L’Ombre en feu, 1996 Work in progress - Patricia Jacomella
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Excerpt from the advertising campaign
Buy new Value!
Dear Art Lover
Have you run out of space for more works of art?
If so, why not buy an intangible work of art and participate in a multicultural
STATEMENT
Patrici
...
Excerpt from the advertising campaign
Buy new Value!
Dear Art Lover
Have you run out of space for more works of art?
If so, why not buy an intangible work of art and participate in a multicultural
STATEMENT
Patrici
...
“Bus Stop” is a moveable painting based on an image of local commuters waiting for their bus ride. “Bus Stop” explores the cultural significance that public transportation plays in society. As a physical object, t
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“Bus Stop” is a moveable painting based on an image of local commuters waiting for their bus ride. “Bus Stop” explores the cultural significance that public transportation plays in society. As a physical object, t
...
MEMORY UPGRADE FOR ATTU ISLAND - Deborah A Bouchette
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MEMORY UPGRADE FOR ATTU ISLAND 1 MEMORY UPGRADE FOR ATTU ISLAND Deborah A. Bouchette 05 May 2009 MEMORY UPGRADE FOR ATTU ISLAND 2
What do we have, but memory? Even the “present” is consumed immediately, and our very recognition of “now” makes
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MEMORY UPGRADE FOR ATTU ISLAND 1 MEMORY UPGRADE FOR ATTU ISLAND Deborah A. Bouchette 05 May 2009 MEMORY UPGRADE FOR ATTU ISLAND 2
What do we have, but memory? Even the “present” is consumed immediately, and our very recognition of “now” makes
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To Two Too; Hypothetical Monument for a Natural Disaster - Jeffrey Wisniewski
Unbuilt Roads
(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
...
'Nonlinear' was an exhibition project, that incorporates cultural expression without any borders, besides the main topic of 'Nonlinear': art
as an epistemology besides the science.
see also:http://www.catrack.de/nonlinear/
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'Nonlinear' was an exhibition project, that incorporates cultural expression without any borders, besides the main topic of 'Nonlinear': art
as an epistemology besides the science.
see also:http://www.catrack.de/nonlinear/
...
The Panajachel Biennial’s Story: A Community Still to Come - Panajachel Biennial
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The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
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The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
...
THE STORY OF THE WRONG PRAYER BOOK
(frescoes at the Chirch of Holy Mary)
Some twenty km north of Jerusalem a picturesque Arab town nestles in between the green Judea hills. It is called Abu Gosh after its founders the Abugosh family. They were Muslim.
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THE STORY OF THE WRONG PRAYER BOOK
(frescoes at the Chirch of Holy Mary)
Some twenty km north of Jerusalem a picturesque Arab town nestles in between the green Judea hills. It is called Abu Gosh after its founders the Abugosh family. They were Muslim.
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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Proposal for Vision and Vernacular Eight African American Artists in Venice - Lonnie Holley
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
...
To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
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To starting form early 19th century, industrial revolution had spread all around the world with enormous impact. Individual countries got infected differently by this magnificent influence. This difference ( in my view point) comes from culture.
...
ArtPOTLATCH - Exhibition as Test Lab/ Art as Gift - Rebecca Keller
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POTLATCH
A potlatch is a tradition carried on by many NW coast Indian tribes. The chief would celebrate a significant event (birth, marriage) by hosting a Potlatch. A huge feast would be provided, and gifts such as blankets, etc. would be given to the
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POTLATCH
A potlatch is a tradition carried on by many NW coast Indian tribes. The chief would celebrate a significant event (birth, marriage) by hosting a Potlatch. A huge feast would be provided, and gifts such as blankets, etc. would be given to the
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