#
Date
Title
Source
Description
Tags
W5087
10.09.2012
Theâtre (theatre) - Vincent Roumagnac / Aurélie Pétrel / le vrac
WWW
In April 2012 Roumagnac gets from the directors of L!Elysée (theatre – Lyon, France) to proceed the whitening of their whole theatre (stage + audience space). Through this whitening Roumagnac aims to «"reveal"» the illusion of the disappearence of th ...
In April 2012 Roumagnac gets from the directors of L!Elysée (theatre – Lyon, France) to proceed the whitening of their whole theatre (stage + audience space). Through this whitening Roumagnac aims to «"reveal"» the illusion of the disappearence of th ...
, , ,
W5118
18.09.2012
Sheida Lavasani
WWW
Often while traveling with a camera I arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose my hearts. I love people photography. I believe, There are always two people in every picture: the photog ...
Often while traveling with a camera I arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose my hearts. I love people photography. I believe, There are always two people in every picture: the photog ...
,
W3722
17.05.2011
Fotografische Sammlung, Museum Folkwang - ANJA ROSS
WWW
Fotografische Sammlung, Museum Folkwang, Goethestraße 41, D-45128 Essen Stipendium der Alfried Krupp von Bohlen und Halbach-Stiftung für Zeitgenössische Fotografie 2008 Antragstellerin: ANJA ROSS Schon lange arbeite ich mit der Fotografie intu ...
Fotografische Sammlung, Museum Folkwang, Goethestraße 41, D-45128 Essen Stipendium der Alfried Krupp von Bohlen und Halbach-Stiftung für Zeitgenössische Fotografie 2008 Antragstellerin: ANJA ROSS Schon lange arbeite ich mit der Fotografie intu ...
, ,
W5424
20.10.2012
THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY - Ulrich Bocker
WWW
THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY For the innocent photography is the most obvious form of visual communication in the world. The pictured situation seems clear at first sight until we read the title or the legend underneath. An opt ...
THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY For the innocent photography is the most obvious form of visual communication in the world. The pictured situation seems clear at first sight until we read the title or the legend underneath. An opt ...
, , , ,
W4868
09.08.2012
Jacqueline Van der Venne
WWW
Jacqueline van der Venne has studied both graphic and advertising design, illustrative arts, and photography. In 1987, she graduated from the Art Academy in Maastricht, and has since seen several years of steady employment in the field of graphic arts and ...
Jacqueline van der Venne has studied both graphic and advertising design, illustrative arts, and photography. In 1987, she graduated from the Art Academy in Maastricht, and has since seen several years of steady employment in the field of graphic arts and ...
, ,
W3914
20.05.2011
Girl lists - David
WWW
David Hornback Spain 2alex.neutron@gmail.com My older brother’s excessive, obsessive list-making of girls when we were young used to drive me nuts. He made lists of all the girls he had danced with, he had kissed, he had touched, he desired, he h ...
David Hornback Spain 2alex.neutron@gmail.com My older brother’s excessive, obsessive list-making of girls when we were young used to drive me nuts. He made lists of all the girls he had danced with, he had kissed, he had touched, he desired, he h ...
, ,
W5420
20.10.2012
“These things I do, and shall do, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere”. - Alessandro Laita
WWW
TITLE “These things I do, and shall do, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere”. DESCRIPTION The who ...
TITLE “These things I do, and shall do, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere”. DESCRIPTION The who ...
, , , , , , ,
W5262
13.10.2012
Seeing the Unseen - Maria Paschalidou
WWW
maria Paschalidou artist, art professor www.mariapaschalidou.com paschalmari@yahoo.com Athens, October 13, 2012 Seeing the Unseen Seeing the Unseen is an ongoing project of tracing the ‘unseen’, the most invisible and/or unobserved sites of an ...
maria Paschalidou artist, art professor www.mariapaschalidou.com paschalmari@yahoo.com Athens, October 13, 2012 Seeing the Unseen Seeing the Unseen is an ongoing project of tracing the ‘unseen’, the most invisible and/or unobserved sites of an ...
, , ,
W4921
16.08.2012
‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
WWW
Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011 Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8 ...
Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011 Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8 ...
, , ,
W4816
07.08.2012
Photographs of Common Objects - Bradley Olson
WWW
For the series of black and white still life’s, Photographs of Common Objects, I used a 4” x 5” view camera to capture in fine detail, the form and surface of relics from daily life. Among them - adding machines, ceramic, glass, and plastic cups, ki ...
For the series of black and white still life’s, Photographs of Common Objects, I used a 4” x 5” view camera to capture in fine detail, the form and surface of relics from daily life. Among them - adding machines, ceramic, glass, and plastic cups, ki ...
, , , ,
W10357
18.04.2014
After The Flood - Ingrid Mayrhofer
WWW
This project marks the last exhibition of a selection of works on paper from my past 30 years in printmaking, photography and painting. During the July 2013 storm, my basement studio was flooded, and 60 pieces of my artwork were damaged. While the water d ...
This project marks the last exhibition of a selection of works on paper from my past 30 years in printmaking, photography and painting. During the July 2013 storm, my basement studio was flooded, and 60 pieces of my artwork were damaged. While the water d ...
, , , , ,
W4039
22.05.2011
Transcendence , 2010 - Shuli Sade
WWW
Transcendence , 2010, by Shuli Sadé 60 photographic panels of 20 x 20 Inches each, printed on duraclear, fused glass/acrylic, natural light/ suspended to create moving shadows “Tran.scen.dence completes a cycle of the envisioned and the built. It ...
Transcendence , 2010, by Shuli Sadé 60 photographic panels of 20 x 20 Inches each, printed on duraclear, fused glass/acrylic, natural light/ suspended to create moving shadows “Tran.scen.dence completes a cycle of the envisioned and the built. It ...
, ,
U10007
01.09.1995
Merci, Thank you, Danke: Les 2 sujets  - Thomas Hirschorn
Unbuilt Roads
Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j ...
Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j ...
, , ,
W5356
19.10.2012
german ramirez
WWW
At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs. ...
At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs. ...
, ,
W4184
24.05.2011
A POCKET FULL OF EMPTY - amalia caputo
WWW
PROJECT FOR EXHIBITION “A POCKET FULL OF EMPTY” By Amalia Caputo BRIEF DESCRIPTION This exhibition is a solo show, conceived as an interactive installation of variable dimensions that will take over the main area of an exhibition space. It is ...
PROJECT FOR EXHIBITION “A POCKET FULL OF EMPTY” By Amalia Caputo BRIEF DESCRIPTION This exhibition is a solo show, conceived as an interactive installation of variable dimensions that will take over the main area of an exhibition space. It is ...
, , ,
W5454
20.10.2012
UNTITLED - Sonia Foder
WWW
UNTITLED It was supposed to be a long-term project. I dreamed about it for long time. Portrait photography is one of the biggest challenges in photography. Photographers identity and relational dynamics between photographer and model are crucial. Por ...
UNTITLED It was supposed to be a long-term project. I dreamed about it for long time. Portrait photography is one of the biggest challenges in photography. Photographers identity and relational dynamics between photographer and model are crucial. Por ...
, , ,