This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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This work is about an imaginary private emergency shelter underneath church crypt.
The work consists of a short video and two installed pieces, one inside and one outside the church, which demarcate the entrance and the exit to the emergency shelter....
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Ich bin Berliner ( I am a Berliner) - Martin Mlecko
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In 1986, Martin Mlecko conceived the work "Ich bin Berliner, Michail Gorbatschow". Invited by a group of Berlin curators and artists, the work should have been installation on billboards
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In 1986, Martin Mlecko conceived the work "Ich bin Berliner, Michail Gorbatschow". Invited by a group of Berlin curators and artists, the work should have been installation on billboards
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Abstract
Liberties is an experiment in giving and receiving and working together peacefully to create something of universal value and at the same time benefit individually. It is an interactive lear- ning experience, in which each participant learns tha
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Abstract
Liberties is an experiment in giving and receiving and working together peacefully to create something of universal value and at the same time benefit individually. It is an interactive lear- ning experience, in which each participant learns tha
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Vladimar and Rosa (2011) is a fictional dance company created and produced by artist Anne Colvin. Their first production "The Kids Play Russian" will never be realized. A hybrid dance installation influenced by experimental film strategies plays out as f
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Vladimar and Rosa (2011) is a fictional dance company created and produced by artist Anne Colvin. Their first production "The Kids Play Russian" will never be realized. A hybrid dance installation influenced by experimental film strategies plays out as f
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Interactive-Installation
1) At the height of at least 5th or 6th floor of a public art space (museum or foundation) it will be installed a door opening on the void. The door must be red and in wood, liek the door leading to a room in a house. Actuall
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Interactive-Installation
1) At the height of at least 5th or 6th floor of a public art space (museum or foundation) it will be installed a door opening on the void. The door must be red and in wood, liek the door leading to a room in a house. Actuall
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These installations are part of an ongoing series experimenting with light in 3 dimensional spaces.
They are created using a high power laser, refracted in the space using mirrors.
The effect is like drawing with pure light: intense, pure, random an
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These installations are part of an ongoing series experimenting with light in 3 dimensional spaces.
They are created using a high power laser, refracted in the space using mirrors.
The effect is like drawing with pure light: intense, pure, random an
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The Great Wall Archive - The Bureau for Transgressive Tourism and the Acquisition of its Archives
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The Great Wall Archive presents many potential narratives through the collection and exhibition of an excess of specific and seemingly arbitrary information. Its conception was spurred by a curiosity in the ways we communicate with one another, specifical
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The Great Wall Archive presents many potential narratives through the collection and exhibition of an excess of specific and seemingly arbitrary information. Its conception was spurred by a curiosity in the ways we communicate with one another, specifical
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Transformation #2 - Samuel Levack and Jennifer Lewandowski
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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Armenie ville * Armenie ville is a photo installation and artist's book project conceived originally during my artist's residency at the Cité Internationale des Arts in Paris in 2007, Year of Armenia in France. The images presented here are pages of the
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land in sight! / land?
[2011#02] Multimedia-based installation / performance Project description In a container1, of which the doors are opened at an angle of ca. 45°, there are 13 vacuum cleaners2. At the end of the container there is a projection scr
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land in sight! / land?
[2011#02] Multimedia-based installation / performance Project description In a container1, of which the doors are opened at an angle of ca. 45°, there are 13 vacuum cleaners2. At the end of the container there is a projection scr
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Liesbet & Piki would like to propose some video installations which were never shown and/or not shown in a way they were intented to, namely in context of architectural spaces.
Piki & Liesbets’ video projects start from the playful observation of lif
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Liesbet & Piki would like to propose some video installations which were never shown and/or not shown in a way they were intented to, namely in context of architectural spaces.
Piki & Liesbets’ video projects start from the playful observation of lif
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“The Account” 2011, is a detailed sketch and testimony of an unrealised installation project in a gas station in Berlin. The two pieces attempt to suspend the work in a potential space between fiction and reality.
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“The Account” 2011, is a detailed sketch and testimony of an unrealised installation project in a gas station in Berlin. The two pieces attempt to suspend the work in a potential space between fiction and reality.
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The “Identity Flag” can be reviewed at:
www.annalascari.net/RIF
Project Description
“RIF” (Random Identity Forum) is an interactive installation that allows users to participate in and comment on the political and socio-economic policie
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The “Identity Flag” can be reviewed at:
www.annalascari.net/RIF
Project Description
“RIF” (Random Identity Forum) is an interactive installation that allows users to participate in and comment on the political and socio-economic policie
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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Sculptural installation:
This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition.
The two sculptures here, each
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Sculptural installation:
This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition.
The two sculptures here, each
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The Installation series of Untitled (Wishes, Lies and Dreams >> Wonderfully Wonderful ...) - Sarawut Chutiwongpeti
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“The Installation series of Untitled (Wishes, Lies and Dreams >> Wonderfully Wonderful ...)”
Basic Concept: My goal is to investigate the expressive possibilities of conceptual visual language and to develop Collaborative New Art as part of bot
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“The Installation series of Untitled (Wishes, Lies and Dreams >> Wonderfully Wonderful ...)”
Basic Concept: My goal is to investigate the expressive possibilities of conceptual visual language and to develop Collaborative New Art as part of bot
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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Where Does It Itch? is a project involving 100 of my framed collage works aligned in grid or horizon on a wall. Originally slated for Ogilvy Mather Direct as a proposal, it was abandoned. This PDF is that original proposal.
Matthew Rose is an Americ
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Where Does It Itch? is a project involving 100 of my framed collage works aligned in grid or horizon on a wall. Originally slated for Ogilvy Mather Direct as a proposal, it was abandoned. This PDF is that original proposal.
Matthew Rose is an Americ
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L'art mis à nu par ses artistes, même... Rifiuto della Creazione / Everything has been done, so why do „everything” ? - Gregor Rozanski
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working title and object(s) as complex game of meanings.
this is a meeting of ideas of two rebels form different backgrounds - artist Marcel Duchamp and theoretican and activist Antonio Negri.
Negri and Duchamp have one the same opinion that is be
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working title and object(s) as complex game of meanings.
this is a meeting of ideas of two rebels form different backgrounds - artist Marcel Duchamp and theoretican and activist Antonio Negri.
Negri and Duchamp have one the same opinion that is be
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Conduit is many things: a recycling project, a purification ritual, a reclamation, a gift.
One of the communities we aim to reach is the one that the gallery-going public habitually overlooks in Chelsea – the network of auto body shops and gas stati
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Conduit is many things: a recycling project, a purification ritual, a reclamation, a gift.
One of the communities we aim to reach is the one that the gallery-going public habitually overlooks in Chelsea – the network of auto body shops and gas stati
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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An unrealized electrostatic installation
Below is part of a detailed proposal prepared for me by an organometallic chemist I contacted via the Internet in 2005 and corresponded with over a two-year period. He had a website expressing a personal interes
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An unrealized electrostatic installation
Below is part of a detailed proposal prepared for me by an organometallic chemist I contacted via the Internet in 2005 and corresponded with over a two-year period. He had a website expressing a personal interes
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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The 'Not at...' series: Installations that never were... - Claire Manning
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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