10 | to not realise | media space
effort, time | June 2009
After one month of intense research and conceptual effort I have fully worked out a new interactive crossmedia project.
Kunst ist heute fast überall zu jeder Zeit und für jeden Zweck v
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10 | to not realise | media space
effort, time | June 2009
After one month of intense research and conceptual effort I have fully worked out a new interactive crossmedia project.
Kunst ist heute fast überall zu jeder Zeit und für jeden Zweck v
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'Nonlinear' was an exhibition project, that incorporates cultural expression without any borders, besides the main topic of 'Nonlinear': art
as an epistemology besides the science.
see also:http://www.catrack.de/nonlinear/
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'Nonlinear' was an exhibition project, that incorporates cultural expression without any borders, besides the main topic of 'Nonlinear': art
as an epistemology besides the science.
see also:http://www.catrack.de/nonlinear/
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Art and Ourselves: A Proposal for the city of Nordhorn - Allen Rupperssberg
Unbuilt Roads
see my catalog from the Magazine. The complete text is there.
(eventually reasons why the work has not been realised)
Political
Previous Publications (?)
Catalog from where art Magazine 1996
Exisiting Documents:
to be requested from No
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see my catalog from the Magazine. The complete text is there.
(eventually reasons why the work has not been realised)
Political
Previous Publications (?)
Catalog from where art Magazine 1996
Exisiting Documents:
to be requested from No
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“Bus Stop” is a moveable painting based on an image of local commuters waiting for their bus ride. “Bus Stop” explores the cultural significance that public transportation plays in society. As a physical object, t
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“Bus Stop” is a moveable painting based on an image of local commuters waiting for their bus ride. “Bus Stop” explores the cultural significance that public transportation plays in society. As a physical object, t
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'KEIDAI reappearance' project, July to September 2005, is reappearance of one of a Japanese shrine precincts in Ciaotou, south of Kaohsiung, Taiwan.
Most Japanese Shinto shrines in Taiwan were destroyed by Chiang Kai-shek's Kuomintang after W.W.Ⅱ
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'KEIDAI reappearance' project, July to September 2005, is reappearance of one of a Japanese shrine precincts in Ciaotou, south of Kaohsiung, Taiwan.
Most Japanese Shinto shrines in Taiwan were destroyed by Chiang Kai-shek's Kuomintang after W.W.Ⅱ
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ArtPOTLATCH - Exhibition as Test Lab/ Art as Gift - Rebecca Keller
WWW
POTLATCH
A potlatch is a tradition carried on by many NW coast Indian tribes. The chief would celebrate a significant event (birth, marriage) by hosting a Potlatch. A huge feast would be provided, and gifts such as blankets, etc. would be given to the
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POTLATCH
A potlatch is a tradition carried on by many NW coast Indian tribes. The chief would celebrate a significant event (birth, marriage) by hosting a Potlatch. A huge feast would be provided, and gifts such as blankets, etc. would be given to the
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Project: CHINATOWN RUN
Client: City of Calgary Development Dept. / Canada
Date: 2010
Retrofit of elements into existing Centre Street Chinatown District of Calgary Alberta Canada.
The idea was to enhance the 3 blocks along Centre Street with t
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Project: CHINATOWN RUN
Client: City of Calgary Development Dept. / Canada
Date: 2010
Retrofit of elements into existing Centre Street Chinatown District of Calgary Alberta Canada.
The idea was to enhance the 3 blocks along Centre Street with t
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Portrait of a village in contemporary art - Eugen Alupopanu
WWW
My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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Booming Bratislava
(= working title)
or
Make Hot Spots instead of Cold War
A combination of an art project, road movie, art scouting, crash course and hype-setting. But also the start of a network of art sister cities (art town twinning).
Th
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Booming Bratislava
(= working title)
or
Make Hot Spots instead of Cold War
A combination of an art project, road movie, art scouting, crash course and hype-setting. But also the start of a network of art sister cities (art town twinning).
