Edgar Orlianeta
México City 1972
LE GRAND MORT (La Gran Muerte). 2002.
Digital photo-montage for project to be located in the desert near Ciudad Juárez, Chihuahua (México) and El Paso, Texas (US).
The project was meant to be made with a steel pol
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Edgar Orlianeta
México City 1972
LE GRAND MORT (La Gran Muerte). 2002.
Digital photo-montage for project to be located in the desert near Ciudad Juárez, Chihuahua (México) and El Paso, Texas (US).
The project was meant to be made with a steel pol
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This images are of grave stones.In Ethiopia when a person dies the
relatives places a photograph into the tomb stone and inscribes a short
history of the deceased.
Inspired by Ethiopian poet and painter Gebrekirstos Desta.
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This images are of grave stones.In Ethiopia when a person dies the
relatives places a photograph into the tomb stone and inscribes a short
history of the deceased.
Inspired by Ethiopian poet and painter Gebrekirstos Desta.
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Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
WWW
Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Theâtre (theatre) - Vincent Roumagnac / Aurélie Pétrel / le vrac
WWW
In April 2012 Roumagnac gets from the directors of L!Elysée (theatre – Lyon, France) to proceed the whitening of their whole theatre (stage + audience space). Through this whitening Roumagnac aims to «"reveal"» the illusion of the disappearence of th
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In April 2012 Roumagnac gets from the directors of L!Elysée (theatre – Lyon, France) to proceed the whitening of their whole theatre (stage + audience space). Through this whitening Roumagnac aims to «"reveal"» the illusion of the disappearence of th
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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UNTITLED
It was supposed to be a long-term project. I dreamed about it for long time.
Portrait photography is one of the biggest challenges in photography. Photographers identity and relational dynamics between photographer and model are crucial. Por
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UNTITLED
It was supposed to be a long-term project. I dreamed about it for long time.
Portrait photography is one of the biggest challenges in photography. Photographers identity and relational dynamics between photographer and model are crucial. Por
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These are 2 photos of 2 experimental works which consist in the process of the reconstruction of possible realities from former realities. Basicaly they are stripes (cut from photos and drawings) reordered and sticked in a different way from the initial..
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These are 2 photos of 2 experimental works which consist in the process of the reconstruction of possible realities from former realities. Basicaly they are stripes (cut from photos and drawings) reordered and sticked in a different way from the initial..
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Unrealized/able photography
Ana-Maria Huluban
anamariahuluban.com
Photograph - possible to be taken directly:
A glass cube with 2m sides, full of clear water. Inside the cube there are mirrors which reflect the surroundings and each other.
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Unrealized/able photography
Ana-Maria Huluban
anamariahuluban.com
Photograph - possible to be taken directly:
A glass cube with 2m sides, full of clear water. Inside the cube there are mirrors which reflect the surroundings and each other.
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The 'Not at...' series: Installations that never were... - Claire Manning
WWW
This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY - Ulrich Bocker
WWW
THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY
For the innocent photography is the most obvious form of visual communication in the world. The pictured situation seems clear at first sight until we read the title or the legend underneath. An opt
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THE DIFFICULT INTERPRETATION OF PHOTOGRAPHIC REALITY
For the innocent photography is the most obvious form of visual communication in the world. The pictured situation seems clear at first sight until we read the title or the legend underneath. An opt
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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I have started an archive of impossible art ideas. The archive, when exhibited, is a digitally projected slide show, projected on a small white wooden cube sitting on the floor of the exhibition space.
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I have started an archive of impossible art ideas. The archive, when exhibited, is a digitally projected slide show, projected on a small white wooden cube sitting on the floor of the exhibition space.
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
WWW
Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Part of a series of experimental explorations on the impact of medium and process on the reading of the photographic image, exploring the use of alternative print processes in altering viewers' responses. In using the historical processes of the cyanotyp
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Part of a series of experimental explorations on the impact of medium and process on the reading of the photographic image, exploring the use of alternative print processes in altering viewers' responses. In using the historical processes of the cyanotyp
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Portrait of a village in contemporary art - Eugen Alupopanu
WWW
My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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Monsieur l'Abbe Pierre,
il y a sans doute d'autres points que je n'ai pas imagines mais une conversation permettrait sans doute d'apporter des rectifications. Je sollicite votre bienveillance et votre engagement pour pouvoir m'autoriser a vous rencontr
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Monsieur l'Abbe Pierre,
il y a sans doute d'autres points que je n'ai pas imagines mais une conversation permettrait sans doute d'apporter des rectifications. Je sollicite votre bienveillance et votre engagement pour pouvoir m'autoriser a vous rencontr
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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Merci, Thank you, Danke: Les 2 sujets - Thomas Hirschorn
Unbuilt Roads
Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j
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Pour les affichés 4x3 devant l'immeuble Valois/Saint-Honoré je propose deux sujets issus de la serie "merci, Thank you, Danke". Ces sujets sont deux collages sur carton d'un format assez petit (eviron 20x40 pour l'un et 20x40 pour l'autre) Cette serie j
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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Two images taken in a pristine gallery space.
Meant to act as a catalyst for an investigation into space, place and the role of the body within this.
Tried to do a performance but became much more about being ‘alive’ rather than ‘live’.
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Two images taken in a pristine gallery space.
Meant to act as a catalyst for an investigation into space, place and the role of the body within this.
Tried to do a performance but became much more about being ‘alive’ rather than ‘live’.
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Evidence of Difference
criteria:
must take one photograph every day of 2011 that will represent evidence of my difference work must answer the question, “what makes me different? what am I doing today that is different than everyone else? what se
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Evidence of Difference
criteria:
must take one photograph every day of 2011 that will represent evidence of my difference work must answer the question, “what makes me different? what am I doing today that is different than everyone else? what se
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A project of painting television static on a series of free standing billboards along an expressway.
TITLE: Static BillBoards
OVERVIEW: Having worked as a large-‐ scale public muralist and a fine artist for years, I propose to paint a large-
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A project of painting television static on a series of free standing billboards along an expressway.
TITLE: Static BillBoards
OVERVIEW: Having worked as a large-‐ scale public muralist and a fine artist for years, I propose to paint a large-
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Photography is a powerful two dimensional representation tool to document three dimensional volumes like architecture. It is possible to manipulate photos with two dimensional tools like Photoshop in order to suggest new three dimensional re/formations an
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Photography is a powerful two dimensional representation tool to document three dimensional volumes like architecture. It is possible to manipulate photos with two dimensional tools like Photoshop in order to suggest new three dimensional re/formations an
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Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic
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Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic
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