ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Long Distance Relationship
For the exhibition, I am proposing to run a series of 100ft long connected extension cords powered from my studio (the creative place of production) to the exhibition space 2.2 miles away.
The energy it takes to sustain so
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Long Distance Relationship
For the exhibition, I am proposing to run a series of 100ft long connected extension cords powered from my studio (the creative place of production) to the exhibition space 2.2 miles away.
The energy it takes to sustain so
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Aviation Memories. Response to an 1986 open call for an installation proposal by Real Art Ways in Hartford, CT. Instead of the usual sketches, I submitted a simulation of the proposed project on video tape using the Macintosh program Mac Draw and the Fair
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Aviation Memories. Response to an 1986 open call for an installation proposal by Real Art Ways in Hartford, CT. Instead of the usual sketches, I submitted a simulation of the proposed project on video tape using the Macintosh program Mac Draw and the Fair
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Description du Projet – Photorécepteurs
Pour le projet participatif, Photorécepteurs, je souhaite travailler sur des images en grand format des yeux des habitants de la Ville de _________. Un photorécepteur peut désigner un neurone sensoriel sens
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Description du Projet – Photorécepteurs
Pour le projet participatif, Photorécepteurs, je souhaite travailler sur des images en grand format des yeux des habitants de la Ville de _________. Un photorécepteur peut désigner un neurone sensoriel sens
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The 'Not at...' series: Installations that never were... - Claire Manning
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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Caution work in progress
Passively invites the viewer to turn to touch in order to satisfy an inevitable curiosity about what is being done.
There is a strong sense of this logic does not work, it will foam that wall?
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Caution work in progress
Passively invites the viewer to turn to touch in order to satisfy an inevitable curiosity about what is being done.
There is a strong sense of this logic does not work, it will foam that wall?
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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Artist
Name: Deivis Slavinskas
Email: studio@slavinskas.com
Website: http://www.Slavinskas.com
Artwork
* Please note that all the following information is for the reference only and is subject to change during the development
Photos: Artist'
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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A golden inflatable, each uniquely patterned, is produced in a glass case upon the viewer's initiative (stepping on a red button). The artwork very slowly inflates (3-5 minutes), then is suddenly released! It rises and flies out an above window.
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A golden inflatable, each uniquely patterned, is produced in a glass case upon the viewer's initiative (stepping on a red button). The artwork very slowly inflates (3-5 minutes), then is suddenly released! It rises and flies out an above window.
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This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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Rice Island is an exploration of artistic and proactive artistic+technological interventions to one of the world's problems - that of global food supply.
TITLE: RICE ISLAND
CONCEPT:
The concept is to create a floating rice paddy off the pier of an is
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Rice Island is an exploration of artistic and proactive artistic+technological interventions to one of the world's problems - that of global food supply.
TITLE: RICE ISLAND
CONCEPT:
The concept is to create a floating rice paddy off the pier of an is
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Original Proposal:
At Darlinghurst courthouse in 2008, Gordon Wood was found guilty of murdering Caroline Byrne by throwing her from The Gap, a notorious suicide spot in Sydney, Australia. Witnesses claim to have seen a second man at the crime scene but
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Original Proposal:
At Darlinghurst courthouse in 2008, Gordon Wood was found guilty of murdering Caroline Byrne by throwing her from The Gap, a notorious suicide spot in Sydney, Australia. Witnesses claim to have seen a second man at the crime scene but
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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Forms of Responsibility • Recent Projects by Jenny Brown Jenny Brown Tied (Melting Ice Sea Creatures), 2006 Video Still Variable Dimensions In early 2005, an elegant gesture of product repatriation was conceived and produced by Jenny Brown as a way of b
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Forms of Responsibility • Recent Projects by Jenny Brown Jenny Brown Tied (Melting Ice Sea Creatures), 2006 Video Still Variable Dimensions In early 2005, an elegant gesture of product repatriation was conceived and produced by Jenny Brown as a way of b
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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L'art mis à nu par ses artistes, même... Rifiuto della Creazione / Everything has been done, so why do „everything” ? - Gregor Rozanski
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working title and object(s) as complex game of meanings.
this is a meeting of ideas of two rebels form different backgrounds - artist Marcel Duchamp and theoretican and activist Antonio Negri.
Negri and Duchamp have one the same opinion that is be
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working title and object(s) as complex game of meanings.
this is a meeting of ideas of two rebels form different backgrounds - artist Marcel Duchamp and theoretican and activist Antonio Negri.
Negri and Duchamp have one the same opinion that is be
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Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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The Great Wall Archive - The Bureau for Transgressive Tourism and the Acquisition of its Archives
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The Great Wall Archive presents many potential narratives through the collection and exhibition of an excess of specific and seemingly arbitrary information. Its conception was spurred by a curiosity in the ways we communicate with one another, specifical
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The Great Wall Archive presents many potential narratives through the collection and exhibition of an excess of specific and seemingly arbitrary information. Its conception was spurred by a curiosity in the ways we communicate with one another, specifical
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An art installation with mirrored tunnels connecting three derelict industrial buildings as transitory laboratory space for art experimentation.
A permit to contain, wrap, and occupy three toxic and derelict industrial buildings in Brooklyn, New York,
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An art installation with mirrored tunnels connecting three derelict industrial buildings as transitory laboratory space for art experimentation.
A permit to contain, wrap, and occupy three toxic and derelict industrial buildings in Brooklyn, New York,
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To the unknown Broker /
Tomb of the Unknown Broker
( Dem unbekannten Broker )
a monument about artistic vision as social comment
The installation (Tomb of an Unknown Broker) is dedicated to the virtual character of an Unidentified Broker. It highl
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To the unknown Broker /
Tomb of the Unknown Broker
( Dem unbekannten Broker )
a monument about artistic vision as social comment
The installation (Tomb of an Unknown Broker) is dedicated to the virtual character of an Unidentified Broker. It highl
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Residual Geometries or the fable of the passenger, the cattle and, and the resource consumed. - Julain Santana
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Public Space Intervention (The synopsis is in Spanish for now, but the English translation will be ready the next week)
I have no budget or a potential sponsor for this artistic intervention.
In essence this is a look into a public space in which rais
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Public Space Intervention (The synopsis is in Spanish for now, but the English translation will be ready the next week)
I have no budget or a potential sponsor for this artistic intervention.
In essence this is a look into a public space in which rais
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