Will there still be sugar after the Rebellion? - Simon Le Ruez & Maud Haya Baviera
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Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
...
"24-Hour Kaprow" was envisioned as a performance video where Kaprow’s collected works would be re-presented through a 24 hour long video.
RICHard SMOLinski’s unrealized project, 24-Hour Kaprow
24-Hour Kaprow was envisioned as a performance vide
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"24-Hour Kaprow" was envisioned as a performance video where Kaprow’s collected works would be re-presented through a 24 hour long video.
RICHard SMOLinski’s unrealized project, 24-Hour Kaprow
24-Hour Kaprow was envisioned as a performance vide
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Caution work in progress
Passively invites the viewer to turn to touch in order to satisfy an inevitable curiosity about what is being done.
There is a strong sense of this logic does not work, it will foam that wall?
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Caution work in progress
Passively invites the viewer to turn to touch in order to satisfy an inevitable curiosity about what is being done.
There is a strong sense of this logic does not work, it will foam that wall?
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“The Account” 2011, is a detailed sketch and testimony of an unrealised installation project in a gas station in Berlin. The two pieces attempt to suspend the work in a potential space between fiction and reality.
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“The Account” 2011, is a detailed sketch and testimony of an unrealised installation project in a gas station in Berlin. The two pieces attempt to suspend the work in a potential space between fiction and reality.
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"When I was at art school, everyone else would make art and find the best parts and then try to cover up everything else so that was all you saw. I was fascinated by the part that didn't appear to be working and I'd keep working on that part until it took
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"When I was at art school, everyone else would make art and find the best parts and then try to cover up everything else so that was all you saw. I was fascinated by the part that didn't appear to be working and I'd keep working on that part until it took
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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The Centralizer
The inspiration for this device came about to address the plight of the city-dweller trapped in a densely populated urban environment, who needed to decompress, ground themselves, and/or get in touch with nature and natural rhythms, a
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The Centralizer
The inspiration for this device came about to address the plight of the city-dweller trapped in a densely populated urban environment, who needed to decompress, ground themselves, and/or get in touch with nature and natural rhythms, a
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The work title is Twin Towers, and is constituted by two piles of Letter size office paper sheets with overall dimensions around 21.5" x 22" and 60" high, according not with scale but with the proportions of the World Trade Center buildings 1 and 2 once e
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The work title is Twin Towers, and is constituted by two piles of Letter size office paper sheets with overall dimensions around 21.5" x 22" and 60" high, according not with scale but with the proportions of the World Trade Center buildings 1 and 2 once e
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Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Unrealized Project: Town Square - Rebecca Herman and Mark Shoffner
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Town Square is comprised of several sculptural elements: a tall, narrow, guillotine‐like structure in wood (without a blade); a series of steps leading up to the guillotine from the back; a basket on the floor in front of the guillotine; and two halves
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Town Square is comprised of several sculptural elements: a tall, narrow, guillotine‐like structure in wood (without a blade); a series of steps leading up to the guillotine from the back; a basket on the floor in front of the guillotine; and two halves
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DESCRIPTION
The project consists of built inside the Civic Centre Sant Andreu a toilet for the disabled who do not meet standards of accessibility measures. It will build a separate room of existing toilets within the Civic Center that the dynamics
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DESCRIPTION
The project consists of built inside the Civic Centre Sant Andreu a toilet for the disabled who do not meet standards of accessibility measures. It will build a separate room of existing toilets within the Civic Center that the dynamics
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Vladimar and Rosa (2011) is a fictional dance company created and produced by artist Anne Colvin. Their first production "The Kids Play Russian" will never be realized. A hybrid dance installation influenced by experimental film strategies plays out as f
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Vladimar and Rosa (2011) is a fictional dance company created and produced by artist Anne Colvin. Their first production "The Kids Play Russian" will never be realized. A hybrid dance installation influenced by experimental film strategies plays out as f
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An unrealized electrostatic installation
Below is part of a detailed proposal prepared for me by an organometallic chemist I contacted via the Internet in 2005 and corresponded with over a two-year period. He had a website expressing a personal interes
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An unrealized electrostatic installation
Below is part of a detailed proposal prepared for me by an organometallic chemist I contacted via the Internet in 2005 and corresponded with over a two-year period. He had a website expressing a personal interes
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The installation “Tower” is constituted by a 7m scaffold containing in its top a 3000w smoke machine from which, every five minutes, a large cloud is created and is naturally dispersed.
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The installation “Tower” is constituted by a 7m scaffold containing in its top a 3000w smoke machine from which, every five minutes, a large cloud is created and is naturally dispersed.
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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I wanted to purchase the coffee table in Room 503, Hong Lou Hotel, Lianzhou, China and to mount it as a monument for all the shady deals that have been worked out over this table at a solo at Vitamin Creative Space in Guangzhou.
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I wanted to purchase the coffee table in Room 503, Hong Lou Hotel, Lianzhou, China and to mount it as a monument for all the shady deals that have been worked out over this table at a solo at Vitamin Creative Space in Guangzhou.
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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Passage, 2008
Model for a architectural installation
Construction: Simple reductive construction
Walls: Black heavy rubber sheets suspended from simple linked frames
Dimensions: Circa 280cm height x 450cm wide x 800cm + length variable depending on
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Passage, 2008
Model for a architectural installation
Construction: Simple reductive construction
Walls: Black heavy rubber sheets suspended from simple linked frames
Dimensions: Circa 280cm height x 450cm wide x 800cm + length variable depending on
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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Original Proposal:
At Darlinghurst courthouse in 2008, Gordon Wood was found guilty of murdering Caroline Byrne by throwing her from The Gap, a notorious suicide spot in Sydney, Australia. Witnesses claim to have seen a second man at the crime scene but
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Original Proposal:
At Darlinghurst courthouse in 2008, Gordon Wood was found guilty of murdering Caroline Byrne by throwing her from The Gap, a notorious suicide spot in Sydney, Australia. Witnesses claim to have seen a second man at the crime scene but
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The 'Not at...' series: Installations that never were... - Claire Manning
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
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Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
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RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
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RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
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