ZIPPER CHAIRS
With Zipper Chairs , I am playing with the interaction of natural design and human logic. The structures we live in, whether natural, invented, physical or cultural, all affect our behavior. The idea for Zipper Chairs came from my fascina
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ZIPPER CHAIRS
With Zipper Chairs , I am playing with the interaction of natural design and human logic. The structures we live in, whether natural, invented, physical or cultural, all affect our behavior. The idea for Zipper Chairs came from my fascina
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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The principal idea of the project has its roots on the "cosmogonist" myth of the Cosmic Egg, references of which we find in the history of almost all primitive cultures. We have been asked to research a "cosmogonist" myth and then to carry out a project
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The principal idea of the project has its roots on the "cosmogonist" myth of the Cosmic Egg, references of which we find in the history of almost all primitive cultures. We have been asked to research a "cosmogonist" myth and then to carry out a project
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Einige Überlegungen zur Emblematik von Ansichtskarten. Abgebildete Sehenswürdigkeiten gelangen auf Ansichtskarten durch die häufig gewählte Zentralperspektive in die Nähe ausgestellter Backwaren. Die siegelhaft stilisierte Heraldik, eines immer wiede
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Einige Überlegungen zur Emblematik von Ansichtskarten. Abgebildete Sehenswürdigkeiten gelangen auf Ansichtskarten durch die häufig gewählte Zentralperspektive in die Nähe ausgestellter Backwaren. Die siegelhaft stilisierte Heraldik, eines immer wiede
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These are two unrealized designs are for large stained glass windows. The designs is variable in scale, and the windows would make use of specialized glass such as lenses, roundel disks, and mouth-blown antique glass. This photo is derived from a maquette
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These are two unrealized designs are for large stained glass windows. The designs is variable in scale, and the windows would make use of specialized glass such as lenses, roundel disks, and mouth-blown antique glass. This photo is derived from a maquette
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THE FLUID PAVILION OF ARCHITECTURE - MARIA KARACHRISTOU
WWW
The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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For the previous eight months, I spent my time living, working and studying in Berlin. In
addition, I traveled to London, Prague, Venice and Paris. Much of my time was spent studying
the history of the various cities and how that history has in effect s
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For the previous eight months, I spent my time living, working and studying in Berlin. In
addition, I traveled to London, Prague, Venice and Paris. Much of my time was spent studying
the history of the various cities and how that history has in effect s
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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wind chamber
This project consists of designing an “architectural sculpture” of an active capsule intended for temporary public interventions, pragmatic and strictly related to the development of the action and participation in the public sphere. T
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wind chamber
This project consists of designing an “architectural sculpture” of an active capsule intended for temporary public interventions, pragmatic and strictly related to the development of the action and participation in the public sphere. T
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Statement
Blurring boundaries of art and architecture, G.F. Zaimis work explores the nature of shape and form from the most minimal to monumental, abstract to literal, painting to photography.
The essence of her work addresses architecture’s shap
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Statement
Blurring boundaries of art and architecture, G.F. Zaimis work explores the nature of shape and form from the most minimal to monumental, abstract to literal, painting to photography.
