Argumentation of the National Bitter Melon Council on the Power and Efficacy of Bitter Melonism - Andi Sutton
WWW
A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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ArtPOTLATCH - Exhibition as Test Lab/ Art as Gift - Rebecca Keller
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POTLATCH
A potlatch is a tradition carried on by many NW coast Indian tribes. The chief would celebrate a significant event (birth, marriage) by hosting a Potlatch. A huge feast would be provided, and gifts such as blankets, etc. would be given to the
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POTLATCH
A potlatch is a tradition carried on by many NW coast Indian tribes. The chief would celebrate a significant event (birth, marriage) by hosting a Potlatch. A huge feast would be provided, and gifts such as blankets, etc. would be given to the
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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MEMORY UPGRADE FOR ATTU ISLAND - Deborah A Bouchette
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MEMORY UPGRADE FOR ATTU ISLAND 1 MEMORY UPGRADE FOR ATTU ISLAND Deborah A. Bouchette 05 May 2009 MEMORY UPGRADE FOR ATTU ISLAND 2
What do we have, but memory? Even the “present” is consumed immediately, and our very recognition of “now” makes
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MEMORY UPGRADE FOR ATTU ISLAND 1 MEMORY UPGRADE FOR ATTU ISLAND Deborah A. Bouchette 05 May 2009 MEMORY UPGRADE FOR ATTU ISLAND 2
What do we have, but memory? Even the “present” is consumed immediately, and our very recognition of “now” makes
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Portrait of a village in contemporary art - Eugen Alupopanu
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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To Two Too; Hypothetical Monument for a Natural Disaster - Jeffrey Wisniewski
Unbuilt Roads
(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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10 | to not realise | media space
effort, time | June 2009
After one month of intense research and conceptual effort I have fully worked out a new interactive crossmedia project.
Kunst ist heute fast überall zu jeder Zeit und für jeden Zweck v
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10 | to not realise | media space
effort, time | June 2009
After one month of intense research and conceptual effort I have fully worked out a new interactive crossmedia project.
Kunst ist heute fast überall zu jeder Zeit und für jeden Zweck v
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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Proposal for Vision and Vernacular Eight African American Artists in Venice - Lonnie Holley
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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Art and Ourselves: A Proposal for the city of Nordhorn - Allen Rupperssberg
Unbuilt Roads
see my catalog from the Magazine. The complete text is there.
(eventually reasons why the work has not been realised)
Political
Previous Publications (?)
Catalog from where art Magazine 1996
Exisiting Documents:
to be requested from No
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see my catalog from the Magazine. The complete text is there.
(eventually reasons why the work has not been realised)
Political
Previous Publications (?)
Catalog from where art Magazine 1996
Exisiting Documents:
to be requested from No
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'Nonlinear' was an exhibition project, that incorporates cultural expression without any borders, besides the main topic of 'Nonlinear': art
as an epistemology besides the science.
see also:http://www.catrack.de/nonlinear/
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'Nonlinear' was an exhibition project, that incorporates cultural expression without any borders, besides the main topic of 'Nonlinear': art
as an epistemology besides the science.
see also:http://www.catrack.de/nonlinear/
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Among my recent Project Internal Painting Valuable gift, I examined forms of knowledge and Power, the transference of idea to object from one work to another. These works sit within a wider strategy of enacting associative thought into form. More directly
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Among my recent Project Internal Painting Valuable gift, I examined forms of knowledge and Power, the transference of idea to object from one work to another. These works sit within a wider strategy of enacting associative thought into form. More directly
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