I was born in Mumbai and received my Bachelor’s in Fine Arts from Sir J.J School of Art, Mumbai in 2004 and Post Baccalaureate Diploma from Pont Aven School of Art, Brittany, France in 2006. My last solo show titled ‘Impositions’ was held in Switzer
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I was born in Mumbai and received my Bachelor’s in Fine Arts from Sir J.J School of Art, Mumbai in 2004 and Post Baccalaureate Diploma from Pont Aven School of Art, Brittany, France in 2006. My last solo show titled ‘Impositions’ was held in Switzer
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At knifepoint is an interactive installation that moves with the body of the spectator. the knives all stay at 10 cm from the body
http://youtu.be/7ELCRr9fBGw
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At knifepoint is an interactive installation that moves with the body of the spectator. the knives all stay at 10 cm from the body
http://youtu.be/7ELCRr9fBGw
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”I did go upstairs but I didn’t see nobody but me” - Daniel Permanetter
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The work is a room installation basically consisting of a live-sized Bob Dylan puppet and an old wooden staircase. The staircase will be rebuild so it appears to be frozen in a crumbling movement. The whole installation is meant to resemble the interior o
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The work is a room installation basically consisting of a live-sized Bob Dylan puppet and an old wooden staircase. The staircase will be rebuild so it appears to be frozen in a crumbling movement. The whole installation is meant to resemble the interior o
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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To the unknown Broker /
Tomb of the Unknown Broker
( Dem unbekannten Broker )
a monument about artistic vision as social comment
The installation (Tomb of an Unknown Broker) is dedicated to the virtual character of an Unidentified Broker. It highl
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To the unknown Broker /
Tomb of the Unknown Broker
( Dem unbekannten Broker )
a monument about artistic vision as social comment
The installation (Tomb of an Unknown Broker) is dedicated to the virtual character of an Unidentified Broker. It highl
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DEAR EARTH
Proposal for a Construction Fence
2007
DEAR is a salutation to strangers and intimates alike. The word began all written communication in English at one time. Now that friendly discourse travels electronically, the word DEAR is reserved
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DEAR EARTH
Proposal for a Construction Fence
2007
DEAR is a salutation to strangers and intimates alike. The word began all written communication in English at one time. Now that friendly discourse travels electronically, the word DEAR is reserved
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Where Does It Itch? is a project involving 100 of my framed collage works aligned in grid or horizon on a wall. Originally slated for Ogilvy Mather Direct as a proposal, it was abandoned. This PDF is that original proposal.
Matthew Rose is an Americ
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Where Does It Itch? is a project involving 100 of my framed collage works aligned in grid or horizon on a wall. Originally slated for Ogilvy Mather Direct as a proposal, it was abandoned. This PDF is that original proposal.
Matthew Rose is an Americ
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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The installation “Tower” is constituted by a 7m scaffold containing in its top a 3000w smoke machine from which, every five minutes, a large cloud is created and is naturally dispersed.
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The installation “Tower” is constituted by a 7m scaffold containing in its top a 3000w smoke machine from which, every five minutes, a large cloud is created and is naturally dispersed.
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waste not art
“short hi.stories” series
1995 – ongoing
unrealized/unrealizable project intended for installation at the Serpentine Gallery, London
(or any other museum that wishes to exhibit the project)
by
Plamen Yordanov
descriptio
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waste not art
“short hi.stories” series
1995 – ongoing
unrealized/unrealizable project intended for installation at the Serpentine Gallery, London
(or any other museum that wishes to exhibit the project)
by
Plamen Yordanov
descriptio
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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"When I was at art school, everyone else would make art and find the best parts and then try to cover up everything else so that was all you saw. I was fascinated by the part that didn't appear to be working and I'd keep working on that part until it took
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"When I was at art school, everyone else would make art and find the best parts and then try to cover up everything else so that was all you saw. I was fascinated by the part that didn't appear to be working and I'd keep working on that part until it took
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Public Art For Street Installation in the City of West Hollywood,
California
ARTIST’S STATEMENT: THE 3 MUSES OF WEST HOLLYWOOD
Who are we, the people of West Hollywood? Where do we come from? What do we do?
As we live out our lives here
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Public Art For Street Installation in the City of West Hollywood,
California
ARTIST’S STATEMENT: THE 3 MUSES OF WEST HOLLYWOOD
Who are we, the people of West Hollywood? Where do we come from? What do we do?
As we live out our lives here
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Paul Muguet’s Unrealized Project for Year 2011: REVOLUTIONS
Revolutions is about the reversal of popular imagery in times of crisis. The inspiration for this project comes from the European imagery about a country in which everything is reversed: "
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Paul Muguet’s Unrealized Project for Year 2011: REVOLUTIONS
Revolutions is about the reversal of popular imagery in times of crisis. The inspiration for this project comes from the European imagery about a country in which everything is reversed: "
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EMOTIONAL SPACE - sculptor PhD, Aili Vahtrapuu, disainer Janika Vesberg
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Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
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RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
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Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before.
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Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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"Outstretched Arms" is a project that was originally conceived in 2009 for a university show. It features a 4ft diameter hanging painting that slowly rotates with the air currents. It also features a 10 minute commissioned work of music that supports
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"Outstretched Arms" is a project that was originally conceived in 2009 for a university show. It features a 4ft diameter hanging painting that slowly rotates with the air currents. It also features a 10 minute commissioned work of music that supports
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Marmangios in the city - Ana Fernández (Miranda Texidor)
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I am interested in the poetic research, finding and wonderment of other worlds. I find the keeping and tending of imaginary spaces fascinating. These spaces are playful moments of time or matter, which exist mainly in children’s play as marvelous secret
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I am interested in the poetic research, finding and wonderment of other worlds. I find the keeping and tending of imaginary spaces fascinating. These spaces are playful moments of time or matter, which exist mainly in children’s play as marvelous secret
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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