summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY - Ulrich Bocker
WWW
THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY
For the innocent photography is the most obvious form of visual communication in the world. The pictured situation seems clear at first sight until we read the title or the legend underneath. An opt
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THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY
For the innocent photography is the most obvious form of visual communication in the world. The pictured situation seems clear at first sight until we read the title or the legend underneath. An opt
...
This images are of grave stones.In Ethiopia when a person dies the
relatives places a photograph into the tomb stone and inscribes a short
history of the deceased.
Inspired by Ethiopian poet and painter Gebrekirstos Desta.
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This images are of grave stones.In Ethiopia when a person dies the
relatives places a photograph into the tomb stone and inscribes a short
history of the deceased.
Inspired by Ethiopian poet and painter Gebrekirstos Desta.
...
In 2006, I initiated a serial photographic project of static, frontal shots of closed storefronts in Paris, along with videos of storekeepers closing their shops. The material was to be amassed and combined in a stroboscopic video montage, tentatively tit
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In 2006, I initiated a serial photographic project of static, frontal shots of closed storefronts in Paris, along with videos of storekeepers closing their shops. The material was to be amassed and combined in a stroboscopic video montage, tentatively tit
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Theâtre (theatre) - Vincent Roumagnac / Aurélie Pétrel / le vrac
WWW
In April 2012 Roumagnac gets from the directors of L!Elysée (theatre – Lyon, France) to proceed the whitening of their whole theatre (stage + audience space). Through this whitening Roumagnac aims to «"reveal"» the illusion of the disappearence of th
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In April 2012 Roumagnac gets from the directors of L!Elysée (theatre – Lyon, France) to proceed the whitening of their whole theatre (stage + audience space). Through this whitening Roumagnac aims to «"reveal"» the illusion of the disappearence of th
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Fotografische Sammlung, Museum Folkwang - ANJA ROSS
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Fotografische Sammlung, Museum Folkwang, Goethestraße 41, D-45128 Essen
Stipendium der Alfried Krupp von Bohlen und Halbach-Stiftung für Zeitgenössische Fotografie 2008
Antragstellerin: ANJA ROSS
Schon lange arbeite ich mit der Fotografie intu
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Fotografische Sammlung, Museum Folkwang, Goethestraße 41, D-45128 Essen
Stipendium der Alfried Krupp von Bohlen und Halbach-Stiftung für Zeitgenössische Fotografie 2008
Antragstellerin: ANJA ROSS
Schon lange arbeite ich mit der Fotografie intu
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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The Screenshot Project
After years of photographing and digital manipulation, I felt that I needed a bit more roughness, the imperfect roughness you have when using software in an unconventional way.
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The Screenshot Project
After years of photographing and digital manipulation, I felt that I needed a bit more roughness, the imperfect roughness you have when using software in an unconventional way.
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Unrealised proposal for Saatchi New Sensations, 2009 - Petra Swais and Najda El-Amriti
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Having worked for three years alongside one another, but never producing work collaboratively, we have come to realise the strong connection between our individual practices. The most prominent link between our works is the notion of manipulation. By mani
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Having worked for three years alongside one another, but never producing work collaboratively, we have come to realise the strong connection between our individual practices. The most prominent link between our works is the notion of manipulation. By mani
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a project to create images - icons - that represent choices open to a person not get HIV. Each image was to be inserted in one arm bandit machine and be photographed - each line of 4 images coming up being a winner.
This work is in archive - if it i
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a project to create images - icons - that represent choices open to a person not get HIV. Each image was to be inserted in one arm bandit machine and be photographed - each line of 4 images coming up being a winner.
This work is in archive - if it i
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The library is a project about books and readers. It consist of two parts, one is the photographic register of books rescued from the street, the beach, or even from the garbage, over my years of immigrant in Israel.
los libros de la biblioteca no tie
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The library is a project about books and readers. It consist of two parts, one is the photographic register of books rescued from the street, the beach, or even from the garbage, over my years of immigrant in Israel.
los libros de la biblioteca no tie
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
...
They say, art no longer produces beauty, she produces meaning. I say, one cannot paint a picture or make an image of a woman and not deal with the concept of beauty. Marlene Dumas
Assignment 5fp001 Contemporary photographic practice, The Venus project
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They say, art no longer produces beauty, she produces meaning. I say, one cannot paint a picture or make an image of a woman and not deal with the concept of beauty. Marlene Dumas
Assignment 5fp001 Contemporary photographic practice, The Venus project
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I'm here to write to offer my project, titled "Objekt. My work is centered above all on architecture and urban spaces.
I just need that on a construction site, harboring, in particular giving me a small space on the scaffold, a photo of variable size PVC
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I'm here to write to offer my project, titled "Objekt. My work is centered above all on architecture and urban spaces.
I just need that on a construction site, harboring, in particular giving me a small space on the scaffold, a photo of variable size PVC
...
Two images taken in a pristine gallery space.
Meant to act as a catalyst for an investigation into space, place and the role of the body within this.
Tried to do a performance but became much more about being ‘alive’ rather than ‘live’.
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Two images taken in a pristine gallery space.
Meant to act as a catalyst for an investigation into space, place and the role of the body within this.
Tried to do a performance but became much more about being ‘alive’ rather than ‘live’.
...