The Centralizer
The inspiration for this device came about to address the plight of the city-dweller trapped in a densely populated urban environment, who needed to decompress, ground themselves, and/or get in touch with nature and natural rhythms, a
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The Centralizer
The inspiration for this device came about to address the plight of the city-dweller trapped in a densely populated urban environment, who needed to decompress, ground themselves, and/or get in touch with nature and natural rhythms, a
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Zeitstück
Video-Installation von Alexander Hahn, vers. Juni 05, 1996
Beschreibung
Entstehung: Eingeladene Wettbewerbseingabe Kunst am Bau Neubau ETH Leonardstrasse Zürich. Nicht realisiert. Die Jury befürchtete damals, die Studenten könnten s
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Zeitstück
Video-Installation von Alexander Hahn, vers. Juni 05, 1996
Beschreibung
Entstehung: Eingeladene Wettbewerbseingabe Kunst am Bau Neubau ETH Leonardstrasse Zürich. Nicht realisiert. Die Jury befürchtete damals, die Studenten könnten s
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
...
Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
WWW
Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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A proposal for PITT. (Did not happen) - Nicole Mortiboys
WWW
A proposal for PITT. (Did not happen)
pittstudio@com.
The proposal to Nathan Pitt of PITT, was to make up an inflatable copy of cartoon hand, (see image attached).To the same size as the gallery space.
The hand would be placed in the gallery before b
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A proposal for PITT. (Did not happen)
pittstudio@com.
The proposal to Nathan Pitt of PITT, was to make up an inflatable copy of cartoon hand, (see image attached).To the same size as the gallery space.
The hand would be placed in the gallery before b
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(un)realized words
Kathryn Hummel
(un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements.
I do not recall at what age I first began
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(un)realized words
Kathryn Hummel
(un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements.
I do not recall at what age I first began
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The Sounds of the Sun Pavilion is a conceptual proposal for a large structure made of many small, pre-fabricated, square, curved, steel tube components. These components are joined together to form thirteen large interwoven curved elements. One side o
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The Sounds of the Sun Pavilion is a conceptual proposal for a large structure made of many small, pre-fabricated, square, curved, steel tube components. These components are joined together to form thirteen large interwoven curved elements. One side o
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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I gave you this picture because I was afraid you might forget me - Yvonne O'Reilly
WWW
CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
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CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
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This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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A room with a view”, 2011
By Amalia Caputo
BRIEF DESCRIPTION
“A room with a view” is a project for an installation/temporary or permanent exhibition that deals with the physical inversion as an interaction/ direct experience with general pub
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A room with a view”, 2011
By Amalia Caputo
BRIEF DESCRIPTION
“A room with a view” is a project for an installation/temporary or permanent exhibition that deals with the physical inversion as an interaction/ direct experience with general pub
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If you meet Buddha on the path, kill him, 2004-2011 - Shannon Bellum
WWW
Technical aspects
This is an installation made out of suspended fabric panels going from the floor, to 7 feet high at the entrance and finishing off at 9 feet high at the center of the maze. The panels are attached to plastic tubing that is suspe
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Technical aspects
This is an installation made out of suspended fabric panels going from the floor, to 7 feet high at the entrance and finishing off at 9 feet high at the center of the maze. The panels are attached to plastic tubing that is suspe
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Inside a Tesseract is a project for a polyptych of six installations placed inside the structure of an imaginary folding/unfolding cube. The content of the six installations will correlate to each other organically, by the composition of essential element
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Inside a Tesseract is a project for a polyptych of six installations placed inside the structure of an imaginary folding/unfolding cube. The content of the six installations will correlate to each other organically, by the composition of essential element
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Artist and designer Dave Rittinger has developed a proposal for a public art installation entitled 'Color Pencil Tree'.
The arboreal sculpture morphs tree branches with the body of the colored drawing tools. The concept is dictated by the usage
of exist
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Artist and designer Dave Rittinger has developed a proposal for a public art installation entitled 'Color Pencil Tree'.
The arboreal sculpture morphs tree branches with the body of the colored drawing tools. The concept is dictated by the usage
of exist
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Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Thistlegarden-project
My plan is to create a garden consisting of only of wild thistles. Sown, but mainly re-planted from the wild in early spring, they will be placed in lines and patterns. The overall form will be a grafic representation of an explosi
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Thistlegarden-project
My plan is to create a garden consisting of only of wild thistles. Sown, but mainly re-planted from the wild in early spring, they will be placed in lines and patterns. The overall form will be a grafic representation of an explosi
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Overlords by Tom Estes
Description
Overlords was originally conceived as a video installation comprised of images of ‘Time Travel’ projected on to a book called ‘Local History and Antiquities’. The work was deliberately left incomplete. The ph
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Overlords by Tom Estes
Description
Overlords was originally conceived as a video installation comprised of images of ‘Time Travel’ projected on to a book called ‘Local History and Antiquities’. The work was deliberately left incomplete. The ph
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Description du Projet – Photorécepteurs
Pour le projet participatif, Photorécepteurs, je souhaite travailler sur des images en grand format des yeux des habitants de la Ville de _________. Un photorécepteur peut désigner un neurone sensoriel sens
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Description du Projet – Photorécepteurs
Pour le projet participatif, Photorécepteurs, je souhaite travailler sur des images en grand format des yeux des habitants de la Ville de _________. Un photorécepteur peut désigner un neurone sensoriel sens
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Mimmo Catania (UAP)
-Project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezia, Venice (1999).
(Collage on color photocopy, 21x29,7 cm.)
The unrealized project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezi
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Mimmo Catania (UAP)
-Project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezia, Venice (1999).
(Collage on color photocopy, 21x29,7 cm.)
The unrealized project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezi
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