Th
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MEMORY UPGRADE FOR ATTU ISLAND - Deborah A Bouchette
WWW
MEMORY UPGRADE FOR ATTU ISLAND 1 MEMORY UPGRADE FOR ATTU ISLAND Deborah A. Bouchette 05 May 2009 MEMORY UPGRADE FOR ATTU ISLAND 2
What do we have, but memory? Even the “present” is consumed immediately, and our very recognition of “now” makes
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MEMORY UPGRADE FOR ATTU ISLAND 1 MEMORY UPGRADE FOR ATTU ISLAND Deborah A. Bouchette 05 May 2009 MEMORY UPGRADE FOR ATTU ISLAND 2
What do we have, but memory? Even the “present” is consumed immediately, and our very recognition of “now” makes
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Die asporas « Young Israeli artists in Berlin« group installations curator: Lior Wilentzik www.dieasporas.com contact:dieasporas@gmail.com 015126857385 Recent years have been marked with a rising trend of young Israeli artists immigrating to Berlin. Par
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Die asporas « Young Israeli artists in Berlin« group installations curator: Lior Wilentzik www.dieasporas.com contact:dieasporas@gmail.com 015126857385 Recent years have been marked with a rising trend of young Israeli artists immigrating to Berlin. Par
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Image 1: 1000mt highrise tower on 1 column with 52 steel cables around its supporting structure visible from street level to 500mt up, where the first of its 68 floors for restaurant space (20 floors), office space (30 floors) and living space (18 floors)
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Image 1: 1000mt highrise tower on 1 column with 52 steel cables around its supporting structure visible from street level to 500mt up, where the first of its 68 floors for restaurant space (20 floors), office space (30 floors) and living space (18 floors)
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TWO IMAGES OF WHAT I CALL THE ENDLESS CHARACTER OF A NATURE FULL OF NATIVES.
I DONT THINK THIS WILL OR COULD BE EVER FINISHED BECAUSE TO ME THEY WERE BORN BY THE TIME THEY DIED. SO THEY REMAIN A PHOTOGRAPH THAT NEED A STILL LIFE SHOT.
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TWO IMAGES OF WHAT I CALL THE ENDLESS CHARACTER OF A NATURE FULL OF NATIVES.
I DONT THINK THIS WILL OR COULD BE EVER FINISHED BECAUSE TO ME THEY WERE BORN BY THE TIME THEY DIED. SO THEY REMAIN A PHOTOGRAPH THAT NEED A STILL LIFE SHOT.
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L’Ombre en feu, 1996 Work in progress - Patricia Jacomella
WWW
Excerpt from the advertising campaign
Buy new Value!
Dear Art Lover
Have you run out of space for more works of art?
If so, why not buy an intangible work of art and participate in a multicultural
STATEMENT
Patrici
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Excerpt from the advertising campaign
Buy new Value!
Dear Art Lover
Have you run out of space for more works of art?
If so, why not buy an intangible work of art and participate in a multicultural
STATEMENT
Patrici
...
Proposal:
Part 1.
Use the artists fee to place 1000 £1 bets on the races during St Patrick’s Day.
Dressed as the embodiment of St Patrick placing the bets one after another will take all day and create a performance of endurance and intrigue.
T
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Proposal:
Part 1.
Use the artists fee to place 1000 £1 bets on the races during St Patrick’s Day.
Dressed as the embodiment of St Patrick placing the bets one after another will take all day and create a performance of endurance and intrigue.
T
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Object:
To create a system of signage which illustrates and informs city centre travellers.
Areas are colour coded and image coded according to local history and culture.
Works are wall mounted and 3 dimensional.
Project could be self-funded by u
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Object:
To create a system of signage which illustrates and informs city centre travellers.
Areas are colour coded and image coded according to local history and culture.
Works are wall mounted and 3 dimensional.
Project could be self-funded by u
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Argumentation of the National Bitter Melon Council on the Power and Efficacy of Bitter Melonism - Andi Sutton
WWW
A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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The Panajachel Biennial’s Story: A Community Still to Come - Panajachel Biennial
WWW
The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
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The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
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The work I called CrossSpot is a new project . I will try to place it outdoor in the town (Wroclaw) in the area of so called four temples. In one city district there are situated one synagogue, one orthodox Russian, catholic and protestant churches.
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The work I called CrossSpot is a new project . I will try to place it outdoor in the town (Wroclaw) in the area of so called four temples. In one city district there are situated one synagogue, one orthodox Russian, catholic and protestant churches.
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To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
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To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
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Monastic garden in an edge space of a retail park, London, UK - Peter Ainsworth
WWW
Monastic garden in an edge space of a retail park, London, UK
Space that is on the peripheries of major roads and towns has a distinctly singular usage: to consume. Out of town shopping malls, retail parks have an inexplicable draw, yet they also have
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Monastic garden in an edge space of a retail park, London, UK
Space that is on the peripheries of major roads and towns has a distinctly singular usage: to consume. Out of town shopping malls, retail parks have an inexplicable draw, yet they also have
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Three Genetic Drifts
wooden boardwalk, pedestrian tree (ficus benjamina or equivalent) anchored in concrete planter, crane and hoisting equipment Dimensions variable [proposal for London parking garage] Boardwalks are user-friendly infrastructures that
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Three Genetic Drifts
wooden boardwalk, pedestrian tree (ficus benjamina or equivalent) anchored in concrete planter, crane and hoisting equipment Dimensions variable [proposal for London parking garage] Boardwalks are user-friendly infrastructures that
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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Proposal for Vision and Vernacular Eight African American Artists in Venice - Lonnie Holley
WWW
Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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