Description du Projet – Photorécepteurs
Pour le projet participatif, Photorécepteurs, je souhaite travailler sur des images en grand format des yeux des habitants de la Ville de _________. Un photorécepteur peut désigner un neurone sensoriel sens
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Description du Projet – Photorécepteurs
Pour le projet participatif, Photorécepteurs, je souhaite travailler sur des images en grand format des yeux des habitants de la Ville de _________. Un photorécepteur peut désigner un neurone sensoriel sens
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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An art installation with mirrored tunnels connecting three derelict industrial buildings as transitory laboratory space for art experimentation.
A permit to contain, wrap, and occupy three toxic and derelict industrial buildings in Brooklyn, New York,
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An art installation with mirrored tunnels connecting three derelict industrial buildings as transitory laboratory space for art experimentation.
A permit to contain, wrap, and occupy three toxic and derelict industrial buildings in Brooklyn, New York,
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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SOL: project for a single channel HD video installation, stereo sound. 2010 - Diego Zuelli
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A video installation for a private gallery. A single video projection on the far side of a long room. A prepared wall, with black paint around a white circle, where the "image" will be projected.
The sense of sight is the mean we use the most to know
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A video installation for a private gallery. A single video projection on the far side of a long room. A prepared wall, with black paint around a white circle, where the "image" will be projected.
The sense of sight is the mean we use the most to know
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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2 site-specific environmental art proposals in wicker: Infinity and Tipi
I am proposing two different projects for and international residency in 2010.
The first piece, entitled Infinity, will be a permanent work installed and braided on site by loc
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2 site-specific environmental art proposals in wicker: Infinity and Tipi
I am proposing two different projects for and international residency in 2010.
The first piece, entitled Infinity, will be a permanent work installed and braided on site by loc
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“The Account” 2011, is a detailed sketch and testimony of an unrealised installation project in a gas station in Berlin. The two pieces attempt to suspend the work in a potential space between fiction and reality.
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“The Account” 2011, is a detailed sketch and testimony of an unrealised installation project in a gas station in Berlin. The two pieces attempt to suspend the work in a potential space between fiction and reality.
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Kabakov
"MEMORIAL"
Short description of the project
The Concept of the Project "Memorial"
The Russian revolution which established the "era of Socialism" is considered to be a most important event of the twentieth century. The end of
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Kabakov
"MEMORIAL"
Short description of the project
The Concept of the Project "Memorial"
The Russian revolution which established the "era of Socialism" is considered to be a most important event of the twentieth century. The end of
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Thistlegarden-project
My plan is to create a garden consisting of only of wild thistles. Sown, but mainly re-planted from the wild in early spring, they will be placed in lines and patterns. The overall form will be a grafic representation of an explosi
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Thistlegarden-project
My plan is to create a garden consisting of only of wild thistles. Sown, but mainly re-planted from the wild in early spring, they will be placed in lines and patterns. The overall form will be a grafic representation of an explosi
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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"When I was at art school, everyone else would make art and find the best parts and then try to cover up everything else so that was all you saw. I was fascinated by the part that didn't appear to be working and I'd keep working on that part until it took
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"When I was at art school, everyone else would make art and find the best parts and then try to cover up everything else so that was all you saw. I was fascinated by the part that didn't appear to be working and I'd keep working on that part until it took
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] - spmb [Eduardo Aquino & Karen Shanski]
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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Inside a Tesseract is a project for a polyptych of six installations placed inside the structure of an imaginary folding/unfolding cube. The content of the six installations will correlate to each other organically, by the composition of essential element
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Inside a Tesseract is a project for a polyptych of six installations placed inside the structure of an imaginary folding/unfolding cube. The content of the six installations will correlate to each other organically, by the composition of essential element
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A proposal for a set of organ pipes to be mounted on the face of an oceanic cliff. The pipes are to be mounted vertically on simple steel rods that are strategically placed along a section of cliff in order to translate strong vertical updrafts into indiv
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A proposal for a set of organ pipes to be mounted on the face of an oceanic cliff. The pipes are to be mounted vertically on simple steel rods that are strategically placed along a section of cliff in order to translate strong vertical updrafts into indiv
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The idea stem from Lis’81 – The International Drawing Biennale of Lisbon, which was expected to take place at the National Gallery of Modern Art of Belém, but ended up consumed in a fire, during its installation, the only thing left is the catalogue.
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The idea stem from Lis’81 – The International Drawing Biennale of Lisbon, which was expected to take place at the National Gallery of Modern Art of Belém, but ended up consumed in a fire, during its installation, the only thing left is the catalogue.
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The installation “Pharos” consists in a 7m scaffold with a “moving head” lighting device that permits the yellow horizontal spinning light beam required for the work. This strong beam spins 365° horizontally, evoking the very symbolic
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The installation “Pharos” consists in a 7m scaffold with a “moving head” lighting device that permits the yellow horizontal spinning light beam required for the work. This strong beam spins 365° horizontally, evoking the very symbolic
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Forms of Responsibility • Recent Projects by Jenny Brown Jenny Brown Tied (Melting Ice Sea Creatures), 2006 Video Still Variable Dimensions In early 2005, an elegant gesture of product repatriation was conceived and produced by Jenny Brown as a way of b
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Forms of Responsibility • Recent Projects by Jenny Brown Jenny Brown Tied (Melting Ice Sea Creatures), 2006 Video Still Variable Dimensions In early 2005, an elegant gesture of product repatriation was conceived and produced by Jenny Brown as a way of b
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3DPrintMe.com a biomedical animation and installation of futuristic invivo designer organs.
See: http://www.sarahjanepell.com/human.html
Biomedical animation plays on a continuous loop projection
The audience design or modify CAD Organs www.3DP
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3DPrintMe.com a biomedical animation and installation of futuristic invivo designer organs.
See: http://www.sarahjanepell.com/human.html
Biomedical animation plays on a continuous loop projection
The audience design or modify CAD Organs www.3DP
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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Garden REtreat is an unrealized proposal for a temporary public art installation that addresses the issue of unused urban land. Its intention is to transform a vacant lot into a vibrant garden filled with organic forms made from recycled materials.
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Garden REtreat is an unrealized proposal for a temporary public art installation that addresses the issue of unused urban land. Its intention is to transform a vacant lot into a vibrant garden filled with organic forms made from recycled materials.
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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EMOTIONAL SPACE - sculptor PhD, Aili Vahtrapuu, disainer Janika Vesberg
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Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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