DESCRIPTION
The project consists of built inside the Civic Centre Sant Andreu a toilet for the disabled who do not meet standards of accessibility measures. It will build a separate room of existing toilets within the Civic Center that the dynamics
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DESCRIPTION
The project consists of built inside the Civic Centre Sant Andreu a toilet for the disabled who do not meet standards of accessibility measures. It will build a separate room of existing toilets within the Civic Center that the dynamics
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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AUTOPOIETIC AMALGAMATE (ALL OF THE “ART” DISTILLED INTO A FORM-FUL PILE AND EMPTIED ITSELF OF EXCESS, FINALLY): [Self-Portrait as Utility (Blades); EVERYTHING-NOTHING: Everything (The Big Oil [Low Light]), Nothing (Faux-Earth [High Light]), Primary an
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To the unknown Broker /
Tomb of the Unknown Broker
( Dem unbekannten Broker )
a monument about artistic vision as social comment
The installation (Tomb of an Unknown Broker) is dedicated to the virtual character of an Unidentified Broker. It highl
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To the unknown Broker /
Tomb of the Unknown Broker
( Dem unbekannten Broker )
a monument about artistic vision as social comment
The installation (Tomb of an Unknown Broker) is dedicated to the virtual character of an Unidentified Broker. It highl
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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Brasília, Cars, Pools & Other Modernities - Clarissa Tossin
WWW
“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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“Brasília, Cars, Pools & Other Modernities” is the culmination of a body of work that departs from my experience of growing up in Brasília, Brazil’s planned capital. The project consists of a site-specific action in which a 1970s Volkswagen Brasil
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Arbeit Macht Nicht Frei (Work doens’t bring freedom) - DARR TAH LEI
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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Urban scape sketch
by Marta Fuster Barutell
Site-specific installation composed of a variable amount of boxes.
Each box is fabricated with welded 100mm square tube steel to the scale of one cubic metre per box. Opposing faces of the cube should ha
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1 Homebodies originates from the American word homebody meaning a person who prefers pleasures and activities that center around the home; stay-at-home. (1) The homebody resides inside the American suburban home and in particular in the basement. This sub
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1 Homebodies originates from the American word homebody meaning a person who prefers pleasures and activities that center around the home; stay-at-home. (1) The homebody resides inside the American suburban home and in particular in the basement. This sub
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Interactive-Installation
1) At the height of at least 5th or 6th floor of a public art space (museum or foundation) it will be installed a door opening on the void. The door must be red and in wood, liek the door leading to a room in a house. Actuall
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Interactive-Installation
1) At the height of at least 5th or 6th floor of a public art space (museum or foundation) it will be installed a door opening on the void. The door must be red and in wood, liek the door leading to a room in a house. Actuall
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Retail Therapy - Double A Projects (A. Robles & A. Stein)
WWW
PROPOSAL
Title of project: Retail Therapy
By: Athena Robles and Anna Stein (aka Double A Projects)
Similar to our public project Global Free Store, Retail Therapy is a non-commercial storefront and exhibition that would offer various service
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PROPOSAL
Title of project: Retail Therapy
By: Athena Robles and Anna Stein (aka Double A Projects)
Similar to our public project Global Free Store, Retail Therapy is a non-commercial storefront and exhibition that would offer various service
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The story of an aspirant
A waiting woman
prolonged expectations
delayed wishes
nurtured hopes
infidelity cracks
broken hearts plastered again and again with love stripes
unslaked fire
never ending longing
resurrecting Phoenix
the story of a wo
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The story of an aspirant
A waiting woman
prolonged expectations
delayed wishes
nurtured hopes
infidelity cracks
broken hearts plastered again and again with love stripes
unslaked fire
never ending longing
resurrecting Phoenix
the story of a wo
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Ich bin Berliner ( I am a Berliner) - Martin Mlecko
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In 1986, Martin Mlecko conceived the work "Ich bin Berliner, Michail Gorbatschow". Invited by a group of Berlin curators and artists, the work should have been installation on billboards
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In 1986, Martin Mlecko conceived the work "Ich bin Berliner, Michail Gorbatschow". Invited by a group of Berlin curators and artists, the work should have been installation on billboards
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3DPrintMe.com a biomedical animation and installation of futuristic invivo designer organs.
See: http://www.sarahjanepell.com/human.html
Biomedical animation plays on a continuous loop projection
The audience design or modify CAD Organs www.3DP
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3DPrintMe.com a biomedical animation and installation of futuristic invivo designer organs.
See: http://www.sarahjanepell.com/human.html
Biomedical animation plays on a continuous loop projection
The audience design or modify CAD Organs www.3DP
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Liesbet & Piki would like to propose some video installations which were never shown and/or not shown in a way they were intented to, namely in context of architectural spaces.
Piki & Liesbets’ video projects start from the playful observation of lif
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Liesbet & Piki would like to propose some video installations which were never shown and/or not shown in a way they were intented to, namely in context of architectural spaces.
Piki & Liesbets’ video projects start from the playful observation of lif
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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“Veil”
The intervention, in the simulations proposed for “Teatro Colón” in Peru and “Paço das Artes” in São Paulo - Brazil, works by placing 3 fog machines in the top of the specific building. These machines produce smoke that are than c
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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Designed for the White Center YWCA Resource Center, White Center, WA, this wall was intended to reference the growing and diverse community who are patrons of the center. Botanical forms are universally recognized in cultures around the world....
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co
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RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
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RALUCA POPA
Untitled (Paper Cuts), paper, glue, dimensions variable (2011)
No one to talk.
This work is in progress.
This work addresses the subject of failure – the failure of the object and the failure of the event.
This work might create
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Residual Geometries or the fable of the passenger, the cattle and, and the resource consumed. - Julain Santana
WWW
Public Space Intervention (The synopsis is in Spanish for now, but the English translation will be ready the next week)
I have no budget or a potential sponsor for this artistic intervention.
In essence this is a look into a public space in which rais
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Public Space Intervention (The synopsis is in Spanish for now, but the English translation will be ready the next week)
I have no budget or a potential sponsor for this artistic intervention.
In essence this is a look into a public space in which rais
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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ARRAYS „Heutzutage ist kaum etwas realistischer als Utopien“ (Thornton Wilder, 1887-1975) Als diplomierter Medienkünstler interessiere ich mich bereits seit mehreren Jahren für die MinimalArt- und ConceptualArt-Tendenzen der 60er und 70er Jahre. I
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The work title is Twin Towers, and is constituted by two piles of Letter size office paper sheets with overall dimensions around 21.5" x 22" and 60" high, according not with scale but with the proportions of the World Trade Center buildings 1 and 2 once e
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The work title is Twin Towers, and is constituted by two piles of Letter size office paper sheets with overall dimensions around 21.5" x 22" and 60" high, according not with scale but with the proportions of the World Trade Center buildings 1 and 2 once e
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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Sarah Kanouse
Radiation Limit (2007/2009)
“Radiation Limit” commemorates the human radiation experiments sponsored by the Atomic Energy Commission from 1943 until at least 1974. The site-specific installation for the grounds around the Department
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"24-Hour Kaprow" was envisioned as a performance video where Kaprow’s collected works would be re-presented through a 24 hour long video.
RICHard SMOLinski’s unrealized project, 24-Hour Kaprow
24-Hour Kaprow was envisioned as a performance vide
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"24-Hour Kaprow" was envisioned as a performance video where Kaprow’s collected works would be re-presented through a 24 hour long video.
RICHard SMOLinski’s unrealized project, 24-Hour Kaprow
24-Hour Kaprow was envisioned as a performance vide
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