As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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About us:
We are Matters Of Appearance, an artist group (USA/Germany). We work with language, text and performance.
www.mattersofappearance.com
This project (unrealized):
We found this graffiti on a barn wall somewhere: "Selbst schuld" (It's
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About us:
We are Matters Of Appearance, an artist group (USA/Germany). We work with language, text and performance.
www.mattersofappearance.com
This project (unrealized):
We found this graffiti on a barn wall somewhere: "Selbst schuld" (It's
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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Get Carter 1997
We proposed to install a fully operational prison door into the entrance of the Laing Art Gallery in Newcastle upon Tyne, England. All other doors and windows into the gallery space were to be closed and sealed. The prison door was to
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Get Carter 1997
We proposed to install a fully operational prison door into the entrance of the Laing Art Gallery in Newcastle upon Tyne, England. All other doors and windows into the gallery space were to be closed and sealed. The prison door was to
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MODELL OF AN OFFICE FOR A COUPLE OF TWINS, BOTH 1,38 TALL" - Tobias Rehrenberg
Unbuilt Roads
WOOD, PLASTIC, 2 CHAIRS
ca 180 x 150 x 170 cm
PIECE OF THE SHOW
"CANCELLED PROJECTS"
IN MUSEUM FRIEDERICIANUM KASSEL
SUMMER 95
Previous Publications (?)
NO
Existing Documents (photos, drawings, models):
ENCLOSED
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WOOD, PLASTIC, 2 CHAIRS
ca 180 x 150 x 170 cm
PIECE OF THE SHOW
"CANCELLED PROJECTS"
IN MUSEUM FRIEDERICIANUM KASSEL
SUMMER 95
Previous Publications (?)
NO
Existing Documents (photos, drawings, models):
ENCLOSED
...
Transformation #2 - Samuel Levack and Jennifer Lewandowski
WWW
Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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wall installation
variable dimensions
water pain on wall and oil on paper transfered on wooden tables (26 x 19 cm each element)
The project consists of a large installation that runs on the walls, creating a visually stunning work of able to relate g
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wall installation
variable dimensions
water pain on wall and oil on paper transfered on wooden tables (26 x 19 cm each element)
The project consists of a large installation that runs on the walls, creating a visually stunning work of able to relate g
...
LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] - spmb [Eduardo Aquino & Karen Shanski]
WWW
LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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‘Breathe’ intrinsically tells the unique story about the new St Mary’s Square Development, reflecting its past and celebrating the character of the area. This forward thinking modern artistic sculpture is artistically progressive in nature. It creat
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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Proposal to an open call for the 2011 Emdash Award - Boris Dornbusch
WWW
The following project was a proposal to an open call for the 2011 Emdash Award. However, it is an idea I have developed in response to any Art Fair:
A smaller-scale replica of the Frieze's exhibition tent is pitched in the exhibition pavilion.
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The following project was a proposal to an open call for the 2011 Emdash Award. However, it is an idea I have developed in response to any Art Fair:
A smaller-scale replica of the Frieze's exhibition tent is pitched in the exhibition pavilion.
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THE FLUID PAVILION OF ARCHITECTURE - MARIA KARACHRISTOU
WWW
The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
...
dimensions variable
Can we turn the horror of being dematerialized whether in the eyes of a beloved or in a community into the super-hero power of invisibility and back again.
8 cameras in a circle point out over the room.
8 grid camera view re
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dimensions variable
Can we turn the horror of being dematerialized whether in the eyes of a beloved or in a community into the super-hero power of invisibility and back again.
8 cameras in a circle point out over the room.
8 grid camera view re
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Passage, 2008
Model for a architectural installation
Construction: Simple reductive construction
Walls: Black heavy rubber sheets suspended from simple linked frames
Dimensions: Circa 280cm height x 450cm wide x 800cm + length variable depending on
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Passage, 2008
Model for a architectural installation
Construction: Simple reductive construction
Walls: Black heavy rubber sheets suspended from simple linked frames
Dimensions: Circa 280cm height x 450cm wide x 800cm + length variable depending on
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“What It’s Gonna Take“
An installation about death, time and consumption
The initial point fort this installation are thoughts about a very common place: about my own death.
The question is: HOW MANY things and HOW MUCH I will need until I die
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“What It’s Gonna Take“
An installation about death, time and consumption
The initial point fort this installation are thoughts about a very common place: about my own death.
The question is: HOW MANY things and HOW MUCH I will need until I die
...
Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
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Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
...
Brasília, Cars, Pools & Other Modernities - Clarissa Tossin
WWW
“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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Mario Asef
EXCAVATION
Unrealized project for the exhibition “Architecture” in Küntlerhaus Bregenz – Austria / 2008
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Liesbet & Piki would like to propose some video installations which were never shown and/or not shown in a way they were intented to, namely in context of architectural spaces.
Piki & Liesbets’ video projects start from the playful observation of lif
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Liesbet & Piki would like to propose some video installations which were never shown and/or not shown in a way they were intented to, namely in context of architectural spaces.
Piki & Liesbets’ video projects start from the playful observation of lif
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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3DPrintMe.com a biomedical animation and installation of futuristic invivo designer organs.
See: http://www.sarahjanepell.com/human.html
Biomedical animation plays on a continuous loop projection
The audience design or modify CAD Organs www.3DP
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3DPrintMe.com a biomedical animation and installation of futuristic invivo designer organs.
See: http://www.sarahjanepell.com/human.html
Biomedical animation plays on a continuous loop projection
The audience design or modify CAD Organs www.3DP
...
Proposal for a permanent video installation for the NYC headquarters of Sony Corporation - Dara Birnbaum
Unbuilt Roads
INSTALLATION DESCRIPTION: At one end of the proposed installation space (main dining area designated for Sony employees), a wall is used to support a video wall or projection screen, which displays a seam-less flow of large-scale images. These large-s
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INSTALLATION DESCRIPTION: At one end of the proposed installation space (main dining area designated for Sony employees), a wall is used to support a video wall or projection screen, which displays a seam-less flow of large-scale images. These large-s
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