Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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photographic series “Nursery”
This series of photographs began as a project where Ismini Haholiadou was exploring different trajectories in her practice. Where she previously set up spaces and scenes to photograph, in this project she scouted for
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photographic series “Nursery”
This series of photographs began as a project where Ismini Haholiadou was exploring different trajectories in her practice. Where she previously set up spaces and scenes to photograph, in this project she scouted for
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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PHOTOGRAPHIC DOCUMENTATION OF THE STONE CIRCLES OF SENEGAL AND THE GAMBIA - Kerry Stuart Coppin
WWW
Panoramic Documentation of The Stone Circles of Senegal and The Gambia:
I propose to extend visual research to a region of the continent not well known - a little documented rural region. One of five sites in Africa recently (2006) declared Unesco World
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Panoramic Documentation of The Stone Circles of Senegal and The Gambia:
I propose to extend visual research to a region of the continent not well known - a little documented rural region. One of five sites in Africa recently (2006) declared Unesco World
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caravan tour — an inverted world A Proposal for a Transportable Camera Obscura for the Courts of Lower Manhattan The Lower Manhattan court buildings in their neoclassical grandeur and scale endure as visual tropes of the solidity of the power of justice
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caravan tour — an inverted world A Proposal for a Transportable Camera Obscura for the Courts of Lower Manhattan The Lower Manhattan court buildings in their neoclassical grandeur and scale endure as visual tropes of the solidity of the power of justice
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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Often while traveling with a camera I arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose my hearts. I love people photography. I believe, There are always two people in every picture: the photog
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Often while traveling with a camera I arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose my hearts. I love people photography. I believe, There are always two people in every picture: the photog
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Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic
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Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic
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Monsieur l'Abbe Pierre,
il y a sans doute d'autres points que je n'ai pas imagines mais une conversation permettrait sans doute d'apporter des rectifications. Je sollicite votre bienveillance et votre engagement pour pouvoir m'autoriser a vous rencontr
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Monsieur l'Abbe Pierre,
il y a sans doute d'autres points que je n'ai pas imagines mais une conversation permettrait sans doute d'apporter des rectifications. Je sollicite votre bienveillance et votre engagement pour pouvoir m'autoriser a vous rencontr
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maria Paschalidou
artist, art professor
www.mariapaschalidou.com
paschalmari@yahoo.com
Athens, October 13, 2012
Seeing the Unseen Seeing the Unseen is an ongoing project of tracing the ‘unseen’, the most invisible and/or unobserved sites of an
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maria Paschalidou
artist, art professor
www.mariapaschalidou.com
paschalmari@yahoo.com
Athens, October 13, 2012
Seeing the Unseen Seeing the Unseen is an ongoing project of tracing the ‘unseen’, the most invisible and/or unobserved sites of an
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The king of the changing face - Transvestites in China - Andreas Guibert
WWW
This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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"The Well" by day and "The Cave" by night - Sissel Kardel
WWW
A four story tower, in the shape of a standing female figure, facade like that of a log cabin which you can enter and explore.
Sissel Kardel works from documentary photographs that correspond to visions in which a contemplative female figure is set a
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A four story tower, in the shape of a standing female figure, facade like that of a log cabin which you can enter and explore.
Sissel Kardel works from documentary photographs that correspond to visions in which a contemplative female figure is set a
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Breathless
Performance art by AWACS Group from 1980 - 1987
Project objective:
- introduction of work by AWACS Group
- AWACS and its place in history of Polish performance art
- emphasizing of the political aspect of the Group's activity during the Ma
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Breathless
Performance art by AWACS Group from 1980 - 1987
Project objective:
- introduction of work by AWACS Group
- AWACS and its place in history of Polish performance art
- emphasizing of the political aspect of the Group's activity during the Ma
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Unrealized/able photography
Ana-Maria Huluban
anamariahuluban.com
Photograph - possible to be taken directly:
A glass cube with 2m sides, full of clear water. Inside the cube there are mirrors which reflect the surroundings and each other.
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Unrealized/able photography
Ana-Maria Huluban
anamariahuluban.com
Photograph - possible to be taken directly:
A glass cube with 2m sides, full of clear water. Inside the cube there are mirrors which reflect the surroundings and each other.
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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