Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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Pablo David Rojas Mencias
Kohlfurterstrasse 1, Berlin 10999
dadafoto@gmail.com
Project Name: “ñaña”
This project couldn’t be finished due to the fact that “ñaña” has passed away. In the native american language, quechua, “ñaña
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Pablo David Rojas Mencias
Kohlfurterstrasse 1, Berlin 10999
dadafoto@gmail.com
Project Name: “ñaña”
This project couldn’t be finished due to the fact that “ñaña” has passed away. In the native american language, quechua, “ñaña
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Unrealized/able photography
Ana-Maria Huluban
anamariahuluban.com
Photograph - possible to be taken directly:
A glass cube with 2m sides, full of clear water. Inside the cube there are mirrors which reflect the surroundings and each other.
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Unrealized/able photography
Ana-Maria Huluban
anamariahuluban.com
Photograph - possible to be taken directly:
A glass cube with 2m sides, full of clear water. Inside the cube there are mirrors which reflect the surroundings and each other.
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Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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Project outline (Version Ia):
‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute.
The parachute as such is
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Project outline (Version Ia):
‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute.
The parachute as such is
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These are 2 photos of 2 experimental works which consist in the process of the reconstruction of possible realities from former realities. Basicaly they are stripes (cut from photos and drawings) reordered and sticked in a different way from the initial..
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These are 2 photos of 2 experimental works which consist in the process of the reconstruction of possible realities from former realities. Basicaly they are stripes (cut from photos and drawings) reordered and sticked in a different way from the initial..
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Things For An Urban Neighbourhood Cleansing (After Kinmont) - Ann Fuata
WWW
Things For An Urban Neighbourhood Cleansing (After Kinmont) is a series of 11 photographs of the artist holding a collection of domestic objects for an urban cleansing. These photographs were meant to become a unified image using a lenticular printing...
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Things For An Urban Neighbourhood Cleansing (After Kinmont) is a series of 11 photographs of the artist holding a collection of domestic objects for an urban cleansing. These photographs were meant to become a unified image using a lenticular printing...
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PHOTOGRAPHIC DOCUMENTATION OF THE STONE CIRCLES OF SENEGAL AND THE GAMBIA - Kerry Stuart Coppin
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Panoramic Documentation of The Stone Circles of Senegal and The Gambia:
I propose to extend visual research to a region of the continent not well known - a little documented rural region. One of five sites in Africa recently (2006) declared Unesco World
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Panoramic Documentation of The Stone Circles of Senegal and The Gambia:
I propose to extend visual research to a region of the continent not well known - a little documented rural region. One of five sites in Africa recently (2006) declared Unesco World
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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Transitional Monument (2004).
Digital montage.
Dimensions variable.
Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d
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Transitional Monument (2004).
Digital montage.
Dimensions variable.
Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d
...
The 'Not at...' series: Installations that never were... - Claire Manning
WWW
This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) - Ken Gonzales-Day
WWW
Original blurb:
Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally
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Original blurb:
Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally
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