TWO IMAGES OF WHAT I CALL THE ENDLESS CHARACTER OF A NATURE FULL OF NATIVES.
I DONT THINK THIS WILL OR COULD BE EVER FINISHED BECAUSE TO ME THEY WERE BORN BY THE TIME THEY DIED. SO THEY REMAIN A PHOTOGRAPH THAT NEED A STILL LIFE SHOT.
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TWO IMAGES OF WHAT I CALL THE ENDLESS CHARACTER OF A NATURE FULL OF NATIVES.
I DONT THINK THIS WILL OR COULD BE EVER FINISHED BECAUSE TO ME THEY WERE BORN BY THE TIME THEY DIED. SO THEY REMAIN A PHOTOGRAPH THAT NEED A STILL LIFE SHOT.
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L’Ombre en feu, 1996 Work in progress - Patricia Jacomella
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Excerpt from the advertising campaign
Buy new Value!
Dear Art Lover
Have you run out of space for more works of art?
If so, why not buy an intangible work of art and participate in a multicultural
STATEMENT
Patrici
...
Excerpt from the advertising campaign
Buy new Value!
Dear Art Lover
Have you run out of space for more works of art?
If so, why not buy an intangible work of art and participate in a multicultural
STATEMENT
Patrici
...
Argumentation of the National Bitter Melon Council on the Power and Efficacy of Bitter Melonism - Andi Sutton
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A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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Three Genetic Drifts
wooden boardwalk, pedestrian tree (ficus benjamina or equivalent) anchored in concrete planter, crane and hoisting equipment Dimensions variable [proposal for London parking garage] Boardwalks are user-friendly infrastructures that
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Three Genetic Drifts
wooden boardwalk, pedestrian tree (ficus benjamina or equivalent) anchored in concrete planter, crane and hoisting equipment Dimensions variable [proposal for London parking garage] Boardwalks are user-friendly infrastructures that
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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Project: CHINATOWN RUN
Client: City of Calgary Development Dept. / Canada
Date: 2010
Retrofit of elements into existing Centre Street Chinatown District of Calgary Alberta Canada.
The idea was to enhance the 3 blocks along Centre Street with t
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Project: CHINATOWN RUN
Client: City of Calgary Development Dept. / Canada
Date: 2010
Retrofit of elements into existing Centre Street Chinatown District of Calgary Alberta Canada.
The idea was to enhance the 3 blocks along Centre Street with t
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'KEIDAI reappearance' project, July to September 2005, is reappearance of one of a Japanese shrine precincts in Ciaotou, south of Kaohsiung, Taiwan.
Most Japanese Shinto shrines in Taiwan were destroyed by Chiang Kai-shek's Kuomintang after W.W.Ⅱ
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'KEIDAI reappearance' project, July to September 2005, is reappearance of one of a Japanese shrine precincts in Ciaotou, south of Kaohsiung, Taiwan.
Most Japanese Shinto shrines in Taiwan were destroyed by Chiang Kai-shek's Kuomintang after W.W.Ⅱ
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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“Bus Stop” is a moveable painting based on an image of local commuters waiting for their bus ride. “Bus Stop” explores the cultural significance that public transportation plays in society. As a physical object, t
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“Bus Stop” is a moveable painting based on an image of local commuters waiting for their bus ride. “Bus Stop” explores the cultural significance that public transportation plays in society. As a physical object, t
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ArtPOTLATCH - Exhibition as Test Lab/ Art as Gift - Rebecca Keller
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POTLATCH
A potlatch is a tradition carried on by many NW coast Indian tribes. The chief would celebrate a significant event (birth, marriage) by hosting a Potlatch. A huge feast would be provided, and gifts such as blankets, etc. would be given to the
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POTLATCH
A potlatch is a tradition carried on by many NW coast Indian tribes. The chief would celebrate a significant event (birth, marriage) by hosting a Potlatch. A huge feast would be provided, and gifts such as blankets, etc. would be given to the
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Green Soundscape // Audio collage - Reference to the Arab revolution - Youssef Tabti
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I. Collect recording in North Africa (Algeria, Tunisia, Libya and Egypt)
The project addresses the idea of Arabic cities landscape from an auditory perspective. I would like to collect a various audio sources on location to recreate a complex and subje
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I. Collect recording in North Africa (Algeria, Tunisia, Libya and Egypt)
The project addresses the idea of Arabic cities landscape from an auditory perspective. I would like to collect a various audio sources on location to recreate a complex and subje
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Among my recent Project Internal Painting Valuable gift, I examined forms of knowledge and Power, the transference of idea to object from one work to another. These works sit within a wider strategy of enacting associative thought into form. More directly
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Among my recent Project Internal Painting Valuable gift, I examined forms of knowledge and Power, the transference of idea to object from one work to another. These works sit within a wider strategy of enacting associative thought into form. More directly
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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