I gave you this picture because I was afraid you might forget me - Yvonne O'Reilly
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CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
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CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
...
Somewhere Between 540,412,598 and 579,858,773 Breaths - Alex McKenzie
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Somewhere Between 540,412,598 and 579,858,773 Breaths is an attempt to link the action of breathing to the passage of time and by extension to our own mortality. The project takes the form of a large-scale video installation with 400 separate projectors.
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Somewhere Between 540,412,598 and 579,858,773 Breaths is an attempt to link the action of breathing to the passage of time and by extension to our own mortality. The project takes the form of a large-scale video installation with 400 separate projectors.
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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TheStore: The Construct of a Life Package. Proposal for Arhus Kunstbygning 2011.
The exhibition space is piled with boxes, containing (fragments of) works of art, gathered around a wooden framework. The visitor is invited to fill up the framework with
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TheStore: The Construct of a Life Package. Proposal for Arhus Kunstbygning 2011.
The exhibition space is piled with boxes, containing (fragments of) works of art, gathered around a wooden framework. The visitor is invited to fill up the framework with
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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"24-Hour Kaprow" was envisioned as a performance video where Kaprow’s collected works would be re-presented through a 24 hour long video.
RICHard SMOLinski’s unrealized project, 24-Hour Kaprow
24-Hour Kaprow was envisioned as a performance vide
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"24-Hour Kaprow" was envisioned as a performance video where Kaprow’s collected works would be re-presented through a 24 hour long video.
RICHard SMOLinski’s unrealized project, 24-Hour Kaprow
24-Hour Kaprow was envisioned as a performance vide
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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"Outstretched Arms" is a project that was originally conceived in 2009 for a university show. It features a 4ft diameter hanging painting that slowly rotates with the air currents. It also features a 10 minute commissioned work of music that supports
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"Outstretched Arms" is a project that was originally conceived in 2009 for a university show. It features a 4ft diameter hanging painting that slowly rotates with the air currents. It also features a 10 minute commissioned work of music that supports
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The Great Wall Archive - The Bureau for Transgressive Tourism and the Acquisition of its Archives
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The Great Wall Archive presents many potential narratives through the collection and exhibition of an excess of specific and seemingly arbitrary information. Its conception was spurred by a curiosity in the ways we communicate with one another, specifical
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The Great Wall Archive presents many potential narratives through the collection and exhibition of an excess of specific and seemingly arbitrary information. Its conception was spurred by a curiosity in the ways we communicate with one another, specifical
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National Bank:
In April 2009, I contacted the Sport Center of the National Bank of Belgium to submit to them a proposition for an exhibition: We planned to exhibit Getting Even, a piece made with slices of bowling balls that are scattered around and be
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National Bank:
In April 2009, I contacted the Sport Center of the National Bank of Belgium to submit to them a proposition for an exhibition: We planned to exhibit Getting Even, a piece made with slices of bowling balls that are scattered around and be
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An unrealized electrostatic installation
Below is part of a detailed proposal prepared for me by an organometallic chemist I contacted via the Internet in 2005 and corresponded with over a two-year period. He had a website expressing a personal interes
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An unrealized electrostatic installation
Below is part of a detailed proposal prepared for me by an organometallic chemist I contacted via the Internet in 2005 and corresponded with over a two-year period. He had a website expressing a personal interes
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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The Intellectual Refuge(e) Camp – 21 tents for the 21st Century - Patrick Meagher & WORK.ac
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Dear M. Buergel,
Please find enclosed our proposal ‘The Intellectual Refuge(e) Camp – 21 tents for the 21st Century’, which your Leitmotifs for Documenta 12 inspired.
Feeling immediately akin to your text, the Leitmotifs resonated with idea
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Dear M. Buergel,
Please find enclosed our proposal ‘The Intellectual Refuge(e) Camp – 21 tents for the 21st Century’, which your Leitmotifs for Documenta 12 inspired.
Feeling immediately akin to your text, the Leitmotifs resonated with idea
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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Transformation #2 - Samuel Levack and Jennifer Lewandowski
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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EMOTIONAL SPACE - sculptor PhD, Aili Vahtrapuu, disainer Janika Vesberg
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Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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Where Does It Itch? is a project involving 100 of my framed collage works aligned in grid or horizon on a wall. Originally slated for Ogilvy Mather Direct as a proposal, it was abandoned. This PDF is that original proposal.
Matthew Rose is an Americ
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Where Does It Itch? is a project involving 100 of my framed collage works aligned in grid or horizon on a wall. Originally slated for Ogilvy Mather Direct as a proposal, it was abandoned. This PDF is that original proposal.
Matthew Rose is an Americ
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“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c
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“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c
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MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
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MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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