Die asporas « Young Israeli artists in Berlin« group installations curator: Lior Wilentzik www.dieasporas.com contact:dieasporas@gmail.com 015126857385 Recent years have been marked with a rising trend of young Israeli artists immigrating to Berlin. Par
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Die asporas « Young Israeli artists in Berlin« group installations curator: Lior Wilentzik www.dieasporas.com contact:dieasporas@gmail.com 015126857385 Recent years have been marked with a rising trend of young Israeli artists immigrating to Berlin. Par
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The work I called CrossSpot is a new project . I will try to place it outdoor in the town (Wroclaw) in the area of so called four temples. In one city district there are situated one synagogue, one orthodox Russian, catholic and protestant churches.
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The work I called CrossSpot is a new project . I will try to place it outdoor in the town (Wroclaw) in the area of so called four temples. In one city district there are situated one synagogue, one orthodox Russian, catholic and protestant churches.
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Portrait of a village in contemporary art - Eugen Alupopanu
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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MEMORY UPGRADE FOR ATTU ISLAND - Deborah A Bouchette
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MEMORY UPGRADE FOR ATTU ISLAND 1 MEMORY UPGRADE FOR ATTU ISLAND Deborah A. Bouchette 05 May 2009 MEMORY UPGRADE FOR ATTU ISLAND 2
What do we have, but memory? Even the “present” is consumed immediately, and our very recognition of “now” makes
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MEMORY UPGRADE FOR ATTU ISLAND 1 MEMORY UPGRADE FOR ATTU ISLAND Deborah A. Bouchette 05 May 2009 MEMORY UPGRADE FOR ATTU ISLAND 2
What do we have, but memory? Even the “present” is consumed immediately, and our very recognition of “now” makes
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THE STORY OF THE WRONG PRAYER BOOK
(frescoes at the Chirch of Holy Mary)
Some twenty km north of Jerusalem a picturesque Arab town nestles in between the green Judea hills. It is called Abu Gosh after its founders the Abugosh family. They were Muslim.
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THE STORY OF THE WRONG PRAYER BOOK
(frescoes at the Chirch of Holy Mary)
Some twenty km north of Jerusalem a picturesque Arab town nestles in between the green Judea hills. It is called Abu Gosh after its founders the Abugosh family. They were Muslim.
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To Two Too; Hypothetical Monument for a Natural Disaster - Jeffrey Wisniewski
Unbuilt Roads
(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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L’Ombre en feu, 1996 Work in progress - Patricia Jacomella
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Excerpt from the advertising campaign
Buy new Value!
Dear Art Lover
Have you run out of space for more works of art?
If so, why not buy an intangible work of art and participate in a multicultural
STATEMENT
Patrici
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Excerpt from the advertising campaign
Buy new Value!
Dear Art Lover
Have you run out of space for more works of art?
If so, why not buy an intangible work of art and participate in a multicultural
STATEMENT
Patrici
...
In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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Image 1: 1000mt highrise tower on 1 column with 52 steel cables around its supporting structure visible from street level to 500mt up, where the first of its 68 floors for restaurant space (20 floors), office space (30 floors) and living space (18 floors)
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Image 1: 1000mt highrise tower on 1 column with 52 steel cables around its supporting structure visible from street level to 500mt up, where the first of its 68 floors for restaurant space (20 floors), office space (30 floors) and living space (18 floors)
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ArtPOTLATCH - Exhibition as Test Lab/ Art as Gift - Rebecca Keller
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POTLATCH
A potlatch is a tradition carried on by many NW coast Indian tribes. The chief would celebrate a significant event (birth, marriage) by hosting a Potlatch. A huge feast would be provided, and gifts such as blankets, etc. would be given to the
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POTLATCH
A potlatch is a tradition carried on by many NW coast Indian tribes. The chief would celebrate a significant event (birth, marriage) by hosting a Potlatch. A huge feast would be provided, and gifts such as blankets, etc. would be given to the
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The Panajachel Biennial’s Story: A Community Still to Come - Panajachel Biennial
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The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
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The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
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Proposal for Vision and Vernacular Eight African American Artists in Venice - Lonnie Holley
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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