This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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Observatory for the Study of Metropolitan Man - Bastiaan Arler
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The project consists of a temporary structure made of easily available scaffolding that can be installed in any city square. It is open to the public and thus allows people to observe and to be observed in two distinct moments. The project has never been
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The project consists of a temporary structure made of easily available scaffolding that can be installed in any city square. It is open to the public and thus allows people to observe and to be observed in two distinct moments. The project has never been
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The installation “Tower” is constituted by a 7m scaffold containing in its top a 3000w smoke machine from which, every five minutes, a large cloud is created and is naturally dispersed.
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The installation “Tower” is constituted by a 7m scaffold containing in its top a 3000w smoke machine from which, every five minutes, a large cloud is created and is naturally dispersed.
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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The story of an aspirant
A waiting woman
prolonged expectations
delayed wishes
nurtured hopes
infidelity cracks
broken hearts plastered again and again with love stripes
unslaked fire
never ending longing
resurrecting Phoenix
the story of a wo
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The story of an aspirant
A waiting woman
prolonged expectations
delayed wishes
nurtured hopes
infidelity cracks
broken hearts plastered again and again with love stripes
unslaked fire
never ending longing
resurrecting Phoenix
the story of a wo
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1 Homebodies originates from the American word homebody meaning a person who prefers pleasures and activities that center around the home; stay-at-home. (1) The homebody resides inside the American suburban home and in particular in the basement. This sub
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1 Homebodies originates from the American word homebody meaning a person who prefers pleasures and activities that center around the home; stay-at-home. (1) The homebody resides inside the American suburban home and in particular in the basement. This sub
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B/M/E: time reconfigured onsite & online 2002-2032 - Robert Lawrence
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B/M/E: time reconfigured onsite & online 2002-2032
Beginning/Middle/End is a 30 year series of site-specific installations/performances/interventions, with augmenting web components. Choreographing threads of multiple strategies through physical and vir
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B/M/E: time reconfigured onsite & online 2002-2032
Beginning/Middle/End is a 30 year series of site-specific installations/performances/interventions, with augmenting web components. Choreographing threads of multiple strategies through physical and vir
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The installation was removed just prior to opening by curator without explanation (space given to another artist) -as the work depended upon viewer interaction for realization it remains un-actuated.
Us and Them wood, copper, toy soldiers, red candl
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The installation was removed just prior to opening by curator without explanation (space given to another artist) -as the work depended upon viewer interaction for realization it remains un-actuated.
Us and Them wood, copper, toy soldiers, red candl
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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THE FLUID PAVILION OF ARCHITECTURE - MARIA KARACHRISTOU
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The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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Unrealized Project: Town Square - Rebecca Herman and Mark Shoffner
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Town Square is comprised of several sculptural elements: a tall, narrow, guillotine‐like structure in wood (without a blade); a series of steps leading up to the guillotine from the back; a basket on the floor in front of the guillotine; and two halves
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Town Square is comprised of several sculptural elements: a tall, narrow, guillotine‐like structure in wood (without a blade); a series of steps leading up to the guillotine from the back; a basket on the floor in front of the guillotine; and two halves
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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Proposal to an open call for the 2011 Emdash Award - Boris Dornbusch
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The following project was a proposal to an open call for the 2011 Emdash Award. However, it is an idea I have developed in response to any Art Fair:
A smaller-scale replica of the Frieze's exhibition tent is pitched in the exhibition pavilion.
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The following project was a proposal to an open call for the 2011 Emdash Award. However, it is an idea I have developed in response to any Art Fair:
A smaller-scale replica of the Frieze's exhibition tent is pitched in the exhibition pavilion.
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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Conduit is many things: a recycling project, a purification ritual, a reclamation, a gift.
One of the communities we aim to reach is the one that the gallery-going public habitually overlooks in Chelsea – the network of auto body shops and gas stati
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Conduit is many things: a recycling project, a purification ritual, a reclamation, a gift.
One of the communities we aim to reach is the one that the gallery-going public habitually overlooks in Chelsea – the network of auto body shops and gas stati
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On cherche à la lumière ce que l'on a perdu dans le noir - Nadine Lère
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Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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The ‘E-Motion Pictures’ project by the Dutch multi-disciplinary artist Ron Weijers, one could review as a series of mixed media video works that are only present in a specific set space and time – as opposed to his regular mixed-media paintings whic
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The ‘E-Motion Pictures’ project by the Dutch multi-disciplinary artist Ron Weijers, one could review as a series of mixed media video works that are only present in a specific set space and time – as opposed to his regular mixed-media paintings whic
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A golden inflatable, each uniquely patterned, is produced in a glass case upon the viewer's initiative (stepping on a red button). The artwork very slowly inflates (3-5 minutes), then is suddenly released! It rises and flies out an above window.
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A golden inflatable, each uniquely patterned, is produced in a glass case upon the viewer's initiative (stepping on a red button). The artwork very slowly inflates (3-5 minutes), then is suddenly released! It rises and flies out an above window.
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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Passage, 2008
Model for a architectural installation
Construction: Simple reductive construction
Walls: Black heavy rubber sheets suspended from simple linked frames
Dimensions: Circa 280cm height x 450cm wide x 800cm + length variable depending on
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Passage, 2008
Model for a architectural installation
Construction: Simple reductive construction
Walls: Black heavy rubber sheets suspended from simple linked frames
Dimensions: Circa 280cm height x 450cm wide x 800cm + length variable depending on
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Overlords by Tom Estes
Description
Overlords was originally conceived as a video installation comprised of images of ‘Time Travel’ projected on to a book called ‘Local History and Antiquities’. The work was deliberately left incomplete. The ph
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Overlords by Tom Estes
Description
Overlords was originally conceived as a video installation comprised of images of ‘Time Travel’ projected on to a book called ‘Local History and Antiquities’. The work was deliberately left incomplete. The ph
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Thistlegarden-project
My plan is to create a garden consisting of only of wild thistles. Sown, but mainly re-planted from the wild in early spring, they will be placed in lines and patterns. The overall form will be a grafic representation of an explosi
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Thistlegarden-project
My plan is to create a garden consisting of only of wild thistles. Sown, but mainly re-planted from the wild in early spring, they will be placed in lines and patterns. The overall form will be a grafic representation of an explosi
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Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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