05.2010
The project entitled “Dialogue” consists of a ping-pong table and two sound speakers. Measuring a total of 274 x 152 x 136 cm, this unfinished installation would have both speakers facing each other at both of the extremities of the table.
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05.2010
The project entitled “Dialogue” consists of a ping-pong table and two sound speakers. Measuring a total of 274 x 152 x 136 cm, this unfinished installation would have both speakers facing each other at both of the extremities of the table.
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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“RE:BORN” is a futuristic art installation challenging our direction as a species, our choices in our lives, and our genetic choices for a future life and its ramifications. It is an opportunity to participate in a sci-fi art fantasy, perhaps soon to
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“RE:BORN” is a futuristic art installation challenging our direction as a species, our choices in our lives, and our genetic choices for a future life and its ramifications. It is an opportunity to participate in a sci-fi art fantasy, perhaps soon to
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Forms of Responsibility • Recent Projects by Jenny Brown Jenny Brown Tied (Melting Ice Sea Creatures), 2006 Video Still Variable Dimensions In early 2005, an elegant gesture of product repatriation was conceived and produced by Jenny Brown as a way of b
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Forms of Responsibility • Recent Projects by Jenny Brown Jenny Brown Tied (Melting Ice Sea Creatures), 2006 Video Still Variable Dimensions In early 2005, an elegant gesture of product repatriation was conceived and produced by Jenny Brown as a way of b
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Brasília, Cars, Pools & Other Modernities - Clarissa Tossin
WWW
“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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Zeitstück
Video-Installation von Alexander Hahn, vers. Juni 05, 1996
Beschreibung
Entstehung: Eingeladene Wettbewerbseingabe Kunst am Bau Neubau ETH Leonardstrasse Zürich. Nicht realisiert. Die Jury befürchtete damals, die Studenten könnten s
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Zeitstück
Video-Installation von Alexander Hahn, vers. Juni 05, 1996
Beschreibung
Entstehung: Eingeladene Wettbewerbseingabe Kunst am Bau Neubau ETH Leonardstrasse Zürich. Nicht realisiert. Die Jury befürchtete damals, die Studenten könnten s
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An Installation, on site, composed of baskets and crates on waist high tables offering musical instruments while supermarket music wafts through the space.
An art project is full of possibilities. For the artist, it may mean expanding on a theme. F
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An Installation, on site, composed of baskets and crates on waist high tables offering musical instruments while supermarket music wafts through the space.
An art project is full of possibilities. For the artist, it may mean expanding on a theme. F
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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An Island' is a proposal for a large scale work in public space, commissioned by the province of North-Holland in the Netherlands. 'Kunstgebouw' was involved with the choice of artists. My proposal will not be realised.
How many kubic metres of soil ca
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An Island' is a proposal for a large scale work in public space, commissioned by the province of North-Holland in the Netherlands. 'Kunstgebouw' was involved with the choice of artists. My proposal will not be realised.
How many kubic metres of soil ca
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The installation “Tower” is constituted by a 7m scaffold containing in its top a 3000w smoke machine from which, every five minutes, a large cloud is created and is naturally dispersed.
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The installation “Tower” is constituted by a 7m scaffold containing in its top a 3000w smoke machine from which, every five minutes, a large cloud is created and is naturally dispersed.
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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The Project is to display a white flag on the top on contemporary artistic institutions in as many country as possible for a determined length of time. After a year of exposure to the elements, all the flags will be collected and brought back to France...
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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WATER’, A Concept for Exhibition (to include the Site Specific Installation titled ‘Glint’) - Kate Petley
WWW
Water:
-As historical structure for migration, agriculture, and conflict
-As political catalyst
-Defining geography, location, and place or point of reference
-As a poetic source for all kinds of inspiration
-Mutable, shape-shifting substance that ca
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Water:
-As historical structure for migration, agriculture, and conflict
-As political catalyst
-Defining geography, location, and place or point of reference
-As a poetic source for all kinds of inspiration
-Mutable, shape-shifting substance that ca
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MEMORY CONFETTI - STEPHEN j SHANABROOK / VERONIKA GEORGIEVA
WWW
The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us images that will be turned into 35 mm slides. These slides mixed with n
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The project MEMORY CONFETTI consists of two parts: through various social network sites we will introduce the project and request the public’s time based participation in sending us images that will be turned into 35 mm slides. These slides mixed with n
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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Emily Windon
The Proposed Work to be developed:
Large platforms for viewing digitally projected images: The work utilizes the construction of large viewing platforms that serve to both uplift and isolate the audience. The platforms are made of timber an
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The project is an installation that can only be experienced via physical movement through the work.
I would create an environment channeling the movement of observers through the fair into an unavoidable act of participation, altering its spaces into
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The project is an installation that can only be experienced via physical movement through the work.
I would create an environment channeling the movement of observers through the fair into an unavoidable act of participation, altering its spaces into
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waste not art
“short hi.stories” series
1995 – ongoing
unrealized/unrealizable project intended for installation at the Serpentine Gallery, London
(or any other museum that wishes to exhibit the project)
by
Plamen Yordanov
descriptio
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waste not art
“short hi.stories” series
1995 – ongoing
unrealized/unrealizable project intended for installation at the Serpentine Gallery, London
(or any other museum that wishes to exhibit the project)
by
Plamen Yordanov
descriptio
...
Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
...
In addition to its pure genius, Michelangelo’s Sistine Chapel is remarkable because it represents, in art history, the rare opportunity for an artist to present to the world a rather complete visual cosmology—something even Michelangelo, due to poli
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In addition to its pure genius, Michelangelo’s Sistine Chapel is remarkable because it represents, in art history, the rare opportunity for an artist to present to the world a rather complete visual cosmology—something even Michelangelo, due to poli
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING I: “THE LITTLE EASE”
Room within a room within a room. Smallest internal room is a plywood box, upright, approx. 6.5 ft tall and 3ft. wide. This internal box is drilled with 'viewholes' at various po
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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A collateral time.
Two videoinstallations: screening of two movies archive reprocessed in postproduction.
In relation to each video, two sculptural installations:
A base of white cement on where it is deposited a mat black mattress
A volcanic mono
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