Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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Portrait of a village in contemporary art - Eugen Alupopanu
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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Cornflower tea and concealing chocolate - Alena Zhandarova
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Alena Zhandarova was born in 1988 and lives in Russia. Meanwhile her marketing studies she decided to open her creative chakras and started to probe and go deeper to herself. This way her series “Cornflower tea and concealing chocolate” came up.
It
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Alena Zhandarova was born in 1988 and lives in Russia. Meanwhile her marketing studies she decided to open her creative chakras and started to probe and go deeper to herself. This way her series “Cornflower tea and concealing chocolate” came up.
It
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Dead but not gone ….
Dead but not gone is a project about the dead things that once was live and living in this world. This was unrealized photography project that, recently I found as going back to my photography archive from 2005 to 2011, I have take
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Dead but not gone ….
Dead but not gone is a project about the dead things that once was live and living in this world. This was unrealized photography project that, recently I found as going back to my photography archive from 2005 to 2011, I have take
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Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic
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Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic
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maria Paschalidou
artist, art professor
www.mariapaschalidou.com
paschalmari@yahoo.com
Athens, October 13, 2012
Seeing the Unseen Seeing the Unseen is an ongoing project of tracing the ‘unseen’, the most invisible and/or unobserved sites of an
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maria Paschalidou
artist, art professor
www.mariapaschalidou.com
paschalmari@yahoo.com
Athens, October 13, 2012
Seeing the Unseen Seeing the Unseen is an ongoing project of tracing the ‘unseen’, the most invisible and/or unobserved sites of an
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THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY - Ulrich Bocker
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THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY
For the innocent photography is the most obvious form of visual communication in the world. The pictured situation seems clear at first sight until we read the title or the legend underneath. An opt
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THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY
For the innocent photography is the most obvious form of visual communication in the world. The pictured situation seems clear at first sight until we read the title or the legend underneath. An opt
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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"I to eye" project is an unfinished photo- documentation of author's face to face confrontation with 400 CCTV cameras of Old Town of Jerusalem (2010)
Confronting the unrealized city...
Jacek Smolicki 2010
Jerusalem is a specific place. The parad
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"I to eye" project is an unfinished photo- documentation of author's face to face confrontation with 400 CCTV cameras of Old Town of Jerusalem (2010)
Confronting the unrealized city...
Jacek Smolicki 2010
Jerusalem is a specific place. The parad
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photographic series “Nursery”
This series of photographs began as a project where Ismini Haholiadou was exploring different trajectories in her practice. Where she previously set up spaces and scenes to photograph, in this project she scouted for
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photographic series “Nursery”
This series of photographs began as a project where Ismini Haholiadou was exploring different trajectories in her practice. Where she previously set up spaces and scenes to photograph, in this project she scouted for
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UNTITLED
It was supposed to be a long-term project. I dreamed about it for long time.
Portrait photography is one of the biggest challenges in photography. Photographers identity and relational dynamics between photographer and model are crucial. Por
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UNTITLED
It was supposed to be a long-term project. I dreamed about it for long time.
Portrait photography is one of the biggest challenges in photography. Photographers identity and relational dynamics between photographer and model are crucial. Por
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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Lieber Hans - Ulrich!
Nochmals Danke für die nette Einlandung. In dem Buch, Meine normale Arbeitsweine mit meine künstlerischen Ideen for laufend auf listen zu schreiben. Diese werden zum Teil Jahre später erst realisiert, allendings zählt als jah
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Lieber Hans - Ulrich!
Nochmals Danke für die nette Einlandung. In dem Buch, Meine normale Arbeitsweine mit meine künstlerischen Ideen for laufend auf listen zu schreiben. Diese werden zum Teil Jahre später erst realisiert, allendings zählt als jah
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The 'Not at...' series: Installations that never were... - Claire Manning
WWW
This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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With the “Blueprint” series I seek to draw a new experience from the blueprint, something not normally considered for artistic purposes. My process utilizes the cyanotype print, which was the process first used to make modern blueprints beginning in.
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With the “Blueprint” series I seek to draw a new experience from the blueprint, something not normally considered for artistic purposes. My process utilizes the cyanotype print, which was the process first used to make modern blueprints beginning in.
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This project marks the last exhibition of a selection of works on paper from my past 30 years in printmaking, photography and painting. During the July 2013 storm, my basement studio was flooded, and 60 pieces of my artwork were damaged. While the water d
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This project marks the last exhibition of a selection of works on paper from my past 30 years in printmaking, photography and painting. During the July 2013 storm, my basement studio was flooded, and 60 pieces of my artwork were damaged. While the water d
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Fotografische Sammlung, Museum Folkwang - ANJA ROSS
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Fotografische Sammlung, Museum Folkwang, Goethestraße 41, D-45128 Essen
Stipendium der Alfried Krupp von Bohlen und Halbach-Stiftung für Zeitgenössische Fotografie 2008
Antragstellerin: ANJA ROSS
Schon lange arbeite ich mit der Fotografie intu
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Fotografische Sammlung, Museum Folkwang, Goethestraße 41, D-45128 Essen
Stipendium der Alfried Krupp von Bohlen und Halbach-Stiftung für Zeitgenössische Fotografie 2008
Antragstellerin: ANJA ROSS
Schon lange arbeite ich mit der Fotografie intu
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Part of a series of experimental explorations on the impact of medium and process on the reading of the photographic image, exploring the use of alternative print processes in altering viewers' responses. In using the historical processes of the cyanotyp
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Part of a series of experimental explorations on the impact of medium and process on the reading of the photographic image, exploring the use of alternative print processes in altering viewers' responses. In using the historical processes of the cyanotyp
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Two images taken in a pristine gallery space.
Meant to act as a catalyst for an investigation into space, place and the role of the body within this.
Tried to do a performance but became much more about being ‘alive’ rather than ‘live’.
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Two images taken in a pristine gallery space.
Meant to act as a catalyst for an investigation into space, place and the role of the body within this.
Tried to do a performance but became much more about being ‘alive’ rather than ‘live’.
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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a project to create images - icons - that represent choices open to a person not get HIV. Each image was to be inserted in one arm bandit machine and be photographed - each line of 4 images coming up being a winner.
This work is in archive - if it i
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a project to create images - icons - that represent choices open to a person not get HIV. Each image was to be inserted in one arm bandit machine and be photographed - each line of 4 images coming up being a winner.
This work is in archive - if it i
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