proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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The 'Not at...' series: Installations that never were... - Claire Manning
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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These images were submitted as a proposal as to the Bemis Centre USA. The modus operanti of this and related projects is to introduce as little as possible into an architectural space in order to heighten the perception and experience of ‘reality’. Wh
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These images were submitted as a proposal as to the Bemis Centre USA. The modus operanti of this and related projects is to introduce as little as possible into an architectural space in order to heighten the perception and experience of ‘reality’. Wh
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Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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Memory Confetti - Stephen j Shanabrook / Veronika Georgieva
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STEPHEN j SHANABROOK / VERONIKA GEORGIEVA
MEMORY CONFETTI
The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us imag
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STEPHEN j SHANABROOK / VERONIKA GEORGIEVA
MEMORY CONFETTI
The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us imag
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Digital images from an evolving collection of unintentional human mark making
Images related as a record of a chance incident in time that has left a physical mark -evidence of the moment. Each mark has its origins as unique, unintentional and undesir
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Digital images from an evolving collection of unintentional human mark making
Images related as a record of a chance incident in time that has left a physical mark -evidence of the moment. Each mark has its origins as unique, unintentional and undesir
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Dear all,
here comes another submission for possible inclusion in AUP at the daadgalerie in Berlin:
Project "Bilderpause" / "Image Intermission" 1996/2000
The Project and the photographs are attached to that form. Enjoy!
Bilderpause
Ein Pause
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Dear all,
here comes another submission for possible inclusion in AUP at the daadgalerie in Berlin:
Project "Bilderpause" / "Image Intermission" 1996/2000
The Project and the photographs are attached to that form. Enjoy!
Bilderpause
Ein Pause
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The 103rd Kilometer
My work is driven by the need to return to my birthplace,
in order to analyze the factors that affected my identity development.
My childhood memories are built from stories, images and dreams.
When I finally get physically to
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The 103rd Kilometer
My work is driven by the need to return to my birthplace,
in order to analyze the factors that affected my identity development.
My childhood memories are built from stories, images and dreams.
When I finally get physically to
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a project to create images - icons - that represent choices open to a person not get HIV. Each image was to be inserted in one arm bandit machine and be photographed - each line of 4 images coming up being a winner.
This work is in archive - if it i
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a project to create images - icons - that represent choices open to a person not get HIV. Each image was to be inserted in one arm bandit machine and be photographed - each line of 4 images coming up being a winner.
This work is in archive - if it i
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Magazine: 2012 is the first exhibition not to be held at the newly acquired Serpentine Sackler Gallery. The show features works by British artists Janice Wilkins and Caroline Jaine and includes: Anonymising the Magazine, Free Libyan Youth, Chromakey, Ico
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Magazine: 2012 is the first exhibition not to be held at the newly acquired Serpentine Sackler Gallery. The show features works by British artists Janice Wilkins and Caroline Jaine and includes: Anonymising the Magazine, Free Libyan Youth, Chromakey, Ico
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Re:Structure encourages investigation of imagery dismantled from architectonic relationships and urban structures. for this exhibition, we propose to create a unique multi-dimensional experience that acts to facilitate a principled understanding of our im
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Re:Structure encourages investigation of imagery dismantled from architectonic relationships and urban structures. for this exhibition, we propose to create a unique multi-dimensional experience that acts to facilitate a principled understanding of our im
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23 Kilograms
My project starts from the idea of remembering through photography within the immigrant community. Its objective is to bring to light the intimate relationship that the immigrants preserve with their native land through the photographs the
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23 Kilograms
My project starts from the idea of remembering through photography within the immigrant community. Its objective is to bring to light the intimate relationship that the immigrants preserve with their native land through the photographs the
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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BATIBURRILLO(S)
According to the Dictionary of the Royal Academy of Spanish Language (RAE) ‘Batiburrillo(s)’ means:
1. m. Mezcla de cosas, especialmente de guisados, que no dicen bien unas con otras.
