Image 1: 1000mt highrise tower on 1 column with 52 steel cables around its supporting structure visible from street level to 500mt up, where the first of its 68 floors for restaurant space (20 floors), office space (30 floors) and living space (18 floors)
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Image 1: 1000mt highrise tower on 1 column with 52 steel cables around its supporting structure visible from street level to 500mt up, where the first of its 68 floors for restaurant space (20 floors), office space (30 floors) and living space (18 floors)
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TWO IMAGES OF WHAT I CALL THE ENDLESS CHARACTER OF A NATURE FULL OF NATIVES.
I DONT THINK THIS WILL OR COULD BE EVER FINISHED BECAUSE TO ME THEY WERE BORN BY THE TIME THEY DIED. SO THEY REMAIN A PHOTOGRAPH THAT NEED A STILL LIFE SHOT.
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TWO IMAGES OF WHAT I CALL THE ENDLESS CHARACTER OF A NATURE FULL OF NATIVES.
I DONT THINK THIS WILL OR COULD BE EVER FINISHED BECAUSE TO ME THEY WERE BORN BY THE TIME THEY DIED. SO THEY REMAIN A PHOTOGRAPH THAT NEED A STILL LIFE SHOT.
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Project: CHINATOWN RUN
Client: City of Calgary Development Dept. / Canada
Date: 2010
Retrofit of elements into existing Centre Street Chinatown District of Calgary Alberta Canada.
The idea was to enhance the 3 blocks along Centre Street with t
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Project: CHINATOWN RUN
Client: City of Calgary Development Dept. / Canada
Date: 2010
Retrofit of elements into existing Centre Street Chinatown District of Calgary Alberta Canada.
The idea was to enhance the 3 blocks along Centre Street with t
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Proposal for Vision and Vernacular Eight African American Artists in Venice - Lonnie Holley
WWW
Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
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To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
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To Two Too; Hypothetical Monument for a Natural Disaster - Jeffrey Wisniewski
Unbuilt Roads
(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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L’Ombre en feu, 1996 Work in progress - Patricia Jacomella
WWW
Excerpt from the advertising campaign
Buy new Value!
Dear Art Lover
Have you run out of space for more works of art?
If so, why not buy an intangible work of art and participate in a multicultural
STATEMENT
Patrici
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Excerpt from the advertising campaign
Buy new Value!
Dear Art Lover
Have you run out of space for more works of art?
If so, why not buy an intangible work of art and participate in a multicultural
STATEMENT
Patrici
...
Argumentation of the National Bitter Melon Council on the Power and Efficacy of Bitter Melonism - Andi Sutton
WWW
A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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'Nonlinear' was an exhibition project, that incorporates cultural expression without any borders, besides the main topic of 'Nonlinear': art
as an epistemology besides the science.
see also:http://www.catrack.de/nonlinear/
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'Nonlinear' was an exhibition project, that incorporates cultural expression without any borders, besides the main topic of 'Nonlinear': art
as an epistemology besides the science.
see also:http://www.catrack.de/nonlinear/
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The plan of scientific work « Russian branch Mecklenburg - Strelitz family. Russia - Germany. Sight of the artist of XXI century. » - Yuri Wassiliew
WWW
Wassiliew J.A.,
dozent of drawing department
in A.I.Gertzen Russian State
Pedagogical University,
Sankt Petersburg,
Russia.
The plan of scientific work
« Russian branch Mecklenburg - Strelitz family.
Russia - Germany.
Sight of the art
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Wassiliew J.A.,
dozent of drawing department
in A.I.Gertzen Russian State
Pedagogical University,
Sankt Petersburg,
Russia.
The plan of scientific work
« Russian branch Mecklenburg - Strelitz family.
Russia - Germany.
Sight of the art
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The work I called CrossSpot is a new project . I will try to place it outdoor in the town (Wroclaw) in the area of so called four temples. In one city district there are situated one synagogue, one orthodox Russian, catholic and protestant churches.
