Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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I am interested in making moving (autonomous) sculptures with real robots. I did worked with some other different kinds of robots and got a prize with them at EMAF in 2005 as part of a larger project . But they were smaller, and theri walking, moving capa
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“Otherhedron is a trip. From pole to pole, the object moves around the world like a pebble rolling gently on the ground. Demarcating locations as nodes or points in the globe that, when joined, trace a plane much like one of the sides of Otherhedron."
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“Otherhedron is a trip. From pole to pole, the object moves around the world like a pebble rolling gently on the ground. Demarcating locations as nodes or points in the globe that, when joined, trace a plane much like one of the sides of Otherhedron."
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In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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Whisper – Murmur – Howl
Installation Project
Framework
It all started a few years ago when I came across several sculptured heads lying down all messy in a back yard of an art college my ex-wife attended, just like scraps of junk. I photograp
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Whisper – Murmur – Howl
Installation Project
Framework
It all started a few years ago when I came across several sculptured heads lying down all messy in a back yard of an art college my ex-wife attended, just like scraps of junk. I photograp
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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CURTAIN CALL: Giant drawing as suspended sculpture - Derek Michael Besant
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Client: Windspear Music Centre / City of Edmonton / Canada
Date: 1996
Sculpture designed to hang suspended in new Windspear music Hall Tower
The idea was to create a drawing in space that was linear, but described volume. The giant detail of fold
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Client: Windspear Music Centre / City of Edmonton / Canada
Date: 1996
Sculpture designed to hang suspended in new Windspear music Hall Tower
The idea was to create a drawing in space that was linear, but described volume. The giant detail of fold
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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I started a project that focused on the idea that we all project our thoughts, beliefs, ideas and values onto those that come across our paths in our daily lives. Sometimes tihs is a positive experience and sometimes it is a negative experience.
I c
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I started a project that focused on the idea that we all project our thoughts, beliefs, ideas and values onto those that come across our paths in our daily lives. Sometimes tihs is a positive experience and sometimes it is a negative experience.
I c
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The O.U.R.S. project concerns the concept of a monumental orbiting ring sculpture designed for realization in the outer space environment in the year 2000.
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The O.U.R.S. project concerns the concept of a monumental orbiting ring sculpture designed for realization in the outer space environment in the year 2000.
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Ana Torfs, MORE LIGHT (2007)
Animated light sculpture in white neon letters. The two words, at 35 meters above street level, measure 18 m (L) x 2 m (H).
Four visual artists had been invited to propose a work for the new campus of the Sint-Lukas U
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Ana Torfs, MORE LIGHT (2007)
Animated light sculpture in white neon letters. The two words, at 35 meters above street level, measure 18 m (L) x 2 m (H).
Four visual artists had been invited to propose a work for the new campus of the Sint-Lukas U
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Black balls represent carbon atoms. They are piled in the bottom of the container at their present accumulation in the atmosphere. Each time an equivalent amount of carbon is released in the atmosphere a ball would be dropped. Each time a carbon reductio
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Black balls represent carbon atoms. They are piled in the bottom of the container at their present accumulation in the atmosphere. Each time an equivalent amount of carbon is released in the atmosphere a ball would be dropped. Each time a carbon reductio
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Four natural stones are evenly places around an iron plate, facing each other. As the iron plate is buried one meter below the ground, only the four stones are visible to the viewer.
The absence of the iron plate is indicated by a title sign which ind
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Four natural stones are evenly places around an iron plate, facing each other. As the iron plate is buried one meter below the ground, only the four stones are visible to the viewer.
The absence of the iron plate is indicated by a title sign which ind
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William Livingstone house Detroit Project 2010 submitted to United States Artists Projects - Vincent Johnson
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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The Gutenbird
The Gutenbird is an unrealized suspended artwork intended for a public library. On one level it celebrates the handmade and well crafted and on another level implies the innovative and significant achievements of the first printing press
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The Gutenbird
The Gutenbird is an unrealized suspended artwork intended for a public library. On one level it celebrates the handmade and well crafted and on another level implies the innovative and significant achievements of the first printing press
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood.
"The Gate"
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Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood.
"The Gate"
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KRISTIN JONES / ANDREW GINZEL
AFTER TILTED ARC, 1985
Proposal for Alternative to Existing Federal Plaza, Storefront for Art and Architecture, New York City.
Dimensions: 55' H x 20' W x 85' D (1676 H x 610 W x 2591 D cm.)
Elements: Water
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KRISTIN JONES / ANDREW GINZEL
AFTER TILTED ARC, 1985
Proposal for Alternative to Existing Federal Plaza, Storefront for Art and Architecture, New York City.
Dimensions: 55' H x 20' W x 85' D (1676 H x 610 W x 2591 D cm.)
Elements: Water
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https://twitter.com/tweetsculpture
In 1969, Douglas Huebler wrote “The world is full of objects, more or less interesting, I do
not wish to add any more.”
Since early january 2012 five writers / artists (between the ages of 24 and 60) create
s
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https://twitter.com/tweetsculpture
In 1969, Douglas Huebler wrote “The world is full of objects, more or less interesting, I do
not wish to add any more.”
Since early january 2012 five writers / artists (between the ages of 24 and 60) create
s
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Jerzy Olek
Accumulation of space – idea for an exhibition
For me, space is a form of sculpture. It is generally formless, but its manifestations assume definite formal shapes. These forms—imagined, found, constructed—appear in my works as proj
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Jerzy Olek
Accumulation of space – idea for an exhibition
For me, space is a form of sculpture. It is generally formless, but its manifestations assume definite formal shapes. These forms—imagined, found, constructed—appear in my works as proj
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Editorial Sculpture: Divina Commedia - Javier Toro Blum
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso. With a 2.5mm typography ev
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The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso. With a 2.5mm typography ev
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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