Agency of Unrealised Projects
Continue
Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

Click to continue...


Brücke Wein-Kanal Arch. Hermann Czech, Wein - Franz West

Ruderaltisch, 1994/95 Kunst am Bau - Projekt - Lois Weinberger

To Two Too; Hypothetical Monument for a Natural Disaster - Jeffrey Wisniewski

Broadway Musicals - Christian Marclay

Arrangement Stroom HCBK Den Haag - Ange Leccia

Tulips for Amsterdam - Isa Genzken

The pyramids...to be seen to be believed - Jonathan Monk

The Rosetta Garden - Gary Simmons

A FAIRLY TALL TOWER, 48,000 Miles High -  - Siah Armajani

Isometric Projection - Sol Lewitt

Agency of Unrealised Projects
Logo by Liam Gillick
#
Date
Title
Source
Description
Tags
W3875
19.05.2011
TERRITORY: Bank parking lot mural Canada - Derek Michael Besant
WWW
Client: Bank of Nova Scotia / Canada Date: 2010 Industrial UV ink imaging applications to large-scale alucobond curtainwall sheets at second storey level attached in sections that create a narrative of: • Out-of-focus faces • Everyday objects ...
Client: Bank of Nova Scotia / Canada Date: 2010 Industrial UV ink imaging applications to large-scale alucobond curtainwall sheets at second storey level attached in sections that create a narrative of: • Out-of-focus faces • Everyday objects ...
, , , , ,
W3699
17.05.2011
Nikki White
WWW
Both pieces I have submitted were started when I was feeling a certain way. I began making the sketches (which is what you see here) then I stopped working on the sketches and the paintings were never born. The reason for this is that since both were cr ...
Both pieces I have submitted were started when I was feeling a certain way. I began making the sketches (which is what you see here) then I stopped working on the sketches and the paintings were never born. The reason for this is that since both were cr ...
, ,
W4305
24.05.2011
BENEATH SAND AND SEA - Holger C. Lönze
WWW
BENEATH SAND AND SEA INTRODUCTION The proposed project is set within the physical and social context of Portobello Beach and intends to bring an aspect of the area’s hidden history back out into the light. It focuses on the historic Portobello Harbo ...
BENEATH SAND AND SEA INTRODUCTION The proposed project is set within the physical and social context of Portobello Beach and intends to bring an aspect of the area’s hidden history back out into the light. It focuses on the historic Portobello Harbo ...
, , ,
W3909
20.05.2011
Unrealised proposal for Saatchi New Sensations, 2009 - Petra Swais and Najda El-Amriti
WWW
Having worked for three years alongside one another, but never producing work collaboratively, we have come to realise the strong connection between our individual practices. The most prominent link between our works is the notion of manipulation. By mani ...
Having worked for three years alongside one another, but never producing work collaboratively, we have come to realise the strong connection between our individual practices. The most prominent link between our works is the notion of manipulation. By mani ...
, ,
W4152
23.05.2011
She - Cornford & Cross
WWW
We proposed to position an eternal flame in physical and symbolic relation to the Lion statue in Forbury Gardens, Reading, England.. The Lion commemorates a battle in 1880 in Maiwand, Afghanistan — Britain’s last military involvement in Afghanistan b ...
We proposed to position an eternal flame in physical and symbolic relation to the Lion statue in Forbury Gardens, Reading, England.. The Lion commemorates a battle in 1880 in Maiwand, Afghanistan — Britain’s last military involvement in Afghanistan b ...
, ,
W3478
11.05.2011
Tur Dearg (Red Tower) - Joaquin Gasgonia Palencia
WWW
Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers. Despite everything that Ir ...
Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers. Despite everything that Ir ...
, , ,
U9882
23.01.1964
Time Magazine Cover - Robert Rauschenberg
Unbuilt Roads
Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3" Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The ...
Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3" Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The ...
, , , ,
W4571
25.05.2011
Argh! - Paco Contreras
WWW
Tilted Argh! Since its inception the Roman civilization had exalted its leaders. Rome had always awaited the arrival of good news from its generals with great concern; in hope of securing protection of the Empire. The Romans were tremendously respect ...
