Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
...
The Intellectual Refuge(e) Camp – 21 tents for the 21st Century - Patrick Meagher & WORK.ac
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Dear M. Buergel,
Please find enclosed our proposal ‘The Intellectual Refuge(e) Camp – 21 tents for the 21st Century’, which your Leitmotifs for Documenta 12 inspired.
Feeling immediately akin to your text, the Leitmotifs resonated with idea
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Dear M. Buergel,
Please find enclosed our proposal ‘The Intellectual Refuge(e) Camp – 21 tents for the 21st Century’, which your Leitmotifs for Documenta 12 inspired.
Feeling immediately akin to your text, the Leitmotifs resonated with idea
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An interactive painting installation titled Morality
The project is outlined at this link and a pdf with instructions on how morality would be managed can also be found on this page.
http://www.peter-dickinson.co.uk/Morality.html
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An interactive painting installation titled Morality
The project is outlined at this link and a pdf with instructions on how morality would be managed can also be found on this page.
http://www.peter-dickinson.co.uk/Morality.html
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Mimmo Catania (UAP)
-Project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezia, Venice (1999).
(Collage on color photocopy, 21x29,7 cm.)
The unrealized project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezi
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Mimmo Catania (UAP)
-Project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezia, Venice (1999).
(Collage on color photocopy, 21x29,7 cm.)
The unrealized project for the „1. Pavillion of Albania“ at the 48. Biennale di Venezi
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Neural Portal
Transient installation on 26th Street, West Chelsea, NYC
Artist: Stephen Pusey
The image would be created by high intensity pulses of light emitted from hundreds of lasers embedded in the frame. The effect is to create a warping field tha
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Neural Portal
Transient installation on 26th Street, West Chelsea, NYC
Artist: Stephen Pusey
The image would be created by high intensity pulses of light emitted from hundreds of lasers embedded in the frame. The effect is to create a warping field tha
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The Centralizer
The inspiration for this device came about to address the plight of the city-dweller trapped in a densely populated urban environment, who needed to decompress, ground themselves, and/or get in touch with nature and natural rhythms, a
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The Centralizer
The inspiration for this device came about to address the plight of the city-dweller trapped in a densely populated urban environment, who needed to decompress, ground themselves, and/or get in touch with nature and natural rhythms, a
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Temporary Projection Installations for the Survivors of Atrocities. - Gavin Halm
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Summary: Listings of the names of survivors (and their extended families through the present) are projected upon the walls and surrounding grounds of sites where atrocities have taken, or are currently taking, place. The thousands of names could be projec
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Unrealized project for AUP archive submission:
US Dollar Incense, 2010
Christian Burnoski
Description
The concept is to make incense-sticks from US dollars, which would cost as much as the number of bills used in making the incense, so that th
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Unrealized project for AUP archive submission:
US Dollar Incense, 2010
Christian Burnoski
Description
The concept is to make incense-sticks from US dollars, which would cost as much as the number of bills used in making the incense, so that th
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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Cloisters' was an unrealised artwork submitted in relation to the Transformations project at the Lowry centre in Manchester.
My proposal is to create a site-specific installation within the promenade gallery. Drawing on the walkway aspect of the space,
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A golden inflatable, each uniquely patterned, is produced in a glass case upon the viewer's initiative (stepping on a red button). The artwork very slowly inflates (3-5 minutes), then is suddenly released! It rises and flies out an above window.
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A golden inflatable, each uniquely patterned, is produced in a glass case upon the viewer's initiative (stepping on a red button). The artwork very slowly inflates (3-5 minutes), then is suddenly released! It rises and flies out an above window.
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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1. Corners from "The New York Times" front page. - Linda Stillman
WWW
Unrealized projects
1. Corners from "The New York Times" front page.
I have been tearing and storing a piece of paper, the capsule weather report, from "The New York Times" for years. I once made a wall installation with a year of these corners (see ph
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Unrealized projects
1. Corners from "The New York Times" front page.
I have been tearing and storing a piece of paper, the capsule weather report, from "The New York Times" for years. I once made a wall installation with a year of these corners (see ph
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These installations are part of an ongoing series experimenting with light in 3 dimensional spaces.
They are created using a high power laser, refracted in the space using mirrors.
The effect is like drawing with pure light: intense, pure, random an
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These installations are part of an ongoing series experimenting with light in 3 dimensional spaces.
They are created using a high power laser, refracted in the space using mirrors.
The effect is like drawing with pure light: intense, pure, random an
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Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before.
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Tree Friendly Tree House is a non-invasive series of steps meant to be attached to a tree to simulate the experience of a tree house. It is an interactive piece meant to allow the view to experience nature in a way they may not have before.
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Overlords by Tom Estes
Description
Overlords was originally conceived as a video installation comprised of images of ‘Time Travel’ projected on to a book called ‘Local History and Antiquities’. The work was deliberately left incomplete. The ph
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Overlords by Tom Estes
Description
Overlords was originally conceived as a video installation comprised of images of ‘Time Travel’ projected on to a book called ‘Local History and Antiquities’. The work was deliberately left incomplete. The ph
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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The installation “Revelation” consisits in a room where everything is White and with a White marble sand in the floor. A white peacock inhabits the room where it can freely walk over the furniture, the objects and those continuously mod
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A proposal for PITT. (Did not happen) - Nicole Mortiboys
WWW
A proposal for PITT. (Did not happen)
pittstudio@com.
The proposal to Nathan Pitt of PITT, was to make up an inflatable copy of cartoon hand, (see image attached).To the same size as the gallery space.
The hand would be placed in the gallery before b
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A proposal for PITT. (Did not happen)
pittstudio@com.
The proposal to Nathan Pitt of PITT, was to make up an inflatable copy of cartoon hand, (see image attached).To the same size as the gallery space.
The hand would be placed in the gallery before b
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I have attached one collage and one edited image of unrealized artwork based around the idea of my paintings displayed on a bookshelf with only the edges visible like the spines of books. I envisioned a library of paintings, but never had the rescources t
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I have attached one collage and one edited image of unrealized artwork based around the idea of my paintings displayed on a bookshelf with only the edges visible like the spines of books. I envisioned a library of paintings, but never had the rescources t
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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Idee
Der Perimeter des St. Johanns-Platz wird während einem Jahr exakt mit einer zweieinhalb Meter hohen Wand eingefasst. Sie schliesst das ganze Gelände ein, mit Rasen, Wegen und Parkbänken.
Die kleine Rasenfläche wird durch die Wand als Volu
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Ce Projet était fait pour la vitrine (galerie) qui se situe autour de la salle principal et d'un autre côte vers las rues, la piece est un tuyau transparent de 75M longeur, 40 cm diamétre, delans mettre les plus sortes d'insecte = sorpion, lézards, ar
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Ce Projet était fait pour la vitrine (galerie) qui se situe autour de la salle principal et d'un autre côte vers las rues, la piece est un tuyau transparent de 75M longeur, 40 cm diamétre, delans mettre les plus sortes d'insecte = sorpion, lézards, ar
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