Brasília, Cars, Pools & Other Modernities - Clarissa Tossin
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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Ich bin Berliner ( I am a Berliner) - Martin Mlecko
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In 1986, Martin Mlecko conceived the work "Ich bin Berliner, Michail Gorbatschow". Invited by a group of Berlin curators and artists, the work should have been installation on billboards
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In 1986, Martin Mlecko conceived the work "Ich bin Berliner, Michail Gorbatschow". Invited by a group of Berlin curators and artists, the work should have been installation on billboards
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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A proposal for a set of organ pipes to be mounted on the face of an oceanic cliff. The pipes are to be mounted vertically on simple steel rods that are strategically placed along a section of cliff in order to translate strong vertical updrafts into indiv
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A proposal for a set of organ pipes to be mounted on the face of an oceanic cliff. The pipes are to be mounted vertically on simple steel rods that are strategically placed along a section of cliff in order to translate strong vertical updrafts into indiv
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“RE:BORN” is a futuristic art installation challenging our direction as a species, our choices in our lives, and our genetic choices for a future life and its ramifications. It is an opportunity to participate in a sci-fi art fantasy, perhaps soon to
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“RE:BORN” is a futuristic art installation challenging our direction as a species, our choices in our lives, and our genetic choices for a future life and its ramifications. It is an opportunity to participate in a sci-fi art fantasy, perhaps soon to
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I was born in Mumbai and received my Bachelor’s in Fine Arts from Sir J.J School of Art, Mumbai in 2004 and Post Baccalaureate Diploma from Pont Aven School of Art, Brittany, France in 2006. My last solo show titled ‘Impositions’ was held in Switzer
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I was born in Mumbai and received my Bachelor’s in Fine Arts from Sir J.J School of Art, Mumbai in 2004 and Post Baccalaureate Diploma from Pont Aven School of Art, Brittany, France in 2006. My last solo show titled ‘Impositions’ was held in Switzer
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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I have attached one collage and one edited image of unrealized artwork based around the idea of my paintings displayed on a bookshelf with only the edges visible like the spines of books. I envisioned a library of paintings, but never had the rescources t
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I have attached one collage and one edited image of unrealized artwork based around the idea of my paintings displayed on a bookshelf with only the edges visible like the spines of books. I envisioned a library of paintings, but never had the rescources t
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2007
Idea
The work is planed to be an interactive video animation, set in the gallery or on a window of the gallery.
Video is scene with the birds freely resting on the branches on a tree in the landscape.
AUDIO: ... sound of their “talk” ..
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2007
Idea
The work is planed to be an interactive video animation, set in the gallery or on a window of the gallery.
Video is scene with the birds freely resting on the branches on a tree in the landscape.
AUDIO: ... sound of their “talk” ..
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SOL: project for a single channel HD video installation, stereo sound. 2010 - Diego Zuelli
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A video installation for a private gallery. A single video projection on the far side of a long room. A prepared wall, with black paint around a white circle, where the "image" will be projected.
The sense of sight is the mean we use the most to know
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A video installation for a private gallery. A single video projection on the far side of a long room. A prepared wall, with black paint around a white circle, where the "image" will be projected.
The sense of sight is the mean we use the most to know
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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MOTHERS _ project
by Tiziana Pers
‘Mothers’ is a project composed by a series of photographs and an installation.
During the ninth month of my pregnancy, one of the last days, I went into the wood, and I started painting my belly with three.
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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These installations are part of an ongoing series experimenting with light in 3 dimensional spaces.
They are created using a high power laser, refracted in the space using mirrors.
The effect is like drawing with pure light: intense, pure, random an
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These installations are part of an ongoing series experimenting with light in 3 dimensional spaces.
They are created using a high power laser, refracted in the space using mirrors.
The effect is like drawing with pure light: intense, pure, random an
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING II: "SEEDBED, AND...”
is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste
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waste not art
“short hi.stories” series
1995 – ongoing
unrealized/unrealizable project intended for installation at the Serpentine Gallery, London
(or any other museum that wishes to exhibit the project)
by
Plamen Yordanov
descriptio
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waste not art
“short hi.stories” series
1995 – ongoing
unrealized/unrealizable project intended for installation at the Serpentine Gallery, London
(or any other museum that wishes to exhibit the project)
by
Plamen Yordanov
descriptio
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Public Art For Street Installation in the City of West Hollywood,
California
ARTIST’S STATEMENT: THE 3 MUSES OF WEST HOLLYWOOD
Who are we, the people of West Hollywood? Where do we come from? What do we do?
As we live out our lives here
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Public Art For Street Installation in the City of West Hollywood,
California
ARTIST’S STATEMENT: THE 3 MUSES OF WEST HOLLYWOOD
Who are we, the people of West Hollywood? Where do we come from? What do we do?
As we live out our lives here
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
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Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
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I gave you this picture because I was afraid you might forget me - Yvonne O'Reilly
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CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
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CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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A Room for Persephone
Complex beauty can be located even in spaces of hopelessness.
In a dark room, you would encounter a hollow sphere with a round opening large enough to fit through.
Inside, you would find soft white walls and four seed-like
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The Intellectual Refuge(e) Camp – 21 tents for the 21st Century - Patrick Meagher & WORK.ac
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Dear M. Buergel,
Please find enclosed our proposal ‘The Intellectual Refuge(e) Camp – 21 tents for the 21st Century’, which your Leitmotifs for Documenta 12 inspired.
Feeling immediately akin to your text, the Leitmotifs resonated with idea
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Dear M. Buergel,
Please find enclosed our proposal ‘The Intellectual Refuge(e) Camp – 21 tents for the 21st Century’, which your Leitmotifs for Documenta 12 inspired.
Feeling immediately akin to your text, the Leitmotifs resonated with idea
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