RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
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RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
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The installation “Pharos” consists in a 7m scaffold with a “moving head” lighting device that permits the yellow horizontal spinning light beam required for the work. This strong beam spins 365° horizontally, evoking the very symbolic
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The installation “Pharos” consists in a 7m scaffold with a “moving head” lighting device that permits the yellow horizontal spinning light beam required for the work. This strong beam spins 365° horizontally, evoking the very symbolic
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Rice Island is an exploration of artistic and proactive artistic+technological interventions to one of the world's problems - that of global food supply.
TITLE: RICE ISLAND
CONCEPT:
The concept is to create a floating rice paddy off the pier of an is
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Rice Island is an exploration of artistic and proactive artistic+technological interventions to one of the world's problems - that of global food supply.
TITLE: RICE ISLAND
CONCEPT:
The concept is to create a floating rice paddy off the pier of an is
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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NESTED VOIDS: LA GROTTE DU MAS D’AZIL - Bradley Pitts
WWW
Unrealized Proposal for NESTED VOIDS: LA GROTTE DU MAS D’AZIL
Bradley Pitts, 2010
The cave of Le Mas-d'Azil (la grotte du Mas d'Azil), FR, was one of the first prehistoric caves to yield evidence of human habitation. Its main feature is a 500-met
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Unrealized Proposal for NESTED VOIDS: LA GROTTE DU MAS D’AZIL
Bradley Pitts, 2010
The cave of Le Mas-d'Azil (la grotte du Mas d'Azil), FR, was one of the first prehistoric caves to yield evidence of human habitation. Its main feature is a 500-met
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Kasper Sonne
‘Untitled Sign No. 4’
Proposed work for the NEONS competition 2011.
Fonds municipal d’art contemporain (Fmac)
Concours NEONS (FCAC/Fmac)
34, rue des Bains
1205 Genève
Switzerland
While the sign clearly appropriates it’s
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Kasper Sonne
‘Untitled Sign No. 4’
Proposed work for the NEONS competition 2011.
Fonds municipal d’art contemporain (Fmac)
Concours NEONS (FCAC/Fmac)
34, rue des Bains
1205 Genève
Switzerland
While the sign clearly appropriates it’s
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Rural pleasure trip / an investigation of sounds - Gisela Weimann
WWW
Gisela Weimann >www.giselaweimann.de<
Since the 80s the focal points of my projects are sound installations and experimental music-theatre productions that include artists and theorists from different fields and national descend.
Gisela Weimann
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Gisela Weimann >www.giselaweimann.de<
Since the 80s the focal points of my projects are sound installations and experimental music-theatre productions that include artists and theorists from different fields and national descend.
Gisela Weimann
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In addition to its pure genius, Michelangelo’s Sistine Chapel is remarkable because it represents, in art history, the rare opportunity for an artist to present to the world a rather complete visual cosmology—something even Michelangelo, due to poli
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In addition to its pure genius, Michelangelo’s Sistine Chapel is remarkable because it represents, in art history, the rare opportunity for an artist to present to the world a rather complete visual cosmology—something even Michelangelo, due to poli
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
...
Man thrown from his environment torned pick up his mess rhea his route rolling in his fate - Alicia Larraín
WWW
The concept of this Art installation is to emphasize the segmentation or boundary as a subtle , ambiguous limit, which divides areas, confining people, separating them in the world they inhabit. Allowing them to free themselves from their imprisonmen
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The concept of this Art installation is to emphasize the segmentation or boundary as a subtle , ambiguous limit, which divides areas, confining people, separating them in the world they inhabit. Allowing them to free themselves from their imprisonmen
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Somewhere Between 540,412,598 and 579,858,773 Breaths - Alex McKenzie
WWW
Somewhere Between 540,412,598 and 579,858,773 Breaths is an attempt to link the action of breathing to the passage of time and by extension to our own mortality. The project takes the form of a large-scale video installation with 400 separate projectors.
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Somewhere Between 540,412,598 and 579,858,773 Breaths is an attempt to link the action of breathing to the passage of time and by extension to our own mortality. The project takes the form of a large-scale video installation with 400 separate projectors.
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Will there still be sugar after the Rebellion? - Simon Le Ruez & Maud Haya Baviera
WWW
Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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An installation that mimics the rising and setting of the sun, condensed to perhaps 5 minutes – a lamp moving in a 30 ft arc (15 ft radius). It shows the effects of variable light and therefore shadows, on various objects and situations.
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An installation that mimics the rising and setting of the sun, condensed to perhaps 5 minutes – a lamp moving in a 30 ft arc (15 ft radius). It shows the effects of variable light and therefore shadows, on various objects and situations.
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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Zeitstück
Video-Installation von Alexander Hahn, vers. Juni 05, 1996
Beschreibung
Entstehung: Eingeladene Wettbewerbseingabe Kunst am Bau Neubau ETH Leonardstrasse Zürich. Nicht realisiert. Die Jury befürchtete damals, die Studenten könnten s
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Zeitstück
Video-Installation von Alexander Hahn, vers. Juni 05, 1996
Beschreibung
Entstehung: Eingeladene Wettbewerbseingabe Kunst am Bau Neubau ETH Leonardstrasse Zürich. Nicht realisiert. Die Jury befürchtete damals, die Studenten könnten s
...
On cherche à la lumière ce que l'on a perdu dans le noir - Nadine Lère
WWW
Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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“Tappeto Rosso”
Tappeto Rosso is a site-specific installation, which served as the preliminary stage of an architectural design. The installation was the result of an in-depth research process addressing various issues surrounding the site known
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