Where are the California Rolls from? - Maki Na Kamura
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To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
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To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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THE STORY OF THE WRONG PRAYER BOOK
(frescoes at the Chirch of Holy Mary)
Some twenty km north of Jerusalem a picturesque Arab town nestles in between the green Judea hills. It is called Abu Gosh after its founders the Abugosh family. They were Muslim.
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THE STORY OF THE WRONG PRAYER BOOK
(frescoes at the Chirch of Holy Mary)
Some twenty km north of Jerusalem a picturesque Arab town nestles in between the green Judea hills. It is called Abu Gosh after its founders the Abugosh family. They were Muslim.
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The work I called CrossSpot is a new project . I will try to place it outdoor in the town (Wroclaw) in the area of so called four temples. In one city district there are situated one synagogue, one orthodox Russian, catholic and protestant churches.
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The work I called CrossSpot is a new project . I will try to place it outdoor in the town (Wroclaw) in the area of so called four temples. In one city district there are situated one synagogue, one orthodox Russian, catholic and protestant churches.
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The Panajachel Biennial’s Story: A Community Still to Come - Panajachel Biennial
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The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
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The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
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Object:
To create a system of signage which illustrates and informs city centre travellers.
Areas are colour coded and image coded according to local history and culture.
Works are wall mounted and 3 dimensional.
Project could be self-funded by u
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Object:
To create a system of signage which illustrates and informs city centre travellers.
Areas are colour coded and image coded according to local history and culture.
Works are wall mounted and 3 dimensional.
Project could be self-funded by u
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Image 1: 1000mt highrise tower on 1 column with 52 steel cables around its supporting structure visible from street level to 500mt up, where the first of its 68 floors for restaurant space (20 floors), office space (30 floors) and living space (18 floors)
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Image 1: 1000mt highrise tower on 1 column with 52 steel cables around its supporting structure visible from street level to 500mt up, where the first of its 68 floors for restaurant space (20 floors), office space (30 floors) and living space (18 floors)
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Three Genetic Drifts
wooden boardwalk, pedestrian tree (ficus benjamina or equivalent) anchored in concrete planter, crane and hoisting equipment Dimensions variable [proposal for London parking garage] Boardwalks are user-friendly infrastructures that
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Three Genetic Drifts
wooden boardwalk, pedestrian tree (ficus benjamina or equivalent) anchored in concrete planter, crane and hoisting equipment Dimensions variable [proposal for London parking garage] Boardwalks are user-friendly infrastructures that
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Project: CHINATOWN RUN
Client: City of Calgary Development Dept. / Canada
Date: 2010
Retrofit of elements into existing Centre Street Chinatown District of Calgary Alberta Canada.
The idea was to enhance the 3 blocks along Centre Street with t
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Project: CHINATOWN RUN
Client: City of Calgary Development Dept. / Canada
Date: 2010
Retrofit of elements into existing Centre Street Chinatown District of Calgary Alberta Canada.
The idea was to enhance the 3 blocks along Centre Street with t
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Alastair Noble & Kathy Bruce 2010
Project Title - The Rings –
Intent: To create an iconic and poetic symbol that will represent Lancaster, The Poetry Paths Project and the history, culture and diverse peoples of Lancaster.
Summary: A sculpture
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Alastair Noble & Kathy Bruce 2010
Project Title - The Rings –
Intent: To create an iconic and poetic symbol that will represent Lancaster, The Poetry Paths Project and the history, culture and diverse peoples of Lancaster.
Summary: A sculpture
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“Bus Stop” is a moveable painting based on an image of local commuters waiting for their bus ride. “Bus Stop” explores the cultural significance that public transportation plays in society. As a physical object, t
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“Bus Stop” is a moveable painting based on an image of local commuters waiting for their bus ride. “Bus Stop” explores the cultural significance that public transportation plays in society. As a physical object, t
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Proposal for Vision and Vernacular Eight African American Artists in Venice - Lonnie Holley
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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