The king of the changing face - Transvestites in China - Andreas Guibert
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This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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Photography is a powerful two dimensional representation tool to document three dimensional volumes like architecture. It is possible to manipulate photos with two dimensional tools like Photoshop in order to suggest new three dimensional re/formations an
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Photography is a powerful two dimensional representation tool to document three dimensional volumes like architecture. It is possible to manipulate photos with two dimensional tools like Photoshop in order to suggest new three dimensional re/formations an
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Breathless
Performance art by AWACS Group from 1980 - 1987
Project objective:
- introduction of work by AWACS Group
- AWACS and its place in history of Polish performance art
- emphasizing of the political aspect of the Group's activity during the Ma
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Breathless
Performance art by AWACS Group from 1980 - 1987
Project objective:
- introduction of work by AWACS Group
- AWACS and its place in history of Polish performance art
- emphasizing of the political aspect of the Group's activity during the Ma
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Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic
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Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs.
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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The Screenshot Project
After years of photographing and digital manipulation, I felt that I needed a bit more roughness, the imperfect roughness you have when using software in an unconventional way.
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The Screenshot Project
After years of photographing and digital manipulation, I felt that I needed a bit more roughness, the imperfect roughness you have when using software in an unconventional way.
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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"I to eye" project is an unfinished photo- documentation of author's face to face confrontation with 400 CCTV cameras of Old Town of Jerusalem (2010)
Confronting the unrealized city...
Jacek Smolicki 2010
Jerusalem is a specific place. The parad
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"I to eye" project is an unfinished photo- documentation of author's face to face confrontation with 400 CCTV cameras of Old Town of Jerusalem (2010)
Confronting the unrealized city...
Jacek Smolicki 2010
Jerusalem is a specific place. The parad
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Part of a series of experimental explorations on the impact of medium and process on the reading of the photographic image, exploring the use of alternative print processes in altering viewers' responses. In using the historical processes of the cyanotyp
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Part of a series of experimental explorations on the impact of medium and process on the reading of the photographic image, exploring the use of alternative print processes in altering viewers' responses. In using the historical processes of the cyanotyp
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Surgical Intervention (Intervençao cirurgica) - Kelly Tavares
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English translation from Portuguese:
This project is still underway. It started to be developed in Brasil, in 2007. The work has the modular unit, consisting of “cubificated” photographs cased in an acrylic transparent cube that is turned into art
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English translation from Portuguese:
This project is still underway. It started to be developed in Brasil, in 2007. The work has the modular unit, consisting of “cubificated” photographs cased in an acrylic transparent cube that is turned into art
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These are 2 photos of 2 experimental works which consist in the process of the reconstruction of possible realities from former realities. Basicaly they are stripes (cut from photos and drawings) reordered and sticked in a different way from the initial..
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These are 2 photos of 2 experimental works which consist in the process of the reconstruction of possible realities from former realities. Basicaly they are stripes (cut from photos and drawings) reordered and sticked in a different way from the initial..
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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PROJECT FOR EXHIBITION “A POCKET FULL OF EMPTY”
By Amalia Caputo
BRIEF DESCRIPTION
This exhibition is a solo show, conceived as an interactive installation of variable dimensions that will take over the main area of an exhibition space. It is
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PROJECT FOR EXHIBITION “A POCKET FULL OF EMPTY”
By Amalia Caputo
BRIEF DESCRIPTION
This exhibition is a solo show, conceived as an interactive installation of variable dimensions that will take over the main area of an exhibition space. It is
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Fotografische Sammlung, Museum Folkwang - ANJA ROSS
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Fotografische Sammlung, Museum Folkwang, Goethestraße 41, D-45128 Essen
Stipendium der Alfried Krupp von Bohlen und Halbach-Stiftung für Zeitgenössische Fotografie 2008
Antragstellerin: ANJA ROSS
Schon lange arbeite ich mit der Fotografie intu
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Fotografische Sammlung, Museum Folkwang, Goethestraße 41, D-45128 Essen
Stipendium der Alfried Krupp von Bohlen und Halbach-Stiftung für Zeitgenössische Fotografie 2008
Antragstellerin: ANJA ROSS
Schon lange arbeite ich mit der Fotografie intu
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see my letter
(eventually reasons why the work has not been realised)
Anxiety
Previous Publications (?)
This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed.
Exisiting Documents (photos, drawings, models):
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see my letter
(eventually reasons why the work has not been realised)
Anxiety
Previous Publications (?)
This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed.
Exisiting Documents (photos, drawings, models):
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Pablo David Rojas Mencias
Kohlfurterstrasse 1, Berlin 10999
dadafoto@gmail.com
Project Name: “ñaña”
This project couldn’t be finished due to the fact that “ñaña” has passed away. In the native american language, quechua, “ñaña
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Pablo David Rojas Mencias
Kohlfurterstrasse 1, Berlin 10999
dadafoto@gmail.com
Project Name: “ñaña”
This project couldn’t be finished due to the fact that “ñaña” has passed away. In the native american language, quechua, “ñaña
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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MAPPING OBSCUR A (MEMORY AND PLACE) - Yamini Nayar
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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Evidence of Difference
criteria:
must take one photograph every day of 2011 that will represent evidence of my difference work must answer the question, “what makes me different? what am I doing today that is different than everyone else? what se
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Evidence of Difference
criteria:
must take one photograph every day of 2011 that will represent evidence of my difference work must answer the question, “what makes me different? what am I doing today that is different than everyone else? what se
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