To illuminate the dark space beneath hoch-bahn bridges using Off the Grid techniques. Project title Good Vibrations. there will be moving illumination on underside of U-Bahn bridges as train passes overhead.
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17 June 2011 Carlo Crovato Berli
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To illuminate the dark space beneath hoch-bahn bridges using Off the Grid techniques. Project title Good Vibrations. there will be moving illumination on underside of U-Bahn bridges as train passes overhead.
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17 June 2011 Carlo Crovato Berli
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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Original Proposal:
At Darlinghurst courthouse in 2008, Gordon Wood was found guilty of murdering Caroline Byrne by throwing her from The Gap, a notorious suicide spot in Sydney, Australia. Witnesses claim to have seen a second man at the crime scene but
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Original Proposal:
At Darlinghurst courthouse in 2008, Gordon Wood was found guilty of murdering Caroline Byrne by throwing her from The Gap, a notorious suicide spot in Sydney, Australia. Witnesses claim to have seen a second man at the crime scene but
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L'art mis à nu par ses artistes, même... Rifiuto della Creazione / Everything has been done, so why do „everything” ? - Gregor Rozanski
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working title and object(s) as complex game of meanings.
this is a meeting of ideas of two rebels form different backgrounds - artist Marcel Duchamp and theoretican and activist Antonio Negri.
Negri and Duchamp have one the same opinion that is be
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working title and object(s) as complex game of meanings.
this is a meeting of ideas of two rebels form different backgrounds - artist Marcel Duchamp and theoretican and activist Antonio Negri.
Negri and Duchamp have one the same opinion that is be
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DESCRIPTION
The project consists of built inside the Civic Centre Sant Andreu a toilet for the disabled who do not meet standards of accessibility measures. It will build a separate room of existing toilets within the Civic Center that the dynamics
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DESCRIPTION
The project consists of built inside the Civic Centre Sant Andreu a toilet for the disabled who do not meet standards of accessibility measures. It will build a separate room of existing toilets within the Civic Center that the dynamics
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The Great Wall Archive - The Bureau for Transgressive Tourism and the Acquisition of its Archives
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The Great Wall Archive presents many potential narratives through the collection and exhibition of an excess of specific and seemingly arbitrary information. Its conception was spurred by a curiosity in the ways we communicate with one another, specifical
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The Great Wall Archive presents many potential narratives through the collection and exhibition of an excess of specific and seemingly arbitrary information. Its conception was spurred by a curiosity in the ways we communicate with one another, specifical
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FORTIFICATION PROJECT PROPOSAL FOR GERMAN PAVILION - Hakan Topal
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A FORTIFICATION PROJECT PROPOSAL FOR GERMAN PAVILION, VENICE by Hakan Topal, 2009 In the beginning of February of 2009, I proposed a project to Liam Gillick to be realized at the periphery of the German Pavilion in Venice's Giardini. I had no intention to
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A FORTIFICATION PROJECT PROPOSAL FOR GERMAN PAVILION, VENICE by Hakan Topal, 2009 In the beginning of February of 2009, I proposed a project to Liam Gillick to be realized at the periphery of the German Pavilion in Venice's Giardini. I had no intention to
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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In 2009 I began a series of tissue paper cut outs inspired by Mexican Day of the Dead papel picado banners drawing subject matter from news sources. I envision the banners as an ongoing series adding to the historical record. I would like to see them dis
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In 2009 I began a series of tissue paper cut outs inspired by Mexican Day of the Dead papel picado banners drawing subject matter from news sources. I envision the banners as an ongoing series adding to the historical record. I would like to see them dis
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The beauty of Your Desintegrated Details - Marco Tavolaro
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Project description in one sentence. “The beauty of Your Desintegrated Details” is a mapping projection based installation made with canvas, projectors and animation.
WHAT - What is the Project about specifically? The project deals with perceptio
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Project description in one sentence. “The beauty of Your Desintegrated Details” is a mapping projection based installation made with canvas, projectors and animation.
WHAT - What is the Project about specifically? The project deals with perceptio
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
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MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
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I gave you this picture because I was afraid you might forget me - Yvonne O'Reilly
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CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
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CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
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FOTA (Festival of the Arts) 2010 APPLICATION
Title of Project: Free to Choose
Name: Erik Wenzel
Location: The Chicago Theological Seminary
Duration: Installed for the length of FOTA, subject to CTS schedule
STATEMENT
I propose to make a
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FOTA (Festival of the Arts) 2010 APPLICATION
Title of Project: Free to Choose
Name: Erik Wenzel
Location: The Chicago Theological Seminary
Duration: Installed for the length of FOTA, subject to CTS schedule
STATEMENT
I propose to make a
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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“Agency of Unrealized Projects” Szymon Kobylarz (Polen)
ŻAK BRANICKA FOUNDATION
DEUTSCH
Bild 1. Das 1. Bild zeigt eine nicht-‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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Ich wache auf Eine Junge Frau liegt neben mir. Das licht fällt auf ihren blassen körper. Sie at mit nicht. Ich warme sie. sie sieht wunderschön und glucklich aus.
Rhydt 1995
Ein toter Mensch liegt auf dem Boden. Licht fällt auf den blassen Körp
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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TheStore: The Construct of a Life Package. Proposal for Arhus Kunstbygning 2011.
The exhibition space is piled with boxes, containing (fragments of) works of art, gathered around a wooden framework. The visitor is invited to fill up the framework with
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TheStore: The Construct of a Life Package. Proposal for Arhus Kunstbygning 2011.
The exhibition space is piled with boxes, containing (fragments of) works of art, gathered around a wooden framework. The visitor is invited to fill up the framework with
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These installations are part of an ongoing series experimenting with light in 3 dimensional spaces.
They are created using a high power laser, refracted in the space using mirrors.
The effect is like drawing with pure light: intense, pure, random an
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These installations are part of an ongoing series experimenting with light in 3 dimensional spaces.
They are created using a high power laser, refracted in the space using mirrors.
The effect is like drawing with pure light: intense, pure, random an
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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CITY IS DEAD / BACK TO INDOOR - CITY IS DEAD / BACK TO INDOOR
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CITY IS DEAD / BACK TO INDOOR
Art of recent decades experienced deeply the idea of „Escape from institutions to the streets”. It gave the birth to countless artistic projects in public spaces, interventions and site-specific installations.
B
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CITY IS DEAD / BACK TO INDOOR
Art of recent decades experienced deeply the idea of „Escape from institutions to the streets”. It gave the birth to countless artistic projects in public spaces, interventions and site-specific installations.
B
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Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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