Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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A chrome machine with cut out letters is in constant production of the word "sorry." Made of smoke, the word lingers for a moment, then quickly dissipates.
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A chrome machine with cut out letters is in constant production of the word "sorry." Made of smoke, the word lingers for a moment, then quickly dissipates.
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Two projects for the World Government Building - Samuil Stoyanov
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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Two projects for the World Government Building
by Samuil Stoyanov – visual artist
These are two of three objects which I made 2009 – 2010, as a metaphoric, utopian projects for the future building of the World Government Office. This institu
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Proposal for Witches Memorial in Salem MA - Ed Levine
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Proposal for Witches Memorial in Salem MA
Giving voice to Witches
Each of the 17 sculptural element is a musical instrument. Compressed air is cycled randomly through the internal pipe in each element. Consequently the sound will project around the si
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Proposal for Witches Memorial in Salem MA
Giving voice to Witches
Each of the 17 sculptural element is a musical instrument. Compressed air is cycled randomly through the internal pipe in each element. Consequently the sound will project around the si
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A Sculpture on Another Sculpture - Eduardo Villanueva
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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A SCULPTURE ON ANOTHER SCULPTURE
An artwork by Eduardo Villanueva.
Through the appropriation of an existing sculpture, I will intervene the same sculpture by altering it and doing another sculpture above the pre-existing one, acting as the pattern of
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"Confluence", five carved and glazed brick columns set in a green space next to a bus terminal in Philadelphia PA. They synthesize various aspects of the area. One of five shortlisted proposals for South Eastern Pennsylvania Transit....
Cheltenham Ogon
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"Confluence", five carved and glazed brick columns set in a green space next to a bus terminal in Philadelphia PA. They synthesize various aspects of the area. One of five shortlisted proposals for South Eastern Pennsylvania Transit....
Cheltenham Ogon
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Condensed Playground: Le Pendu femelle, "Underskirt (detail)" as Postpartum Uterus Involution - Sheridan Lowrey
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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A commercial metal swing set (with one swing on center) and three-row aluminum bleachers in close proximity. Swing orientation is bi-directional. The piece should include a performance reenacting the dynamics of Fragonard's The Swing, 1767, and Duchamp's
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during
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"God's ear wax." Large sculpture for public space. Multiple media. Conceived 2004/2011.
Janice Perry. B. 1950. USA.
The sculpture is comprised of an extremely large ball of wax (with a very high melting point), 100-500 feet in diameter, dark golden br
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"God's ear wax." Large sculpture for public space. Multiple media. Conceived 2004/2011.
Janice Perry. B. 1950. USA.
The sculpture is comprised of an extremely large ball of wax (with a very high melting point), 100-500 feet in diameter, dark golden br
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Monumental sculpture of an over-scaled sitting nude woman in the Thames River in London. - Tamas Jovanovics
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Tamas Jovanovics
(www.contemporary.hu)
Monumental sculpture of an over-scaled sitting nude woman in the Thames River in London.
Project presented for the ‘London 2012’ Cultural Olympiad ('Artists taking the lead', London)
Commission brief: Ar
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Tamas Jovanovics
(www.contemporary.hu)
Monumental sculpture of an over-scaled sitting nude woman in the Thames River in London.
Project presented for the ‘London 2012’ Cultural Olympiad ('Artists taking the lead', London)
Commission brief: Ar
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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“Handy Space Bags”
Kafka wrote: "Everyone carries a room about him." Everyone carries a room about him through other rooms. I hope to examine and detect ‘traverse rooms’ . In daily life, moving through the city, the utilities needed are enclos
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“Handy Space Bags”
Kafka wrote: "Everyone carries a room about him." Everyone carries a room about him through other rooms. I hope to examine and detect ‘traverse rooms’ . In daily life, moving through the city, the utilities needed are enclos
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Chain Link Fence(space between) Graphite and paint on diamond shapes made of styrofoam and masking tape.
The Chain Link Fence project represents the negative space between the wires that make up the steel fence material. The diamond shapes are some tim
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Chain Link Fence(space between) Graphite and paint on diamond shapes made of styrofoam and masking tape.
The Chain Link Fence project represents the negative space between the wires that make up the steel fence material. The diamond shapes are some tim
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Irisation Field - Maria Gaspar, Alexander Eisenschmidt
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Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
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Irisation Field
by Maria Gaspar & Alexander Eisenschmidt May 25, 2011
Irisation Field is a durational event that engages hundreds and thousands of people. It takes
place in bleak locations of the city, like vacant lots or abandoned public spaces. It is
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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"If Wishes Were..." was my proposal for a Public Realm sculpture based on the readily understood (in North America) practice at Christmas and Easter of wishing on the neck bone of the turkey eaten at these family feasts.
Venice has its “Bridge of Si
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"If Wishes Were..." was my proposal for a Public Realm sculpture based on the readily understood (in North America) practice at Christmas and Easter of wishing on the neck bone of the turkey eaten at these family feasts.
Venice has its “Bridge of Si
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For the better part of the last 75 years, Seattle’s Alaska Way Viaduct has dominated Seattle’s Central Waterfront. Now scheduled for demolition, Seattle will, as apparently planned, simply clearcut the viaduct form the waterfront in as attempted exor
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For the better part of the last 75 years, Seattle’s Alaska Way Viaduct has dominated Seattle’s Central Waterfront. Now scheduled for demolition, Seattle will, as apparently planned, simply clearcut the viaduct form the waterfront in as attempted exor
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Caution! Work in Progress
Rack or plastic folding board with vibrant yellow tone is a warning message that awakens the immediate interest of the observer in conferring closely with looking at what is happening.
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Caution! Work in Progress
Rack or plastic folding board with vibrant yellow tone is a warning message that awakens the immediate interest of the observer in conferring closely with looking at what is happening.
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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KRISTIN JONES / ANDREW GINZEL
AFTER TILTED ARC, 1985
Proposal for Alternative to Existing Federal Plaza, Storefront for Art and Architecture, New York City.
Dimensions: 55' H x 20' W x 85' D (1676 H x 610 W x 2591 D cm.)
Elements: Water
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KRISTIN JONES / ANDREW GINZEL
AFTER TILTED ARC, 1985
Proposal for Alternative to Existing Federal Plaza, Storefront for Art and Architecture, New York City.
Dimensions: 55' H x 20' W x 85' D (1676 H x 610 W x 2591 D cm.)
Elements: Water
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured.
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Proposal for a sculpture that provides nesting habitat for peregrine falcons in a skyscraper.
Adam Kuby, Artis t adam@adamkuby.com www.adamkuby.com 7019 SE Morrison St. Portland, OR 97215 (503) 752-5241
Call for Unrealized Projects
Submission Cliff
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Proposal for a sculpture that provides nesting habitat for peregrine falcons in a skyscraper.
Adam Kuby, Artis t adam@adamkuby.com www.adamkuby.com 7019 SE Morrison St. Portland, OR 97215 (503) 752-5241
Call for Unrealized Projects
Submission Cliff
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Project outline (Version Ia):
‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute.
The parachute as such is
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Project outline (Version Ia):
‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute.
The parachute as such is
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