International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
...
“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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The unrealised project is called 'The canon'.
The unrealised project is called 'The canon'. It involves casting 1,001 books representing the canon of Western literature. A list of the books, the rejected works and the reasons for the choices made form
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Originaly Proposed b y Naama Tsabar for Emdash Award, Frieze art fair.
This project will begin with a silent video-clip that will be sent to a musician. The video itself will be my visual reaction/interpretation to the musicians music, and will serve
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Originaly Proposed b y Naama Tsabar for Emdash Award, Frieze art fair.
This project will begin with a silent video-clip that will be sent to a musician. The video itself will be my visual reaction/interpretation to the musicians music, and will serve
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An unrealized electrostatic installation
Below is part of a detailed proposal prepared for me by an organometallic chemist I contacted via the Internet in 2005 and corresponded with over a two-year period. He had a website expressing a personal interes
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An unrealized electrostatic installation
Below is part of a detailed proposal prepared for me by an organometallic chemist I contacted via the Internet in 2005 and corresponded with over a two-year period. He had a website expressing a personal interes
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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The Gutenbird
The Gutenbird is an unrealized suspended artwork intended for a public library. On one level it celebrates the handmade and well crafted and on another level implies the innovative and significant achievements of the first printing press
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The Gutenbird
The Gutenbird is an unrealized suspended artwork intended for a public library. On one level it celebrates the handmade and well crafted and on another level implies the innovative and significant achievements of the first printing press
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These installations are part of an ongoing series experimenting with light in 3 dimensional spaces.
They are created using a high power laser, refracted in the space using mirrors.
The effect is like drawing with pure light: intense, pure, random an
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These installations are part of an ongoing series experimenting with light in 3 dimensional spaces.
They are created using a high power laser, refracted in the space using mirrors.
The effect is like drawing with pure light: intense, pure, random an
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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Garden REtreat is an unrealized proposal for a temporary public art installation that addresses the issue of unused urban land. Its intention is to transform a vacant lot into a vibrant garden filled with organic forms made from recycled materials.
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Garden REtreat is an unrealized proposal for a temporary public art installation that addresses the issue of unused urban land. Its intention is to transform a vacant lot into a vibrant garden filled with organic forms made from recycled materials.
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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Dear Resident of __________________________________,
My name is Jill Chong and I am a second year student of fine art at Goldsmiths College. I am writing to you because I am currently doing a project based on English Heritage’s Blue Plaques scheme. M
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“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c
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“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c
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FOTA (Festival of the Arts) 2010 APPLICATION
Title of Project: Free to Choose
Name: Erik Wenzel
Location: The Chicago Theological Seminary
Duration: Installed for the length of FOTA, subject to CTS schedule
STATEMENT
I propose to make a
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FOTA (Festival of the Arts) 2010 APPLICATION
Title of Project: Free to Choose
Name: Erik Wenzel
Location: The Chicago Theological Seminary
Duration: Installed for the length of FOTA, subject to CTS schedule
STATEMENT
I propose to make a
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About us:
We are Matters Of Appearance, an artist group (USA/Germany). We work with language, text and performance.
www.mattersofappearance.com
This project (unrealized):
We found this graffiti on a barn wall somewhere: "Selbst schuld" (It's
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About us:
We are Matters Of Appearance, an artist group (USA/Germany). We work with language, text and performance.
www.mattersofappearance.com
This project (unrealized):
We found this graffiti on a barn wall somewhere: "Selbst schuld" (It's
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The idea stem from Lis’81 – The International Drawing Biennale of Lisbon, which was expected to take place at the National Gallery of Modern Art of Belém, but ended up consumed in a fire, during its installation, the only thing left is the catalogue.
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The idea stem from Lis’81 – The International Drawing Biennale of Lisbon, which was expected to take place at the National Gallery of Modern Art of Belém, but ended up consumed in a fire, during its installation, the only thing left is the catalogue.
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“What It’s Gonna Take“
An installation about death, time and consumption
The initial point fort this installation are thoughts about a very common place: about my own death.
The question is: HOW MANY things and HOW MUCH I will need until I die
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“What It’s Gonna Take“
An installation about death, time and consumption
The initial point fort this installation are thoughts about a very common place: about my own death.
The question is: HOW MANY things and HOW MUCH I will need until I die
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EMOTIONAL SPACE - sculptor PhD, Aili Vahtrapuu, disainer Janika Vesberg
WWW
Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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Project for Venice XII International Architectural Biennale : People meet in Architecture.
An interactive installation to analyse and combine the aural and the visual
STATEMENT : PEOPLE MEET IN ARCHITECTURE
Venice XII International Architectural
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Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
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Social Walls™
A Proposal for an Environmental Sculpture
25 November 2013
David Averbuch
This proposed artwork has just four walls in a square shape, yet it represents a new idea. Each wall will be divided into small equal areas, henceforth calle
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RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
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RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
...
The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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The Replacement Weather consists of replacement clouds for replacement weather, consisting of sculptural light installation. In case the real clouds become defunct, obsolete or unusable, I am proposing a quasi spoof proposal format of a light and sculptur
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Forms of Responsibility • Recent Projects by Jenny Brown Jenny Brown Tied (Melting Ice Sea Creatures), 2006 Video Still Variable Dimensions In early 2005, an elegant gesture of product repatriation was conceived and produced by Jenny Brown as a way of b
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Forms of Responsibility • Recent Projects by Jenny Brown Jenny Brown Tied (Melting Ice Sea Creatures), 2006 Video Still Variable Dimensions In early 2005, an elegant gesture of product repatriation was conceived and produced by Jenny Brown as a way of b
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Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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Enter Slowly – An Idea for a Proposal in Progress
An open-ended, evolving, accumulative, partial, possible installation……
The Trailer: for the project or maybe the project only ever exists as a trailer, as an idea – a proposal!
The Title
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An interactive painting installation titled Morality
The project is outlined at this link and a pdf with instructions on how morality would be managed can also be found on this page.
http://www.peter-dickinson.co.uk/Morality.html
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An interactive painting installation titled Morality
The project is outlined at this link and a pdf with instructions on how morality would be managed can also be found on this page.
http://www.peter-dickinson.co.uk/Morality.html
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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Idea for installation, sculpture, which is impossible to realize for me at the moment because of time that runs so fast!
One peaceful evening I observed feeling of jealousy and clearly saw that its similar of feeling envy. In both cases you long fo
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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