TheStore: The Construct of a Life Package. Proposal for Arhus Kunstbygning 2011.
The exhibition space is piled with boxes, containing (fragments of) works of art, gathered around a wooden framework. The visitor is invited to fill up the framework with
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TheStore: The Construct of a Life Package. Proposal for Arhus Kunstbygning 2011.
The exhibition space is piled with boxes, containing (fragments of) works of art, gathered around a wooden framework. The visitor is invited to fill up the framework with
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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Park a person traces an individual’s life and their highs and lows. The piece offers an unusual treatment. Every individual troubled, can go to a space were you can park yourself, as a place for refuge or time out.
Based on a true documented account.
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Park a person traces an individual’s life and their highs and lows. The piece offers an unusual treatment. Every individual troubled, can go to a space were you can park yourself, as a place for refuge or time out.
Based on a true documented account.
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The sign that would attract people to an empty area. - Annika Eriksson
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The sign that would attract people to an empty area.
For the show When Attitudes Become Form Become Attitudes at Wattis Institute in San Francisco this year I wanted to place an illuminated sign in the vast empty lot just behind the institution, a l
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The sign that would attract people to an empty area.
For the show When Attitudes Become Form Become Attitudes at Wattis Institute in San Francisco this year I wanted to place an illuminated sign in the vast empty lot just behind the institution, a l
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Placid Earth: A Project for the Meeting of Millennia - Cai Guo Quiang
Unbuilt Roads
Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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AUP - Berliner Künstlerprogramm/ DAAD
Nicole De Brabandere
In 2009 I put in motion the possibility of amassing all of the doorknobs from an institutional building that was slated for demolition. After many phone calls to various authorities I disco
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AUP - Berliner Künstlerprogramm/ DAAD
Nicole De Brabandere
In 2009 I put in motion the possibility of amassing all of the doorknobs from an institutional building that was slated for demolition. After many phone calls to various authorities I disco
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About
Future Studies is a process of iconographic and structural relationships across time and space. This series of images begins as an ironic adaptation of archaeological anastylosis concept; the technique of reconstruction of a monument i
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About
Future Studies is a process of iconographic and structural relationships across time and space. This series of images begins as an ironic adaptation of archaeological anastylosis concept; the technique of reconstruction of a monument i
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Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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24 hours – surveillance of the sun - renata padovan
WWW
"24 Hs - Surveillance of the sun" is a project that maps sunsets and sunrises around the world. It aims at placing the viewer face to face with the idea of relative time and space.
Considering that in 24 hours the Earth completes a full rotation in re
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"24 Hs - Surveillance of the sun" is a project that maps sunsets and sunrises around the world. It aims at placing the viewer face to face with the idea of relative time and space.
Considering that in 24 hours the Earth completes a full rotation in re
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Straight-Line Residency Project (SLRP): - Margaret Roberts
WWW
Straight-Line Residency Project (SLRP):
Executive summary
A. The SLRP aims to • support interdimensional travel from virtual to physical space, • encourage the re-valuation of physical space by showing it as a desirable destination for interdimens
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Straight-Line Residency Project (SLRP):
Executive summary
A. The SLRP aims to • support interdimensional travel from virtual to physical space, • encourage the re-valuation of physical space by showing it as a desirable destination for interdimens
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These images were submitted as a proposal as to the Bemis Centre USA. The modus operanti of this and related projects is to introduce as little as possible into an architectural space in order to heighten the perception and experience of ‘reality’. Wh
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These images were submitted as a proposal as to the Bemis Centre USA. The modus operanti of this and related projects is to introduce as little as possible into an architectural space in order to heighten the perception and experience of ‘reality’. Wh
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Call for Unrealized Projects Olivia Booth
September, 2012 oabooth@yahoo.com
www.oliviabooth.net
GLASS DRUMMERS PAVILION
This repositionable glass drummer's pavilion is meant to latch on to the ground level of any international style
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Call for Unrealized Projects Olivia Booth
September, 2012 oabooth@yahoo.com
www.oliviabooth.net
GLASS DRUMMERS PAVILION
This repositionable glass drummer's pavilion is meant to latch on to the ground level of any international style
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mamila pOOl - c a l c (omi - Thomas Scheiderbauer)
WWW
mamila pOOl* we call a project which we wanted to realize downtown Jerusalem.
During a visit in Israel 2003 our friend Tal Adler showed us this amazing huge and empty space/pool - and we started do a research and to imagine..
For the Mamilla Pool we e
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mamila pOOl* we call a project which we wanted to realize downtown Jerusalem.
During a visit in Israel 2003 our friend Tal Adler showed us this amazing huge and empty space/pool - and we started do a research and to imagine..
For the Mamilla Pool we e
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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School of Pharmacy in Sevilla - Taller Basico de Arquitectura [TBA]
WWW
School of Pharmacy in Sevilla (2011)
We propose to build a new public space, a place opened to students and visitors, a room for the city. This room recreates an enclosed space, a courtyard. The new public space is affected by movements and pedestrian
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School of Pharmacy in Sevilla (2011)
We propose to build a new public space, a place opened to students and visitors, a room for the city. This room recreates an enclosed space, a courtyard. The new public space is affected by movements and pedestrian
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Civic Centre in Salburua - Taller Basico de Arquitectura [TBA]
WWW
Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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Structure for Formal and Material Imagination - Scott Massey
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Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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The World is a Theater and we each have a role - Louise Bourgeois
Unbuilt Roads
A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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"2011 and my private destinations " and "Because of your coordination" - Nikolay Zanev
WWW
Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Sheltered Apartments in Buztintxuri - Taller Basico de Arquitectura [TBA]
WWW
Sheltered Apartments in Buztintxuri (2009)
We understand the site as an opportunity to inhabit a space that ends in a dividing wall, and so, an uncompleted space. From this wall, we build a bone that links the existing buildings with the new project an
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Sheltered Apartments in Buztintxuri (2009)
We understand the site as an opportunity to inhabit a space that ends in a dividing wall, and so, an uncompleted space. From this wall, we build a bone that links the existing buildings with the new project an
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In graduate school I would rearrange my studio constantly. It wasn’t until after I learned of the term tabulology, while studying The Peter Principle. It is the study of unusual arrangements of desks, workbenches, etc. with acts of habituation and repet
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In graduate school I would rearrange my studio constantly. It wasn’t until after I learned of the term tabulology, while studying The Peter Principle. It is the study of unusual arrangements of desks, workbenches, etc. with acts of habituation and repet
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