We would like to introduce to Your attention our short non embodied project. The project itself can be incarnate but his idea is reverse. We named it ‘Empire’.
Project consist series of photo ( 5 pieces) and 1 gif. image.
It consists awareness,
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We would like to introduce to Your attention our short non embodied project. The project itself can be incarnate but his idea is reverse. We named it ‘Empire’.
Project consist series of photo ( 5 pieces) and 1 gif. image.
It consists awareness,
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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Dead but not gone ….
Dead but not gone is a project about the dead things that once was live and living in this world. This was unrealized photography project that, recently I found as going back to my photography archive from 2005 to 2011, I have take
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Dead but not gone ….
Dead but not gone is a project about the dead things that once was live and living in this world. This was unrealized photography project that, recently I found as going back to my photography archive from 2005 to 2011, I have take
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With the “Blueprint” series I seek to draw a new experience from the blueprint, something not normally considered for artistic purposes. My process utilizes the cyanotype print, which was the process first used to make modern blueprints beginning in.
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With the “Blueprint” series I seek to draw a new experience from the blueprint, something not normally considered for artistic purposes. My process utilizes the cyanotype print, which was the process first used to make modern blueprints beginning in.
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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Mevagissey Old Fishermen is a panel of 40 hand painted ceramic tiles (each tile 15 x 15 cm) reproduction of an old photograph - with artistic licence - of a scene of a small harbour in Cornwall GB around 1900 - see image attached and on www.artmajeur.com/
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Mevagissey Old Fishermen is a panel of 40 hand painted ceramic tiles (each tile 15 x 15 cm) reproduction of an old photograph - with artistic licence - of a scene of a small harbour in Cornwall GB around 1900 - see image attached and on www.artmajeur.com/
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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Two images taken in a pristine gallery space.
Meant to act as a catalyst for an investigation into space, place and the role of the body within this.
Tried to do a performance but became much more about being ‘alive’ rather than ‘live’.
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Two images taken in a pristine gallery space.
Meant to act as a catalyst for an investigation into space, place and the role of the body within this.
Tried to do a performance but became much more about being ‘alive’ rather than ‘live’.
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Monsieur l'Abbe Pierre,
il y a sans doute d'autres points que je n'ai pas imagines mais une conversation permettrait sans doute d'apporter des rectifications. Je sollicite votre bienveillance et votre engagement pour pouvoir m'autoriser a vous rencontr
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Monsieur l'Abbe Pierre,
il y a sans doute d'autres points que je n'ai pas imagines mais une conversation permettrait sans doute d'apporter des rectifications. Je sollicite votre bienveillance et votre engagement pour pouvoir m'autoriser a vous rencontr
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This images are of grave stones.In Ethiopia when a person dies the
relatives places a photograph into the tomb stone and inscribes a short
history of the deceased.
Inspired by Ethiopian poet and painter Gebrekirstos Desta.
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This images are of grave stones.In Ethiopia when a person dies the
relatives places a photograph into the tomb stone and inscribes a short
history of the deceased.
Inspired by Ethiopian poet and painter Gebrekirstos Desta.
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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Project outline (Version Ia):
‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute.
The parachute as such is
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Project outline (Version Ia):
‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute.
The parachute as such is
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see my letter
(eventually reasons why the work has not been realised)
Anxiety
Previous Publications (?)
This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed.
Exisiting Documents (photos, drawings, models):
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see my letter
(eventually reasons why the work has not been realised)
Anxiety
Previous Publications (?)
This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed.
Exisiting Documents (photos, drawings, models):
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The king of the changing face - Transvestites in China - Andreas Guibert
WWW
This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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MAPPING OBSCUR A (MEMORY AND PLACE) - Yamini Nayar
WWW
Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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Theâtre (theatre) - Vincent Roumagnac / Aurélie Pétrel / le vrac
WWW
In April 2012 Roumagnac gets from the directors of L!Elysée (theatre – Lyon, France) to proceed the whitening of their whole theatre (stage + audience space). Through this whitening Roumagnac aims to «"reveal"» the illusion of the disappearence of th
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In April 2012 Roumagnac gets from the directors of L!Elysée (theatre – Lyon, France) to proceed the whitening of their whole theatre (stage + audience space). Through this whitening Roumagnac aims to «"reveal"» the illusion of the disappearence of th
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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The 'Not at...' series: Installations that never were... - Claire Manning
WWW
This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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caravan tour — an inverted world A Proposal for a Transportable Camera Obscura for the Courts of Lower Manhattan The Lower Manhattan court buildings in their neoclassical grandeur and scale endure as visual tropes of the solidity of the power of justice
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caravan tour — an inverted world A Proposal for a Transportable Camera Obscura for the Courts of Lower Manhattan The Lower Manhattan court buildings in their neoclassical grandeur and scale endure as visual tropes of the solidity of the power of justice
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a dance-theatre performance, based in Butoh aesthetics. The theme: the schizophrenia and the blindness we live in our day life. These photos were photographed during a rehearsal, in 2011.
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a dance-theatre performance, based in Butoh aesthetics. The theme: the schizophrenia and the blindness we live in our day life. These photos were photographed during a rehearsal, in 2011.
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
WWW
Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Transitional Monument (2004).
Digital montage.
Dimensions variable.
Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d
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Transitional Monument (2004).
Digital montage.
Dimensions variable.
Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d
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The library is a project about books and readers. It consist of two parts, one is the photographic register of books rescued from the street, the beach, or even from the garbage, over my years of immigrant in Israel.
los libros de la biblioteca no tie
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The library is a project about books and readers. It consist of two parts, one is the photographic register of books rescued from the street, the beach, or even from the garbage, over my years of immigrant in Israel.
los libros de la biblioteca no tie
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