An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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Somewhere Between 540,412,598 and 579,858,773 Breaths - Alex McKenzie
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Somewhere Between 540,412,598 and 579,858,773 Breaths is an attempt to link the action of breathing to the passage of time and by extension to our own mortality. The project takes the form of a large-scale video installation with 400 separate projectors.
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Somewhere Between 540,412,598 and 579,858,773 Breaths is an attempt to link the action of breathing to the passage of time and by extension to our own mortality. The project takes the form of a large-scale video installation with 400 separate projectors.
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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Where Did My Husband Go...?
This two projection and six single channel video installation, based on a personally written poem entitled the same, presents images of contemporary times but reflects back to the Middle Passage, approximately 1440- 1640’s
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I wanted to purchase the coffee table in Room 503, Hong Lou Hotel, Lianzhou, China and to mount it as a monument for all the shady deals that have been worked out over this table at a solo at Vitamin Creative Space in Guangzhou.
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I wanted to purchase the coffee table in Room 503, Hong Lou Hotel, Lianzhou, China and to mount it as a monument for all the shady deals that have been worked out over this table at a solo at Vitamin Creative Space in Guangzhou.
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Original Proposal:
At Darlinghurst courthouse in 2008, Gordon Wood was found guilty of murdering Caroline Byrne by throwing her from The Gap, a notorious suicide spot in Sydney, Australia. Witnesses claim to have seen a second man at the crime scene but
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Original Proposal:
At Darlinghurst courthouse in 2008, Gordon Wood was found guilty of murdering Caroline Byrne by throwing her from The Gap, a notorious suicide spot in Sydney, Australia. Witnesses claim to have seen a second man at the crime scene but
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The installation was removed just prior to opening by curator without explanation (space given to another artist) -as the work depended upon viewer interaction for realization it remains un-actuated.
Us and Them wood, copper, toy soldiers, red candl
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The installation was removed just prior to opening by curator without explanation (space given to another artist) -as the work depended upon viewer interaction for realization it remains un-actuated.
Us and Them wood, copper, toy soldiers, red candl
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Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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Cove
Cove is a site work that would be made of earth, concrete and aluminum. The bulk of the mass is earth, which would be compacted and finished with a layer of topsoil. The curved wall, two orange vertical panels and the cone would all need to have s
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Untitled
2010
Model /Proposal for an installation
Proposed materials: carpets
Materials of the model: cardboard, textile
Dimensions of the model: length 50cm, width 63cm, height 58cm
Dimensions of the real work: length 600cm, width 134cm, height 28
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Untitled
2010
Model /Proposal for an installation
Proposed materials: carpets
Materials of the model: cardboard, textile
Dimensions of the model: length 50cm, width 63cm, height 58cm
Dimensions of the real work: length 600cm, width 134cm, height 28
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In July 1981, and again in February 1989, we proposed to friends of ours and other artists and to everyone it may concern-through texts in the magazines “Sin kai Plin” and “To Bitoni”, to found a football team.
We made this proposal because of
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In July 1981, and again in February 1989, we proposed to friends of ours and other artists and to everyone it may concern-through texts in the magazines “Sin kai Plin” and “To Bitoni”, to found a football team.
We made this proposal because of
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A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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FOTA (Festival of the Arts) 2010 APPLICATION
Title of Project: Free to Choose
Name: Erik Wenzel
Location: The Chicago Theological Seminary
Duration: Installed for the length of FOTA, subject to CTS schedule
STATEMENT
I propose to make a
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FOTA (Festival of the Arts) 2010 APPLICATION
Title of Project: Free to Choose
Name: Erik Wenzel
Location: The Chicago Theological Seminary
Duration: Installed for the length of FOTA, subject to CTS schedule
STATEMENT
I propose to make a
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before.
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Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before.
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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LOVE IS IN THE AIR - Zilvinas Kempinas + Architect Bettina Zerza
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LOVE IS IN THE AIR
Im Jahr 1960 beschrieb Neil Armstrong, der erste Mensch auf dem Mond, aus dem Fenster seines Raumschiffs die Erde als „eine große blaue Murmel“.
Ort
Die Fluggastbrücke ist ein O
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LOVE IS IN THE AIR
Im Jahr 1960 beschrieb Neil Armstrong, der erste Mensch auf dem Mond, aus dem Fenster seines Raumschiffs die Erde als „eine große blaue Murmel“.
Ort
Die Fluggastbrücke ist ein O
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