Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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Work Description:
In this proposed project for Watermans, 1000 bargain bin CDs are purchased and made available to visitors to browse, playback and take-away if they wish. Rather than a constantly updated library of the latest hits, these albums are the
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Work Description:
In this proposed project for Watermans, 1000 bargain bin CDs are purchased and made available to visitors to browse, playback and take-away if they wish. Rather than a constantly updated library of the latest hits, these albums are the
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Justyna Gruszczyk RETURN Project consists on scenting former Lutheran church in Toruń with the incense, which is used by Orthodox Church. Interior of the church will remain empty. In a visual way nothing will change. The source of the fragrance will be h
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Justyna Gruszczyk RETURN Project consists on scenting former Lutheran church in Toruń with the incense, which is used by Orthodox Church. Interior of the church will remain empty. In a visual way nothing will change. The source of the fragrance will be h
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Originally submitted to the 12 x 12 Project Space at the MCA in Chicago in 2003/04. The submitted images are showing the model book made for the demonstrative needs of the project. The size of the model book is H 6 x W 4,5 x 1, 5 cm and it pops-up /unfol
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Originally submitted to the 12 x 12 Project Space at the MCA in Chicago in 2003/04. The submitted images are showing the model book made for the demonstrative needs of the project. The size of the model book is H 6 x W 4,5 x 1, 5 cm and it pops-up /unfol
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Transferable skills / Compétances transfèrables - Erin Fortier and Scott Soullière
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Transferable skills | Compétances transfèrables
A site-specific installation in Ford City, Windsor-Detroit in the aftermath of the North American automotive industry crash. Both Soullière and Fortier were born and raised in Windsor....
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Transferable skills | Compétances transfèrables
A site-specific installation in Ford City, Windsor-Detroit in the aftermath of the North American automotive industry crash. Both Soullière and Fortier were born and raised in Windsor....
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The 'Not at...' series: Installations that never were... - Claire Manning
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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Green Times Square
Holly Tempo
In late 2007, I was invited to participate in Green-er Sessions: Sketching Solutions to Climate Change, an exhibition in which artists, scientists and architects presented solutions for climate change. I submitted a pr
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Green Times Square
Holly Tempo
In late 2007, I was invited to participate in Green-er Sessions: Sketching Solutions to Climate Change, an exhibition in which artists, scientists and architects presented solutions for climate change. I submitted a pr
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JARDIN COTONCO
‘Jardin Cotonco’ is a local recreational park in the Waterwijk district in Ghent-
Belgium. It aspires to be a pedagogical garden/green area in the historical centre of the city of Ghent, a laboratory and extension to MIAT (Museum
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JARDIN COTONCO
‘Jardin Cotonco’ is a local recreational park in the Waterwijk district in Ghent-
Belgium. It aspires to be a pedagogical garden/green area in the historical centre of the city of Ghent, a laboratory and extension to MIAT (Museum
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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For us, a key function of contemporary art in an open society is to test concepts, assumptions and boundaries. One way we do this is through making site-specific work in public places; our projects are often satirical or polemic in nature, and involve a d
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