‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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The Warhol Machine is a mechanism that will bring 15 minutes of fame to everyone. It is an installation in Times Square, New York City, consisting of a video camera in a booth, a visitor inside the booth and in front of the camera and the already installe
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The Warhol Machine is a mechanism that will bring 15 minutes of fame to everyone. It is an installation in Times Square, New York City, consisting of a video camera in a booth, a visitor inside the booth and in front of the camera and the already installe
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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Proposal Model for Installation – Sensor activated walls that move back and forth alternately in the space very slowly using an automatic gate mechanism, dissecting the space and controlling the movement of the viewer within it, creating a disruption of
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Proposal Model for Installation – Sensor activated walls that move back and forth alternately in the space very slowly using an automatic gate mechanism, dissecting the space and controlling the movement of the viewer within it, creating a disruption of
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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Sculptural installation:
This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition.
The two sculptures here, each
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Sculptural installation:
This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition.
The two sculptures here, each
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Arbeit Macht Nicht Frei (Work doens’t bring freedom) - DARR TAH LEI
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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FORTIFICATION PROJECT PROPOSAL FOR GERMAN PAVILION - Hakan Topal
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A FORTIFICATION PROJECT PROPOSAL FOR GERMAN PAVILION, VENICE by Hakan Topal, 2009 In the beginning of February of 2009, I proposed a project to Liam Gillick to be realized at the periphery of the German Pavilion in Venice's Giardini. I had no intention to
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A FORTIFICATION PROJECT PROPOSAL FOR GERMAN PAVILION, VENICE by Hakan Topal, 2009 In the beginning of February of 2009, I proposed a project to Liam Gillick to be realized at the periphery of the German Pavilion in Venice's Giardini. I had no intention to
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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"Didaskalia" is a site-specific installation.
Didaskalia divided into two acts, The two acts are almost similar, in Didaskalia the work creates repetitions by multiplying the three first spaces twice.
About the work
In the suggested work I contin
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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On cherche à la lumière ce que l'on a perdu dans le noir - Nadine Lère
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Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Kasper Sonne
‘Untitled Sign No. 4’
Proposed work for the NEONS competition 2011.
Fonds municipal d’art contemporain (Fmac)
Concours NEONS (FCAC/Fmac)
34, rue des Bains
1205 Genève
Switzerland
While the sign clearly appropriates it’s
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Kasper Sonne
‘Untitled Sign No. 4’
Proposed work for the NEONS competition 2011.
Fonds municipal d’art contemporain (Fmac)
Concours NEONS (FCAC/Fmac)
34, rue des Bains
1205 Genève
Switzerland
While the sign clearly appropriates it’s
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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If you meet Buddha on the path, kill him, 2004-2011 - Shannon Bellum
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Technical aspects
This is an installation made out of suspended fabric panels going from the floor, to 7 feet high at the entrance and finishing off at 9 feet high at the center of the maze. The panels are attached to plastic tubing that is suspe
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Technical aspects
This is an installation made out of suspended fabric panels going from the floor, to 7 feet high at the entrance and finishing off at 9 feet high at the center of the maze. The panels are attached to plastic tubing that is suspe
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MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
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MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
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Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before.
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Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before.
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I was born in Mumbai and received my Bachelor’s in Fine Arts from Sir J.J School of Art, Mumbai in 2004 and Post Baccalaureate Diploma from Pont Aven School of Art, Brittany, France in 2006. My last solo show titled ‘Impositions’ was held in Switzer
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I was born in Mumbai and received my Bachelor’s in Fine Arts from Sir J.J School of Art, Mumbai in 2004 and Post Baccalaureate Diploma from Pont Aven School of Art, Brittany, France in 2006. My last solo show titled ‘Impositions’ was held in Switzer
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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