‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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“The Account” 2011, is a detailed sketch and testimony of an unrealised installation project in a gas station in Berlin. The two pieces attempt to suspend the work in a potential space between fiction and reality.
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“The Account” 2011, is a detailed sketch and testimony of an unrealised installation project in a gas station in Berlin. The two pieces attempt to suspend the work in a potential space between fiction and reality.
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Perce Jerrom 8 Kashmir House, 66 Gibbon Road, SE15 3XE
percejerrom@gmail.com 07760392651
www.percejerrom.com
My unrealized project would be entitled “Cut” the piece would be a single channel video installation of
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Perce Jerrom 8 Kashmir House, 66 Gibbon Road, SE15 3XE
percejerrom@gmail.com 07760392651
www.percejerrom.com
My unrealized project would be entitled “Cut” the piece would be a single channel video installation of
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The “Identity Flag” can be reviewed at:
www.annalascari.net/RIF
Project Description
“RIF” (Random Identity Forum) is an interactive installation that allows users to participate in and comment on the political and socio-economic policie
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The “Identity Flag” can be reviewed at:
www.annalascari.net/RIF
Project Description
“RIF” (Random Identity Forum) is an interactive installation that allows users to participate in and comment on the political and socio-economic policie
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Blow Job
Peter Friedl
Proposal, Hamburger Kunsthalle, 2004
Blow Job (working title) is an exhibition project dealing with theatricality and its media possibilities. In the form of a monographically structured project, I treat various themes with wh
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Blow Job
Peter Friedl
Proposal, Hamburger Kunsthalle, 2004
Blow Job (working title) is an exhibition project dealing with theatricality and its media possibilities. In the form of a monographically structured project, I treat various themes with wh
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The Warhol Machine is a mechanism that will bring 15 minutes of fame to everyone. It is an installation in Times Square, New York City, consisting of a video camera in a booth, a visitor inside the booth and in front of the camera and the already installe
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The Warhol Machine is a mechanism that will bring 15 minutes of fame to everyone. It is an installation in Times Square, New York City, consisting of a video camera in a booth, a visitor inside the booth and in front of the camera and the already installe
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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An Installation, on site, composed of baskets and crates on waist high tables offering musical instruments while supermarket music wafts through the space.
An art project is full of possibilities. For the artist, it may mean expanding on a theme. F
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An Installation, on site, composed of baskets and crates on waist high tables offering musical instruments while supermarket music wafts through the space.
An art project is full of possibilities. For the artist, it may mean expanding on a theme. F
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The Sounds of the Sun Pavilion is a conceptual proposal for a large structure made of many small, pre-fabricated, square, curved, steel tube components. These components are joined together to form thirteen large interwoven curved elements. One side o
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The Sounds of the Sun Pavilion is a conceptual proposal for a large structure made of many small, pre-fabricated, square, curved, steel tube components. These components are joined together to form thirteen large interwoven curved elements. One side o
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The Centralizer
The inspiration for this device came about to address the plight of the city-dweller trapped in a densely populated urban environment, who needed to decompress, ground themselves, and/or get in touch with nature and natural rhythms, a
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The Centralizer
The inspiration for this device came about to address the plight of the city-dweller trapped in a densely populated urban environment, who needed to decompress, ground themselves, and/or get in touch with nature and natural rhythms, a
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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In the summer of 1975 a fresh wind blew over the world. At a distance of 225 km, in orbit around the Earth, the USA and the USSR made contact as two spacecraft docked together in a sign of peace. In an instant it lightened the spirit of all of those caugh
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
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MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
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DESCRIPTION
The project consists of built inside the Civic Centre Sant Andreu a toilet for the disabled who do not meet standards of accessibility measures. It will build a separate room of existing toilets within the Civic Center that the dynamics
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DESCRIPTION
The project consists of built inside the Civic Centre Sant Andreu a toilet for the disabled who do not meet standards of accessibility measures. It will build a separate room of existing toilets within the Civic Center that the dynamics
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EMVS (2011)
Two planes
We build two thick and porous planes. Between them, there are contained 100 housings. The lobby emerges from the gap between the planes, and it is limited by two stairs. The planes open their porous cavities towards the best s
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EMVS (2011)
Two planes
We build two thick and porous planes. Between them, there are contained 100 housings. The lobby emerges from the gap between the planes, and it is limited by two stairs. The planes open their porous cavities towards the best s
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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“Fireflies” is a site-specific installation, I got the idea while traveling for Bogota to Medellin by land, through the mountain. For the first time after sever years I saw groups of fireflies in the woods. Why there are not so many fireflies around t
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“Fireflies” is a site-specific installation, I got the idea while traveling for Bogota to Medellin by land, through the mountain. For the first time after sever years I saw groups of fireflies in the woods. Why there are not so many fireflies around t
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"Outstretched Arms" is a project that was originally conceived in 2009 for a university show. It features a 4ft diameter hanging painting that slowly rotates with the air currents. It also features a 10 minute commissioned work of music that supports
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"Outstretched Arms" is a project that was originally conceived in 2009 for a university show. It features a 4ft diameter hanging painting that slowly rotates with the air currents. It also features a 10 minute commissioned work of music that supports
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Mimmo Catania (UAP)
-Project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezia, Venice (1999).
(Collage on color photocopy, 21x29,7 cm.)
The unrealized project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezi
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Mimmo Catania (UAP)
-Project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezia, Venice (1999).
(Collage on color photocopy, 21x29,7 cm.)
The unrealized project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezi
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