Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Alastair Noble & Kathy Bruce 2010
Project Title - The Rings –
Intent: To create an iconic and poetic symbol that will represent Lancaster, The Poetry Paths Project and the history, culture and diverse peoples of Lancaster.
Summary: A sculpture
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Alastair Noble & Kathy Bruce 2010
Project Title - The Rings –
Intent: To create an iconic and poetic symbol that will represent Lancaster, The Poetry Paths Project and the history, culture and diverse peoples of Lancaster.
Summary: A sculpture
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L’Ombre en feu, 1996 Work in progress - Patricia Jacomella
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Excerpt from the advertising campaign
Buy new Value!
Dear Art Lover
Have you run out of space for more works of art?
If so, why not buy an intangible work of art and participate in a multicultural
STATEMENT
Patrici
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Excerpt from the advertising campaign
Buy new Value!
Dear Art Lover
Have you run out of space for more works of art?
If so, why not buy an intangible work of art and participate in a multicultural
STATEMENT
Patrici
...
Among my recent Project Internal Painting Valuable gift, I examined forms of knowledge and Power, the transference of idea to object from one work to another. These works sit within a wider strategy of enacting associative thought into form. More directly
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Among my recent Project Internal Painting Valuable gift, I examined forms of knowledge and Power, the transference of idea to object from one work to another. These works sit within a wider strategy of enacting associative thought into form. More directly
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Argumentation of the National Bitter Melon Council on the Power and Efficacy of Bitter Melonism - Andi Sutton
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A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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Image 1: 1000mt highrise tower on 1 column with 52 steel cables around its supporting structure visible from street level to 500mt up, where the first of its 68 floors for restaurant space (20 floors), office space (30 floors) and living space (18 floors)
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Image 1: 1000mt highrise tower on 1 column with 52 steel cables around its supporting structure visible from street level to 500mt up, where the first of its 68 floors for restaurant space (20 floors), office space (30 floors) and living space (18 floors)
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Proposal for Vision and Vernacular Eight African American Artists in Venice - Lonnie Holley
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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10 | to not realise | media space
effort, time | June 2009
After one month of intense research and conceptual effort I have fully worked out a new interactive crossmedia project.
Kunst ist heute fast überall zu jeder Zeit und für jeden Zweck v
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10 | to not realise | media space
effort, time | June 2009
After one month of intense research and conceptual effort I have fully worked out a new interactive crossmedia project.
Kunst ist heute fast überall zu jeder Zeit und für jeden Zweck v
...
Where are the California Rolls from? - Maki Na Kamura
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To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
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To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
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The work I called CrossSpot is a new project . I will try to place it outdoor in the town (Wroclaw) in the area of so called four temples. In one city district there are situated one synagogue, one orthodox Russian, catholic and protestant churches.
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The work I called CrossSpot is a new project . I will try to place it outdoor in the town (Wroclaw) in the area of so called four temples. In one city district there are situated one synagogue, one orthodox Russian, catholic and protestant churches.
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TWO IMAGES OF WHAT I CALL THE ENDLESS CHARACTER OF A NATURE FULL OF NATIVES.
I DONT THINK THIS WILL OR COULD BE EVER FINISHED BECAUSE TO ME THEY WERE BORN BY THE TIME THEY DIED. SO THEY REMAIN A PHOTOGRAPH THAT NEED A STILL LIFE SHOT.
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TWO IMAGES OF WHAT I CALL THE ENDLESS CHARACTER OF A NATURE FULL OF NATIVES.
I DONT THINK THIS WILL OR COULD BE EVER FINISHED BECAUSE TO ME THEY WERE BORN BY THE TIME THEY DIED. SO THEY REMAIN A PHOTOGRAPH THAT NEED A STILL LIFE SHOT.
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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