#
Date
Title
Source
Description
Tags
W3566
12.05.2011
Lisa Gorton
WWW
Two images taken in a pristine gallery space. Meant to act as a catalyst for an investigation into space, place and the role of the body within this. Tried to do a performance but became much more about being ‘alive’ rather than ‘live’. ...
Two images taken in a pristine gallery space. Meant to act as a catalyst for an investigation into space, place and the role of the body within this. Tried to do a performance but became much more about being ‘alive’ rather than ‘live’. ...
, ,
W5118
18.09.2012
Sheida Lavasani
WWW
Often while traveling with a camera I arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose my hearts. I love people photography. I believe, There are always two people in every picture: the photog ...
Often while traveling with a camera I arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose my hearts. I love people photography. I believe, There are always two people in every picture: the photog ...
,
W4965
21.08.2012
Unrealized/able photography - Ana-Maria Huluban
WWW
Unrealized/able photography Ana-Maria Huluban anamariahuluban.com Photograph - possible to be taken directly: A glass cube with 2m sides, full of clear water. Inside the cube there are mirrors which reflect the surroundings and each other. ...
Unrealized/able photography Ana-Maria Huluban anamariahuluban.com Photograph - possible to be taken directly: A glass cube with 2m sides, full of clear water. Inside the cube there are mirrors which reflect the surroundings and each other. ...
, , ,
W3909
20.05.2011
Unrealised proposal for Saatchi New Sensations, 2009 - Petra Swais and Najda El-Amriti
WWW
Having worked for three years alongside one another, but never producing work collaboratively, we have come to realise the strong connection between our individual practices. The most prominent link between our works is the notion of manipulation. By mani ...
Having worked for three years alongside one another, but never producing work collaboratively, we have come to realise the strong connection between our individual practices. The most prominent link between our works is the notion of manipulation. By mani ...
, ,
W5410
20.10.2012
Things For An Urban Neighbourhood Cleansing (After Kinmont) - Ann Fuata
WWW
Things For An Urban Neighbourhood Cleansing (After Kinmont) is a series of 11 photographs of the artist holding a collection of domestic objects for an urban cleansing. These photographs were meant to become a unified image using a lenticular printing... ...
Things For An Urban Neighbourhood Cleansing (After Kinmont) is a series of 11 photographs of the artist holding a collection of domestic objects for an urban cleansing. These photographs were meant to become a unified image using a lenticular printing... ...
, ,
W5467
21.10.2012
L.R. Faigeles
WWW
For the previous eight months, I spent my time living, working and studying in Berlin. In addition, I traveled to London, Prague, Venice and Paris. Much of my time was spent studying the history of the various cities and how that history has in effect s ...
For the previous eight months, I spent my time living, working and studying in Berlin. In addition, I traveled to London, Prague, Venice and Paris. Much of my time was spent studying the history of the various cities and how that history has in effect s ...
, , , , ,
W10404
19.04.2014
The 'Not at...' series: Installations that never were... - Claire Manning
WWW
This series of work is a set of installations proposed but not realised. It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei ...
This series of work is a set of installations proposed but not realised. It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei ...
, , , , , , , , , , , , , , ,
W3537
11.05.2011
‘Against the fall’ - Sarah Luedemann
WWW
Project outline (Version Ia): ‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute. The parachute as such is ...
Project outline (Version Ia): ‘Against the fall’ consists of a fully functioning white parachute and about 300 (or more) A4 rejection letters from art students and artists worldwide, which are printed onto the parachute. The parachute as such is ...
, , ,
U10007
01.09.1995
Merci, Thank you, Danke: Les 2 sujets  - Thomas Hirschorn
Unbuilt Roads
Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j ...
Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j ...
, , ,
W3914
20.05.2011
Girl lists - David
WWW
David Hornback Spain 2alex.neutron@gmail.com My older brother’s excessive, obsessive list-making of girls when we were young used to drive me nuts. He made lists of all the girls he had danced with, he had kissed, he had touched, he desired, he h ...
David Hornback Spain 2alex.neutron@gmail.com My older brother’s excessive, obsessive list-making of girls when we were young used to drive me nuts. He made lists of all the girls he had danced with, he had kissed, he had touched, he desired, he h ...
, ,
U9864
01.01.1992
Post Photographic apparatus - Steven Pippin
Unbuilt Roads
Description: The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium ...
Description: The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium ...
, , , ,
W3862
19.05.2011
WATER’, A Concept for Exhibition (to include the Site Specific Installation titled ‘Glint’)  - Kate Petley
WWW
Water: -As historical structure for migration, agriculture, and conflict -As political catalyst -Defining geography, location, and place or point of reference -As a poetic source for all kinds of inspiration -Mutable, shape-shifting substance that ca ...
Water: -As historical structure for migration, agriculture, and conflict -As political catalyst -Defining geography, location, and place or point of reference -As a poetic source for all kinds of inspiration -Mutable, shape-shifting substance that ca ...
, , , , , , , ,
W5005
30.08.2012
Hanover House - Peter Friedl
WWW
Peter Friedl, Hanover House, 2003 Proposal for Hanover 5 inkjet prints, 100 x 133 cm each Hanover House (2003) Treehouses are common images and objects of desire for individualism, dropping out, childhood, being in tune with nature, self-determin ...
Peter Friedl, Hanover House, 2003 Proposal for Hanover 5 inkjet prints, 100 x 133 cm each Hanover House (2003) Treehouses are common images and objects of desire for individualism, dropping out, childhood, being in tune with nature, self-determin ...
, , ,
W3528
11.05.2011
MARS / SPIRIT 2009/12 - KLAUS HU
WWW
KLAUS HU Studio Wildenbruch 77 12045 Berlin / Germany tel (49).30.68081524 em: klaushu[at]yahoo.de KLAUS HU IS REPRESENTED BY VG BILD-KUNST. TRILOGY MARS DESERT BEACH 2006/12 MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/ MAR ...
KLAUS HU Studio Wildenbruch 77 12045 Berlin / Germany tel (49).30.68081524 em: klaushu[at]yahoo.de KLAUS HU IS REPRESENTED BY VG BILD-KUNST. TRILOGY MARS DESERT BEACH 2006/12 MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/ MAR ...
, , , , ,
W4816
07.08.2012
Photographs of Common Objects - Bradley Olson
WWW
For the series of black and white still life’s, Photographs of Common Objects, I used a 4” x 5” view camera to capture in fine detail, the form and surface of relics from daily life. Among them - adding machines, ceramic, glass, and plastic cups, ki ...
For the series of black and white still life’s, Photographs of Common Objects, I used a 4” x 5” view camera to capture in fine detail, the form and surface of relics from daily life. Among them - adding machines, ceramic, glass, and plastic cups, ki ...
, , , ,
W4998
30.08.2012
Lesley Scott Reid
WWW
a project to create images - icons - that represent choices open to a person not get HIV. Each image was to be inserted in one arm bandit machine and be photographed - each line of 4 images coming up being a winner. This work is in archive - if it i ...
a project to create images - icons - that represent choices open to a person not get HIV. Each image was to be inserted in one arm bandit machine and be photographed - each line of 4 images coming up being a winner. This work is in archive - if it i ...
, ,