'KEIDAI reappearance' project, July to September 2005, is reappearance of one of a Japanese shrine precincts in Ciaotou, south of Kaohsiung, Taiwan.
Most Japanese Shinto shrines in Taiwan were destroyed by Chiang Kai-shek's Kuomintang after W.W.Ⅱ
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'KEIDAI reappearance' project, July to September 2005, is reappearance of one of a Japanese shrine precincts in Ciaotou, south of Kaohsiung, Taiwan.
Most Japanese Shinto shrines in Taiwan were destroyed by Chiang Kai-shek's Kuomintang after W.W.Ⅱ
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Proposal for Vision and Vernacular Eight African American Artists in Venice - Lonnie Holley
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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Lonnie Holley
From Earth the Mother to the Black Mother and Back Again
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by the American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist State
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The Panajachel Biennial’s Story: A Community Still to Come - Panajachel Biennial
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The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
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The Panajachel Biennial was an initiative by a group of young independent curators (Karl Escher, Abbas Ibn Salah al Din, Guillermo Santamarina, Joao Castro da Silva y Takouhi Abesalom) who convened in Panajachel in 2009. The result of this meeting was a p
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10 | to not realise | media space
effort, time | June 2009
After one month of intense research and conceptual effort I have fully worked out a new interactive crossmedia project.
Kunst ist heute fast überall zu jeder Zeit und für jeden Zweck v
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10 | to not realise | media space
effort, time | June 2009
After one month of intense research and conceptual effort I have fully worked out a new interactive crossmedia project.
Kunst ist heute fast überall zu jeder Zeit und für jeden Zweck v
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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Three Genetic Drifts
wooden boardwalk, pedestrian tree (ficus benjamina or equivalent) anchored in concrete planter, crane and hoisting equipment Dimensions variable [proposal for London parking garage] Boardwalks are user-friendly infrastructures that
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Three Genetic Drifts
wooden boardwalk, pedestrian tree (ficus benjamina or equivalent) anchored in concrete planter, crane and hoisting equipment Dimensions variable [proposal for London parking garage] Boardwalks are user-friendly infrastructures that
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The Ninth Circle of Obsession - the project for group exhibition - Izabela Ołdak
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Obsession is a mental state, the inability to free yourself from intrusive thoughts, images, or from performing the same actions. Obsession is also a type of anxiety disorder, reflected by the presence of irrational thoughts and impulses, which are accom
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Obsession is a mental state, the inability to free yourself from intrusive thoughts, images, or from performing the same actions. Obsession is also a type of anxiety disorder, reflected by the presence of irrational thoughts and impulses, which are accom
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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In “Flags,” I would use color and geometry to deconstruct and then reassemble, in multiple permutations, the world’s national flags. I would employ multiple media (paper, fabric, encaustic, photography, video, . . . ) to emphasize the “variety”
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MEMORY UPGRADE FOR ATTU ISLAND - Deborah A Bouchette
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MEMORY UPGRADE FOR ATTU ISLAND 1 MEMORY UPGRADE FOR ATTU ISLAND Deborah A. Bouchette 05 May 2009 MEMORY UPGRADE FOR ATTU ISLAND 2
What do we have, but memory? Even the “present” is consumed immediately, and our very recognition of “now” makes
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MEMORY UPGRADE FOR ATTU ISLAND 1 MEMORY UPGRADE FOR ATTU ISLAND Deborah A. Bouchette 05 May 2009 MEMORY UPGRADE FOR ATTU ISLAND 2
What do we have, but memory? Even the “present” is consumed immediately, and our very recognition of “now” makes
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To Two Too; Hypothetical Monument for a Natural Disaster - Jeffrey Wisniewski
Unbuilt Roads
(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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(222) steel, wire mesh containers, 'gitter boxes', half filled with architectural and cultural debris with other miscellaneous rubble
(22) solar panels with battery bank, etc. (solar system)
(6) LCD video projectors; video and live television
broad
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Portrait of a village in contemporary art - Eugen Alupopanu
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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Monastic garden in an edge space of a retail park, London, UK - Peter Ainsworth
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Monastic garden in an edge space of a retail park, London, UK
Space that is on the peripheries of major roads and towns has a distinctly singular usage: to consume. Out of town shopping malls, retail parks have an inexplicable draw, yet they also have
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Monastic garden in an edge space of a retail park, London, UK
Space that is on the peripheries of major roads and towns has a distinctly singular usage: to consume. Out of town shopping malls, retail parks have an inexplicable draw, yet they also have
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