"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be
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I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be
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We would like to propose a situation in which we would place a landscape of a proposed city surrounding area under video surveillance.
We are MA’s of Departments of Painting, Faculty of Fine Arts, University of Arts, Belgrade. We live in Belgrade, S
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We would like to propose a situation in which we would place a landscape of a proposed city surrounding area under video surveillance.
We are MA’s of Departments of Painting, Faculty of Fine Arts, University of Arts, Belgrade. We live in Belgrade, S
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One Thousand Worlds in 16 minutes and 40 seconds - Nuala Clarke
WWW
TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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SOL: project for a single channel HD video installation, stereo sound. 2010 - Diego Zuelli
WWW
A video installation for a private gallery. A single video projection on the far side of a long room. A prepared wall, with black paint around a white circle, where the "image" will be projected.
The sense of sight is the mean we use the most to know
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A video installation for a private gallery. A single video projection on the far side of a long room. A prepared wall, with black paint around a white circle, where the "image" will be projected.
The sense of sight is the mean we use the most to know
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Call for proposal
Protocol implementation :
1 : divert one crane.
2 : divert a police car equipped with a beacon.
3 : assemble the grapple crane car.
4 : the crane to rotate continuously and activate flashing lights police car.
5 : demanding
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Call for proposal
Protocol implementation :
1 : divert one crane.
2 : divert a police car equipped with a beacon.
3 : assemble the grapple crane car.
4 : the crane to rotate continuously and activate flashing lights police car.
5 : demanding
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This Film is never been made but it has a phantom on the web at: www.rottensharks.com
by Alterazioni Video
EXT- NORDIC SEA – SUNDOWN
A former fisherman’s boat, now just a dingy filled with a crew of desperados, is roaming along the cold
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This Film is never been made but it has a phantom on the web at: www.rottensharks.com
by Alterazioni Video
EXT- NORDIC SEA – SUNDOWN
A former fisherman’s boat, now just a dingy filled with a crew of desperados, is roaming along the cold
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The notion of an "idiot savant" is someone who is simultaneously above and below normative standards of competence, imbuing them with a sublime uselessness. Their virtuoso (savant) cannot be instrumentalized by the rest of society for productive ends, be
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The notion of an "idiot savant" is someone who is simultaneously above and below normative standards of competence, imbuing them with a sublime uselessness. Their virtuoso (savant) cannot be instrumentalized by the rest of society for productive ends, be
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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Unfinished video installation--view visuals at:
http://www.sebarrett.com/Video-work.html
Contact for further information and details:
Sonia E Barrett, email: soniabarrett@hotmail.com
Sonia E Barrett Email: soniabarrett@hotmail.com Website: http://
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Unfinished video installation--view visuals at:
http://www.sebarrett.com/Video-work.html
Contact for further information and details:
Sonia E Barrett, email: soniabarrett@hotmail.com
Sonia E Barrett Email: soniabarrett@hotmail.com Website: http://
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Take all paintings out of octagonal red room in the Uffizi, Florence, Italy. Leave homo-erotic sculptures of men in battle, also keep large gold gilded frames. Replace canvases with flat screen video monitors that display footage recorded from Tuscan tree
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Take all paintings out of octagonal red room in the Uffizi, Florence, Italy. Leave homo-erotic sculptures of men in battle, also keep large gold gilded frames. Replace canvases with flat screen video monitors that display footage recorded from Tuscan tree
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“Face2 eyes spin” is a 4 seconds video sketch- without sound, of a face whirling in itself….almost like a rabbit hole of sorts…the beginning of something…sketch was made for inclusion in a video, it was supposed to have been part of a bigger vid
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“Face2 eyes spin” is a 4 seconds video sketch- without sound, of a face whirling in itself….almost like a rabbit hole of sorts…the beginning of something…sketch was made for inclusion in a video, it was supposed to have been part of a bigger vid
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Perce Jerrom 8 Kashmir House, 66 Gibbon Road, SE15 3XE
percejerrom@gmail.com 07760392651
www.percejerrom.com
My unrealized project would be entitled “Cut” the piece would be a single channel video installation of
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Perce Jerrom 8 Kashmir House, 66 Gibbon Road, SE15 3XE
percejerrom@gmail.com 07760392651
www.percejerrom.com
My unrealized project would be entitled “Cut” the piece would be a single channel video installation of
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1 Homebodies originates from the American word homebody meaning a person who prefers pleasures and activities that center around the home; stay-at-home. (1) The homebody resides inside the American suburban home and in particular in the basement. This sub
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1 Homebodies originates from the American word homebody meaning a person who prefers pleasures and activities that center around the home; stay-at-home. (1) The homebody resides inside the American suburban home and in particular in the basement. This sub
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Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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dimensions variable
Can we turn the horror of being dematerialized whether in the eyes of a beloved or in a community into the super-hero power of invisibility and back again.
8 cameras in a circle point out over the room.
8 grid camera view re
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dimensions variable
Can we turn the horror of being dematerialized whether in the eyes of a beloved or in a community into the super-hero power of invisibility and back again.
8 cameras in a circle point out over the room.
8 grid camera view re
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Making for Art - 100 Unsucceeded Presentation - 1995, 1996, - Yutaka Sone
Unbuilt Roads
In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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In this project, I visit one hundred curators individually who work at contemporary museum or make shows by their own style to present my works
But in this project, all my presentations must be rejected by all curators, which means each of them will en
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Summary of Intent
I plan to produce a series of video works that use trained animals, instead of humans, to “act out” or represent various emotional states and scenarios. Continuing my previous investigations of the production and construction of i
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Summary of Intent
I plan to produce a series of video works that use trained animals, instead of humans, to “act out” or represent various emotional states and scenarios. Continuing my previous investigations of the production and construction of i
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
WWW
Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent,
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Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent,
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Memory Confetti - Stephen j Shanabrook / Veronika Georgieva
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STEPHEN j SHANABROOK / VERONIKA GEORGIEVA
MEMORY CONFETTI
The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us imag
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STEPHEN j SHANABROOK / VERONIKA GEORGIEVA
MEMORY CONFETTI
The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us imag
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