Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Breathless
Performance art by AWACS Group from 1980 - 1987
Project objective:
- introduction of work by AWACS Group
- AWACS and its place in history of Polish performance art
- emphasizing of the political aspect of the Group's activity during the Ma
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Breathless
Performance art by AWACS Group from 1980 - 1987
Project objective:
- introduction of work by AWACS Group
- AWACS and its place in history of Polish performance art
- emphasizing of the political aspect of the Group's activity during the Ma
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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Ladder, 1991: It was a project to be realized for Documenta IX. At Friediricianum a steel ladder as high as the building might have been installed during the exhibition as a simbol to reach the sky.
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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Jerusalem, Israel
In 1998 Esther Shalev-Gerz proposed the intervention Tower (Without Walls) to the city of Jerusalem. The project consisted of imagining Jerusalem without city walls, by projecting the image of the streets located on the other side ont
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) - Ken Gonzales-Day
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Original blurb:
Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally
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Original blurb:
Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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I'm here to write to offer my project, titled "Objekt. My work is centered above all on architecture and urban spaces.
I just need that on a construction site, harboring, in particular giving me a small space on the scaffold, a photo of variable size PVC
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I'm here to write to offer my project, titled "Objekt. My work is centered above all on architecture and urban spaces.
I just need that on a construction site, harboring, in particular giving me a small space on the scaffold, a photo of variable size PVC
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Synopsis
Go Down, Moses is book project that was conceived from the outset as a sequence of photographs existing in a relation to a parallel body of text.
The project is about a place in the process of becoming a tourist enclave and what has prec
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Synopsis
Go Down, Moses is book project that was conceived from the outset as a sequence of photographs existing in a relation to a parallel body of text.
The project is about a place in the process of becoming a tourist enclave and what has prec
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To propose to make a series of photographs made at scheduled demonstrations at the Saab Borfors systems field site in Karlskoga Sweden.
Images are to show ground to air missiles such as the RBS 70 and recent RBS 70NG being demonstrated and tested in a
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To propose to make a series of photographs made at scheduled demonstrations at the Saab Borfors systems field site in Karlskoga Sweden.
Images are to show ground to air missiles such as the RBS 70 and recent RBS 70NG being demonstrated and tested in a
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"I to eye" project is an unfinished photo- documentation of author's face to face confrontation with 400 CCTV cameras of Old Town of Jerusalem (2010)
Confronting the unrealized city...
Jacek Smolicki 2010
Jerusalem is a specific place. The parad
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"I to eye" project is an unfinished photo- documentation of author's face to face confrontation with 400 CCTV cameras of Old Town of Jerusalem (2010)
Confronting the unrealized city...
Jacek Smolicki 2010
Jerusalem is a specific place. The parad
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Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic
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Reproductions, apart from being a substitute for a genuine experience, may protect the vulnerable original for all too impudent eyes and inappropriate curiosity. In "Re-production" this idea is taken literally; the slide projector projects a photographic
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Mevagissey Old Fishermen is a panel of 40 hand painted ceramic tiles (each tile 15 x 15 cm) reproduction of an old photograph - with artistic licence - of a scene of a small harbour in Cornwall GB around 1900 - see image attached and on www.artmajeur.com/
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Mevagissey Old Fishermen is a panel of 40 hand painted ceramic tiles (each tile 15 x 15 cm) reproduction of an old photograph - with artistic licence - of a scene of a small harbour in Cornwall GB around 1900 - see image attached and on www.artmajeur.com/
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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'Untitled' is a photo and text-based work that explores the poetics of a young mother raising a young girl.
Meredith admired the speckles of flour that had landed on her apron. The print was floral; violet and pink flower buds, small and slightly fade
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Part of a series of experimental explorations on the impact of medium and process on the reading of the photographic image, exploring the use of alternative print processes in altering viewers' responses. In using the historical processes of the cyanotyp
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Part of a series of experimental explorations on the impact of medium and process on the reading of the photographic image, exploring the use of alternative print processes in altering viewers' responses. In using the historical processes of the cyanotyp
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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Process
Landscape as the primary space entity appreciation. Abstracting the main elements like the horizon, the accumulation of matter. There are a play on the scale, and light elements to reveal landscapes that remain invisible in the everyday.
The
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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The king of the changing face - Transvestites in China - Andreas Guibert
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This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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This photo installation is concern with the materialization of Chinese trans-sexuality during the early twenty first century; a trans-sexuality that acts upon a semiotic deconstruction of the body as a signifier, thus becoming the agent of processes of ge
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They say, art no longer produces beauty, she produces meaning. I say, one cannot paint a picture or make an image of a woman and not deal with the concept of beauty. Marlene Dumas
Assignment 5fp001 Contemporary photographic practice, The Venus project
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They say, art no longer produces beauty, she produces meaning. I say, one cannot paint a picture or make an image of a woman and not deal with the concept of beauty. Marlene Dumas
Assignment 5fp001 Contemporary photographic practice, The Venus project
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PROJECT FOR EXHIBITION “A POCKET FULL OF EMPTY”
By Amalia Caputo
BRIEF DESCRIPTION
This exhibition is a solo show, conceived as an interactive installation of variable dimensions that will take over the main area of an exhibition space. It is
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PROJECT FOR EXHIBITION “A POCKET FULL OF EMPTY”
By Amalia Caputo
BRIEF DESCRIPTION
This exhibition is a solo show, conceived as an interactive installation of variable dimensions that will take over the main area of an exhibition space. It is
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A series of photographic works made during 2012 by photographer Sharon Bareket, dealing with the invasion of a military dimension into the civilian, private dimension.
The images evoke themes that are local and universal at the same time, and depict a
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A series of photographic works made during 2012 by photographer Sharon Bareket, dealing with the invasion of a military dimension into the civilian, private dimension.
The images evoke themes that are local and universal at the same time, and depict a
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Surgical Intervention (Intervençao cirurgica) - Kelly Tavares
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English translation from Portuguese:
This project is still underway. It started to be developed in Brasil, in 2007. The work has the modular unit, consisting of “cubificated” photographs cased in an acrylic transparent cube that is turned into art
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English translation from Portuguese:
This project is still underway. It started to be developed in Brasil, in 2007. The work has the modular unit, consisting of “cubificated” photographs cased in an acrylic transparent cube that is turned into art
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