Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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My submission calls for a form of weir to be built at the Schuylkill River Environmental Center in Philadelphia, Pennsylvania. The structure, which is designed to aerate the water and allow for the deposit of silt, is built in the shape of skyscrapers...
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My submission calls for a form of weir to be built at the Schuylkill River Environmental Center in Philadelphia, Pennsylvania. The structure, which is designed to aerate the water and allow for the deposit of silt, is built in the shape of skyscrapers...
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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JARDIN COTONCO
‘Jardin Cotonco’ is a local recreational park in the Waterwijk district in Ghent-
Belgium. It aspires to be a pedagogical garden/green area in the historical centre of the city of Ghent, a laboratory and extension to MIAT (Museum
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JARDIN COTONCO
‘Jardin Cotonco’ is a local recreational park in the Waterwijk district in Ghent-
Belgium. It aspires to be a pedagogical garden/green area in the historical centre of the city of Ghent, a laboratory and extension to MIAT (Museum
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This project, a comic book, was one of the 5 finalists for the 2011 Frieze Art Fair EMDASH award.
Written Treatment.
The proposed work is an amplification of the fair and its potential meanings across different levels of reality. The epileptic segue o
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This project, a comic book, was one of the 5 finalists for the 2011 Frieze Art Fair EMDASH award.
Written Treatment.
The proposed work is an amplification of the fair and its potential meanings across different levels of reality. The epileptic segue o
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Two projects for the World Government Building - Samuil Stoyanov
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Artist Statement:
It is interesting to see what one value or thinks should be contained, stored and kept. This idea of something being secure and safely tucked away or collected is fundamental in my work. I think it is an essential quality of humans to
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Artist Statement:
It is interesting to see what one value or thinks should be contained, stored and kept. This idea of something being secure and safely tucked away or collected is fundamental in my work. I think it is an essential quality of humans to
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“Fireflies” is a site-specific installation, I got the idea while traveling for Bogota to Medellin by land, through the mountain. For the first time after sever years I saw groups of fireflies in the woods. Why there are not so many fireflies around t
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“Fireflies” is a site-specific installation, I got the idea while traveling for Bogota to Medellin by land, through the mountain. For the first time after sever years I saw groups of fireflies in the woods. Why there are not so many fireflies around t
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