Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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In addition to its pure genius, Michelangelo’s Sistine Chapel is remarkable because it represents, in art history, the rare opportunity for an artist to present to the world a rather complete visual cosmology—something even Michelangelo, due to poli
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In addition to its pure genius, Michelangelo’s Sistine Chapel is remarkable because it represents, in art history, the rare opportunity for an artist to present to the world a rather complete visual cosmology—something even Michelangelo, due to poli
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B/M/E: time reconfigured onsite & online 2002-2032 - Robert Lawrence
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B/M/E: time reconfigured onsite & online 2002-2032
Beginning/Middle/End is a 30 year series of site-specific installations/performances/interventions, with augmenting web components. Choreographing threads of multiple strategies through physical and vir
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B/M/E: time reconfigured onsite & online 2002-2032
Beginning/Middle/End is a 30 year series of site-specific installations/performances/interventions, with augmenting web components. Choreographing threads of multiple strategies through physical and vir
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To illuminate the dark space beneath hoch-bahn bridges using Off the Grid techniques. Project title Good Vibrations. there will be moving illumination on underside of U-Bahn bridges as train passes overhead.
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17 June 2011 Carlo Crovato Berli
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To illuminate the dark space beneath hoch-bahn bridges using Off the Grid techniques. Project title Good Vibrations. there will be moving illumination on underside of U-Bahn bridges as train passes overhead.
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17 June 2011 Carlo Crovato Berli
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The idea stem from Lis’81 – The International Drawing Biennale of Lisbon, which was expected to take place at the National Gallery of Modern Art of Belém, but ended up consumed in a fire, during its installation, the only thing left is the catalogue.
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The idea stem from Lis’81 – The International Drawing Biennale of Lisbon, which was expected to take place at the National Gallery of Modern Art of Belém, but ended up consumed in a fire, during its installation, the only thing left is the catalogue.
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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I have attached one collage and one edited image of unrealized artwork based around the idea of my paintings displayed on a bookshelf with only the edges visible like the spines of books. I envisioned a library of paintings, but never had the rescources t
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I have attached one collage and one edited image of unrealized artwork based around the idea of my paintings displayed on a bookshelf with only the edges visible like the spines of books. I envisioned a library of paintings, but never had the rescources t
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In 2009 I began a series of tissue paper cut outs inspired by Mexican Day of the Dead papel picado banners drawing subject matter from news sources. I envision the banners as an ongoing series adding to the historical record. I would like to see them dis
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In 2009 I began a series of tissue paper cut outs inspired by Mexican Day of the Dead papel picado banners drawing subject matter from news sources. I envision the banners as an ongoing series adding to the historical record. I would like to see them dis
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Marmangios in the city - Ana Fernández (Miranda Texidor)
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I am interested in the poetic research, finding and wonderment of other worlds. I find the keeping and tending of imaginary spaces fascinating. These spaces are playful moments of time or matter, which exist mainly in children’s play as marvelous secret
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I am interested in the poetic research, finding and wonderment of other worlds. I find the keeping and tending of imaginary spaces fascinating. These spaces are playful moments of time or matter, which exist mainly in children’s play as marvelous secret
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EMOTIONAL SPACE - sculptor PhD, Aili Vahtrapuu, disainer Janika Vesberg
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Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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An interactive painting installation titled Morality
The project is outlined at this link and a pdf with instructions on how morality would be managed can also be found on this page.
http://www.peter-dickinson.co.uk/Morality.html
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An interactive painting installation titled Morality
The project is outlined at this link and a pdf with instructions on how morality would be managed can also be found on this page.
http://www.peter-dickinson.co.uk/Morality.html
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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An Installation, on site, composed of baskets and crates on waist high tables offering musical instruments while supermarket music wafts through the space.
An art project is full of possibilities. For the artist, it may mean expanding on a theme. F
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An Installation, on site, composed of baskets and crates on waist high tables offering musical instruments while supermarket music wafts through the space.
An art project is full of possibilities. For the artist, it may mean expanding on a theme. F
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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EMVS (2011)
Two planes
We build two thick and porous planes. Between them, there are contained 100 housings. The lobby emerges from the gap between the planes, and it is limited by two stairs. The planes open their porous cavities towards the best s
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EMVS (2011)
Two planes
We build two thick and porous planes. Between them, there are contained 100 housings. The lobby emerges from the gap between the planes, and it is limited by two stairs. The planes open their porous cavities towards the best s
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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Conduit is many things: a recycling project, a purification ritual, a reclamation, a gift.
One of the communities we aim to reach is the one that the gallery-going public habitually overlooks in Chelsea – the network of auto body shops and gas stati
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Conduit is many things: a recycling project, a purification ritual, a reclamation, a gift.
One of the communities we aim to reach is the one that the gallery-going public habitually overlooks in Chelsea – the network of auto body shops and gas stati
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MEMORY CONFETTI - STEPHEN j SHANABROOK / VERONIKA GEORGIEVA
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The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us images that will be turned into 35 mm slides. These slides mixed with n
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The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us images that will be turned into 35 mm slides. These slides mixed with n
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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One Thousand Worlds in 16 minutes and 40 seconds - Nuala Clarke
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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”I did go upstairs but I didn’t see nobody but me” - Daniel Permanetter
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The work is a room installation basically consisting of a live-sized Bob Dylan puppet and an old wooden staircase. The staircase will be rebuild so it appears to be frozen in a crumbling movement. The whole installation is meant to resemble the interior o
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The work is a room installation basically consisting of a live-sized Bob Dylan puppet and an old wooden staircase. The staircase will be rebuild so it appears to be frozen in a crumbling movement. The whole installation is meant to resemble the interior o
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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LOVE IS IN THE AIR - Zilvinas Kempinas + Architect Bettina Zerza
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LOVE IS IN THE AIR
Im Jahr 1960 beschrieb Neil Armstrong, der erste Mensch auf dem Mond, aus dem Fenster seines Raumschiffs die Erde als „eine große blaue Murmel“.
Ort
Die Fluggastbrücke ist ein O
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LOVE IS IN THE AIR
Im Jahr 1960 beschrieb Neil Armstrong, der erste Mensch auf dem Mond, aus dem Fenster seines Raumschiffs die Erde als „eine große blaue Murmel“.
Ort
Die Fluggastbrücke ist ein O
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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