Ich bin Berliner ( I am a Berliner) - Martin Mlecko
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In 1986, Martin Mlecko conceived the work "Ich bin Berliner, Michail Gorbatschow". Invited by a group of Berlin curators and artists, the work should have been installation on billboards
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In 1986, Martin Mlecko conceived the work "Ich bin Berliner, Michail Gorbatschow". Invited by a group of Berlin curators and artists, the work should have been installation on billboards
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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The Blame is a proposal for an inflatable sign to be ferried around the island of Cyprus by Greek Cypriot and Turkish Cypriot tug boats. The sign will be made from multi-coloured letters mounted on a floating pontoon and stand around 4 metres high.
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The Blame is a proposal for an inflatable sign to be ferried around the island of Cyprus by Greek Cypriot and Turkish Cypriot tug boats. The sign will be made from multi-coloured letters mounted on a floating pontoon and stand around 4 metres high.
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I was born in Mumbai and received my Bachelor’s in Fine Arts from Sir J.J School of Art, Mumbai in 2004 and Post Baccalaureate Diploma from Pont Aven School of Art, Brittany, France in 2006. My last solo show titled ‘Impositions’ was held in Switzer
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I was born in Mumbai and received my Bachelor’s in Fine Arts from Sir J.J School of Art, Mumbai in 2004 and Post Baccalaureate Diploma from Pont Aven School of Art, Brittany, France in 2006. My last solo show titled ‘Impositions’ was held in Switzer
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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To illuminate the dark space beneath hoch-bahn bridges using Off the Grid techniques. Project title Good Vibrations. there will be moving illumination on underside of U-Bahn bridges as train passes overhead.
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17 June 2011 Carlo Crovato Berli
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To illuminate the dark space beneath hoch-bahn bridges using Off the Grid techniques. Project title Good Vibrations. there will be moving illumination on underside of U-Bahn bridges as train passes overhead.
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17 June 2011 Carlo Crovato Berli
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Ce Projet était fait pour la vitrine (galerie) qui se situe autour de la salle principal et d'un autre côte vers las rues, la piece est un tuyau transparent de 75M longeur, 40 cm diamétre, delans mettre les plus sortes d'insecte = sorpion, lézards, ar
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Ce Projet était fait pour la vitrine (galerie) qui se situe autour de la salle principal et d'un autre côte vers las rues, la piece est un tuyau transparent de 75M longeur, 40 cm diamétre, delans mettre les plus sortes d'insecte = sorpion, lézards, ar
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Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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Proposal to an open call for the 2011 Emdash Award - Boris Dornbusch
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The following project was a proposal to an open call for the 2011 Emdash Award. However, it is an idea I have developed in response to any Art Fair:
A smaller-scale replica of the Frieze's exhibition tent is pitched in the exhibition pavilion.
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The following project was a proposal to an open call for the 2011 Emdash Award. However, it is an idea I have developed in response to any Art Fair:
A smaller-scale replica of the Frieze's exhibition tent is pitched in the exhibition pavilion.
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Originaly Proposed b y Naama Tsabar for Emdash Award, Frieze art fair.
This project will begin with a silent video-clip that will be sent to a musician. The video itself will be my visual reaction/interpretation to the musicians music, and will serve
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Originaly Proposed b y Naama Tsabar for Emdash Award, Frieze art fair.
This project will begin with a silent video-clip that will be sent to a musician. The video itself will be my visual reaction/interpretation to the musicians music, and will serve
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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“What It’s Gonna Take“
An installation about death, time and consumption
The initial point fort this installation are thoughts about a very common place: about my own death.
The question is: HOW MANY things and HOW MUCH I will need until I die
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“What It’s Gonna Take“
An installation about death, time and consumption
The initial point fort this installation are thoughts about a very common place: about my own death.
The question is: HOW MANY things and HOW MUCH I will need until I die
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A proposal for a set of organ pipes to be mounted on the face of an oceanic cliff. The pipes are to be mounted vertically on simple steel rods that are strategically placed along a section of cliff in order to translate strong vertical updrafts into indiv
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A proposal for a set of organ pipes to be mounted on the face of an oceanic cliff. The pipes are to be mounted vertically on simple steel rods that are strategically placed along a section of cliff in order to translate strong vertical updrafts into indiv
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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And the Girls with their Roller Skates - Julia Brodauf
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"And the Girls with their Roller Skates" was a proposal to do an installation in combination with an edition at the Heizkraftwerk Moabit in Berlin where Vatenfall sometimes shows art exhibitions. While the edition was accepted an will be realised in octob
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"And the Girls with their Roller Skates" was a proposal to do an installation in combination with an edition at the Heizkraftwerk Moabit in Berlin where Vatenfall sometimes shows art exhibitions. While the edition was accepted an will be realised in octob
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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Rural pleasure trip / an investigation of sounds - Gisela Weimann
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Gisela Weimann >www.giselaweimann.de<
Since the 80s the focal points of my projects are sound installations and experimental music-theatre productions that include artists and theorists from different fields and national descend.
Gisela Weimann
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Gisela Weimann >www.giselaweimann.de<
Since the 80s the focal points of my projects are sound installations and experimental music-theatre productions that include artists and theorists from different fields and national descend.
Gisela Weimann
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days
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Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days
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