Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
...
KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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PROJECT FOR EXHIBITION “A POCKET FULL OF EMPTY”
By Amalia Caputo
BRIEF DESCRIPTION
This exhibition is a solo show, conceived as an interactive installation of variable dimensions that will take over the main area of an exhibition space. It is
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PROJECT FOR EXHIBITION “A POCKET FULL OF EMPTY”
By Amalia Caputo
BRIEF DESCRIPTION
This exhibition is a solo show, conceived as an interactive installation of variable dimensions that will take over the main area of an exhibition space. It is
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Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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a project to create images - icons - that represent choices open to a person not get HIV. Each image was to be inserted in one arm bandit machine and be photographed - each line of 4 images coming up being a winner.
This work is in archive - if it i
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a project to create images - icons - that represent choices open to a person not get HIV. Each image was to be inserted in one arm bandit machine and be photographed - each line of 4 images coming up being a winner.
This work is in archive - if it i
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maria Paschalidou
artist, art professor
www.mariapaschalidou.com
paschalmari@yahoo.com
Athens, October 13, 2012
Seeing the Unseen Seeing the Unseen is an ongoing project of tracing the ‘unseen’, the most invisible and/or unobserved sites of an
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maria Paschalidou
artist, art professor
www.mariapaschalidou.com
paschalmari@yahoo.com
Athens, October 13, 2012
Seeing the Unseen Seeing the Unseen is an ongoing project of tracing the ‘unseen’, the most invisible and/or unobserved sites of an
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The king of the changing face - Transvestites in China - Andreas Guibert
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This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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THEMES
The theme will be Ardfert “Miracle Hill”. Ideas about miracles will be explored playfully by posing questions:
What exactly is a miracle? Do you know any miracles? Are miracles real? Do we need them? Who are the people who inhabit miracles?
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Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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Synopsis
Go Down, Moses is book project that was conceived from the outset as a sequence of photographs existing in a relation to a parallel body of text.
The project is about a place in the process of becoming a tourist enclave and what has prec
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Synopsis
Go Down, Moses is book project that was conceived from the outset as a sequence of photographs existing in a relation to a parallel body of text.
The project is about a place in the process of becoming a tourist enclave and what has prec
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Things For An Urban Neighbourhood Cleansing (After Kinmont) - Ann Fuata
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Things For An Urban Neighbourhood Cleansing (After Kinmont) is a series of 11 photographs of the artist holding a collection of domestic objects for an urban cleansing. These photographs were meant to become a unified image using a lenticular printing...
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Things For An Urban Neighbourhood Cleansing (After Kinmont) is a series of 11 photographs of the artist holding a collection of domestic objects for an urban cleansing. These photographs were meant to become a unified image using a lenticular printing...
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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Description:
The impetus came from , or was initially inspired by the endless stream of monotonous images created by the exponential growth in the amount of photographic apparatus. In an effort to counteract this mediocre use of such a powerfull medium
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Mevagissey Old Fishermen is a panel of 40 hand painted ceramic tiles (each tile 15 x 15 cm) reproduction of an old photograph - with artistic licence - of a scene of a small harbour in Cornwall GB around 1900 - see image attached and on www.artmajeur.com/
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Mevagissey Old Fishermen is a panel of 40 hand painted ceramic tiles (each tile 15 x 15 cm) reproduction of an old photograph - with artistic licence - of a scene of a small harbour in Cornwall GB around 1900 - see image attached and on www.artmajeur.com/
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(un)realized words
Kathryn Hummel
(un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements.
I do not recall at what age I first began
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(un)realized words
Kathryn Hummel
(un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements.
I do not recall at what age I first began
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Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) - Ken Gonzales-Day
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Original blurb:
Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally
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Original blurb:
Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally
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Often while traveling with a camera I arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose my hearts. I love people photography. I believe, There are always two people in every picture: the photog
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Often while traveling with a camera I arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose my hearts. I love people photography. I believe, There are always two people in every picture: the photog
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Convention' was an unsolicited, and as I found out in March of this year, unaccepted proposal to the promoters of the Toronto International Art Fair.
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Convention' was an unsolicited, and as I found out in March of this year, unaccepted proposal to the promoters of the Toronto International Art Fair.
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
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Berliner Künstlerprogramm/DAAD 19 Oct 2012
This is a Project Description for the unrealized Los Angeles Police Department Hollenbeck
Station Public Art Project RFP.
My proposal was for a number of 3’ x 7’ ceramic tile panels mounted on the CMU
...
Edgar Orlianeta
México City 1972
LE GRAND MORT (La Gran Muerte). 2002.
Digital photo-montage for project to be located in the desert near Ciudad Juárez, Chihuahua (México) and El Paso, Texas (US).
The project was meant to be made with a steel pol
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Edgar Orlianeta
México City 1972
LE GRAND MORT (La Gran Muerte). 2002.
Digital photo-montage for project to be located in the desert near Ciudad Juárez, Chihuahua (México) and El Paso, Texas (US).
The project was meant to be made with a steel pol
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Theâtre (theatre) - Vincent Roumagnac / Aurélie Pétrel / le vrac
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In April 2012 Roumagnac gets from the directors of L!Elysée (theatre – Lyon, France) to proceed the whitening of their whole theatre (stage + audience space). Through this whitening Roumagnac aims to «"reveal"» the illusion of the disappearence of th
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In April 2012 Roumagnac gets from the directors of L!Elysée (theatre – Lyon, France) to proceed the whitening of their whole theatre (stage + audience space). Through this whitening Roumagnac aims to «"reveal"» the illusion of the disappearence of th
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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Cornflower tea and concealing chocolate - Alena Zhandarova
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Alena Zhandarova was born in 1988 and lives in Russia. Meanwhile her marketing studies she decided to open her creative chakras and started to probe and go deeper to herself. This way her series “Cornflower tea and concealing chocolate” came up.
It
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Alena Zhandarova was born in 1988 and lives in Russia. Meanwhile her marketing studies she decided to open her creative chakras and started to probe and go deeper to herself. This way her series “Cornflower tea and concealing chocolate” came up.
It
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