Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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An interactive painting installation titled Morality
The project is outlined at this link and a pdf with instructions on how morality would be managed can also be found on this page.
http://www.peter-dickinson.co.uk/Morality.html
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An interactive painting installation titled Morality
The project is outlined at this link and a pdf with instructions on how morality would be managed can also be found on this page.
http://www.peter-dickinson.co.uk/Morality.html
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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wall installation
variable dimensions
water pain on wall and oil on paper transfered on wooden tables (26 x 19 cm each element)
The project consists of a large installation that runs on the walls, creating a visually stunning work of able to relate g
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wall installation
variable dimensions
water pain on wall and oil on paper transfered on wooden tables (26 x 19 cm each element)
The project consists of a large installation that runs on the walls, creating a visually stunning work of able to relate g
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A room with a view”, 2011
By Amalia Caputo
BRIEF DESCRIPTION
“A room with a view” is a project for an installation/temporary or permanent exhibition that deals with the physical inversion as an interaction/ direct experience with general pub
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A room with a view”, 2011
By Amalia Caputo
BRIEF DESCRIPTION
“A room with a view” is a project for an installation/temporary or permanent exhibition that deals with the physical inversion as an interaction/ direct experience with general pub
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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The idea stem from Lis’81 – The International Drawing Biennale of Lisbon, which was expected to take place at the National Gallery of Modern Art of Belém, but ended up consumed in a fire, during its installation, the only thing left is the catalogue.
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The idea stem from Lis’81 – The International Drawing Biennale of Lisbon, which was expected to take place at the National Gallery of Modern Art of Belém, but ended up consumed in a fire, during its installation, the only thing left is the catalogue.
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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SOL: project for a single channel HD video installation, stereo sound. 2010 - Diego Zuelli
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A video installation for a private gallery. A single video projection on the far side of a long room. A prepared wall, with black paint around a white circle, where the "image" will be projected.
The sense of sight is the mean we use the most to know
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A video installation for a private gallery. A single video projection on the far side of a long room. A prepared wall, with black paint around a white circle, where the "image" will be projected.
The sense of sight is the mean we use the most to know
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
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RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
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Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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A golden inflatable, each uniquely patterned, is produced in a glass case upon the viewer's initiative (stepping on a red button). The artwork very slowly inflates (3-5 minutes), then is suddenly released! It rises and flies out an above window.
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A golden inflatable, each uniquely patterned, is produced in a glass case upon the viewer's initiative (stepping on a red button). The artwork very slowly inflates (3-5 minutes), then is suddenly released! It rises and flies out an above window.
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The work title is Twin Towers, and is constituted by two piles of Letter size office paper sheets with overall dimensions around 21.5" x 22" and 60" high, according not with scale but with the proportions of the World Trade Center buildings 1 and 2 once e
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The work title is Twin Towers, and is constituted by two piles of Letter size office paper sheets with overall dimensions around 21.5" x 22" and 60" high, according not with scale but with the proportions of the World Trade Center buildings 1 and 2 once e
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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Marmangios in the city - Ana Fernández (Miranda Texidor)
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I am interested in the poetic research, finding and wonderment of other worlds. I find the keeping and tending of imaginary spaces fascinating. These spaces are playful moments of time or matter, which exist mainly in children’s play as marvelous secret
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I am interested in the poetic research, finding and wonderment of other worlds. I find the keeping and tending of imaginary spaces fascinating. These spaces are playful moments of time or matter, which exist mainly in children’s play as marvelous secret
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B/M/E: time reconfigured onsite & online 2002-2032 - Robert Lawrence
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B/M/E: time reconfigured onsite & online 2002-2032
Beginning/Middle/End is a 30 year series of site-specific installations/performances/interventions, with augmenting web components. Choreographing threads of multiple strategies through physical and vir
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B/M/E: time reconfigured onsite & online 2002-2032
Beginning/Middle/End is a 30 year series of site-specific installations/performances/interventions, with augmenting web components. Choreographing threads of multiple strategies through physical and vir
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Observatory for the Study of Metropolitan Man - Bastiaan Arler
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The project consists of a temporary structure made of easily available scaffolding that can be installed in any city square. It is open to the public and thus allows people to observe and to be observed in two distinct moments. The project has never been
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The project consists of a temporary structure made of easily available scaffolding that can be installed in any city square. It is open to the public and thus allows people to observe and to be observed in two distinct moments. The project has never been
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A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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