Aurora is a sculptural work that connects the citizen to the street with seating, lighting and sculptural forms. The work offers daytime and nighttime animation with a sculptural gesture of the familiar forms. Powered by a series of low wattage LED light
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Aurora is a sculptural work that connects the citizen to the street with seating, lighting and sculptural forms. The work offers daytime and nighttime animation with a sculptural gesture of the familiar forms. Powered by a series of low wattage LED light
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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Transformation #2 - Samuel Levack and Jennifer Lewandowski
WWW
Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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FREE (Sculpture in steel with real or fake birds)
La question des rapports désirables entre les êtres humains et leur environnement est devenue une des plus importants de notre temps. Le passage du temps peut être ressenti avec le corps et pensée c
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FREE (Sculpture in steel with real or fake birds)
La question des rapports désirables entre les êtres humains et leur environnement est devenue une des plus importants de notre temps. Le passage du temps peut être ressenti avec le corps et pensée c
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The Greatest Show on Earth is Leaving - Sascha Pohflepp
WWW
The Greatest Show on Earth is Leaving
3000 helium-filled balloons are held in place form the column-like vertical plume that resembles the one found just after the launch of a space rocket. After being released, the column dissipates under the influenc
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The Greatest Show on Earth is Leaving
3000 helium-filled balloons are held in place form the column-like vertical plume that resembles the one found just after the launch of a space rocket. After being released, the column dissipates under the influenc
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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Brücke Wein-Kanal Arch. Hermann Czech, Wein - Franz West
Unbuilt Roads
Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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Denen, die in dieselben Flüsse steigen, fließen immer neue Wasser zu , und (immer neue) Seelen entsteigen der Feuchtigkeit.
Heraklit, Fragment 12[1]
Linkes Brückenauflager
Ansicht Nordwest M 1:33
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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Exp. : Isaac MONDELE
Tél. : +243 81 36 66 111
E-mail : mondeleisaac@yahoo.fr
Objet : candidature A monsieur les jures
Monsieur,
Votre annonce parue sur le site d appel aux artiste pour un appel a candida
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Exp. : Isaac MONDELE
Tél. : +243 81 36 66 111
E-mail : mondeleisaac@yahoo.fr
Objet : candidature A monsieur les jures
Monsieur,
Votre annonce parue sur le site d appel aux artiste pour un appel a candida
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I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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Raymonde van Santen
rvansanten@verizon.net
Unrealized Projects
fading memory
Part A and B fit in my ongoing exploration of the cycles of decay and renewal. They will visualize how the passage of time affects memory (Part A), and how memories n
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Raymonde van Santen
rvansanten@verizon.net
Unrealized Projects
fading memory
Part A and B fit in my ongoing exploration of the cycles of decay and renewal. They will visualize how the passage of time affects memory (Part A), and how memories n
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“The Saffron Dome” is a project created in 2010 for a sculptural work recalling classical pavilions, made of materials that remind of industrial sheds, surmounted by domes in which it is possible to grow typical aromatic plants of the place where the
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“The Saffron Dome” is a project created in 2010 for a sculptural work recalling classical pavilions, made of materials that remind of industrial sheds, surmounted by domes in which it is possible to grow typical aromatic plants of the place where the
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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Jerzy Olek
Accumulation of space – idea for an exhibition
For me, space is a form of sculpture. It is generally formless, but its manifestations assume definite formal shapes. These forms—imagined, found, constructed—appear in my works as proj
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Jerzy Olek
Accumulation of space – idea for an exhibition
For me, space is a form of sculpture. It is generally formless, but its manifestations assume definite formal shapes. These forms—imagined, found, constructed—appear in my works as proj
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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Europe Park / sculpture and landscape - THEODOULOS Gregoriou
WWW
The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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Black balls represent carbon atoms. They are piled in the bottom of the container at their present accumulation in the atmosphere. Each time an equivalent amount of carbon is released in the atmosphere a ball would be dropped. Each time a carbon reductio
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Black balls represent carbon atoms. They are piled in the bottom of the container at their present accumulation in the atmosphere. Each time an equivalent amount of carbon is released in the atmosphere a ball would be dropped. Each time a carbon reductio
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Representations of space must… have a substantial role and a specific influence in the production of space Henri Lefebvre
Reason
Reason is a 1994 unrealized project. Try to relate Art, Enlightenment, the development class city, urban geography, cl
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Representations of space must… have a substantial role and a specific influence in the production of space Henri Lefebvre
Reason
Reason is a 1994 unrealized project. Try to relate Art, Enlightenment, the development class city, urban geography, cl
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SASCHA MIKLOWEIT Unrealized project for a public transport or railway station
Title: INVESTIGATION2
INTRODUCTION INVESTIGATION2 is the continuation of my field research project which started 2010 with INVESTIGATION1 (for detailed material regarding
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SASCHA MIKLOWEIT Unrealized project for a public transport or railway station
Title: INVESTIGATION2
INTRODUCTION INVESTIGATION2 is the continuation of my field research project which started 2010 with INVESTIGATION1 (for detailed material regarding
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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Unrealized project for Tate Gallery + ICA, 1969 - Gilbert and George
Unbuilt Roads
Memo to: Director
From: Richard
Christmas Crib sculpture by Gilbert and George
Gilbert and George have asked if, despite our discouraging reply about their recent proposal to present a sculpture for one evening, I will present to you personally the
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Memo to: Director
From: Richard
Christmas Crib sculpture by Gilbert and George
Gilbert and George have asked if, despite our discouraging reply about their recent proposal to present a sculpture for one evening, I will present to you personally the
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