Inside a Tesseract is a project for a polyptych of six installations placed inside the structure of an imaginary folding/unfolding cube. The content of the six installations will correlate to each other organically, by the composition of essential element
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Inside a Tesseract is a project for a polyptych of six installations placed inside the structure of an imaginary folding/unfolding cube. The content of the six installations will correlate to each other organically, by the composition of essential element
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] - spmb [Eduardo Aquino & Karen Shanski]
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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Gabriella Daris | HOLY CORNERS | 2010
The artist:
The Lonoon based artist Gabriella Daris (Gabriella Tsavdaris) has built an art installation entitled, HOLY CORNERS, which Out Of The Box Intermedia has commissioned, and which is to be presented in the
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Gabriella Daris | HOLY CORNERS | 2010
The artist:
The Lonoon based artist Gabriella Daris (Gabriella Tsavdaris) has built an art installation entitled, HOLY CORNERS, which Out Of The Box Intermedia has commissioned, and which is to be presented in the
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land in sight! / land?
[2011#02] Multimedia-based installation / performance Project description In a container1, of which the doors are opened at an angle of ca. 45°, there are 13 vacuum cleaners2. At the end of the container there is a projection scr
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land in sight! / land?
[2011#02] Multimedia-based installation / performance Project description In a container1, of which the doors are opened at an angle of ca. 45°, there are 13 vacuum cleaners2. At the end of the container there is a projection scr
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An Installation, on site, composed of baskets and crates on waist high tables offering musical instruments while supermarket music wafts through the space.
An art project is full of possibilities. For the artist, it may mean expanding on a theme. F
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An Installation, on site, composed of baskets and crates on waist high tables offering musical instruments while supermarket music wafts through the space.
An art project is full of possibilities. For the artist, it may mean expanding on a theme. F
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Paul Muguet’s Unrealized Project for Year 2011: REVOLUTIONS
Revolutions is about the reversal of popular imagery in times of crisis. The inspiration for this project comes from the European imagery about a country in which everything is reversed: "
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Paul Muguet’s Unrealized Project for Year 2011: REVOLUTIONS
Revolutions is about the reversal of popular imagery in times of crisis. The inspiration for this project comes from the European imagery about a country in which everything is reversed: "
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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3 proposals for the Istanbul Biennale:
Proposal 1: LOST DIRECTION
Some theory first:
Do you know the rules and do you know the guidelines?
The world has become chaotic. Confusing, mostly because opposing trends such as globalization (the increas
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3 proposals for the Istanbul Biennale:
Proposal 1: LOST DIRECTION
Some theory first:
Do you know the rules and do you know the guidelines?
The world has become chaotic. Confusing, mostly because opposing trends such as globalization (the increas
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Artwork Details:
Being there and not here, 2006
Mixed-media installation with performance
Dimension of gardens: L 48 X B 52 X H 3 feet
Installation dimensions: Variable
Concept Note:
The installation, Being there and not here, consists of two ide
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Artwork Details:
Being there and not here, 2006
Mixed-media installation with performance
Dimension of gardens: L 48 X B 52 X H 3 feet
Installation dimensions: Variable
Concept Note:
The installation, Being there and not here, consists of two ide
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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wall installation
variable dimensions
water pain on wall and oil on paper transfered on wooden tables (26 x 19 cm each element)
The project consists of a large installation that runs on the walls, creating a visually stunning work of able to relate g
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wall installation
variable dimensions
water pain on wall and oil on paper transfered on wooden tables (26 x 19 cm each element)
The project consists of a large installation that runs on the walls, creating a visually stunning work of able to relate g
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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"Jello Cube," or "Eat Your Way In": - "Jello Cube," or "Eat Your Way In"
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"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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Forms of Responsibility • Recent Projects by Jenny Brown Jenny Brown Tied (Melting Ice Sea Creatures), 2006 Video Still Variable Dimensions In early 2005, an elegant gesture of product repatriation was conceived and produced by Jenny Brown as a way of b
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Forms of Responsibility • Recent Projects by Jenny Brown Jenny Brown Tied (Melting Ice Sea Creatures), 2006 Video Still Variable Dimensions In early 2005, an elegant gesture of product repatriation was conceived and produced by Jenny Brown as a way of b
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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Will there still be sugar after the Rebellion? - Simon Le Ruez & Maud Haya Baviera
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Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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In 2009 I began a series of tissue paper cut outs inspired by Mexican Day of the Dead papel picado banners drawing subject matter from news sources. I envision the banners as an ongoing series adding to the historical record. I would like to see them dis
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In 2009 I began a series of tissue paper cut outs inspired by Mexican Day of the Dead papel picado banners drawing subject matter from news sources. I envision the banners as an ongoing series adding to the historical record. I would like to see them dis
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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In July 1981, and again in February 1989, we proposed to friends of ours and other artists and to everyone it may concern-through texts in the magazines “Sin kai Plin” and “To Bitoni”, to found a football team.
We made this proposal because of
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In July 1981, and again in February 1989, we proposed to friends of ours and other artists and to everyone it may concern-through texts in the magazines “Sin kai Plin” and “To Bitoni”, to found a football team.
We made this proposal because of
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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Firstandlast was submitted to ISEA 04 in Helsinki.
The installation consists of a series of artificial worlds, ranging from videoscapes to fully abstract spaces (e.g. from natural landscapes to fractal universes) that represent the development of a fic
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The “Identity Flag” can be reviewed at:
www.annalascari.net/RIF
Project Description
“RIF” (Random Identity Forum) is an interactive installation that allows users to participate in and comment on the political and socio-economic policie
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The “Identity Flag” can be reviewed at:
www.annalascari.net/RIF
Project Description
“RIF” (Random Identity Forum) is an interactive installation that allows users to participate in and comment on the political and socio-economic policie
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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waste not art
“short hi.stories” series
1995 – ongoing
unrealized/unrealizable project intended for installation at the Serpentine Gallery, London
(or any other museum that wishes to exhibit the project)
by
Plamen Yordanov
descriptio
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waste not art
“short hi.stories” series
1995 – ongoing
unrealized/unrealizable project intended for installation at the Serpentine Gallery, London
(or any other museum that wishes to exhibit the project)
by
Plamen Yordanov
descriptio
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MODELL OF AN OFFICE FOR A COUPLE OF TWINS, BOTH 1,38 TALL" - Tobias Rehrenberg
Unbuilt Roads
WOOD, PLASTIC, 2 CHAIRS
ca 180 x 150 x 170 cm
PIECE OF THE SHOW
"CANCELLED PROJECTS"
IN MUSEUM FRIEDERICIANUM KASSEL
SUMMER 95
Previous Publications (?)
NO
Existing Documents (photos, drawings, models):
ENCLOSED
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WOOD, PLASTIC, 2 CHAIRS
ca 180 x 150 x 170 cm
PIECE OF THE SHOW
"CANCELLED PROJECTS"
IN MUSEUM FRIEDERICIANUM KASSEL
SUMMER 95
Previous Publications (?)
NO
Existing Documents (photos, drawings, models):
ENCLOSED
...