#
Date
Title
Source
Description
Tags
W3722
17.05.2011
Fotografische Sammlung, Museum Folkwang - ANJA ROSS
WWW
Fotografische Sammlung, Museum Folkwang, Goethestraße 41, D-45128 Essen Stipendium der Alfried Krupp von Bohlen und Halbach-Stiftung für Zeitgenössische Fotografie 2008 Antragstellerin: ANJA ROSS Schon lange arbeite ich mit der Fotografie intu ...
Fotografische Sammlung, Museum Folkwang, Goethestraße 41, D-45128 Essen Stipendium der Alfried Krupp von Bohlen und Halbach-Stiftung für Zeitgenössische Fotografie 2008 Antragstellerin: ANJA ROSS Schon lange arbeite ich mit der Fotografie intu ...
, ,
W5415
20.10.2012
Process - Aglae Cortés
WWW
Process Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday. The ...
Process Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday. The ...
, ,
W4887
10.08.2012
Caravan Tour - An Inverted World - Ann Messner
WWW
caravan tour — an inverted world A Proposal for a Transportable Camera Obscura for the Courts of Lower Manhattan The Lower Manhattan court buildings in their neoclassical grandeur and scale endure as visual tropes of the solidity of the power of justice ...
caravan tour — an inverted world A Proposal for a Transportable Camera Obscura for the Courts of Lower Manhattan The Lower Manhattan court buildings in their neoclassical grandeur and scale endure as visual tropes of the solidity of the power of justice ...
, , ,
W3914
20.05.2011
Girl lists - David
WWW
David Hornback Spain 2alex.neutron@gmail.com My older brother’s excessive, obsessive list-making of girls when we were young used to drive me nuts. He made lists of all the girls he had danced with, he had kissed, he had touched, he desired, he h ...
David Hornback Spain 2alex.neutron@gmail.com My older brother’s excessive, obsessive list-making of girls when we were young used to drive me nuts. He made lists of all the girls he had danced with, he had kissed, he had touched, he desired, he h ...
, ,
U9543
01.01.1974
Aus: Katalog 'Kunst bleibt Kunst' - Hans Peter Feldman
Unbuilt Roads
Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande ...
Während der Ausstellung sollten in drei Kölner Tageszeitungen in jeweils drei Ausgaben ein bis zwei Bilder erscheinen. Diese Bilder sollten an beliebiger Stelle des redaktionellen Teils stehen und keinerlei Beziehungen zu sie umgebenden Texten oder ande ...
, , , , , , , , , ,
W5454
20.10.2012
UNTITLED - Sonia Foder
WWW
UNTITLED It was supposed to be a long-term project. I dreamed about it for long time. Portrait photography is one of the biggest challenges in photography. Photographers identity and relational dynamics between photographer and model are crucial. Por ...
UNTITLED It was supposed to be a long-term project. I dreamed about it for long time. Portrait photography is one of the biggest challenges in photography. Photographers identity and relational dynamics between photographer and model are crucial. Por ...
, , ,
W3549
12.05.2011
Portrait of a village in contemporary art - Eugen Alupopanu
WWW
My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill ...
My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill ...
, ,
W5420
20.10.2012
“These things I do, and shall do, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere”. - Alessandro Laita
WWW
TITLE “These things I do, and shall do, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere”. DESCRIPTION The who ...
TITLE “These things I do, and shall do, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere”. DESCRIPTION The who ...
, , , , , , ,
W5188
30.09.2012
‘Waiting for the Sunrise’ (To follow the light) - Betty Nigianni
WWW
‘Waiting for the Sunrise’ (To follow the light) - - Performance, digital photography, digital video, sculpture, varied dimensions (2011) Undertaken as a means for research, walking journeys in the city allowed for emerging themes, such as pilgrim ...
‘Waiting for the Sunrise’ (To follow the light) - - Performance, digital photography, digital video, sculpture, varied dimensions (2011) Undertaken as a means for research, walking journeys in the city allowed for emerging themes, such as pilgrim ...
, , , ,
W3502
11.05.2011
Reproductions - David Groot
WWW
Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic ...
Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic ...
, ,
U9798
01.01.1972
Prima del 73 - Fabio Mauri
Unbuilt Roads
see my letter (eventually reasons why the work has not been realised) Anxiety Previous Publications (?) This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed. Exisiting Documents (photos, drawings, models): ...
see my letter (eventually reasons why the work has not been realised) Anxiety Previous Publications (?) This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed. Exisiting Documents (photos, drawings, models): ...
, , , ,
W3642
15.05.2011
cara judea alhadeff
WWW
Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and ...
Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and ...
, ,
W3790
18.05.2011
Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000)  - Ken Gonzales-Day
WWW
Original blurb: Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally ...
Original blurb: Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally ...
, , ,
W5203
03.10.2012
Blueprint - Peter J Hoffmeister
WWW
With the “Blueprint” series I seek to draw a new experience from the blueprint, something not normally considered for artistic purposes. My process utilizes the cyanotype print, which was the process first used to make modern blueprints beginning in. ...
With the “Blueprint” series I seek to draw a new experience from the blueprint, something not normally considered for artistic purposes. My process utilizes the cyanotype print, which was the process first used to make modern blueprints beginning in. ...
,
U10007
01.09.1995
Merci, Thank you, Danke: Les 2 sujets  - Thomas Hirschorn
Unbuilt Roads
Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j ...
Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j ...
, , ,
W4809
07.08.2012
Transitional Monument - David Mabb
WWW
Transitional Monument (2004). Digital montage. Dimensions variable. Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d ...
Transitional Monument (2004). Digital montage. Dimensions variable. Transitional Monument was made as a proposal for a public artwork. The two images show photos of a now demolished sixties tower block, Linosa Close, Liverpool, with William Morris d ...
, , , , ,