Sheltered Apartments in Buztintxuri - Taller Basico de Arquitectura [TBA]
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Sheltered Apartments in Buztintxuri (2009)
We understand the site as an opportunity to inhabit a space that ends in a dividing wall, and so, an uncompleted space. From this wall, we build a bone that links the existing buildings with the new project an
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Sheltered Apartments in Buztintxuri (2009)
We understand the site as an opportunity to inhabit a space that ends in a dividing wall, and so, an uncompleted space. From this wall, we build a bone that links the existing buildings with the new project an
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Straight-Line Residency Project (SLRP): - Margaret Roberts
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Straight-Line Residency Project (SLRP):
Executive summary
A. The SLRP aims to • support interdimensional travel from virtual to physical space, • encourage the re-valuation of physical space by showing it as a desirable destination for interdimens
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Straight-Line Residency Project (SLRP):
Executive summary
A. The SLRP aims to • support interdimensional travel from virtual to physical space, • encourage the re-valuation of physical space by showing it as a desirable destination for interdimens
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School of Pharmacy in Sevilla - Taller Basico de Arquitectura [TBA]
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School of Pharmacy in Sevilla (2011)
We propose to build a new public space, a place opened to students and visitors, a room for the city. This room recreates an enclosed space, a courtyard. The new public space is affected by movements and pedestrian
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School of Pharmacy in Sevilla (2011)
We propose to build a new public space, a place opened to students and visitors, a room for the city. This room recreates an enclosed space, a courtyard. The new public space is affected by movements and pedestrian
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Call for Unrealized Projects Olivia Booth
September, 2012 oabooth@yahoo.com
www.oliviabooth.net
GLASS DRUMMERS PAVILION
This repositionable glass drummer's pavilion is meant to latch on to the ground level of any international style
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Call for Unrealized Projects Olivia Booth
September, 2012 oabooth@yahoo.com
www.oliviabooth.net
GLASS DRUMMERS PAVILION
This repositionable glass drummer's pavilion is meant to latch on to the ground level of any international style
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Park a person traces an individual’s life and their highs and lows. The piece offers an unusual treatment. Every individual troubled, can go to a space were you can park yourself, as a place for refuge or time out.
Based on a true documented account.
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Park a person traces an individual’s life and their highs and lows. The piece offers an unusual treatment. Every individual troubled, can go to a space were you can park yourself, as a place for refuge or time out.
Based on a true documented account.
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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WRAPPED MOON PROJECT
An Unrealized Project by Reynard Loki
http://wrappedmoonproject.blogspot.com/
BACKGROUND
On February 16, 1998, using the pseudonym of Red Q. Nary, I sent out the following e-mail to Woody Smith, the Curator of website of t
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WRAPPED MOON PROJECT
An Unrealized Project by Reynard Loki
http://wrappedmoonproject.blogspot.com/
BACKGROUND
On February 16, 1998, using the pseudonym of Red Q. Nary, I sent out the following e-mail to Woody Smith, the Curator of website of t
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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I will navigate through the city by its interstitial spaces. Using predetermined criteria for what qualifies as an interstitial space and matching mapping symbolism, I will go on walks through the city, avoiding usual thoroughfares and attraction points.
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I will navigate through the city by its interstitial spaces. Using predetermined criteria for what qualifies as an interstitial space and matching mapping symbolism, I will go on walks through the city, avoiding usual thoroughfares and attraction points.
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"2011 and my private destinations " and "Because of your coordination" - Nikolay Zanev
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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Along horizontality Joanna Geldard
My studies into the nature of horizontality extend to integrate an approach to space and site in non-spaces/in-between spaces. It aims to negotiate and contribute to the interpretations of non-spaces on the ed
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Along horizontality Joanna Geldard
My studies into the nature of horizontality extend to integrate an approach to space and site in non-spaces/in-between spaces. It aims to negotiate and contribute to the interpretations of non-spaces on the ed
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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AUP - Berliner Künstlerprogramm/ DAAD
Nicole De Brabandere
In 2009 I put in motion the possibility of amassing all of the doorknobs from an institutional building that was slated for demolition. After many phone calls to various authorities I disco
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AUP - Berliner Künstlerprogramm/ DAAD
Nicole De Brabandere
In 2009 I put in motion the possibility of amassing all of the doorknobs from an institutional building that was slated for demolition. After many phone calls to various authorities I disco
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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I am always interested in “Transitional” or “In Between” -a process of transformation. I believe that the transitional state is one kind of human conditions that we all have to face sometime in our live.
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I am always interested in “Transitional” or “In Between” -a process of transformation. I believe that the transitional state is one kind of human conditions that we all have to face sometime in our live.
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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Parish in Buztintxuri - Taller Basico de Arquitectura [TBA]
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Parish in Buztintxuri (2011)
The building is principally developed on the ground floor. Functional issues make necessary to emerge a second level in the central area. This space contains technical spaces.
The building is functionally differentiated
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Parish in Buztintxuri (2011)
The building is principally developed on the ground floor. Functional issues make necessary to emerge a second level in the central area. This space contains technical spaces.
The building is functionally differentiated
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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Two Propositions for Participation and One Prognostication - Mel Chin
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Two Propositions for Participation and One Prognostication
(One Page of) Preparatory Notes: Ask the least, so the most can be included. As a scriptor, conceive parts the performers (the participants) can easily follow yet allow them to understand how th
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Two Propositions for Participation and One Prognostication
(One Page of) Preparatory Notes: Ask the least, so the most can be included. As a scriptor, conceive parts the performers (the participants) can easily follow yet allow them to understand how th
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Placid Earth: A Project for the Meeting of Millennia - Cai Guo Quiang
Unbuilt Roads
Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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