“Face2 eyes spin” is a 4 seconds video sketch- without sound, of a face whirling in itself….almost like a rabbit hole of sorts…the beginning of something…sketch was made for inclusion in a video, it was supposed to have been part of a bigger vid
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“Face2 eyes spin” is a 4 seconds video sketch- without sound, of a face whirling in itself….almost like a rabbit hole of sorts…the beginning of something…sketch was made for inclusion in a video, it was supposed to have been part of a bigger vid
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Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent,
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Efi’s video “bed-line” invites us to mentally traverse a sterile, claustrophobic environment that includes more than one single spatial dimension in its space and more than one single temporal dimension in time. It emanates the energy of the absent,
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Extracts from an unpublished interview with Michael Archer for Phaidon press:
...Around the same period I made a proposal for the New Contemporaries exhibition which was going to be held at the ICA. In those days the toilets were on either side of the
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Extracts from an unpublished interview with Michael Archer for Phaidon press:
...Around the same period I made a proposal for the New Contemporaries exhibition which was going to be held at the ICA. In those days the toilets were on either side of the
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This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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The project was supposed to be a video in which an absurd woman tries to ‘fix’ nature. She puts skirts on trees, makeup on flowers and sunscreen on branches. She throws fabric over a gnarly tree stump to make it ‘prettier’. She measures a wide tre
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The project was supposed to be a video in which an absurd woman tries to ‘fix’ nature. She puts skirts on trees, makeup on flowers and sunscreen on branches. She throws fabric over a gnarly tree stump to make it ‘prettier’. She measures a wide tre
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The notion of an "idiot savant" is someone who is simultaneously above and below normative standards of competence, imbuing them with a sublime uselessness. Their virtuoso (savant) cannot be instrumentalized by the rest of society for productive ends, be
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The notion of an "idiot savant" is someone who is simultaneously above and below normative standards of competence, imbuing them with a sublime uselessness. Their virtuoso (savant) cannot be instrumentalized by the rest of society for productive ends, be
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DATENRAUM DEUTSCHLAND (GERMANY DATA SPACE) (A TOPOGRAPHIC, NON-NARRATIVE INFORMATION COLLAGE / VIDEO INSTALLATION) - Ira Schneider
WWW
With support from the Fulbright Commission, Ira Schneider has produced a video installation which in one space presents the historic and contemporary German contribution to world culture. A map of Germany with its 16 federal states (Bundeslands) is tra
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With support from the Fulbright Commission, Ira Schneider has produced a video installation which in one space presents the historic and contemporary German contribution to world culture. A map of Germany with its 16 federal states (Bundeslands) is tra
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Project title : "Be water my friend"
proposal by:
Maria Anastassiou, Eleni Bagaki, Alexandros Pissourios
"Be water my friend" is a response to an open call by p_public to utilise the deserted swimming pool of the "Xenia" hotel in Crete as a video i
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Project title : "Be water my friend"
proposal by:
Maria Anastassiou, Eleni Bagaki, Alexandros Pissourios
"Be water my friend" is a response to an open call by p_public to utilise the deserted swimming pool of the "Xenia" hotel in Crete as a video i
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Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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What happens when we stop believing in money altogether? Monetarium is an urgent situation - An auction situation for the money. Let us think of this proposal as an invitation for an assembly - a curated, carefully selected group of people who are invited
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What happens when we stop believing in money altogether? Monetarium is an urgent situation - An auction situation for the money. Let us think of this proposal as an invitation for an assembly - a curated, carefully selected group of people who are invited
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I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be
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I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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Take all paintings out of octagonal red room in the Uffizi, Florence, Italy. Leave homo-erotic sculptures of men in battle, also keep large gold gilded frames. Replace canvases with flat screen video monitors that display footage recorded from Tuscan tree
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Take all paintings out of octagonal red room in the Uffizi, Florence, Italy. Leave homo-erotic sculptures of men in battle, also keep large gold gilded frames. Replace canvases with flat screen video monitors that display footage recorded from Tuscan tree
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Danses is a single channel digital video, comprised of three pieces, looped together to create a linear digital tryptic. The sound is an electro acoustic digital piece performed and arranged by myself, based on Erik Satie's Gymnopodies.
TITLE Danses
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Danses is a single channel digital video, comprised of three pieces, looped together to create a linear digital tryptic. The sound is an electro acoustic digital piece performed and arranged by myself, based on Erik Satie's Gymnopodies.
TITLE Danses
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Memory Confetti - Stephen j Shanabrook / Veronika Georgieva
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STEPHEN j SHANABROOK / VERONIKA GEORGIEVA
MEMORY CONFETTI
The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us imag
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STEPHEN j SHANABROOK / VERONIKA GEORGIEVA
MEMORY CONFETTI
The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us imag
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Will there still be sugar after the Rebellion? - Simon Le Ruez & Maud Haya Baviera
WWW
Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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"1st Draft", 3"59, Video.
Perceptions of thought prompted through language may also be translated to language molding our perceptions of time. The concept of time through language interested me because people always speak of “living in the present”
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wanna build a Tv DVd player sustain by battery, play a video loop on it, and covered it in a box of concrete, creating an actual endless loop. like the Myth of Sisyphus.
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wanna build a Tv DVd player sustain by battery, play a video loop on it, and covered it in a box of concrete, creating an actual endless loop. like the Myth of Sisyphus.
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Zeitstück
Video-Installation von Alexander Hahn, vers. Juni 05, 1996
Beschreibung
Entstehung: Eingeladene Wettbewerbseingabe Kunst am Bau Neubau ETH Leonardstrasse Zürich. Nicht realisiert. Die Jury befürchtete damals, die Studenten könnten s
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Zeitstück
Video-Installation von Alexander Hahn, vers. Juni 05, 1996
Beschreibung
Entstehung: Eingeladene Wettbewerbseingabe Kunst am Bau Neubau ETH Leonardstrasse Zürich. Nicht realisiert. Die Jury befürchtete damals, die Studenten könnten s
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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Brief description – the act of drawing as/and the act of eating
Hunger is an unrealized video work that conceptually is base on the theme of the hunger for realization and materialization. It has been developing (and still is) over the past few y
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Brief description – the act of drawing as/and the act of eating
Hunger is an unrealized video work that conceptually is base on the theme of the hunger for realization and materialization. It has been developing (and still is) over the past few y
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Brasília, Cars, Pools & Other Modernities - Clarissa Tossin
WWW
“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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