land in sight! / land?
[2011#02] Multimedia-based installation / performance Project description In a container1, of which the doors are opened at an angle of ca. 45°, there are 13 vacuum cleaners2. At the end of the container there is a projection scr
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land in sight! / land?
[2011#02] Multimedia-based installation / performance Project description In a container1, of which the doors are opened at an angle of ca. 45°, there are 13 vacuum cleaners2. At the end of the container there is a projection scr
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Mimmo Catania (UAP)
-Project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezia, Venice (1999).
(Collage on color photocopy, 21x29,7 cm.)
The unrealized project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezi
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Mimmo Catania (UAP)
-Project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezia, Venice (1999).
(Collage on color photocopy, 21x29,7 cm.)
The unrealized project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezi
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Ich bin Berliner ( I am a Berliner) - Martin Mlecko
WWW
In 1986, Martin Mlecko conceived the work "Ich bin Berliner, Michail Gorbatschow". Invited by a group of Berlin curators and artists, the work should have been installation on billboards
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In 1986, Martin Mlecko conceived the work "Ich bin Berliner, Michail Gorbatschow". Invited by a group of Berlin curators and artists, the work should have been installation on billboards
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] - spmb [Eduardo Aquino & Karen Shanski]
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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EMVS (2011)
Two planes
We build two thick and porous planes. Between them, there are contained 100 housings. The lobby emerges from the gap between the planes, and it is limited by two stairs. The planes open their porous cavities towards the best s
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EMVS (2011)
Two planes
We build two thick and porous planes. Between them, there are contained 100 housings. The lobby emerges from the gap between the planes, and it is limited by two stairs. The planes open their porous cavities towards the best s
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dimensions variable
Can we turn the horror of being dematerialized whether in the eyes of a beloved or in a community into the super-hero power of invisibility and back again.
8 cameras in a circle point out over the room.
8 grid camera view re
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dimensions variable
Can we turn the horror of being dematerialized whether in the eyes of a beloved or in a community into the super-hero power of invisibility and back again.
8 cameras in a circle point out over the room.
8 grid camera view re
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"When I was at art school, everyone else would make art and find the best parts and then try to cover up everything else so that was all you saw. I was fascinated by the part that didn't appear to be working and I'd keep working on that part until it took
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"When I was at art school, everyone else would make art and find the best parts and then try to cover up everything else so that was all you saw. I was fascinated by the part that didn't appear to be working and I'd keep working on that part until it took
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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“The Account” 2011, is a detailed sketch and testimony of an unrealised installation project in a gas station in Berlin. The two pieces attempt to suspend the work in a potential space between fiction and reality.
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“The Account” 2011, is a detailed sketch and testimony of an unrealised installation project in a gas station in Berlin. The two pieces attempt to suspend the work in a potential space between fiction and reality.
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Get Carter 1997
We proposed to install a fully operational prison door into the entrance of the Laing Art Gallery in Newcastle upon Tyne, England. All other doors and windows into the gallery space were to be closed and sealed. The prison door was to
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Get Carter 1997
We proposed to install a fully operational prison door into the entrance of the Laing Art Gallery in Newcastle upon Tyne, England. All other doors and windows into the gallery space were to be closed and sealed. The prison door was to
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Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
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Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
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To the unknown Broker /
Tomb of the Unknown Broker
( Dem unbekannten Broker )
a monument about artistic vision as social comment
The installation (Tomb of an Unknown Broker) is dedicated to the virtual character of an Unidentified Broker. It highl
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To the unknown Broker /
Tomb of the Unknown Broker
( Dem unbekannten Broker )
a monument about artistic vision as social comment
The installation (Tomb of an Unknown Broker) is dedicated to the virtual character of an Unidentified Broker. It highl
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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WATER’, A Concept for Exhibition (to include the Site Specific Installation titled ‘Glint’) - Kate Petley
WWW
Water:
-As historical structure for migration, agriculture, and conflict
-As political catalyst
-Defining geography, location, and place or point of reference
-As a poetic source for all kinds of inspiration
-Mutable, shape-shifting substance that ca
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Water:
-As historical structure for migration, agriculture, and conflict
-As political catalyst
-Defining geography, location, and place or point of reference
-As a poetic source for all kinds of inspiration
-Mutable, shape-shifting substance that ca
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Unrealized Project: Town Square - Rebecca Herman and Mark Shoffner
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Town Square is comprised of several sculptural elements: a tall, narrow, guillotine‐like structure in wood (without a blade); a series of steps leading up to the guillotine from the back; a basket on the floor in front of the guillotine; and two halves
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Town Square is comprised of several sculptural elements: a tall, narrow, guillotine‐like structure in wood (without a blade); a series of steps leading up to the guillotine from the back; a basket on the floor in front of the guillotine; and two halves
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The Great Wall Archive - The Bureau for Transgressive Tourism and the Acquisition of its Archives
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The Great Wall Archive presents many potential narratives through the collection and exhibition of an excess of specific and seemingly arbitrary information. Its conception was spurred by a curiosity in the ways we communicate with one another, specifical
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The Great Wall Archive presents many potential narratives through the collection and exhibition of an excess of specific and seemingly arbitrary information. Its conception was spurred by a curiosity in the ways we communicate with one another, specifical
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MEMORY CONFETTI - STEPHEN j SHANABROOK / VERONIKA GEORGIEVA
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The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us images that will be turned into 35 mm slides. These slides mixed with n
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The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us images that will be turned into 35 mm slides. These slides mixed with n
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is a performance based installation, which deals with memory, moving and production. The installation contains my hand-made copies of everyday objects from water-resistant polyethylene foam.
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is a performance based installation, which deals with memory, moving and production. The installation contains my hand-made copies of everyday objects from water-resistant polyethylene foam.
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A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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