Long Distance Relationship
For the exhibition, I am proposing to run a series of 100ft long connected extension cords powered from my studio (the creative place of production) to the exhibition space 2.2 miles away.
The energy it takes to sustain so
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Long Distance Relationship
For the exhibition, I am proposing to run a series of 100ft long connected extension cords powered from my studio (the creative place of production) to the exhibition space 2.2 miles away.
The energy it takes to sustain so
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If you meet Buddha on the path, kill him, 2004-2011 - Shannon Bellum
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Technical aspects
This is an installation made out of suspended fabric panels going from the floor, to 7 feet high at the entrance and finishing off at 9 feet high at the center of the maze. The panels are attached to plastic tubing that is suspe
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Technical aspects
This is an installation made out of suspended fabric panels going from the floor, to 7 feet high at the entrance and finishing off at 9 feet high at the center of the maze. The panels are attached to plastic tubing that is suspe
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I gave you this picture because I was afraid you might forget me - Yvonne O'Reilly
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CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
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CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
...
waste not art
“short hi.stories” series
1995 – ongoing
unrealized/unrealizable project intended for installation at the Serpentine Gallery, London
(or any other museum that wishes to exhibit the project)
by
Plamen Yordanov
descriptio
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waste not art
“short hi.stories” series
1995 – ongoing
unrealized/unrealizable project intended for installation at the Serpentine Gallery, London
(or any other museum that wishes to exhibit the project)
by
Plamen Yordanov
descriptio
...
MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
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MAD HATTER’S WORKSHOP
The Concept
Observing Lowry’s paintings I have noticed his people very often wear hats.
I went on to address this theme. A hat, a helmet, a beret, a cap, a scarf, a hood, a crown. What are the messages they convey today i
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NESTED VOIDS: LA GROTTE DU MAS D’AZIL - Bradley Pitts
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Unrealized Proposal for NESTED VOIDS: LA GROTTE DU MAS D’AZIL
Bradley Pitts, 2010
The cave of Le Mas-d'Azil (la grotte du Mas d'Azil), FR, was one of the first prehistoric caves to yield evidence of human habitation. Its main feature is a 500-met
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Unrealized Proposal for NESTED VOIDS: LA GROTTE DU MAS D’AZIL
Bradley Pitts, 2010
The cave of Le Mas-d'Azil (la grotte du Mas d'Azil), FR, was one of the first prehistoric caves to yield evidence of human habitation. Its main feature is a 500-met
...
International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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The installation was removed just prior to opening by curator without explanation (space given to another artist) -as the work depended upon viewer interaction for realization it remains un-actuated.
Us and Them wood, copper, toy soldiers, red candl
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The installation was removed just prior to opening by curator without explanation (space given to another artist) -as the work depended upon viewer interaction for realization it remains un-actuated.
Us and Them wood, copper, toy soldiers, red candl
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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A room with a view”, 2011
By Amalia Caputo
BRIEF DESCRIPTION
“A room with a view” is a project for an installation/temporary or permanent exhibition that deals with the physical inversion as an interaction/ direct experience with general pub
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A room with a view”, 2011
By Amalia Caputo
BRIEF DESCRIPTION
“A room with a view” is a project for an installation/temporary or permanent exhibition that deals with the physical inversion as an interaction/ direct experience with general pub
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Proposal to an open call for the 2011 Emdash Award - Boris Dornbusch
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The following project was a proposal to an open call for the 2011 Emdash Award. However, it is an idea I have developed in response to any Art Fair:
A smaller-scale replica of the Frieze's exhibition tent is pitched in the exhibition pavilion.
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The following project was a proposal to an open call for the 2011 Emdash Award. However, it is an idea I have developed in response to any Art Fair:
A smaller-scale replica of the Frieze's exhibition tent is pitched in the exhibition pavilion.
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Thistlegarden-project
My plan is to create a garden consisting of only of wild thistles. Sown, but mainly re-planted from the wild in early spring, they will be placed in lines and patterns. The overall form will be a grafic representation of an explosi
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Thistlegarden-project
My plan is to create a garden consisting of only of wild thistles. Sown, but mainly re-planted from the wild in early spring, they will be placed in lines and patterns. The overall form will be a grafic representation of an explosi
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The installation “Pharos” consists in a 7m scaffold with a “moving head” lighting device that permits the yellow horizontal spinning light beam required for the work. This strong beam spins 365° horizontally, evoking the very symbolic
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The installation “Pharos” consists in a 7m scaffold with a “moving head” lighting device that permits the yellow horizontal spinning light beam required for the work. This strong beam spins 365° horizontally, evoking the very symbolic
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
...
As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
...
Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
...
summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
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summer resort
2009
Video 5´7´´/ photos 10x15 cm, documents
Greek island of Lesbos belongs among the major input “gates” for refugees from Asia to Western Europe. Distance between Turkey and Greece is here just 10 nautical miles. During my stay
...
Brasília, Cars, Pools & Other Modernities - Clarissa Tossin
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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Will there still be sugar after the Rebellion? - Simon Le Ruez & Maud Haya Baviera
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Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
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Project title: Will there still be sugar after the Rebellion?
As a way to further our collaborative practice we are interested in using Site Platform to create a
series of short videos. Taking a piece of literature, a painting or a film still as a st
...
Kasper Sonne
‘Untitled Sign No. 4’
Proposed work for the NEONS competition 2011.
Fonds municipal d’art contemporain (Fmac)
Concours NEONS (FCAC/Fmac)
34, rue des Bains
1205 Genève
Switzerland
While the sign clearly appropriates it’s
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Kasper Sonne
‘Untitled Sign No. 4’
Proposed work for the NEONS competition 2011.
Fonds municipal d’art contemporain (Fmac)
Concours NEONS (FCAC/Fmac)
34, rue des Bains
1205 Genève
Switzerland
While the sign clearly appropriates it’s
...
Kabakov
"MEMORIAL"
Short description of the project
The Concept of the Project "Memorial"
The Russian revolution which established the "era of Socialism" is considered to be a most important event of the twentieth century. The end of
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Kabakov
"MEMORIAL"
Short description of the project
The Concept of the Project "Memorial"
The Russian revolution which established the "era of Socialism" is considered to be a most important event of the twentieth century. The end of
...
One Thousand Worlds in 16 minutes and 40 seconds - Nuala Clarke
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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TITLE: One Thousand Worlds in 16 minutes and 40 seconds
FORM: A video installation in which 10 screens of indeterminate size are arranged site specifically. Each screen shows, for one second at a time, one of 1000 small square paintings from the exist
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Marmangios in the city - Ana Fernández (Miranda Texidor)
WWW
I am interested in the poetic research, finding and wonderment of other worlds. I find the keeping and tending of imaginary spaces fascinating. These spaces are playful moments of time or matter, which exist mainly in children’s play as marvelous secret
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I am interested in the poetic research, finding and wonderment of other worlds. I find the keeping and tending of imaginary spaces fascinating. These spaces are playful moments of time or matter, which exist mainly in children’s play as marvelous secret
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