Get Carter 1997
We proposed to install a fully operational prison door into the entrance of the Laing Art Gallery in Newcastle upon Tyne, England. All other doors and windows into the gallery space were to be closed and sealed. The prison door was to
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Get Carter 1997
We proposed to install a fully operational prison door into the entrance of the Laing Art Gallery in Newcastle upon Tyne, England. All other doors and windows into the gallery space were to be closed and sealed. The prison door was to
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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Location : fenced Inner perimeter Jaqueline Kennedy Onassis Reservoir Central Park New York City ;
110 watt mil spec lasers, 400 mirror placements around perimeter of reservoir, center of reservoir 20 beams, array trays 76 degree angle of beams, hgt.
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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Overlords by Tom Estes
Description
Overlords was originally conceived as a video installation comprised of images of ‘Time Travel’ projected on to a book called ‘Local History and Antiquities’. The work was deliberately left incomplete. The ph
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Overlords by Tom Estes
Description
Overlords was originally conceived as a video installation comprised of images of ‘Time Travel’ projected on to a book called ‘Local History and Antiquities’. The work was deliberately left incomplete. The ph
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Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
WWW
Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Kasper Sonne
‘Untitled Sign No. 4’
Proposed work for the NEONS competition 2011.
Fonds municipal d’art contemporain (Fmac)
Concours NEONS (FCAC/Fmac)
34, rue des Bains
1205 Genève
Switzerland
While the sign clearly appropriates it’s
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Kasper Sonne
‘Untitled Sign No. 4’
Proposed work for the NEONS competition 2011.
Fonds municipal d’art contemporain (Fmac)
Concours NEONS (FCAC/Fmac)
34, rue des Bains
1205 Genève
Switzerland
While the sign clearly appropriates it’s
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Will there still be sugar after the Rebellion? - Simon Le Ruez & Maud Haya Baviera
WWW
Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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Aviation Memories. Response to an 1986 open call for an installation proposal by Real Art Ways in Hartford, CT. Instead of the usual sketches, I submitted a simulation of the proposed project on video tape using the Macintosh program Mac Draw and the Fair
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Aviation Memories. Response to an 1986 open call for an installation proposal by Real Art Ways in Hartford, CT. Instead of the usual sketches, I submitted a simulation of the proposed project on video tape using the Macintosh program Mac Draw and the Fair
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Two Barges is a proposal for a pair of illuminated signs to be ferried around the island of Manhattan using the Hudson, Harlem and East Rivers. The signs will be made from panels of tungsten lightbulbs fixed to a supporting metal rig. The letters wi
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Two Barges is a proposal for a pair of illuminated signs to be ferried around the island of Manhattan using the Hudson, Harlem and East Rivers. The signs will be made from panels of tungsten lightbulbs fixed to a supporting metal rig. The letters wi
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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Joe Dal Pra Installation Project:
Title: hold / collapse
Description: intertwining of linear structures into curving form. Structures are holding silhouettes of figures, planes, and parts.
Materials: wood and steel.
Size: variable dimensions
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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Ce Projet était fait pour la vitrine (galerie) qui se situe autour de la salle principal et d'un autre côte vers las rues, la piece est un tuyau transparent de 75M longeur, 40 cm diamétre, delans mettre les plus sortes d'insecte = sorpion, lézards, ar
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Ce Projet était fait pour la vitrine (galerie) qui se situe autour de la salle principal et d'un autre côte vers las rues, la piece est un tuyau transparent de 75M longeur, 40 cm diamétre, delans mettre les plus sortes d'insecte = sorpion, lézards, ar
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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FOTA (Festival of the Arts) 2010 APPLICATION
Title of Project: Free to Choose
Name: Erik Wenzel
Location: The Chicago Theological Seminary
Duration: Installed for the length of FOTA, subject to CTS schedule
STATEMENT
I propose to make a
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FOTA (Festival of the Arts) 2010 APPLICATION
Title of Project: Free to Choose
Name: Erik Wenzel
Location: The Chicago Theological Seminary
Duration: Installed for the length of FOTA, subject to CTS schedule
STATEMENT
I propose to make a
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Thistlegarden-project
My plan is to create a garden consisting of only of wild thistles. Sown, but mainly re-planted from the wild in early spring, they will be placed in lines and patterns. The overall form will be a grafic representation of an explosi
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Thistlegarden-project
My plan is to create a garden consisting of only of wild thistles. Sown, but mainly re-planted from the wild in early spring, they will be placed in lines and patterns. The overall form will be a grafic representation of an explosi
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Sheli Lehadpasa (Mine for printing) - Tamar Lederberg
WWW
Sheli Lehadpasa (Mine for printing)
Art constitutes a tool for contending with difficult psychological situations. A situation of loss and pain generates creative forces. An illness triggered fervent creativity in my mother. The trauma following her il
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Sheli Lehadpasa (Mine for printing)
Art constitutes a tool for contending with difficult psychological situations. A situation of loss and pain generates creative forces. An illness triggered fervent creativity in my mother. The trauma following her il
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The Warhol Machine is a mechanism that will bring 15 minutes of fame to everyone. It is an installation in Times Square, New York City, consisting of a video camera in a booth, a visitor inside the booth and in front of the camera and the already installe
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The Warhol Machine is a mechanism that will bring 15 minutes of fame to everyone. It is an installation in Times Square, New York City, consisting of a video camera in a booth, a visitor inside the booth and in front of the camera and the already installe
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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SPATIAL INSTALLATION: Wall made out of strings. Measures: 3m high x 4m breed The wall will be built based on a structure (wood or any other stable material) with two equal sides, supporting two transport bands with motor, which are holding the ropes and r
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