Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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05.2010
The project entitled “Dialogue” consists of a ping-pong table and two sound speakers. Measuring a total of 274 x 152 x 136 cm, this unfinished installation would have both speakers facing each other at both of the extremities of the table.
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05.2010
The project entitled “Dialogue” consists of a ping-pong table and two sound speakers. Measuring a total of 274 x 152 x 136 cm, this unfinished installation would have both speakers facing each other at both of the extremities of the table.
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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Condensed Playground: Le Pendu femelle, "Underskirt (detail)" as Postpartum Uterus Involution - Sheridan Lowrey
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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The project "Mount of Olives" is constituted by seven scaffolds with different heights, each one with an olive tree in a wooden box with earth inside in the top. The trees must be kept alive by an automatic irrigation system.
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The project "Mount of Olives" is constituted by seven scaffolds with different heights, each one with an olive tree in a wooden box with earth inside in the top. The trees must be kept alive by an automatic irrigation system.
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Black balls represent carbon atoms. They are piled in the bottom of the container at their present accumulation in the atmosphere. Each time an equivalent amount of carbon is released in the atmosphere a ball would be dropped. Each time a carbon reductio
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Black balls represent carbon atoms. They are piled in the bottom of the container at their present accumulation in the atmosphere. Each time an equivalent amount of carbon is released in the atmosphere a ball would be dropped. Each time a carbon reductio
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Charlie Lucas (Tin Man)
Struggling with the Ancestors
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist Statement
I create beauty from t
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Charlie Lucas (Tin Man)
Struggling with the Ancestors
Proposal for Vision and Vernacular Eight African American Artists in Venice
Presented by American Folk Art Museum at Fondaco dei Tedeschi, June 2011
Artist Statement
I create beauty from t
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Jerzy Olek
Accumulation of space – idea for an exhibition
For me, space is a form of sculpture. It is generally formless, but its manifestations assume definite formal shapes. These forms—imagined, found, constructed—appear in my works as proj
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Jerzy Olek
Accumulation of space – idea for an exhibition
For me, space is a form of sculpture. It is generally formless, but its manifestations assume definite formal shapes. These forms—imagined, found, constructed—appear in my works as proj
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An Island' is a proposal for a large scale work in public space, commissioned by the province of North-Holland in the Netherlands. 'Kunstgebouw' was involved with the choice of artists. My proposal will not be realised.
How many kubic metres of soil ca
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An Island' is a proposal for a large scale work in public space, commissioned by the province of North-Holland in the Netherlands. 'Kunstgebouw' was involved with the choice of artists. My proposal will not be realised.
How many kubic metres of soil ca
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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BUILDING DRAWING V: “LOST” (A Porcelain Landscape Room) - Ann Daly
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING V: “LOST”
(A Porcelain Landscape Room)
Part of a larger project "Looking for the Labyrinth: Re-collecting Versailles". Cast white porcelain, sculptural walls, total size approximately 16 feet x 12
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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Irisation Field - Maria Gaspar, Alexander Eisenschmidt
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Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
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Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
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Column, 2010
Candy cast sculpture of a Greek column, multi-colored, white or translucent
Proposal for Sculpture Center New York Open Call in June 2010
Column
Project Proposal for Sculpture Center New York 2010
by Hannes Bend
Candy Column, 2010 is
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Column, 2010
Candy cast sculpture of a Greek column, multi-colored, white or translucent
Proposal for Sculpture Center New York Open Call in June 2010
Column
Project Proposal for Sculpture Center New York 2010
by Hannes Bend
Candy Column, 2010 is
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"Confluence", five carved and glazed brick columns set in a green space next to a bus terminal in Philadelphia PA. They synthesize various aspects of the area. One of five shortlisted proposals for South Eastern Pennsylvania Transit....
Cheltenham Ogon
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"Confluence", five carved and glazed brick columns set in a green space next to a bus terminal in Philadelphia PA. They synthesize various aspects of the area. One of five shortlisted proposals for South Eastern Pennsylvania Transit....
Cheltenham Ogon
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A Constructivist Artifact for Mourning the Weekdays - Inbal Strauss
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These sketches for a sculpture titled A Constructivist Artifact for Mourning the Weekdays, remain as a two dimensional proposal for the time being. As a sculptor, I use investigative sketching as a creative development tool for a sculpture that will event
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These sketches for a sculpture titled A Constructivist Artifact for Mourning the Weekdays, remain as a two dimensional proposal for the time being. As a sculptor, I use investigative sketching as a creative development tool for a sculpture that will event
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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For the better part of the last 75 years, Seattle’s Alaska Way Viaduct has dominated Seattle’s Central Waterfront. Now scheduled for demolition, Seattle will, as apparently planned, simply clearcut the viaduct form the waterfront in as attempted exor
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For the better part of the last 75 years, Seattle’s Alaska Way Viaduct has dominated Seattle’s Central Waterfront. Now scheduled for demolition, Seattle will, as apparently planned, simply clearcut the viaduct form the waterfront in as attempted exor
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood.
"The Gate"
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Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood.
"The Gate"
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Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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