Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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MODELL OF AN OFFICE FOR A COUPLE OF TWINS, BOTH 1,38 TALL" - Tobias Rehrenberg
Unbuilt Roads
WOOD, PLASTIC, 2 CHAIRS
ca 180 x 150 x 170 cm
PIECE OF THE SHOW
"CANCELLED PROJECTS"
IN MUSEUM FRIEDERICIANUM KASSEL
SUMMER 95
Previous Publications (?)
NO
Existing Documents (photos, drawings, models):
ENCLOSED
...
WOOD, PLASTIC, 2 CHAIRS
ca 180 x 150 x 170 cm
PIECE OF THE SHOW
"CANCELLED PROJECTS"
IN MUSEUM FRIEDERICIANUM KASSEL
SUMMER 95
Previous Publications (?)
NO
Existing Documents (photos, drawings, models):
ENCLOSED
...
Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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"Jello Cube," or "Eat Your Way In": - "Jello Cube," or "Eat Your Way In"
WWW
"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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The installation “Tower” is constituted by a 7m scaffold containing in its top a 3000w smoke machine from which, every five minutes, a large cloud is created and is naturally dispersed.
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The installation “Tower” is constituted by a 7m scaffold containing in its top a 3000w smoke machine from which, every five minutes, a large cloud is created and is naturally dispersed.
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FORTIFICATION PROJECT PROPOSAL FOR GERMAN PAVILION - Hakan Topal
WWW
A FORTIFICATION PROJECT PROPOSAL FOR GERMAN PAVILION, VENICE by Hakan Topal, 2009 In the beginning of February of 2009, I proposed a project to Liam Gillick to be realized at the periphery of the German Pavilion in Venice's Giardini. I had no intention to
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A FORTIFICATION PROJECT PROPOSAL FOR GERMAN PAVILION, VENICE by Hakan Topal, 2009 In the beginning of February of 2009, I proposed a project to Liam Gillick to be realized at the periphery of the German Pavilion in Venice's Giardini. I had no intention to
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EMVS (2011)
Two planes
We build two thick and porous planes. Between them, there are contained 100 housings. The lobby emerges from the gap between the planes, and it is limited by two stairs. The planes open their porous cavities towards the best s
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EMVS (2011)
Two planes
We build two thick and porous planes. Between them, there are contained 100 housings. The lobby emerges from the gap between the planes, and it is limited by two stairs. The planes open their porous cavities towards the best s
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Neural Portal
Transient installation on 26th Street, West Chelsea, NYC
Artist: Stephen Pusey
The image would be created by high intensity pulses of light emitted from hundreds of lasers embedded in the frame. The effect is to create a warping field tha
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Neural Portal
Transient installation on 26th Street, West Chelsea, NYC
Artist: Stephen Pusey
The image would be created by high intensity pulses of light emitted from hundreds of lasers embedded in the frame. The effect is to create a warping field tha
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Rural pleasure trip / an investigation of sounds - Gisela Weimann
WWW
Gisela Weimann >www.giselaweimann.de<
Since the 80s the focal points of my projects are sound installations and experimental music-theatre productions that include artists and theorists from different fields and national descend.
Gisela Weimann
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Gisela Weimann >www.giselaweimann.de<
Since the 80s the focal points of my projects are sound installations and experimental music-theatre productions that include artists and theorists from different fields and national descend.
Gisela Weimann
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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In exchange for a discount on my bill, I built a door for the makeshift storage unit adjacent to my mechanic’s garage. I wanted the door to be functional but look as if it had been there for years, fitting in the weathered environment. I collected mater
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In exchange for a discount on my bill, I built a door for the makeshift storage unit adjacent to my mechanic’s garage. I wanted the door to be functional but look as if it had been there for years, fitting in the weathered environment. I collected mater
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On cherche à la lumière ce que l'on a perdu dans le noir - Nadine Lère
WWW
Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Mon projet est de construire et d’installer un dispositif éclairant, une source de lumière propre à voir. Le dispositif, un espace pénétrable, prend la fonction de point d’attraction, comme un phare. Il se veut être un point de repère, de rasse
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Sheli Lehadpasa (Mine for printing) - Tamar Lederberg
WWW
Sheli Lehadpasa (Mine for printing)
Art constitutes a tool for contending with difficult psychological situations. A situation of loss and pain generates creative forces. An illness triggered fervent creativity in my mother. The trauma following her il
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Sheli Lehadpasa (Mine for printing)
Art constitutes a tool for contending with difficult psychological situations. A situation of loss and pain generates creative forces. An illness triggered fervent creativity in my mother. The trauma following her il
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B/M/E: time reconfigured onsite & online 2002-2032 - Robert Lawrence
WWW
B/M/E: time reconfigured onsite & online 2002-2032
Beginning/Middle/End is a 30 year series of site-specific installations/performances/interventions, with augmenting web components. Choreographing threads of multiple strategies through physical and vir
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B/M/E: time reconfigured onsite & online 2002-2032
Beginning/Middle/End is a 30 year series of site-specific installations/performances/interventions, with augmenting web components. Choreographing threads of multiple strategies through physical and vir
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Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before.
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Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before.
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To illuminate the dark space beneath hoch-bahn bridges using Off the Grid techniques. Project title Good Vibrations. there will be moving illumination on underside of U-Bahn bridges as train passes overhead.
1
17 June 2011 Carlo Crovato Berli
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To illuminate the dark space beneath hoch-bahn bridges using Off the Grid techniques. Project title Good Vibrations. there will be moving illumination on underside of U-Bahn bridges as train passes overhead.
1
17 June 2011 Carlo Crovato Berli
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