Justyna Gruszczyk RETURN Project consists on scenting former Lutheran church in Toruń with the incense, which is used by Orthodox Church. Interior of the church will remain empty. In a visual way nothing will change. The source of the fragrance will be h
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Justyna Gruszczyk RETURN Project consists on scenting former Lutheran church in Toruń with the incense, which is used by Orthodox Church. Interior of the church will remain empty. In a visual way nothing will change. The source of the fragrance will be h
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I have created a proposal outlining a beautification project beginning in the city of Atlanta. Participants in the agenda sign up to receive locations of seed bomb caches. They can then distribute the seed bombs and log the locations of the bombing....
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I have created a proposal outlining a beautification project beginning in the city of Atlanta. Participants in the agenda sign up to receive locations of seed bomb caches. They can then distribute the seed bombs and log the locations of the bombing....
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THE STREET IS ALSO A HOUSE ... - António Rosa da Silva
WWW
explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private.
The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve
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explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private.
The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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This was a proposal for a project called "Thanatopolis" --asking for outdoor works that explored the rituals of interment and memorialization.
(This proposal was for an outdoor art environment that was also a place of memory)
Imagine walking though
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This was a proposal for a project called "Thanatopolis" --asking for outdoor works that explored the rituals of interment and memorialization.
(This proposal was for an outdoor art environment that was also a place of memory)
Imagine walking though
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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