Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
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Introduction
Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth.
The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst
...
Long Distance Relationship
For the exhibition, I am proposing to run a series of 100ft long connected extension cords powered from my studio (the creative place of production) to the exhibition space 2.2 miles away.
The energy it takes to sustain so
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Long Distance Relationship
For the exhibition, I am proposing to run a series of 100ft long connected extension cords powered from my studio (the creative place of production) to the exhibition space 2.2 miles away.
The energy it takes to sustain so
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Sculptural installation:
This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition.
The two sculptures here, each
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Sculptural installation:
This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition.
The two sculptures here, each
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NESTED VOIDS: LA GROTTE DU MAS D’AZIL - Bradley Pitts
WWW
Unrealized Proposal for NESTED VOIDS: LA GROTTE DU MAS D’AZIL
Bradley Pitts, 2010
The cave of Le Mas-d'Azil (la grotte du Mas d'Azil), FR, was one of the first prehistoric caves to yield evidence of human habitation. Its main feature is a 500-met
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Unrealized Proposal for NESTED VOIDS: LA GROTTE DU MAS D’AZIL
Bradley Pitts, 2010
The cave of Le Mas-d'Azil (la grotte du Mas d'Azil), FR, was one of the first prehistoric caves to yield evidence of human habitation. Its main feature is a 500-met
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I gave you this picture because I was afraid you might forget me - Yvonne O'Reilly
WWW
CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
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CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
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Gabriella Daris | HOLY CORNERS | 2010
The artist:
The Lonoon based artist Gabriella Daris (Gabriella Tsavdaris) has built an art installation entitled, HOLY CORNERS, which Out Of The Box Intermedia has commissioned, and which is to be presented in the
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Gabriella Daris | HOLY CORNERS | 2010
The artist:
The Lonoon based artist Gabriella Daris (Gabriella Tsavdaris) has built an art installation entitled, HOLY CORNERS, which Out Of The Box Intermedia has commissioned, and which is to be presented in the
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before.
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Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before.
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Residual Geometries or the fable of the passenger, the cattle and, and the resource consumed. - Julain Santana
WWW
Public Space Intervention (The synopsis is in Spanish for now, but the English translation will be ready the next week)
I have no budget or a potential sponsor for this artistic intervention.
In essence this is a look into a public space in which rais
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Public Space Intervention (The synopsis is in Spanish for now, but the English translation will be ready the next week)
I have no budget or a potential sponsor for this artistic intervention.
In essence this is a look into a public space in which rais
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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Retail Therapy - Double A Projects (A. Robles & A. Stein)
WWW
PROPOSAL
Title of project: Retail Therapy
By: Athena Robles and Anna Stein (aka Double A Projects)
Similar to our public project Global Free Store, Retail Therapy is a non-commercial storefront and exhibition that would offer various service
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PROPOSAL
Title of project: Retail Therapy
By: Athena Robles and Anna Stein (aka Double A Projects)
Similar to our public project Global Free Store, Retail Therapy is a non-commercial storefront and exhibition that would offer various service
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
...
B/M/E: time reconfigured onsite & online 2002-2032 - Robert Lawrence
WWW
B/M/E: time reconfigured onsite & online 2002-2032
Beginning/Middle/End is a 30 year series of site-specific installations/performances/interventions, with augmenting web components. Choreographing threads of multiple strategies through physical and vir
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B/M/E: time reconfigured onsite & online 2002-2032
Beginning/Middle/End is a 30 year series of site-specific installations/performances/interventions, with augmenting web components. Choreographing threads of multiple strategies through physical and vir
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Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
WWW
Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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The 'Not at...' series: Installations that never were... - Claire Manning
WWW
This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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One Thousand Worlds in 16 minutes and 40 seconds - Nuala Clarke
WWW
TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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Passage, 2008
Model for a architectural installation
Construction: Simple reductive construction
Walls: Black heavy rubber sheets suspended from simple linked frames
Dimensions: Circa 280cm height x 450cm wide x 800cm + length variable depending on
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Passage, 2008
Model for a architectural installation
Construction: Simple reductive construction
Walls: Black heavy rubber sheets suspended from simple linked frames
Dimensions: Circa 280cm height x 450cm wide x 800cm + length variable depending on
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Caution work in progress
Passively invites the viewer to turn to touch in order to satisfy an inevitable curiosity about what is being done.
There is a strong sense of this logic does not work, it will foam that wall?
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Caution work in progress
Passively invites the viewer to turn to touch in order to satisfy an inevitable curiosity about what is being done.
There is a strong sense of this logic does not work, it will foam that wall?
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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Untitled
2010
Model /Proposal for an installation
Proposed materials: carpets
Materials of the model: cardboard, textile
Dimensions of the model: length 50cm, width 63cm, height 58cm
Dimensions of the real work: length 600cm, width 134cm, height 28
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Untitled
2010
Model /Proposal for an installation
Proposed materials: carpets
Materials of the model: cardboard, textile
Dimensions of the model: length 50cm, width 63cm, height 58cm
Dimensions of the real work: length 600cm, width 134cm, height 28
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MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
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MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
...
STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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STUDIOLO (seit 2006) ist eine als Archiv funktionierende Klanginstallation, die VertreterInnen verschiedener Disziplinen rund um die Thematik Erkenntnis befragt. Auf den ersten Blick gibt es nicht viel zu sehen: ein weißer, mit Texten bedeckter Kubus, de
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The Blame is a proposal for an inflatable sign to be ferried around the island of Cyprus by Greek Cypriot and Turkish Cypriot tug boats. The sign will be made from multi-coloured letters mounted on a floating pontoon and stand around 4 metres high.
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The Blame is a proposal for an inflatable sign to be ferried around the island of Cyprus by Greek Cypriot and Turkish Cypriot tug boats. The sign will be made from multi-coloured letters mounted on a floating pontoon and stand around 4 metres high.
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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Aviation Memories. Response to an 1986 open call for an installation proposal by Real Art Ways in Hartford, CT. Instead of the usual sketches, I submitted a simulation of the proposed project on video tape using the Macintosh program Mac Draw and the Fair
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Aviation Memories. Response to an 1986 open call for an installation proposal by Real Art Ways in Hartford, CT. Instead of the usual sketches, I submitted a simulation of the proposed project on video tape using the Macintosh program Mac Draw and the Fair
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