Inside a Tesseract is a project for a polyptych of six installations placed inside the structure of an imaginary folding/unfolding cube. The content of the six installations will correlate to each other organically, by the composition of essential element
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Inside a Tesseract is a project for a polyptych of six installations placed inside the structure of an imaginary folding/unfolding cube. The content of the six installations will correlate to each other organically, by the composition of essential element
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An Installation, on site, composed of baskets and crates on waist high tables offering musical instruments while supermarket music wafts through the space.
An art project is full of possibilities. For the artist, it may mean expanding on a theme. F
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An Installation, on site, composed of baskets and crates on waist high tables offering musical instruments while supermarket music wafts through the space.
An art project is full of possibilities. For the artist, it may mean expanding on a theme. F
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Transformation #2 - Samuel Levack and Jennifer Lewandowski
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Transformation #2
2003
Mixed media installation
Dimension variable
A sculptural installation created as a partial remake of the film 'The Big Blue' (1988). Made up of an assemblage of collected, found and fabricated objects, including hundreds of sh
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Performance/Installation, proposed 1997, identity and feminism using popular cultural image of Minnie and Mickey Mouse. Cancelled last minute due to funds).
Minnie Mouse and Why is she depressed?
Proposal for performance/installation
Disney
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Performance/Installation, proposed 1997, identity and feminism using popular cultural image of Minnie and Mickey Mouse. Cancelled last minute due to funds).
Minnie Mouse and Why is she depressed?
Proposal for performance/installation
Disney
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If you meet Buddha on the path, kill him, 2004-2011 - Shannon Bellum
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Technical aspects
This is an installation made out of suspended fabric panels going from the floor, to 7 feet high at the entrance and finishing off at 9 feet high at the center of the maze. The panels are attached to plastic tubing that is suspe
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Technical aspects
This is an installation made out of suspended fabric panels going from the floor, to 7 feet high at the entrance and finishing off at 9 feet high at the center of the maze. The panels are attached to plastic tubing that is suspe
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Sculptural installation:
This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition.
The two sculptures here, each
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Sculptural installation:
This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition.
The two sculptures here, each
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RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
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RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Zeitstück
Video-Installation von Alexander Hahn, vers. Juni 05, 1996
Beschreibung
Entstehung: Eingeladene Wettbewerbseingabe Kunst am Bau Neubau ETH Leonardstrasse Zürich. Nicht realisiert. Die Jury befürchtete damals, die Studenten könnten s
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Zeitstück
Video-Installation von Alexander Hahn, vers. Juni 05, 1996
Beschreibung
Entstehung: Eingeladene Wettbewerbseingabe Kunst am Bau Neubau ETH Leonardstrasse Zürich. Nicht realisiert. Die Jury befürchtete damals, die Studenten könnten s
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“What It’s Gonna Take“
An installation about death, time and consumption
The initial point fort this installation are thoughts about a very common place: about my own death.
The question is: HOW MANY things and HOW MUCH I will need until I die
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“What It’s Gonna Take“
An installation about death, time and consumption
The initial point fort this installation are thoughts about a very common place: about my own death.
The question is: HOW MANY things and HOW MUCH I will need until I die
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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Proposal Model for Installation – Sensor activated walls that move back and forth alternately in the space very slowly using an automatic gate mechanism, dissecting the space and controlling the movement of the viewer within it, creating a disruption of
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Proposal Model for Installation – Sensor activated walls that move back and forth alternately in the space very slowly using an automatic gate mechanism, dissecting the space and controlling the movement of the viewer within it, creating a disruption of
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05.2010
The project entitled “Dialogue” consists of a ping-pong table and two sound speakers. Measuring a total of 274 x 152 x 136 cm, this unfinished installation would have both speakers facing each other at both of the extremities of the table.
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05.2010
The project entitled “Dialogue” consists of a ping-pong table and two sound speakers. Measuring a total of 274 x 152 x 136 cm, this unfinished installation would have both speakers facing each other at both of the extremities of the table.
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Will there still be sugar after the Rebellion? - Simon Le Ruez & Maud Haya Baviera
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Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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wall installation
variable dimensions
water pain on wall and oil on paper transfered on wooden tables (26 x 19 cm each element)
The project consists of a large installation that runs on the walls, creating a visually stunning work of able to relate g
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wall installation
variable dimensions
water pain on wall and oil on paper transfered on wooden tables (26 x 19 cm each element)
The project consists of a large installation that runs on the walls, creating a visually stunning work of able to relate g
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MEMORY CONFETTI - STEPHEN j SHANABROOK / VERONIKA GEORGIEVA
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The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us images that will be turned into 35 mm slides. These slides mixed with n
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The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us images that will be turned into 35 mm slides. These slides mixed with n
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PROJECT FOR EXHIBITION “A POCKET FULL OF EMPTY”
By Amalia Caputo
BRIEF DESCRIPTION
This exhibition is a solo show, conceived as an interactive installation of variable dimensions that will take over the main area of an exhibition space. It is
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PROJECT FOR EXHIBITION “A POCKET FULL OF EMPTY”
By Amalia Caputo
BRIEF DESCRIPTION
This exhibition is a solo show, conceived as an interactive installation of variable dimensions that will take over the main area of an exhibition space. It is
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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The installation “Pharos” consists in a 7m scaffold with a “moving head” lighting device that permits the yellow horizontal spinning light beam required for the work. This strong beam spins 365° horizontally, evoking the very symbolic
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The installation “Pharos” consists in a 7m scaffold with a “moving head” lighting device that permits the yellow horizontal spinning light beam required for the work. This strong beam spins 365° horizontally, evoking the very symbolic
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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Hand Gardens
Vision Kaushik
Unrealized Berlin Proposal
October 18 2012
My idea is simple and can be visualized easily. Hanging gardens based around giant wooden hands, lush and overgrown. An oasis in the city, where one can pocket themselves off an
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Hand Gardens
Vision Kaushik
Unrealized Berlin Proposal
October 18 2012
My idea is simple and can be visualized easily. Hanging gardens based around giant wooden hands, lush and overgrown. An oasis in the city, where one can pocket themselves off an
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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