Often while traveling with a camera I arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose my hearts. I love people photography. I believe, There are always two people in every picture: the photog
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Often while traveling with a camera I arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose my hearts. I love people photography. I believe, There are always two people in every picture: the photog
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Lieber Hans - Ulrich!
Nochmals Danke für die nette Einlandung. In dem Buch, Meine normale Arbeitsweine mit meine künstlerischen Ideen for laufend auf listen zu schreiben. Diese werden zum Teil Jahre später erst realisiert, allendings zählt als jah
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Lieber Hans - Ulrich!
Nochmals Danke für die nette Einlandung. In dem Buch, Meine normale Arbeitsweine mit meine künstlerischen Ideen for laufend auf listen zu schreiben. Diese werden zum Teil Jahre später erst realisiert, allendings zählt als jah
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Edgar Orlianeta
México City 1972
LE GRAND MORT (La Gran Muerte). 2002.
Digital photo-montage for project to be located in the desert near Ciudad Juárez, Chihuahua (México) and El Paso, Texas (US).
The project was meant to be made with a steel pol
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Edgar Orlianeta
México City 1972
LE GRAND MORT (La Gran Muerte). 2002.
Digital photo-montage for project to be located in the desert near Ciudad Juárez, Chihuahua (México) and El Paso, Texas (US).
The project was meant to be made with a steel pol
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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Aus: Katalog 'Kunst bleibt Kunst' - Hans Peter Feldman
Unbuilt Roads
Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande
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Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande
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Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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Synopsis
Go Down, Moses is book project that was conceived from the outset as a sequence of photographs existing in a relation to a parallel body of text.
The project is about a place in the process of becoming a tourist enclave and what has prec
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Synopsis
Go Down, Moses is book project that was conceived from the outset as a sequence of photographs existing in a relation to a parallel body of text.
The project is about a place in the process of becoming a tourist enclave and what has prec
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Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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In 2006, I initiated a serial photographic project of static, frontal shots of closed storefronts in Paris, along with videos of storekeepers closing their shops. The material was to be amassed and combined in a stroboscopic video montage, tentatively tit
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In 2006, I initiated a serial photographic project of static, frontal shots of closed storefronts in Paris, along with videos of storekeepers closing their shops. The material was to be amassed and combined in a stroboscopic video montage, tentatively tit
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Dead but not gone ….
Dead but not gone is a project about the dead things that once was live and living in this world. This was unrealized photography project that, recently I found as going back to my photography archive from 2005 to 2011, I have take
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Dead but not gone ….
Dead but not gone is a project about the dead things that once was live and living in this world. This was unrealized photography project that, recently I found as going back to my photography archive from 2005 to 2011, I have take
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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Breathless
Performance art by AWACS Group from 1980 - 1987
Project objective:
- introduction of work by AWACS Group
- AWACS and its place in history of Polish performance art
- emphasizing of the political aspect of the Group's activity during the Ma
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Breathless
Performance art by AWACS Group from 1980 - 1987
Project objective:
- introduction of work by AWACS Group
- AWACS and its place in history of Polish performance art
- emphasizing of the political aspect of the Group's activity during the Ma
...
‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
WWW
Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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