I am always interested in “Transitional” or “In Between” -a process of transformation. I believe that the transitional state is one kind of human conditions that we all have to face sometime in our live.
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I am always interested in “Transitional” or “In Between” -a process of transformation. I believe that the transitional state is one kind of human conditions that we all have to face sometime in our live.
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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"2011 and my private destinations " and "Because of your coordination" - Nikolay Zanev
WWW
Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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Die Automation verspricht uns eine Produktion, die die Bedürfnisse aller Menschen ohne menschliche Arbeitsleistung zufriedenstellt. Die Arbeit des Menschen ist nicht länger ein unumgängliches Produktionsmittel. Der Mensch steht erste. malig vor der Tat
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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About
Future Studies is a process of iconographic and structural relationships across time and space. This series of images begins as an ironic adaptation of archaeological anastylosis concept; the technique of reconstruction of a monument i
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About
Future Studies is a process of iconographic and structural relationships across time and space. This series of images begins as an ironic adaptation of archaeological anastylosis concept; the technique of reconstruction of a monument i
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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Minaret Project
‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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METEORITE AL CONTRARIO (INVERTED METEORITE) - Davide Bertocchi
WWW
METEORITE AL CONTRARIO (INVERTED METEORITE) - 2011 PROJECT. STONE, SPACE MISSION Courtesy the artist
A medium size stone (more or less 50 cm x 50 cm x 50 cm) is sent into space. Like a meteorite but following an opposite trajectory, that is, inste
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METEORITE AL CONTRARIO (INVERTED METEORITE) - 2011 PROJECT. STONE, SPACE MISSION Courtesy the artist
A medium size stone (more or less 50 cm x 50 cm x 50 cm) is sent into space. Like a meteorite but following an opposite trajectory, that is, inste
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"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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Unrealized Proposal for
LIGHT BRIDGE
Bradley Pitts, 2003
Light Bridge proposes to bring sunlight from one location on the earth to another, transporting space and time. Mirrors at the source location reflect daylight to a geostationary satellite,
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Unrealized Proposal for
LIGHT BRIDGE
Bradley Pitts, 2003
Light Bridge proposes to bring sunlight from one location on the earth to another, transporting space and time. Mirrors at the source location reflect daylight to a geostationary satellite,
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Straight-Line Residency Project (SLRP): - Margaret Roberts
WWW
Straight-Line Residency Project (SLRP):
Executive summary
A. The SLRP aims to • support interdimensional travel from virtual to physical space, • encourage the re-valuation of physical space by showing it as a desirable destination for interdimens
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Straight-Line Residency Project (SLRP):
Executive summary
A. The SLRP aims to • support interdimensional travel from virtual to physical space, • encourage the re-valuation of physical space by showing it as a desirable destination for interdimens
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mamila pOOl - c a l c (omi - Thomas Scheiderbauer)
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mamila pOOl* we call a project which we wanted to realize downtown Jerusalem.
During a visit in Israel 2003 our friend Tal Adler showed us this amazing huge and empty space/pool - and we started do a research and to imagine..
For the Mamilla Pool we e
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mamila pOOl* we call a project which we wanted to realize downtown Jerusalem.
During a visit in Israel 2003 our friend Tal Adler showed us this amazing huge and empty space/pool - and we started do a research and to imagine..
For the Mamilla Pool we e
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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These images were submitted as a proposal as to the Bemis Centre USA. The modus operanti of this and related projects is to introduce as little as possible into an architectural space in order to heighten the perception and experience of ‘reality’. Wh
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These images were submitted as a proposal as to the Bemis Centre USA. The modus operanti of this and related projects is to introduce as little as possible into an architectural space in order to heighten the perception and experience of ‘reality’. Wh
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The O.U.R.S. project concerns the concept of a monumental orbiting ring sculpture designed for realization in the outer space environment in the year 2000.
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The O.U.R.S. project concerns the concept of a monumental orbiting ring sculpture designed for realization in the outer space environment in the year 2000.
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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Time and Presence imagines different ways of experiencing time and space (presence) through the agency of conceptual and earth art framed by philosophical writing from Barthes and Derrida.
There are 9 galleries many installed with interactive features
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Sheltered Apartments in Buztintxuri - Taller Basico de Arquitectura [TBA]
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Sheltered Apartments in Buztintxuri (2009)
We understand the site as an opportunity to inhabit a space that ends in a dividing wall, and so, an uncompleted space. From this wall, we build a bone that links the existing buildings with the new project an
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Sheltered Apartments in Buztintxuri (2009)
We understand the site as an opportunity to inhabit a space that ends in a dividing wall, and so, an uncompleted space. From this wall, we build a bone that links the existing buildings with the new project an
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A FAIRLY TALL TOWER, 48,000 Miles High - - Siah Armajani
Unbuilt Roads
Location: Outer Space
Status: Theoretical study
Proposal to build a self-supporting tower suspended in space but anchored at one point to the earth (U. S. ).
All synchronous satellites of the earth are located at the synchronous altitude. This al
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Location: Outer Space
Status: Theoretical study
Proposal to build a self-supporting tower suspended in space but anchored at one point to the earth (U. S. ).
All synchronous satellites of the earth are located at the synchronous altitude. This al
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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Two Propositions for Participation and One Prognostication - Mel Chin
WWW
Two Propositions for Participation and One Prognostication
(One Page of) Preparatory Notes: Ask the least, so the most can be included. As a scriptor, conceive parts the performers (the participants) can easily follow yet allow them to understand how th
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Two Propositions for Participation and One Prognostication
(One Page of) Preparatory Notes: Ask the least, so the most can be included. As a scriptor, conceive parts the performers (the participants) can easily follow yet allow them to understand how th
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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I will navigate through the city by its interstitial spaces. Using predetermined criteria for what qualifies as an interstitial space and matching mapping symbolism, I will go on walks through the city, avoiding usual thoroughfares and attraction points.
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I will navigate through the city by its interstitial spaces. Using predetermined criteria for what qualifies as an interstitial space and matching mapping symbolism, I will go on walks through the city, avoiding usual thoroughfares and attraction points.
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Statement for The Agency Of Unrealized Projects
I use found postcards as miniature environments for sinister and fantastical scenarios. These proposals are not intended be realized and are also distanced from us by the age of the postcard, the only pl
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Statement for The Agency Of Unrealized Projects
I use found postcards as miniature environments for sinister and fantastical scenarios. These proposals are not intended be realized and are also distanced from us by the age of the postcard, the only pl
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AUP - Berliner Künstlerprogramm/ DAAD
Nicole De Brabandere
In 2009 I put in motion the possibility of amassing all of the doorknobs from an institutional building that was slated for demolition. After many phone calls to various authorities I disco
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AUP - Berliner Künstlerprogramm/ DAAD
Nicole De Brabandere
In 2009 I put in motion the possibility of amassing all of the doorknobs from an institutional building that was slated for demolition. After many phone calls to various authorities I disco
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