Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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I have revisited “The Bardo Board Game Project” with great excitement and joy thanks to you! I share an exciting temporary art installation that can benefit families whose children face day-to-day life decision challenges that take them away from a c
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I have revisited “The Bardo Board Game Project” with great excitement and joy thanks to you! I share an exciting temporary art installation that can benefit families whose children face day-to-day life decision challenges that take them away from a c
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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Arbeit Macht Nicht Frei (Work doens’t bring freedom) - DARR TAH LEI
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days
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Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days
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Two artists Chris Hodson and Nicole Mortiboys, meet every Wednesday over a period of three years, to make plans and talk about Art.
They name themselves WILE.E.ARTIST (since renamed TNT) based around the cartoon character Wile.E.Coyote.They work together
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Two artists Chris Hodson and Nicole Mortiboys, meet every Wednesday over a period of three years, to make plans and talk about Art.
They name themselves WILE.E.ARTIST (since renamed TNT) based around the cartoon character Wile.E.Coyote.They work together
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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The plan of scientific work « Russian branch Mecklenburg - Strelitz family. Russia - Germany. Sight of the artist of XXI century. » - Yuri Wassiliew
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Wassiliew J.A.,
dozent of drawing department
in A.I.Gertzen Russian State
Pedagogical University,
Sankt Petersburg,
Russia.
The plan of scientific work
« Russian branch Mecklenburg - Strelitz family.
Russia - Germany.
Sight of the art
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Wassiliew J.A.,
dozent of drawing department
in A.I.Gertzen Russian State
Pedagogical University,
Sankt Petersburg,
Russia.
The plan of scientific work
« Russian branch Mecklenburg - Strelitz family.
Russia - Germany.
Sight of the art
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Tal Ram On Resume
Tal Ran On was born and raised in Kibutz Zikim, following graduation from one of Israeli finest army units, he went and studied film making. Between the years 1995 to 2005, Tal was filming and directing documentaries movies.
At 2005,
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Tal Ram On Resume
Tal Ran On was born and raised in Kibutz Zikim, following graduation from one of Israeli finest army units, he went and studied film making. Between the years 1995 to 2005, Tal was filming and directing documentaries movies.
At 2005,
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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pencil drawings on paper by Jack Kirby and Thom of Finland - Paul Beuchat
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Exhibition of pencil drawings on paper by Jack Kirby and Thom of Finland focusing on images that are similar in form, material and subject matter - muscular men in uniform - to expose the drawn line as a perfect mirror of the maker, independently of form
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Exhibition of pencil drawings on paper by Jack Kirby and Thom of Finland focusing on images that are similar in form, material and subject matter - muscular men in uniform - to expose the drawn line as a perfect mirror of the maker, independently of form
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I sometimes go to a library and spend an hour there finding certain books to leave cut out scraps of my old drawings, parts that I really like, s gifts. These drawings are small with short texts on them that are taken from books I own.
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I sometimes go to a library and spend an hour there finding certain books to leave cut out scraps of my old drawings, parts that I really like, s gifts. These drawings are small with short texts on them that are taken from books I own.
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Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces.
Bill Vielehr PO Box 19734 Boulder, CO 80308-27
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Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces.
Bill Vielehr PO Box 19734 Boulder, CO 80308-27
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My art begins with a mark or line inspired by patterns found in natural or manmade environments. My pen and ink drawings explore repetitions of line and organic forms, investigating the simplicity and complexity of gestures, marks, lines, and textures.
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My art begins with a mark or line inspired by patterns found in natural or manmade environments. My pen and ink drawings explore repetitions of line and organic forms, investigating the simplicity and complexity of gestures, marks, lines, and textures.
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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This project questions the structure of the foundations of scientific reality based on the atomic model and contrasts this with the philosophy of phenomenology. The paradox of these two contrasting foundations creates an opening for exploration while also
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This project questions the structure of the foundations of scientific reality based on the atomic model and contrasts this with the philosophy of phenomenology. The paradox of these two contrasting foundations creates an opening for exploration while also
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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Drawing for a human- scale wave, made from paper and biro pen. Using only the pressure of the pen to induce sculptural form from a flat surface. Referencing a common motif of the sublime, this work suggests something ordinary with extraordinar
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Drawing for a human- scale wave, made from paper and biro pen. Using only the pressure of the pen to induce sculptural form from a flat surface. Referencing a common motif of the sublime, this work suggests something ordinary with extraordinar
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AGENCY FOR UNREALIZED PROJECTS - Paulo Luís Almeida
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AGENCY FOR UNREALIZED PROJECTS
Most part of my drawings are studies for non-performed actions. I began making them as previews for the documentation process, strategies of framing the sequences of small, often unnoticed, performances. Gradually, these
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AGENCY FOR UNREALIZED PROJECTS
Most part of my drawings are studies for non-performed actions. I began making them as previews for the documentation process, strategies of framing the sequences of small, often unnoticed, performances. Gradually, these
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This project requires an indoor climbing wall of significant width and height (minimum 40' x 65'). A route setter will be hired to climb and lay out climbing holds and place climbing tape to mark the route (color is up to the setter, but yellow is prefer
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This project requires an indoor climbing wall of significant width and height (minimum 40' x 65'). A route setter will be hired to climb and lay out climbing holds and place climbing tape to mark the route (color is up to the setter, but yellow is prefer
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