‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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A proposal for a set of organ pipes to be mounted on the face of an oceanic cliff. The pipes are to be mounted vertically on simple steel rods that are strategically placed along a section of cliff in order to translate strong vertical updrafts into indiv
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A proposal for a set of organ pipes to be mounted on the face of an oceanic cliff. The pipes are to be mounted vertically on simple steel rods that are strategically placed along a section of cliff in order to translate strong vertical updrafts into indiv
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waste not art
“short hi.stories” series
1995 – ongoing
unrealized/unrealizable project intended for installation at the Serpentine Gallery, London
(or any other museum that wishes to exhibit the project)
by
Plamen Yordanov
descriptio
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waste not art
“short hi.stories” series
1995 – ongoing
unrealized/unrealizable project intended for installation at the Serpentine Gallery, London
(or any other museum that wishes to exhibit the project)
by
Plamen Yordanov
descriptio
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A golden inflatable, each uniquely patterned, is produced in a glass case upon the viewer's initiative (stepping on a red button). The artwork very slowly inflates (3-5 minutes), then is suddenly released! It rises and flies out an above window.
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A golden inflatable, each uniquely patterned, is produced in a glass case upon the viewer's initiative (stepping on a red button). The artwork very slowly inflates (3-5 minutes), then is suddenly released! It rises and flies out an above window.
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Aviation Memories. Response to an 1986 open call for an installation proposal by Real Art Ways in Hartford, CT. Instead of the usual sketches, I submitted a simulation of the proposed project on video tape using the Macintosh program Mac Draw and the Fair
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Aviation Memories. Response to an 1986 open call for an installation proposal by Real Art Ways in Hartford, CT. Instead of the usual sketches, I submitted a simulation of the proposed project on video tape using the Macintosh program Mac Draw and the Fair
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Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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Proposal for a permanent video installation for the NYC headquarters of Sony Corporation - Dara Birnbaum
Unbuilt Roads
INSTALLATION DESCRIPTION: At one end of the proposed installation space (main dining area designated for Sony employees), a wall is used to support a video wall or projection screen, which displays a seam-less flow of large-scale images. These large-s
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INSTALLATION DESCRIPTION: At one end of the proposed installation space (main dining area designated for Sony employees), a wall is used to support a video wall or projection screen, which displays a seam-less flow of large-scale images. These large-s
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(un)realized words
Kathryn Hummel
(un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements.
I do not recall at what age I first began
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(un)realized words
Kathryn Hummel
(un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements.
I do not recall at what age I first began
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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On cherche à la lumière ce que l'on a perdu dans le noir - Nadine Lère
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Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days
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Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days
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Will there still be sugar after the Rebellion? - Simon Le Ruez & Maud Haya Baviera
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Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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I have attached one collage and one edited image of unrealized artwork based around the idea of my paintings displayed on a bookshelf with only the edges visible like the spines of books. I envisioned a library of paintings, but never had the rescources t
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I have attached one collage and one edited image of unrealized artwork based around the idea of my paintings displayed on a bookshelf with only the edges visible like the spines of books. I envisioned a library of paintings, but never had the rescources t
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] - spmb [Eduardo Aquino & Karen Shanski]
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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Brasília, Cars, Pools & Other Modernities - Clarissa Tossin
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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Marmangios in the city - Ana Fernández (Miranda Texidor)
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I am interested in the poetic research, finding and wonderment of other worlds. I find the keeping and tending of imaginary spaces fascinating. These spaces are playful moments of time or matter, which exist mainly in children’s play as marvelous secret
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I am interested in the poetic research, finding and wonderment of other worlds. I find the keeping and tending of imaginary spaces fascinating. These spaces are playful moments of time or matter, which exist mainly in children’s play as marvelous secret
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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In July 1981, and again in February 1989, we proposed to friends of ours and other artists and to everyone it may concern-through texts in the magazines “Sin kai Plin” and “To Bitoni”, to found a football team.
We made this proposal because of
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In July 1981, and again in February 1989, we proposed to friends of ours and other artists and to everyone it may concern-through texts in the magazines “Sin kai Plin” and “To Bitoni”, to found a football team.
We made this proposal because of
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