Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
...
Raymonde van Santen
rvansanten@verizon.net
Unrealized Projects
fading memory
Part A and B fit in my ongoing exploration of the cycles of decay and renewal. They will visualize how the passage of time affects memory (Part A), and how memories n
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Raymonde van Santen
rvansanten@verizon.net
Unrealized Projects
fading memory
Part A and B fit in my ongoing exploration of the cycles of decay and renewal. They will visualize how the passage of time affects memory (Part A), and how memories n
...
Proposal to re-use the dismantled aluminium Olympic Rings that were sited on Box Hill during the cycling road race of London 2012
The forms that resulted from the way the original aluminium Olympic rings had been deconstructed inspired me to design a s
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Proposal to re-use the dismantled aluminium Olympic Rings that were sited on Box Hill during the cycling road race of London 2012
The forms that resulted from the way the original aluminium Olympic rings had been deconstructed inspired me to design a s
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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Surgical Intervention (Intervençao cirurgica) - Kelly Tavares
WWW
English translation from Portuguese:
This project is still underway. It started to be developed in Brasil, in 2007. The work has the modular unit, consisting of “cubificated” photographs cased in an acrylic transparent cube that is turned into art
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English translation from Portuguese:
This project is still underway. It started to be developed in Brasil, in 2007. The work has the modular unit, consisting of “cubificated” photographs cased in an acrylic transparent cube that is turned into art
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Socrates Sculpture Park
Proposal 2009
“The Game”
Observation on the use of a rural, renewable plant media within an urban industrial setting
I am curious as to the various adaptations and boundaries of bamboo.
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Socrates Sculpture Park
Proposal 2009
“The Game”
Observation on the use of a rural, renewable plant media within an urban industrial setting
I am curious as to the various adaptations and boundaries of bamboo.
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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Status: This project runs in the spirit of “concrete Utopia”, a project which is yet to be realized. This implies that it might take the duration of my lifetime to realize this work, but has to be realized at some point because I believe in its potent
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
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Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
...
William Livingstone house Detroit Project 2010 submitted to United States Artists Projects - Vincent Johnson
WWW
The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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The project I am engaged in is the production of a three-foot tall sculpture on a table-top of the collapsed William Livingstone house in Detroit. This is important to me as it represents a metaphorical revisiting of my past, as this Detroit home represen
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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This was a project i designed for a sculpture park, as a water element of such.. The owner didn't want a water feature and rejected it. As such it was never implimented though i made an estimate for around 2000.00 to build.
The idea of it quite simply
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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20 Foot High x 12 foot circumference Spool of Thread; 3" foam core thread / yellow/ aluminum spool .
The large spool of thread is positioned next to Cleopatra's "Needle" ( obelisk ) in Central Park , NYC.
Location behind Metropolitan Museum of Art.
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20 Foot High x 12 foot circumference Spool of Thread; 3" foam core thread / yellow/ aluminum spool .
The large spool of thread is positioned next to Cleopatra's "Needle" ( obelisk ) in Central Park , NYC.
Location behind Metropolitan Museum of Art.
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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The Labor of Others' is a sculptural project that places itself in the whirlpool of intellectual property rights questions.
In this series the acts of conceiving and fabricating the work of art are removed from me, the artist. I have utilized, or stole
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‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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Chain Link Fence(space between) Graphite and paint on diamond shapes made of styrofoam and masking tape.
The Chain Link Fence project represents the negative space between the wires that make up the steel fence material. The diamond shapes are some tim
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Chain Link Fence(space between) Graphite and paint on diamond shapes made of styrofoam and masking tape.
The Chain Link Fence project represents the negative space between the wires that make up the steel fence material. The diamond shapes are some tim
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I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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I imagined the toothpick sculpture project as a lighthearted, easy to produce artwork - a method of shoehorning myself out of my artmaking slumber. 3000 toothpicks and 4 months later and I've barely made a dent. How does this object swallow so many toothp
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Sketches has indeed been looked upon as valuable, through various historians and art lovers. Even the meta-character of the proposals has been valued, but not to fulfilment. Leonardo da Vinci's draw- ings for a helicopter in the renaissance was seen at th
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Sketches has indeed been looked upon as valuable, through various historians and art lovers. Even the meta-character of the proposals has been valued, but not to fulfilment. Leonardo da Vinci's draw- ings for a helicopter in the renaissance was seen at th
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING IV: "GAZING BALL"
for the Crystal Palace, Retiro Park, Madrid, Spain: A giant stainless steel ball fabrication. Mirror-like surface reflects 'nature' - the surroundings- architecture-etc. An 'image' co
...
Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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