This was a proposal for a project called "Thanatopolis" --asking for outdoor works that explored the rituals of interment and memorialization.
(This proposal was for an outdoor art environment that was also a place of memory)
Imagine walking though
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This was a proposal for a project called "Thanatopolis" --asking for outdoor works that explored the rituals of interment and memorialization.
(This proposal was for an outdoor art environment that was also a place of memory)
Imagine walking though
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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“Fireflies” is a site-specific installation, I got the idea while traveling for Bogota to Medellin by land, through the mountain. For the first time after sever years I saw groups of fireflies in the woods. Why there are not so many fireflies around t
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“Fireflies” is a site-specific installation, I got the idea while traveling for Bogota to Medellin by land, through the mountain. For the first time after sever years I saw groups of fireflies in the woods. Why there are not so many fireflies around t
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One Thousand Worlds in 16 minutes and 40 seconds - Nuala Clarke
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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JARDIN COTONCO
‘Jardin Cotonco’ is a local recreational park in the Waterwijk district in Ghent-
Belgium. It aspires to be a pedagogical garden/green area in the historical centre of the city of Ghent, a laboratory and extension to MIAT (Museum
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JARDIN COTONCO
‘Jardin Cotonco’ is a local recreational park in the Waterwijk district in Ghent-
Belgium. It aspires to be a pedagogical garden/green area in the historical centre of the city of Ghent, a laboratory and extension to MIAT (Museum
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THE STREET IS ALSO A HOUSE ... - António Rosa da Silva
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explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private.
The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve
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explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private.
The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve
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