Monastic garden in an edge space of a retail park, London, UK - Peter Ainsworth
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Monastic garden in an edge space of a retail park, London, UK
Space that is on the peripheries of major roads and towns has a distinctly singular usage: to consume. Out of town shopping malls, retail parks have an inexplicable draw, yet they also have
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Monastic garden in an edge space of a retail park, London, UK
Space that is on the peripheries of major roads and towns has a distinctly singular usage: to consume. Out of town shopping malls, retail parks have an inexplicable draw, yet they also have
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Three Genetic Drifts
wooden boardwalk, pedestrian tree (ficus benjamina or equivalent) anchored in concrete planter, crane and hoisting equipment Dimensions variable [proposal for London parking garage] Boardwalks are user-friendly infrastructures that
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Three Genetic Drifts
wooden boardwalk, pedestrian tree (ficus benjamina or equivalent) anchored in concrete planter, crane and hoisting equipment Dimensions variable [proposal for London parking garage] Boardwalks are user-friendly infrastructures that
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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Proposal:
Part 1.
Use the artists fee to place 1000 £1 bets on the races during St Patrick’s Day.
Dressed as the embodiment of St Patrick placing the bets one after another will take all day and create a performance of endurance and intrigue.
T
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Proposal:
Part 1.
Use the artists fee to place 1000 £1 bets on the races during St Patrick’s Day.
Dressed as the embodiment of St Patrick placing the bets one after another will take all day and create a performance of endurance and intrigue.
T
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Among my recent Project Internal Painting Valuable gift, I examined forms of knowledge and Power, the transference of idea to object from one work to another. These works sit within a wider strategy of enacting associative thought into form. More directly
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Among my recent Project Internal Painting Valuable gift, I examined forms of knowledge and Power, the transference of idea to object from one work to another. These works sit within a wider strategy of enacting associative thought into form. More directly
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Image 1: 1000mt highrise tower on 1 column with 52 steel cables around its supporting structure visible from street level to 500mt up, where the first of its 68 floors for restaurant space (20 floors), office space (30 floors) and living space (18 floors)
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Image 1: 1000mt highrise tower on 1 column with 52 steel cables around its supporting structure visible from street level to 500mt up, where the first of its 68 floors for restaurant space (20 floors), office space (30 floors) and living space (18 floors)
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Proposal for Vision and Vernacular Eight African American Artists in Venice - Lonnie Holley
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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The Panajachel Biennial’s Story: A Community Still to Come - Panajachel Biennial
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The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
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The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
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Alastair Noble & Kathy Bruce 2010
Project Title - The Rings –
Intent: To create an iconic and poetic symbol that will represent Lancaster, The Poetry Paths Project and the history, culture and diverse peoples of Lancaster.
Summary: A sculpture
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Alastair Noble & Kathy Bruce 2010
Project Title - The Rings –
Intent: To create an iconic and poetic symbol that will represent Lancaster, The Poetry Paths Project and the history, culture and diverse peoples of Lancaster.
Summary: A sculpture
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Portrait of a village in contemporary art - Eugen Alupopanu
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
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To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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