Two artists Chris Hodson and Nicole Mortiboys, meet every Wednesday over a period of three years, to make plans and talk about Art.
They name themselves WILE.E.ARTIST (since renamed TNT) based around the cartoon character Wile.E.Coyote.They work together
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Two artists Chris Hodson and Nicole Mortiboys, meet every Wednesday over a period of three years, to make plans and talk about Art.
They name themselves WILE.E.ARTIST (since renamed TNT) based around the cartoon character Wile.E.Coyote.They work together
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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Irlam House is a sixteen story tower block in Bootle, Merseyside. Sometime in the late 1980’s the resident Caretaker came into possession of a substantial collection of drawings. The drawings came to our attention when he recently brought one study to t
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Irlam House is a sixteen story tower block in Bootle, Merseyside. Sometime in the late 1980’s the resident Caretaker came into possession of a substantial collection of drawings. The drawings came to our attention when he recently brought one study to t
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Tal Ram On Resume
Tal Ran On was born and raised in Kibutz Zikim, following graduation from one of Israeli finest army units, he went and studied film making. Between the years 1995 to 2005, Tal was filming and directing documentaries movies.
At 2005,
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Tal Ram On Resume
Tal Ran On was born and raised in Kibutz Zikim, following graduation from one of Israeli finest army units, he went and studied film making. Between the years 1995 to 2005, Tal was filming and directing documentaries movies.
At 2005,
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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This project requires an indoor climbing wall of significant width and height (minimum 40' x 65'). A route setter will be hired to climb and lay out climbing holds and place climbing tape to mark the route (color is up to the setter, but yellow is prefer
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This project requires an indoor climbing wall of significant width and height (minimum 40' x 65'). A route setter will be hired to climb and lay out climbing holds and place climbing tape to mark the route (color is up to the setter, but yellow is prefer
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Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces.
Bill Vielehr PO Box 19734 Boulder, CO 80308-27
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Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces.
Bill Vielehr PO Box 19734 Boulder, CO 80308-27
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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I sometimes go to a library and spend an hour there finding certain books to leave cut out scraps of my old drawings, parts that I really like, s gifts. These drawings are small with short texts on them that are taken from books I own.
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I sometimes go to a library and spend an hour there finding certain books to leave cut out scraps of my old drawings, parts that I really like, s gifts. These drawings are small with short texts on them that are taken from books I own.
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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The plan of scientific work « Russian branch Mecklenburg - Strelitz family. Russia - Germany. Sight of the artist of XXI century. » - Yuri Wassiliew
WWW
Wassiliew J.A.,
dozent of drawing department
in A.I.Gertzen Russian State
Pedagogical University,
Sankt Petersburg,
Russia.
The plan of scientific work
« Russian branch Mecklenburg - Strelitz family.
Russia - Germany.
Sight of the art
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Wassiliew J.A.,
dozent of drawing department
in A.I.Gertzen Russian State
Pedagogical University,
Sankt Petersburg,
Russia.
The plan of scientific work
« Russian branch Mecklenburg - Strelitz family.
Russia - Germany.
Sight of the art
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Sorry for placing my picture in the Text Document place, i have been trying to delete it and it will not respond.....
The first image is one I never did finish. It began as a doodle that I created in the midst of a deep depression. I call the doodle,
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Sorry for placing my picture in the Text Document place, i have been trying to delete it and it will not respond.....
The first image is one I never did finish. It began as a doodle that I created in the midst of a deep depression. I call the doodle,
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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Both pieces I have submitted were started when I was feeling a certain way. I began making the sketches (which is what you see here) then I stopped working on the sketches and the paintings were never born. The reason for this is that since both were cr
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Both pieces I have submitted were started when I was feeling a certain way. I began making the sketches (which is what you see here) then I stopped working on the sketches and the paintings were never born. The reason for this is that since both were cr
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My art begins with a mark or line inspired by patterns found in natural or manmade environments. My pen and ink drawings explore repetitions of line and organic forms, investigating the simplicity and complexity of gestures, marks, lines, and textures.
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My art begins with a mark or line inspired by patterns found in natural or manmade environments. My pen and ink drawings explore repetitions of line and organic forms, investigating the simplicity and complexity of gestures, marks, lines, and textures.
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AGENCY FOR UNREALIZED PROJECTS - Paulo Luís Almeida
WWW
AGENCY FOR UNREALIZED PROJECTS
Most part of my drawings are studies for non-performed actions. I began making them as previews for the documentation process, strategies of framing the sequences of small, often unnoticed, performances. Gradually, these
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AGENCY FOR UNREALIZED PROJECTS
Most part of my drawings are studies for non-performed actions. I began making them as previews for the documentation process, strategies of framing the sequences of small, often unnoticed, performances. Gradually, these
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
WWW
Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Date: 13 May 2011
To: The Agency of Unrealized Projects
From: Buzz Spector
RE: Recent Work Not Done
My unrealized project is an artists’ book compilation of every artmaking idea or curatorial proposition I have had since 1972, but which
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Date: 13 May 2011
To: The Agency of Unrealized Projects
From: Buzz Spector
RE: Recent Work Not Done
My unrealized project is an artists’ book compilation of every artmaking idea or curatorial proposition I have had since 1972, but which
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A Labyrinth of Illusions
The exhibition would present my works from the series “The Dimensionslessness of Illusion”. Drawings, photographs, collages, computer graphics and stereomontages–all reflecting the variety of techniques used in the const
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A Labyrinth of Illusions
The exhibition would present my works from the series “The Dimensionslessness of Illusion”. Drawings, photographs, collages, computer graphics and stereomontages–all reflecting the variety of techniques used in the const
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