The essence of her work addresses architecture’s shap
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The Circumference is Everywhere, 2011
100 miles Northeast of Los Angeles in the Mojave Desert lies a city abandoned in advance of itself, a ruin that is an aerial monument to misguided optimism that was conceived of by Nat Mendelsohn and intended to r
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The Circumference is Everywhere, 2011
100 miles Northeast of Los Angeles in the Mojave Desert lies a city abandoned in advance of itself, a ruin that is an aerial monument to misguided optimism that was conceived of by Nat Mendelsohn and intended to r
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Parish in Lezkairu - Taller Basico de Arquitectura [TBA]
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Parish in Lezkairu (2011)
The building takes an "L" form, as it differentiates two principal zones: the temple, which occupies one side of the "L", and the rooms and housings, that occupy the other side. Both areas coexist in a strong and unified image
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Parish in Lezkairu (2011)
The building takes an "L" form, as it differentiates two principal zones: the temple, which occupies one side of the "L", and the rooms and housings, that occupy the other side. Both areas coexist in a strong and unified image
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“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c
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“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c
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Trace
An interactive installation that allows the viewers to be part of a collaboration with previous visitors and the architecture of the exhibition space. A continuous record of people’s motion through space that engenders dynamic drawings and sound
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Trace
An interactive installation that allows the viewers to be part of a collaboration with previous visitors and the architecture of the exhibition space. A continuous record of people’s motion through space that engenders dynamic drawings and sound
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Broadside & Plan For A New American Home: Volumes 5 & 6 in 6 Volume Artist Book Project - Jordan West
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To The Agency Of Unrealized Projects
May 18, 2011
Dear Curator,
I have submitted two projects for your consideration. These are both Artists' Books that I have not been realized at the present time. They are two in a series of six artists' books
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To The Agency Of Unrealized Projects
May 18, 2011
Dear Curator,
I have submitted two projects for your consideration. These are both Artists' Books that I have not been realized at the present time. They are two in a series of six artists' books
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This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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Dinedromoscope (from Greek: δινη, “vortex”, δρομοs, “run” e σkοπη, “to examine”)
PLAN A
Dinedromoscope is a project destined to the involvement of the visitors of the Guggenheim Museum, New York, who are invited to throw thems
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Dinedromoscope (from Greek: δινη, “vortex”, δρομοs, “run” e σkοπη, “to examine”)
PLAN A
Dinedromoscope is a project destined to the involvement of the visitors of the Guggenheim Museum, New York, who are invited to throw thems
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Unrealised projects ART FOR THE CITY, 2008
I'm sending you two photos of the unrealised projects created in 2008 on the theme »Art for the city«. The Society of Ljubljana's visual artists invited artists of Ljubljana to contribute ideas how to make
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Unrealised projects ART FOR THE CITY, 2008
I'm sending you two photos of the unrealised projects created in 2008 on the theme »Art for the city«. The Society of Ljubljana's visual artists invited artists of Ljubljana to contribute ideas how to make
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EMOTIONAL SPACE - sculptor PhD, Aili Vahtrapuu, disainer Janika Vesberg
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Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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Decodification of the rituals mapping of hitchhikers to fish auction market, havana - Carolyn Leung
WWW
An architectural provocation of the Socialistic country, Cuba. Research started from hitchhiking in Havana, mapping of the behaviors of individuals. With self-interpretation and experience leads to a speculative design of a Fish Auction Market in Havana.
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An architectural provocation of the Socialistic country, Cuba. Research started from hitchhiking in Havana, mapping of the behaviors of individuals. With self-interpretation and experience leads to a speculative design of a Fish Auction Market in Havana.
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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dreamy
A wall is constructed brick-and-mortar style, but instead of clay or stone, the bricks are made from
shrubbery. It is both a wall and a topiary, bringing together architecture and the garden. As typical of
hedgerows, it serves to define space,
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dreamy
A wall is constructed brick-and-mortar style, but instead of clay or stone, the bricks are made from
shrubbery. It is both a wall and a topiary, bringing together architecture and the garden. As typical of
hedgerows, it serves to define space,
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Tabakalera (2008)
LE VOYAGE DANS LA LUNE
The trip
Us astronomers, motivated by our curiosity and thirst of knowledge, we have design a capsule – the golden room- that will enable us to discover other realities. The great event takes place, finally, a
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Tabakalera (2008)
LE VOYAGE DANS LA LUNE
The trip
Us astronomers, motivated by our curiosity and thirst of knowledge, we have design a capsule – the golden room- that will enable us to discover other realities. The great event takes place, finally, a
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wall installation
variable dimensions
water pain on wall and oil on paper transfered on wooden tables (26 x 19 cm each element)
The project consists of a large installation that runs on the walls, creating a visually stunning work of able to relate g
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wall installation
variable dimensions
water pain on wall and oil on paper transfered on wooden tables (26 x 19 cm each element)
The project consists of a large installation that runs on the walls, creating a visually stunning work of able to relate g
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