Monsieur l'Abbe Pierre,
il y a sans doute d'autres points que je n'ai pas imagines mais une conversation permettrait sans doute d'apporter des rectifications. Je sollicite votre bienveillance et votre engagement pour pouvoir m'autoriser a vous rencontr
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Monsieur l'Abbe Pierre,
il y a sans doute d'autres points que je n'ai pas imagines mais une conversation permettrait sans doute d'apporter des rectifications. Je sollicite votre bienveillance et votre engagement pour pouvoir m'autoriser a vous rencontr
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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Iranian Modernity during Qajar period - Reza Afhami, Farinaz Farbod
WWW
Iranian Modernity during Qajar period
During Qajar period, Iran starts the modernity and attention to Europe as an pattern of development. This series of digital photo arts tries to show the various aspects of Iranian modernity through the combination
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Iranian Modernity during Qajar period
During Qajar period, Iran starts the modernity and attention to Europe as an pattern of development. This series of digital photo arts tries to show the various aspects of Iranian modernity through the combination
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Portrait of a village in contemporary art - Eugen Alupopanu
WWW
My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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My project proposal was "Portrait of a village in contemporary art" in which I wanted to use typical means of photography as document and translate them into visual art language, namely painting. In short, I wanted to photograph all the people in the vill
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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UNTITLED
It was supposed to be a long-term project. I dreamed about it for long time.
Portrait photography is one of the biggest challenges in photography. Photographers identity and relational dynamics between photographer and model are crucial. Por
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UNTITLED
It was supposed to be a long-term project. I dreamed about it for long time.
Portrait photography is one of the biggest challenges in photography. Photographers identity and relational dynamics between photographer and model are crucial. Por
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Often while traveling with a camera I arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose my hearts. I love people photography. I believe, There are always two people in every picture: the photog
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Often while traveling with a camera I arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose my hearts. I love people photography. I believe, There are always two people in every picture: the photog
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Unrealized/able photography
Ana-Maria Huluban
anamariahuluban.com
Photograph - possible to be taken directly:
A glass cube with 2m sides, full of clear water. Inside the cube there are mirrors which reflect the surroundings and each other.
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Unrealized/able photography
Ana-Maria Huluban
anamariahuluban.com
Photograph - possible to be taken directly:
A glass cube with 2m sides, full of clear water. Inside the cube there are mirrors which reflect the surroundings and each other.
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This project marks the last exhibition of a selection of works on paper from my past 30 years in printmaking, photography and painting. During the July 2013 storm, my basement studio was flooded, and 60 pieces of my artwork were damaged. While the water d
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This project marks the last exhibition of a selection of works on paper from my past 30 years in printmaking, photography and painting. During the July 2013 storm, my basement studio was flooded, and 60 pieces of my artwork were damaged. While the water d
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They say, art no longer produces beauty, she produces meaning. I say, one cannot paint a picture or make an image of a woman and not deal with the concept of beauty. Marlene Dumas
Assignment 5fp001 Contemporary photographic practice, The Venus project
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They say, art no longer produces beauty, she produces meaning. I say, one cannot paint a picture or make an image of a woman and not deal with the concept of beauty. Marlene Dumas
Assignment 5fp001 Contemporary photographic practice, The Venus project
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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Convention' was an unsolicited, and as I found out in March of this year, unaccepted proposal to the promoters of the Toronto International Art Fair.
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Convention' was an unsolicited, and as I found out in March of this year, unaccepted proposal to the promoters of the Toronto International Art Fair.
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The king of the changing face - Transvestites in China - Andreas Guibert
WWW
This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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see my letter
(eventually reasons why the work has not been realised)
Anxiety
Previous Publications (?)
This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed.
Exisiting Documents (photos, drawings, models):
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see my letter
(eventually reasons why the work has not been realised)
Anxiety
Previous Publications (?)
This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed.
Exisiting Documents (photos, drawings, models):
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PROJECT FOR EXHIBITION “A POCKET FULL OF EMPTY”
By Amalia Caputo
BRIEF DESCRIPTION
This exhibition is a solo show, conceived as an interactive installation of variable dimensions that will take over the main area of an exhibition space. It is
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PROJECT FOR EXHIBITION “A POCKET FULL OF EMPTY”
By Amalia Caputo
BRIEF DESCRIPTION
This exhibition is a solo show, conceived as an interactive installation of variable dimensions that will take over the main area of an exhibition space. It is
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PHOTOGRAPHIC DOCUMENTATION OF THE STONE CIRCLES OF SENEGAL AND THE GAMBIA - Kerry Stuart Coppin
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Panoramic Documentation of The Stone Circles of Senegal and The Gambia:
I propose to extend visual research to a region of the continent not well known - a little documented rural region. One of five sites in Africa recently (2006) declared Unesco World
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Panoramic Documentation of The Stone Circles of Senegal and The Gambia:
I propose to extend visual research to a region of the continent not well known - a little documented rural region. One of five sites in Africa recently (2006) declared Unesco World
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A project of painting television static on a series of free standing billboards along an expressway.
TITLE: Static BillBoards
OVERVIEW: Having worked as a large-‐ scale public muralist and a fine artist for years, I propose to paint a large-
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A project of painting television static on a series of free standing billboards along an expressway.
TITLE: Static BillBoards
OVERVIEW: Having worked as a large-‐ scale public muralist and a fine artist for years, I propose to paint a large-
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A series of photographic works made during 2012 by photographer Sharon Bareket, dealing with the invasion of a military dimension into the civilian, private dimension.
The images evoke themes that are local and universal at the same time, and depict a
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A series of photographic works made during 2012 by photographer Sharon Bareket, dealing with the invasion of a military dimension into the civilian, private dimension.
The images evoke themes that are local and universal at the same time, and depict a
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MAPPING OBSCUR A (MEMORY AND PLACE) - Yamini Nayar
WWW
Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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Mapping Obscura - a Proposal for a Memorial to Partition
Mapping obscura is a mobile memorial, a camera obscura that travels through landscape and into communities. Visitors are invited to enter the camera to compose photograms, arranging objects of pe
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
WWW
Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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The library is a project about books and readers. It consist of two parts, one is the photographic register of books rescued from the street, the beach, or even from the garbage, over my years of immigrant in Israel.
los libros de la biblioteca no tie
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The library is a project about books and readers. It consist of two parts, one is the photographic register of books rescued from the street, the beach, or even from the garbage, over my years of immigrant in Israel.
los libros de la biblioteca no tie
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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In 2006, I initiated a serial photographic project of static, frontal shots of closed storefronts in Paris, along with videos of storekeepers closing their shops. The material was to be amassed and combined in a stroboscopic video montage, tentatively tit
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In 2006, I initiated a serial photographic project of static, frontal shots of closed storefronts in Paris, along with videos of storekeepers closing their shops. The material was to be amassed and combined in a stroboscopic video montage, tentatively tit
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I'm here to write to offer my project, titled "Objekt. My work is centered above all on architecture and urban spaces.
I just need that on a construction site, harboring, in particular giving me a small space on the scaffold, a photo of variable size PVC
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I'm here to write to offer my project, titled "Objekt. My work is centered above all on architecture and urban spaces.
I just need that on a construction site, harboring, in particular giving me a small space on the scaffold, a photo of variable size PVC
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