Portrait of a village in contemporary art - Eugen Alupopanu
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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"I to eye" project is an unfinished photo- documentation of author's face to face confrontation with 400 CCTV cameras of Old Town of Jerusalem (2010)
Confronting the unrealized city...
Jacek Smolicki 2010
Jerusalem is a specific place. The parad
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"I to eye" project is an unfinished photo- documentation of author's face to face confrontation with 400 CCTV cameras of Old Town of Jerusalem (2010)
Confronting the unrealized city...
Jacek Smolicki 2010
Jerusalem is a specific place. The parad
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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With the “Blueprint” series I seek to draw a new experience from the blueprint, something not normally considered for artistic purposes. My process utilizes the cyanotype print, which was the process first used to make modern blueprints beginning in.
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With the “Blueprint” series I seek to draw a new experience from the blueprint, something not normally considered for artistic purposes. My process utilizes the cyanotype print, which was the process first used to make modern blueprints beginning in.
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Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic
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Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic
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This images are of grave stones.In Ethiopia when a person dies the
relatives places a photograph into the tomb stone and inscribes a short
history of the deceased.
Inspired by Ethiopian poet and painter Gebrekirstos Desta.
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This images are of grave stones.In Ethiopia when a person dies the
relatives places a photograph into the tomb stone and inscribes a short
history of the deceased.
Inspired by Ethiopian poet and painter Gebrekirstos Desta.
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maria Paschalidou
artist, art professor
www.mariapaschalidou.com
paschalmari@yahoo.com
Athens, October 13, 2012
Seeing the Unseen Seeing the Unseen is an ongoing project of tracing the ‘unseen’, the most invisible and/or unobserved sites of an
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maria Paschalidou
artist, art professor
www.mariapaschalidou.com
paschalmari@yahoo.com
Athens, October 13, 2012
Seeing the Unseen Seeing the Unseen is an ongoing project of tracing the ‘unseen’, the most invisible and/or unobserved sites of an
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Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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TadasTapouchiArtist_Statement.
The main reason for myself to apply to this open call is to work in a new environment and to find (new) artistic ways of expression, and off course to Stimulate art on live, Create a beneficial environment for the deve
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TadasTapouchiArtist_Statement.
The main reason for myself to apply to this open call is to work in a new environment and to find (new) artistic ways of expression, and off course to Stimulate art on live, Create a beneficial environment for the deve
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I have started an archive of impossible art ideas. The archive, when exhibited, is a digitally projected slide show, projected on a small white wooden cube sitting on the floor of the exhibition space.
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I have started an archive of impossible art ideas. The archive, when exhibited, is a digitally projected slide show, projected on a small white wooden cube sitting on the floor of the exhibition space.
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Lieber Hans - Ulrich!
Nochmals Danke für die nette Einlandung. In dem Buch, Meine normale Arbeitsweine mit meine künstlerischen Ideen for laufend auf listen zu schreiben. Diese werden zum Teil Jahre später erst realisiert, allendings zählt als jah
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Lieber Hans - Ulrich!
Nochmals Danke für die nette Einlandung. In dem Buch, Meine normale Arbeitsweine mit meine künstlerischen Ideen for laufend auf listen zu schreiben. Diese werden zum Teil Jahre später erst realisiert, allendings zählt als jah
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THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY - Ulrich Bocker
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THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY
For the innocent photography is the most obvious form of visual communication in the world. The pictured situation seems clear at first sight until we read the title or the legend underneath. An opt
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THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY
For the innocent photography is the most obvious form of visual communication in the world. The pictured situation seems clear at first sight until we read the title or the legend underneath. An opt
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PHOTOGRAPHIC DOCUMENTATION OF THE STONE CIRCLES OF SENEGAL AND THE GAMBIA - Kerry Stuart Coppin
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Panoramic Documentation of The Stone Circles of Senegal and The Gambia:
I propose to extend visual research to a region of the continent not well known - a little documented rural region. One of five sites in Africa recently (2006) declared Unesco World
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Panoramic Documentation of The Stone Circles of Senegal and The Gambia:
I propose to extend visual research to a region of the continent not well known - a little documented rural region. One of five sites in Africa recently (2006) declared Unesco World
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