Unrealised proposal for Saatchi New Sensations, 2009 - Petra Swais and Najda El-Amriti
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Having worked for three years alongside one another, but never producing work collaboratively, we have come to realise the strong connection between our individual practices. The most prominent link between our works is the notion of manipulation. By mani
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Having worked for three years alongside one another, but never producing work collaboratively, we have come to realise the strong connection between our individual practices. The most prominent link between our works is the notion of manipulation. By mani
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caravan tour — an inverted world A Proposal for a Transportable Camera Obscura for the Courts of Lower Manhattan The Lower Manhattan court buildings in their neoclassical grandeur and scale endure as visual tropes of the solidity of the power of justice
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caravan tour — an inverted world A Proposal for a Transportable Camera Obscura for the Courts of Lower Manhattan The Lower Manhattan court buildings in their neoclassical grandeur and scale endure as visual tropes of the solidity of the power of justice
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Things For An Urban Neighbourhood Cleansing (After Kinmont) - Ann Fuata
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Things For An Urban Neighbourhood Cleansing (After Kinmont) is a series of 11 photographs of the artist holding a collection of domestic objects for an urban cleansing. These photographs were meant to become a unified image using a lenticular printing...
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Things For An Urban Neighbourhood Cleansing (After Kinmont) is a series of 11 photographs of the artist holding a collection of domestic objects for an urban cleansing. These photographs were meant to become a unified image using a lenticular printing...
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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The Screenshot Project
After years of photographing and digital manipulation, I felt that I needed a bit more roughness, the imperfect roughness you have when using software in an unconventional way.
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The Screenshot Project
After years of photographing and digital manipulation, I felt that I needed a bit more roughness, the imperfect roughness you have when using software in an unconventional way.
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Portrait of a village in contemporary art - Eugen Alupopanu
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) - Ken Gonzales-Day
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Original blurb:
Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally
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Original blurb:
Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally
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To propose to make a series of photographs made at scheduled demonstrations at the Saab Borfors systems field site in Karlskoga Sweden.
Images are to show ground to air missiles such as the RBS 70 and recent RBS 70NG being demonstrated and tested in a
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To propose to make a series of photographs made at scheduled demonstrations at the Saab Borfors systems field site in Karlskoga Sweden.
Images are to show ground to air missiles such as the RBS 70 and recent RBS 70NG being demonstrated and tested in a
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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maria Paschalidou
artist, art professor
www.mariapaschalidou.com
paschalmari@yahoo.com
Athens, October 13, 2012
Seeing the Unseen Seeing the Unseen is an ongoing project of tracing the ‘unseen’, the most invisible and/or unobserved sites of an
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maria Paschalidou
artist, art professor
www.mariapaschalidou.com
paschalmari@yahoo.com
Athens, October 13, 2012
Seeing the Unseen Seeing the Unseen is an ongoing project of tracing the ‘unseen’, the most invisible and/or unobserved sites of an
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These are 2 photos of 2 experimental works which consist in the process of the reconstruction of possible realities from former realities. Basicaly they are stripes (cut from photos and drawings) reordered and sticked in a different way from the initial..
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These are 2 photos of 2 experimental works which consist in the process of the reconstruction of possible realities from former realities. Basicaly they are stripes (cut from photos and drawings) reordered and sticked in a different way from the initial..
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The king of the changing face - Transvestites in China - Andreas Guibert
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This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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Dead but not gone ….
Dead but not gone is a project about the dead things that once was live and living in this world. This was unrealized photography project that, recently I found as going back to my photography archive from 2005 to 2011, I have take
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Dead but not gone ….
Dead but not gone is a project about the dead things that once was live and living in this world. This was unrealized photography project that, recently I found as going back to my photography archive from 2005 to 2011, I have take
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I have started an archive of impossible art ideas. The archive, when exhibited, is a digitally projected slide show, projected on a small white wooden cube sitting on the floor of the exhibition space.
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I have started an archive of impossible art ideas. The archive, when exhibited, is a digitally projected slide show, projected on a small white wooden cube sitting on the floor of the exhibition space.
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Unrealized/able photography
Ana-Maria Huluban
anamariahuluban.com
Photograph - possible to be taken directly:
A glass cube with 2m sides, full of clear water. Inside the cube there are mirrors which reflect the surroundings and each other.
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Unrealized/able photography
Ana-Maria Huluban
anamariahuluban.com
Photograph - possible to be taken directly:
A glass cube with 2m sides, full of clear water. Inside the cube there are mirrors which reflect the surroundings and each other.
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