1. m. Mixture of things, especially stews, t
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BATIBURRILLO(S)
According to the Dictionary of the Royal Academy of Spanish Language (RAE) ‘Batiburrillo(s)’ means:
1. m. Mezcla de cosas, especialmente de guisados, que no dicen bien unas con otras.
1. m. Mixture of things, especially stews, t
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pencil drawings on paper by Jack Kirby and Thom of Finland - Paul Beuchat
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Exhibition of pencil drawings on paper by Jack Kirby and Thom of Finland focusing on images that are similar in form, material and subject matter - muscular men in uniform - to expose the drawn line as a perfect mirror of the maker, independently of form
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Exhibition of pencil drawings on paper by Jack Kirby and Thom of Finland focusing on images that are similar in form, material and subject matter - muscular men in uniform - to expose the drawn line as a perfect mirror of the maker, independently of form
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It is a tradition at Catholic funerals to give out prayer cards as a remembrance of the deceased. Over a number of years I have photographed many of these cards.
For this project I will install a selection of photos of prayer cards ( the number determin
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It is a tradition at Catholic funerals to give out prayer cards as a remembrance of the deceased. Over a number of years I have photographed many of these cards.
For this project I will install a selection of photos of prayer cards ( the number determin
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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TERRITORY: Bank parking lot mural Canada - Derek Michael Besant
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Client: Bank of Nova Scotia / Canada
Date: 2010
Industrial UV ink imaging applications to large-scale alucobond curtainwall sheets at second storey level attached in sections that create a narrative of:
• Out-of-focus faces
• Everyday objects
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Client: Bank of Nova Scotia / Canada
Date: 2010
Industrial UV ink imaging applications to large-scale alucobond curtainwall sheets at second storey level attached in sections that create a narrative of:
• Out-of-focus faces
• Everyday objects
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Project: CHINATOWN RUN
Client: City of Calgary Development Dept. / Canada
Date: 2010
Retrofit of elements into existing Centre Street Chinatown District of Calgary Alberta Canada.
The idea was to enhance the 3 blocks along Centre Street with t
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Project: CHINATOWN RUN
Client: City of Calgary Development Dept. / Canada
Date: 2010
Retrofit of elements into existing Centre Street Chinatown District of Calgary Alberta Canada.
The idea was to enhance the 3 blocks along Centre Street with t
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In 2009 I began a series of tissue paper cut outs inspired by Mexican Day of the Dead papel picado banners drawing subject matter from news sources. I envision the banners as an ongoing series adding to the historical record. I would like to see them dis
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In 2009 I began a series of tissue paper cut outs inspired by Mexican Day of the Dead papel picado banners drawing subject matter from news sources. I envision the banners as an ongoing series adding to the historical record. I would like to see them dis
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This images are of grave stones.In Ethiopia when a person dies the
relatives places a photograph into the tomb stone and inscribes a short
history of the deceased.
Inspired by Ethiopian poet and painter Gebrekirstos Desta.
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This images are of grave stones.In Ethiopia when a person dies the
relatives places a photograph into the tomb stone and inscribes a short
history of the deceased.
Inspired by Ethiopian poet and painter Gebrekirstos Desta.
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This was a proposal for a project called "Thanatopolis" --asking for outdoor works that explored the rituals of interment and memorialization.
(This proposal was for an outdoor art environment that was also a place of memory)
Imagine walking though
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This was a proposal for a project called "Thanatopolis" --asking for outdoor works that explored the rituals of interment and memorialization.
(This proposal was for an outdoor art environment that was also a place of memory)
Imagine walking though
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Phantasmagorie will be a large scale multi-sited new media artwork involving a train with no passengers traveling around the United Kingdom after dark, pulling approximately nine carriages.
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Phantasmagorie will be a large scale multi-sited new media artwork involving a train with no passengers traveling around the United Kingdom after dark, pulling approximately nine carriages.
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