"Outstretched Arms" is a project that was originally conceived in 2009 for a university show. It features a 4ft diameter hanging painting that slowly rotates with the air currents. It also features a 10 minute commissioned work of music that supports
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"Outstretched Arms" is a project that was originally conceived in 2009 for a university show. It features a 4ft diameter hanging painting that slowly rotates with the air currents. It also features a 10 minute commissioned work of music that supports
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And the Girls with their Roller Skates - Julia Brodauf
WWW
"And the Girls with their Roller Skates" was a proposal to do an installation in combination with an edition at the Heizkraftwerk Moabit in Berlin where Vatenfall sometimes shows art exhibitions. While the edition was accepted an will be realised in octob
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"And the Girls with their Roller Skates" was a proposal to do an installation in combination with an edition at the Heizkraftwerk Moabit in Berlin where Vatenfall sometimes shows art exhibitions. While the edition was accepted an will be realised in octob
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Liesbet & Piki would like to propose some video installations which were never shown and/or not shown in a way they were intented to, namely in context of architectural spaces.
Piki & Liesbets’ video projects start from the playful observation of lif
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Liesbet & Piki would like to propose some video installations which were never shown and/or not shown in a way they were intented to, namely in context of architectural spaces.
Piki & Liesbets’ video projects start from the playful observation of lif
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Mimmo Catania (UAP)
-Project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezia, Venice (1999).
(Collage on color photocopy, 21x29,7 cm.)
The unrealized project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezi
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Mimmo Catania (UAP)
-Project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezia, Venice (1999).
(Collage on color photocopy, 21x29,7 cm.)
The unrealized project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezi
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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TRADUTRADITORE
from Italian traduttore/traditore, translator/traitor;
human 1, machine 0.
Description
Development
Artists
DESCRIPTION
from Italian traduttore/traditore, translator/traitor;
human 1, machine 0.
Tradutraditore is an in
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TRADUTRADITORE
from Italian traduttore/traditore, translator/traitor;
human 1, machine 0.
Description
Development
Artists
DESCRIPTION
from Italian traduttore/traditore, translator/traitor;
human 1, machine 0.
Tradutraditore is an in
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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SOL: project for a single channel HD video installation, stereo sound. 2010 - Diego Zuelli
WWW
A video installation for a private gallery. A single video projection on the far side of a long room. A prepared wall, with black paint around a white circle, where the "image" will be projected.
The sense of sight is the mean we use the most to know
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A video installation for a private gallery. A single video projection on the far side of a long room. A prepared wall, with black paint around a white circle, where the "image" will be projected.
The sense of sight is the mean we use the most to know
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“What It’s Gonna Take“
An installation about death, time and consumption
The initial point fort this installation are thoughts about a very common place: about my own death.
The question is: HOW MANY things and HOW MUCH I will need until I die
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“What It’s Gonna Take“
An installation about death, time and consumption
The initial point fort this installation are thoughts about a very common place: about my own death.
The question is: HOW MANY things and HOW MUCH I will need until I die
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“The Account” 2011, is a detailed sketch and testimony of an unrealised installation project in a gas station in Berlin. The two pieces attempt to suspend the work in a potential space between fiction and reality.
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“The Account” 2011, is a detailed sketch and testimony of an unrealised installation project in a gas station in Berlin. The two pieces attempt to suspend the work in a potential space between fiction and reality.
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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Abstract
Liberties is an experiment in giving and receiving and working together peacefully to create something of universal value and at the same time benefit individually. It is an interactive lear- ning experience, in which each participant learns tha
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Abstract
Liberties is an experiment in giving and receiving and working together peacefully to create something of universal value and at the same time benefit individually. It is an interactive lear- ning experience, in which each participant learns tha
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27 crates
6 tones of amber--13000 pounds 10 years to construct
baroque music-bach
It is around 8 evening--precisely when all black tie art and social events start around a metropolitan city. Not unlike any of these type of events -many people gather
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27 crates
6 tones of amber--13000 pounds 10 years to construct
baroque music-bach
It is around 8 evening--precisely when all black tie art and social events start around a metropolitan city. Not unlike any of these type of events -many people gather
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(un)realized words
Kathryn Hummel
(un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements.
I do not recall at what age I first began
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(un)realized words
Kathryn Hummel
(un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements.
I do not recall at what age I first began
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I was born in Mumbai and received my Bachelor’s in Fine Arts from Sir J.J School of Art, Mumbai in 2004 and Post Baccalaureate Diploma from Pont Aven School of Art, Brittany, France in 2006. My last solo show titled ‘Impositions’ was held in Switzer
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I was born in Mumbai and received my Bachelor’s in Fine Arts from Sir J.J School of Art, Mumbai in 2004 and Post Baccalaureate Diploma from Pont Aven School of Art, Brittany, France in 2006. My last solo show titled ‘Impositions’ was held in Switzer
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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”I did go upstairs but I didn’t see nobody but me” - Daniel Permanetter
WWW
The work is a room installation basically consisting of a live-sized Bob Dylan puppet and an old wooden staircase. The staircase will be rebuild so it appears to be frozen in a crumbling movement. The whole installation is meant to resemble the interior o
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The work is a room installation basically consisting of a live-sized Bob Dylan puppet and an old wooden staircase. The staircase will be rebuild so it appears to be frozen in a crumbling movement. The whole installation is meant to resemble the interior o
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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dimensions variable
Can we turn the horror of being dematerialized whether in the eyes of a beloved or in a community into the super-hero power of invisibility and back again.
8 cameras in a circle point out over the room.
8 grid camera view re
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dimensions variable
Can we turn the horror of being dematerialized whether in the eyes of a beloved or in a community into the super-hero power of invisibility and back again.
8 cameras in a circle point out over the room.
8 grid camera view re
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Inside a Tesseract is a project for a polyptych of six installations placed inside the structure of an imaginary folding/unfolding cube. The content of the six installations will correlate to each other organically, by the composition of essential element
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Inside a Tesseract is a project for a polyptych of six installations placed inside the structure of an imaginary folding/unfolding cube. The content of the six installations will correlate to each other organically, by the composition of essential element
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Originaly Proposed b y Naama Tsabar for Emdash Award, Frieze art fair.
This project will begin with a silent video-clip that will be sent to a musician. The video itself will be my visual reaction/interpretation to the musicians music, and will serve
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Originaly Proposed b y Naama Tsabar for Emdash Award, Frieze art fair.
This project will begin with a silent video-clip that will be sent to a musician. The video itself will be my visual reaction/interpretation to the musicians music, and will serve
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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