Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces.
Bill Vielehr PO Box 19734 Boulder, CO 80308-27
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Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces.
Bill Vielehr PO Box 19734 Boulder, CO 80308-27
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I sometimes go to a library and spend an hour there finding certain books to leave cut out scraps of my old drawings, parts that I really like, s gifts. These drawings are small with short texts on them that are taken from books I own.
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I sometimes go to a library and spend an hour there finding certain books to leave cut out scraps of my old drawings, parts that I really like, s gifts. These drawings are small with short texts on them that are taken from books I own.
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Irlam House is a sixteen story tower block in Bootle, Merseyside. Sometime in the late 1980’s the resident Caretaker came into possession of a substantial collection of drawings. The drawings came to our attention when he recently brought one study to t
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Irlam House is a sixteen story tower block in Bootle, Merseyside. Sometime in the late 1980’s the resident Caretaker came into possession of a substantial collection of drawings. The drawings came to our attention when he recently brought one study to t
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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City of Today: Development for Feminine Urbanism - Coralina Meyer
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City of Today: Development for Feminine Urbanism
A proposal for a fresh urban perspective, the City of Today is a product of the Old Girls Club. It is a series of presentations/drawings/performances/historic fictions where clients are asked to parti
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City of Today: Development for Feminine Urbanism
A proposal for a fresh urban perspective, the City of Today is a product of the Old Girls Club. It is a series of presentations/drawings/performances/historic fictions where clients are asked to parti
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This project requires an indoor climbing wall of significant width and height (minimum 40' x 65'). A route setter will be hired to climb and lay out climbing holds and place climbing tape to mark the route (color is up to the setter, but yellow is prefer
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This project requires an indoor climbing wall of significant width and height (minimum 40' x 65'). A route setter will be hired to climb and lay out climbing holds and place climbing tape to mark the route (color is up to the setter, but yellow is prefer
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Tal Ram On Resume
Tal Ran On was born and raised in Kibutz Zikim, following graduation from one of Israeli finest army units, he went and studied film making. Between the years 1995 to 2005, Tal was filming and directing documentaries movies.
At 2005,
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Tal Ram On Resume
Tal Ran On was born and raised in Kibutz Zikim, following graduation from one of Israeli finest army units, he went and studied film making. Between the years 1995 to 2005, Tal was filming and directing documentaries movies.
At 2005,
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Two artists Chris Hodson and Nicole Mortiboys, meet every Wednesday over a period of three years, to make plans and talk about Art.
They name themselves WILE.E.ARTIST (since renamed TNT) based around the cartoon character Wile.E.Coyote.They work together
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Two artists Chris Hodson and Nicole Mortiboys, meet every Wednesday over a period of three years, to make plans and talk about Art.
They name themselves WILE.E.ARTIST (since renamed TNT) based around the cartoon character Wile.E.Coyote.They work together
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The plan of scientific work « Russian branch Mecklenburg - Strelitz family. Russia - Germany. Sight of the artist of XXI century. » - Yuri Wassiliew
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Wassiliew J.A.,
dozent of drawing department
in A.I.Gertzen Russian State
Pedagogical University,
Sankt Petersburg,
Russia.
The plan of scientific work
« Russian branch Mecklenburg - Strelitz family.
Russia - Germany.
Sight of the art
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Wassiliew J.A.,
dozent of drawing department
in A.I.Gertzen Russian State
Pedagogical University,
Sankt Petersburg,
Russia.
The plan of scientific work
« Russian branch Mecklenburg - Strelitz family.
Russia - Germany.
Sight of the art
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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A Labyrinth of Illusions
The exhibition would present my works from the series “The Dimensionslessness of Illusion”. Drawings, photographs, collages, computer graphics and stereomontages–all reflecting the variety of techniques used in the const
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A Labyrinth of Illusions
The exhibition would present my works from the series “The Dimensionslessness of Illusion”. Drawings, photographs, collages, computer graphics and stereomontages–all reflecting the variety of techniques used in the const
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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Sorry for placing my picture in the Text Document place, i have been trying to delete it and it will not respond.....
The first image is one I never did finish. It began as a doodle that I created in the midst of a deep depression. I call the doodle,
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Sorry for placing my picture in the Text Document place, i have been trying to delete it and it will not respond.....
The first image is one I never did finish. It began as a doodle that I created in the midst of a deep depression. I call the doodle,
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pencil drawings on paper by Jack Kirby and Thom of Finland - Paul Beuchat
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Exhibition of pencil drawings on paper by Jack Kirby and Thom of Finland focusing on images that are similar in form, material and subject matter - muscular men in uniform - to expose the drawn line as a perfect mirror of the maker, independently of form
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Exhibition of pencil drawings on paper by Jack Kirby and Thom of Finland focusing on images that are similar in form, material and subject matter - muscular men in uniform - to expose the drawn line as a perfect mirror of the maker, independently of form
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Drawing for a human- scale wave, made from paper and biro pen. Using only the pressure of the pen to induce sculptural form from a flat surface. Referencing a common motif of the sublime, this work suggests something ordinary with extraordinar
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Drawing for a human- scale wave, made from paper and biro pen. Using only the pressure of the pen to induce sculptural form from a flat surface. Referencing a common motif of the sublime, this work suggests something ordinary with extraordinar
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Arbeit Macht Nicht Frei (Work doens’t bring freedom) - DARR TAH LEI
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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