Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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A FAIRLY TALL TOWER, 48,000 Miles High - - Siah Armajani
Unbuilt Roads
Location: Outer Space
Status: Theoretical study
Proposal to build a self-supporting tower suspended in space but anchored at one point to the earth (U. S. ).
All synchronous satellites of the earth are located at the synchronous altitude. This al
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Location: Outer Space
Status: Theoretical study
Proposal to build a self-supporting tower suspended in space but anchored at one point to the earth (U. S. ).
All synchronous satellites of the earth are located at the synchronous altitude. This al
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Structure for Formal and Material Imagination - Scott Massey
WWW
Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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Structure for Formal and Material Imagination
Travel to another dimension has long held our fascination. From Alice’s tentative leap down the rabbit hole, Wade Davis’ experients with the world’s psychotropic flora, or teleporting from the bridg
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Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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Cut Here
The work proposed for Art Needs Space is a simple drawing of a kite. The kite is digitally drawn as well as hand drawn but the hand drawn elements can be seen in the “cut here” lines of the kite figure. The two-dimensional poster is glued o
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Sculptural installation:
This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition.
The two sculptures here, each
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Sculptural installation:
This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition.
The two sculptures here, each
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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METEORITE AL CONTRARIO (INVERTED METEORITE) - Davide Bertocchi
WWW
METEORITE AL CONTRARIO (INVERTED METEORITE) - 2011 PROJECT. STONE, SPACE MISSION Courtesy the artist
A medium size stone (more or less 50 cm x 50 cm x 50 cm) is sent into space. Like a meteorite but following an opposite trajectory, that is, inste
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METEORITE AL CONTRARIO (INVERTED METEORITE) - 2011 PROJECT. STONE, SPACE MISSION Courtesy the artist
A medium size stone (more or less 50 cm x 50 cm x 50 cm) is sent into space. Like a meteorite but following an opposite trajectory, that is, inste
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Civic Centre in Salburua - Taller Basico de Arquitectura [TBA]
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Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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The World is a Theater and we each have a role - Louise Bourgeois
Unbuilt Roads
A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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A circular construction in wood, painted sky blue and white.
In 3 dimensions. An upside down dome. A small figure stands in the center.
(eventually reasons why the work has not be realized)
Complicated and too expensive but never discarded.
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Call for Unrealized Projects Olivia Booth
September, 2012 oabooth@yahoo.com
www.oliviabooth.net
GLASS DRUMMERS PAVILION
This repositionable glass drummer's pavilion is meant to latch on to the ground level of any international style
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Call for Unrealized Projects Olivia Booth
September, 2012 oabooth@yahoo.com
www.oliviabooth.net
GLASS DRUMMERS PAVILION
This repositionable glass drummer's pavilion is meant to latch on to the ground level of any international style
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“Otherhedron is a trip. From pole to pole, the object moves around the world like a pebble rolling gently on the ground. Demarcating locations as nodes or points in the globe that, when joined, trace a plane much like one of the sides of Otherhedron."
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“Otherhedron is a trip. From pole to pole, the object moves around the world like a pebble rolling gently on the ground. Demarcating locations as nodes or points in the globe that, when joined, trace a plane much like one of the sides of Otherhedron."
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Park a person traces an individual’s life and their highs and lows. The piece offers an unusual treatment. Every individual troubled, can go to a space were you can park yourself, as a place for refuge or time out.
Based on a true documented account.
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Park a person traces an individual’s life and their highs and lows. The piece offers an unusual treatment. Every individual troubled, can go to a space were you can park yourself, as a place for refuge or time out.
Based on a true documented account.
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WRAPPED MOON PROJECT
An Unrealized Project by Reynard Loki
http://wrappedmoonproject.blogspot.com/
BACKGROUND
On February 16, 1998, using the pseudonym of Red Q. Nary, I sent out the following e-mail to Woody Smith, the Curator of website of t
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WRAPPED MOON PROJECT
An Unrealized Project by Reynard Loki
http://wrappedmoonproject.blogspot.com/
BACKGROUND
On February 16, 1998, using the pseudonym of Red Q. Nary, I sent out the following e-mail to Woody Smith, the Curator of website of t
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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Along horizontality Joanna Geldard
My studies into the nature of horizontality extend to integrate an approach to space and site in non-spaces/in-between spaces. It aims to negotiate and contribute to the interpretations of non-spaces on the ed
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Along horizontality Joanna Geldard
My studies into the nature of horizontality extend to integrate an approach to space and site in non-spaces/in-between spaces. It aims to negotiate and contribute to the interpretations of non-spaces on the ed
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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FOOD SLUICE
The literal reference of the Food Sluice is to a way of channelling food. Following the principle of a sluice, the flow of food between two spaces is regulated, without there ever being a direct, open connection between these spaces.
Un
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Parish in Buztintxuri - Taller Basico de Arquitectura [TBA]
WWW
Parish in Buztintxuri (2011)
The building is principally developed on the ground floor. Functional issues make necessary to emerge a second level in the central area. This space contains technical spaces.
The building is functionally differentiated
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Parish in Buztintxuri (2011)
The building is principally developed on the ground floor. Functional issues make necessary to emerge a second level in the central area. This space contains technical spaces.
The building is functionally differentiated
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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TheStore: The Construct of a Life Package. Proposal for Arhus Kunstbygning 2011.
The exhibition space is piled with boxes, containing (fragments of) works of art, gathered around a wooden framework. The visitor is invited to fill up the framework with
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TheStore: The Construct of a Life Package. Proposal for Arhus Kunstbygning 2011.
The exhibition space is piled with boxes, containing (fragments of) works of art, gathered around a wooden framework. The visitor is invited to fill up the framework with
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"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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These images were submitted as a proposal as to the Bemis Centre USA. The modus operanti of this and related projects is to introduce as little as possible into an architectural space in order to heighten the perception and experience of ‘reality’. Wh
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These images were submitted as a proposal as to the Bemis Centre USA. The modus operanti of this and related projects is to introduce as little as possible into an architectural space in order to heighten the perception and experience of ‘reality’. Wh
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