If you meet Buddha on the path, kill him, 2004-2011 - Shannon Bellum
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Technical aspects
This is an installation made out of suspended fabric panels going from the floor, to 7 feet high at the entrance and finishing off at 9 feet high at the center of the maze. The panels are attached to plastic tubing that is suspe
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Technical aspects
This is an installation made out of suspended fabric panels going from the floor, to 7 feet high at the entrance and finishing off at 9 feet high at the center of the maze. The panels are attached to plastic tubing that is suspe
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‘Jsut Code’ is a collaborative installation in which participants are invited to decode electronic texts written by a collective of distributed writers.
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‘Jsut Code’ is a collaborative installation in which participants are invited to decode electronic texts written by a collective of distributed writers.
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“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c
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“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c
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EMOTIONAL SPACE - sculptor PhD, Aili Vahtrapuu, disainer Janika Vesberg
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Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] - spmb [Eduardo Aquino & Karen Shanski]
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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LISTE ROUGE [MEMORIAL FOR THE DISAPPEARED] is a proposal by spmb for the City of Geneva’s 2011 Neons Competition. Starting from the observation that the Geneva Ecological Region has lost seven flower species to urban development in the past decades, we
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Vladimar and Rosa (2011) is a fictional dance company created and produced by artist Anne Colvin. Their first production "The Kids Play Russian" will never be realized. A hybrid dance installation influenced by experimental film strategies plays out as f
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Vladimar and Rosa (2011) is a fictional dance company created and produced by artist Anne Colvin. Their first production "The Kids Play Russian" will never be realized. A hybrid dance installation influenced by experimental film strategies plays out as f
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FORTIFICATION PROJECT PROPOSAL FOR GERMAN PAVILION - Hakan Topal
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A FORTIFICATION PROJECT PROPOSAL FOR GERMAN PAVILION, VENICE by Hakan Topal, 2009 In the beginning of February of 2009, I proposed a project to Liam Gillick to be realized at the periphery of the German Pavilion in Venice's Giardini. I had no intention to
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A FORTIFICATION PROJECT PROPOSAL FOR GERMAN PAVILION, VENICE by Hakan Topal, 2009 In the beginning of February of 2009, I proposed a project to Liam Gillick to be realized at the periphery of the German Pavilion in Venice's Giardini. I had no intention to
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Where Does It Itch? is a project involving 100 of my framed collage works aligned in grid or horizon on a wall. Originally slated for Ogilvy Mather Direct as a proposal, it was abandoned. This PDF is that original proposal.
Matthew Rose is an Americ
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Where Does It Itch? is a project involving 100 of my framed collage works aligned in grid or horizon on a wall. Originally slated for Ogilvy Mather Direct as a proposal, it was abandoned. This PDF is that original proposal.
Matthew Rose is an Americ
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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My CV: http://www.chiarapassa.it/Artisticprofile.html
2011 "Talking in string", generative video installation. Time variable.
"Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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In Theater
I’d like to propose a sculptural installation of silent television monitors each displaying a fixed view of a performance stage from around the world.
Forty Sony Cubes or Hantarex EQs are to be stacked in the form of a four-sided pyrami
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“What It’s Gonna Take“
An installation about death, time and consumption
The initial point fort this installation are thoughts about a very common place: about my own death.
The question is: HOW MANY things and HOW MUCH I will need until I die
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“What It’s Gonna Take“
An installation about death, time and consumption
The initial point fort this installation are thoughts about a very common place: about my own death.
The question is: HOW MANY things and HOW MUCH I will need until I die
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dimensions variable
Can we turn the horror of being dematerialized whether in the eyes of a beloved or in a community into the super-hero power of invisibility and back again.
8 cameras in a circle point out over the room.
8 grid camera view re
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dimensions variable
Can we turn the horror of being dematerialized whether in the eyes of a beloved or in a community into the super-hero power of invisibility and back again.
8 cameras in a circle point out over the room.
8 grid camera view re
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague
Publications:
Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud)
feuille volaute Galerie LP 220, Turin, Milan
"Paysage sonore urbain" Be
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I gave you this picture because I was afraid you might forget me - Yvonne O'Reilly
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CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
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CORNERHOUSE MICRO COMMISSIONS -
(a site specific proposal)
'I gave you this picture because I was afraid you might forget me.'
About your idea:
What is your idea?
The location – the CORNERHOUSE would provide me with the opportunity to create a
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Zeitstück
Video-Installation von Alexander Hahn, vers. Juni 05, 1996
Beschreibung
Entstehung: Eingeladene Wettbewerbseingabe Kunst am Bau Neubau ETH Leonardstrasse Zürich. Nicht realisiert. Die Jury befürchtete damals, die Studenten könnten s
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Zeitstück
Video-Installation von Alexander Hahn, vers. Juni 05, 1996
Beschreibung
Entstehung: Eingeladene Wettbewerbseingabe Kunst am Bau Neubau ETH Leonardstrasse Zürich. Nicht realisiert. Die Jury befürchtete damals, die Studenten könnten s
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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Get Carter 1997
We proposed to install a fully operational prison door into the entrance of the Laing Art Gallery in Newcastle upon Tyne, England. All other doors and windows into the gallery space were to be closed and sealed. The prison door was to
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Get Carter 1997
We proposed to install a fully operational prison door into the entrance of the Laing Art Gallery in Newcastle upon Tyne, England. All other doors and windows into the gallery space were to be closed and sealed. The prison door was to
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Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days
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Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days
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In July 1981, and again in February 1989, we proposed to friends of ours and other artists and to everyone it may concern-through texts in the magazines “Sin kai Plin” and “To Bitoni”, to found a football team.
We made this proposal because of
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In July 1981, and again in February 1989, we proposed to friends of ours and other artists and to everyone it may concern-through texts in the magazines “Sin kai Plin” and “To Bitoni”, to found a football team.
We made this proposal because of
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