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The work I called CrossSpot is a new project . I will try to place it outdoor in the town (Wroclaw) in the area of so called four temples. In one city district there are situated one synagogue, one orthodox Russian, catholic and protestant churches.
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THE STORY OF THE WRONG PRAYER BOOK
(frescoes at the Chirch of Holy Mary)
Some twenty km north of Jerusalem a picturesque Arab town nestles in between the green Judea hills. It is called Abu Gosh after its founders the Abugosh family. They were Muslim.
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THE STORY OF THE WRONG PRAYER BOOK
(frescoes at the Chirch of Holy Mary)
Some twenty km north of Jerusalem a picturesque Arab town nestles in between the green Judea hills. It is called Abu Gosh after its founders the Abugosh family. They were Muslim.
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The Ninth Circle of Obsession - the project for group exhibition - Izabela Ołdak
WWW
Obsession is a mental state, the inability to free yourself from intrusive thoughts, images, or from performing the same actions. Obsession is also a type of anxiety disorder, reflected by the presence of irrational thoughts and impulses, which are accom
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Obsession is a mental state, the inability to free yourself from intrusive thoughts, images, or from performing the same actions. Obsession is also a type of anxiety disorder, reflected by the presence of irrational thoughts and impulses, which are accom
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MEMORY UPGRADE FOR ATTU ISLAND - Deborah A Bouchette
WWW
MEMORY UPGRADE FOR ATTU ISLAND 1 MEMORY UPGRADE FOR ATTU ISLAND Deborah A. Bouchette 05 May 2009 MEMORY UPGRADE FOR ATTU ISLAND 2
What do we have, but memory? Even the “present” is consumed immediately, and our very recognition of “now” makes
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MEMORY UPGRADE FOR ATTU ISLAND 1 MEMORY UPGRADE FOR ATTU ISLAND Deborah A. Bouchette 05 May 2009 MEMORY UPGRADE FOR ATTU ISLAND 2
What do we have, but memory? Even the “present” is consumed immediately, and our very recognition of “now” makes
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Book is based on Arabic calligraphy and images to produce a book works on notice of the Heritage
Logistic requirements
Human resources:-
This includes the job titles and job description
The model:-
We will contact a various number of actors, act
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Book is based on Arabic calligraphy and images to produce a book works on notice of the Heritage
Logistic requirements
Human resources:-
This includes the job titles and job description
The model:-
We will contact a various number of actors, act
...
In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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10 | to not realise | media space
effort, time | June 2009
After one month of intense research and conceptual effort I have fully worked out a new interactive crossmedia project.
Kunst ist heute fast überall zu jeder Zeit und für jeden Zweck v
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10 | to not realise | media space
effort, time | June 2009
After one month of intense research and conceptual effort I have fully worked out a new interactive crossmedia project.
Kunst ist heute fast überall zu jeder Zeit und für jeden Zweck v
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Die asporas « Young Israeli artists in Berlin« group installations curator: Lior Wilentzik www.dieasporas.com contact:dieasporas@gmail.com 015126857385 Recent years have been marked with a rising trend of young Israeli artists immigrating to Berlin. Par
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Die asporas « Young Israeli artists in Berlin« group installations curator: Lior Wilentzik www.dieasporas.com contact:dieasporas@gmail.com 015126857385 Recent years have been marked with a rising trend of young Israeli artists immigrating to Berlin. Par
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Object:
To create a system of signage which illustrates and informs city centre travellers.
Areas are colour coded and image coded according to local history and culture.
Works are wall mounted and 3 dimensional.
Project could be self-funded by u
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Object:
To create a system of signage which illustrates and informs city centre travellers.
Areas are colour coded and image coded according to local history and culture.
Works are wall mounted and 3 dimensional.
Project could be self-funded by u
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The Panajachel Biennial’s Story: A Community Still to Come - Panajachel Biennial
WWW
The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
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The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
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Where are the California Rolls from? - Maki Na Kamura
WWW
To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
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To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
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Portrait of a village in contemporary art - Eugen Alupopanu
WWW
My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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