series I seek to draw a new experience from the blueprint, something not normally considered for artistic purposes. My process utilizes the cyanotype print, which was the process first used to make modern blueprints beginning in.
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"I to eye" project is an unfinished photo- documentation of author's face to face confrontation with 400 CCTV cameras of Old Town of Jerusalem (2010)
Confronting the unrealized city...
Jacek Smolicki 2010
Jerusalem is a specific place. The parad
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"I to eye" project is an unfinished photo- documentation of author's face to face confrontation with 400 CCTV cameras of Old Town of Jerusalem (2010)
Confronting the unrealized city...
Jacek Smolicki 2010
Jerusalem is a specific place. The parad
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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caravan tour — an inverted world A Proposal for a Transportable Camera Obscura for the Courts of Lower Manhattan The Lower Manhattan court buildings in their neoclassical grandeur and scale endure as visual tropes of the solidity of the power of justice
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caravan tour — an inverted world A Proposal for a Transportable Camera Obscura for the Courts of Lower Manhattan The Lower Manhattan court buildings in their neoclassical grandeur and scale endure as visual tropes of the solidity of the power of justice
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Mevagissey Old Fishermen is a panel of 40 hand painted ceramic tiles (each tile 15 x 15 cm) reproduction of an old photograph - with artistic licence - of a scene of a small harbour in Cornwall GB around 1900 - see image attached and on www.artmajeur.com/
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Mevagissey Old Fishermen is a panel of 40 hand painted ceramic tiles (each tile 15 x 15 cm) reproduction of an old photograph - with artistic licence - of a scene of a small harbour in Cornwall GB around 1900 - see image attached and on www.artmajeur.com/
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The 'Not at...' series: Installations that never were... - Claire Manning
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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