In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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JOHN RUGGIERI PROPOSAL: Light Savers
The following was submitted in 2003 in response to an invitation to artists to participate in THE FOUR ELEMENTS by The Forest Hills Educational Trust. This juried outdoor exhibition consists of temporary installa
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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The Great Wall Archive - The Bureau for Transgressive Tourism and the Acquisition of its Archives
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The Great Wall Archive presents many potential narratives through the collection and exhibition of an excess of specific and seemingly arbitrary information. Its conception was spurred by a curiosity in the ways we communicate with one another, specifical
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The Great Wall Archive presents many potential narratives through the collection and exhibition of an excess of specific and seemingly arbitrary information. Its conception was spurred by a curiosity in the ways we communicate with one another, specifical
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The Gutenbird
The Gutenbird is an unrealized suspended artwork intended for a public library. On one level it celebrates the handmade and well crafted and on another level implies the innovative and significant achievements of the first printing press
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The Gutenbird
The Gutenbird is an unrealized suspended artwork intended for a public library. On one level it celebrates the handmade and well crafted and on another level implies the innovative and significant achievements of the first printing press
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Public Art For Street Installation in the City of West Hollywood,
California
ARTIST’S STATEMENT: THE 3 MUSES OF WEST HOLLYWOOD
Who are we, the people of West Hollywood? Where do we come from? What do we do?
As we live out our lives here
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Public Art For Street Installation in the City of West Hollywood,
California
ARTIST’S STATEMENT: THE 3 MUSES OF WEST HOLLYWOOD
Who are we, the people of West Hollywood? Where do we come from? What do we do?
As we live out our lives here
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MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
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MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
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L'art mis à nu par ses artistes, même... Rifiuto della Creazione / Everything has been done, so why do „everything” ? - Gregor Rozanski
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working title and object(s) as complex game of meanings.
this is a meeting of ideas of two rebels form different backgrounds - artist Marcel Duchamp and theoretican and activist Antonio Negri.
Negri and Duchamp have one the same opinion that is be
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working title and object(s) as complex game of meanings.
this is a meeting of ideas of two rebels form different backgrounds - artist Marcel Duchamp and theoretican and activist Antonio Negri.
Negri and Duchamp have one the same opinion that is be
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FOTA (Festival of the Arts) 2010 APPLICATION
Title of Project: Free to Choose
Name: Erik Wenzel
Location: The Chicago Theological Seminary
Duration: Installed for the length of FOTA, subject to CTS schedule
STATEMENT
I propose to make a
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FOTA (Festival of the Arts) 2010 APPLICATION
Title of Project: Free to Choose
Name: Erik Wenzel
Location: The Chicago Theological Seminary
Duration: Installed for the length of FOTA, subject to CTS schedule
STATEMENT
I propose to make a
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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EMVS (2011)
Two planes
We build two thick and porous planes. Between them, there are contained 100 housings. The lobby emerges from the gap between the planes, and it is limited by two stairs. The planes open their porous cavities towards the best s
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EMVS (2011)
Two planes
We build two thick and porous planes. Between them, there are contained 100 housings. The lobby emerges from the gap between the planes, and it is limited by two stairs. The planes open their porous cavities towards the best s
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The project is an installation that can only be experienced via physical movement through the work.
I would create an environment channeling the movement of observers through the fair into an unavoidable act of participation, altering its spaces into
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The project is an installation that can only be experienced via physical movement through the work.
I would create an environment channeling the movement of observers through the fair into an unavoidable act of participation, altering its spaces into
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THE KRACK PROJECT by DI VOZZO S.A.S
The < Krack project > is a public art installation ( 220 s.m) which was conceived to compete with the Imperialist system on the production processes of realities.
I designed this project so as to mobilize the
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THE KRACK PROJECT by DI VOZZO S.A.S
The < Krack project > is a public art installation ( 220 s.m) which was conceived to compete with the Imperialist system on the production processes of realities.
I designed this project so as to mobilize the
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‘Jsut Code’ is a collaborative installation in which participants are invited to decode electronic texts written by a collective of distributed writers.
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‘Jsut Code’ is a collaborative installation in which participants are invited to decode electronic texts written by a collective of distributed writers.
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Brasília, Cars, Pools & Other Modernities - Clarissa Tossin
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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An installation that mimics the rising and setting of the sun, condensed to perhaps 5 minutes – a lamp moving in a 30 ft arc (15 ft radius). It shows the effects of variable light and therefore shadows, on various objects and situations.
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An installation that mimics the rising and setting of the sun, condensed to perhaps 5 minutes – a lamp moving in a 30 ft arc (15 ft radius). It shows the effects of variable light and therefore shadows, on various objects and situations.
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Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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‘SWIMMING POOL’
AN UNREALISED PROJECT BY FERHAT OZGUR
PARIS 2012
The unrealised project entitled ‘Swimming Pool’ has been designed as a project which
aims to blur the border between art and life. Here the aim of the project is to add new
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‘SWIMMING POOL’
AN UNREALISED PROJECT BY FERHAT OZGUR
PARIS 2012
The unrealised project entitled ‘Swimming Pool’ has been designed as a project which
aims to blur the border between art and life. Here the aim of the project is to add new
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(un)realized words
Kathryn Hummel
(un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements.
I do not recall at what age I first began
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(un)realized words
Kathryn Hummel
(un)realized words is an installation combining photographs and paper objects (used and new) to form an interactive work out of a variety of incomplete/in-progress elements.
I do not recall at what age I first began
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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Una larga mesa, no necesariamente recta adaptada a las condiciones del espacio de exhibición, de 30 cm de ancho y longitud variable sobre la que estarà una larga "maqueta" construida con yeso blanco, de "paisa jes" urbanos conteniedo, edificios y simbol
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CITY IS DEAD / BACK TO INDOOR - CITY IS DEAD / BACK TO INDOOR
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CITY IS DEAD / BACK TO INDOOR
Art of recent decades experienced deeply the idea of „Escape from institutions to the streets”. It gave the birth to countless artistic projects in public spaces, interventions and site-specific installations.
B
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CITY IS DEAD / BACK TO INDOOR
Art of recent decades experienced deeply the idea of „Escape from institutions to the streets”. It gave the birth to countless artistic projects in public spaces, interventions and site-specific installations.
B
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Somewhere Between 540,412,598 and 579,858,773 Breaths - Alex McKenzie
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Somewhere Between 540,412,598 and 579,858,773 Breaths is an attempt to link the action of breathing to the passage of time and by extension to our own mortality. The project takes the form of a large-scale video installation with 400 separate projectors.
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Somewhere Between 540,412,598 and 579,858,773 Breaths is an attempt to link the action of breathing to the passage of time and by extension to our own mortality. The project takes the form of a large-scale video installation with 400 separate projectors.
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