Tilted Argh! Since its inception the Roman civilization had exalted its leaders. Rome had always awaited the arrival of good news from its generals with great concern; in hope of securing protection of the Empire. The Romans were tremendously respect ...
, ,
W3652
15.05.2011
Dederon – The Fabric of the East - Daniel Blochwitz
WWW
One of the most complex and yet unrealized projects of mine is “Dederon – The Fabric of the East” (2003-present), which literally uses the (polyester) thread named after the DDR (engl.: G.D.R.) to trace the initially noble and ambitious project of e ...
One of the most complex and yet unrealized projects of mine is “Dederon – The Fabric of the East” (2003-present), which literally uses the (polyester) thread named after the DDR (engl.: G.D.R.) to trace the initially noble and ambitious project of e ...
, , ,
W4384
25.05.2011
Baiju Parthan
WWW
'SYNCYTIUM / COSMOPOLIS' (An unrealized project from 2008 ) The project is an attempt to suggest that 'identity' is not a monolithic immutable asset, but a very granular and dynamic feedback system, a ceaseless process that continually emit and absor ...
'SYNCYTIUM / COSMOPOLIS' (An unrealized project from 2008 ) The project is an attempt to suggest that 'identity' is not a monolithic immutable asset, but a very granular and dynamic feedback system, a ceaseless process that continually emit and absor ...
W4317
24.05.2011
LANGAGE - Tom Veeger & Ivo Schoofs
WWW
LANGAGE Proposition Neon construction cinétique Plaine de Plainpalais, Geneva Organisation Fmac, FCAC l'auteur Tom Veeger, MSc & Ivo Schoofs, BSc March 20th, 2011 LANGAGE La place est pleine de monde. Les hésitants regardent en l’air ...
LANGAGE Proposition Neon construction cinétique Plaine de Plainpalais, Geneva Organisation Fmac, FCAC l'auteur Tom Veeger, MSc & Ivo Schoofs, BSc March 20th, 2011 LANGAGE La place est pleine de monde. Les hésitants regardent en l’air ...
,
W3963
21.05.2011
LONG DISTANCE RELATIONSHIP - Agnes Bolt
WWW
Long Distance Relationship For the exhibition, I am proposing to run a series of 100ft long connected extension cords powered from my studio (the creative place of production) to the exhibition space 2.2 miles away. The energy it takes to sustain so ...
Long Distance Relationship For the exhibition, I am proposing to run a series of 100ft long connected extension cords powered from my studio (the creative place of production) to the exhibition space 2.2 miles away. The energy it takes to sustain so ...
, ,
W5338
18.10.2012
Hanínga Thiel
WWW
3 proposals for the Istanbul Biennale: Proposal 1: LOST DIRECTION Some theory first: Do you know the rules and do you know the guidelines? The world has become chaotic. Confusing, mostly because opposing trends such as globalization (the increas ...
3 proposals for the Istanbul Biennale: Proposal 1: LOST DIRECTION Some theory first: Do you know the rules and do you know the guidelines? The world has become chaotic. Confusing, mostly because opposing trends such as globalization (the increas ...
, ,
W4162
23.05.2011
Claire Ferguson
WWW
a man catches a glimpse of a woman. he thinks of her for a few seconds and then doesn’t. she is just someone he has seen. some time later, he sees her again. this time for longer. only for a few seconds longer. he thinks about her for longer. at first, ...
a man catches a glimpse of a woman. he thinks of her for a few seconds and then doesn’t. she is just someone he has seen. some time later, he sees her again. this time for longer. only for a few seconds longer. he thinks about her for longer. at first, ...
, ,
U9610
01.01.1988
Tulips for Amsterdam - Isa Genzken
Unbuilt Roads
Auf dem Wege nach Amsterdam sollten wir 30 meter hohe stahltulpen im würde leicht Schwingend die Autofahrer. Links und rechts oder Autobahn begrußen. (Jede Blüte in ihre eigenen farbe) (eventually reasons why the work has not been realised) Die A ...
Auf dem Wege nach Amsterdam sollten wir 30 meter hohe stahltulpen im würde leicht Schwingend die Autofahrer. Links und rechts oder Autobahn begrußen. (Jede Blüte in ihre eigenen farbe) (eventually reasons why the work has not been realised) Die A ...
, , , , , ,
W3650
15.05.2011
Justyn Zolli
WWW
These are two unrealized designs are for large stained glass windows. The designs is variable in scale, and the windows would make use of specialized glass such as lenses, roundel disks, and mouth-blown antique glass. This photo is derived from a maquette ...
These are two unrealized designs are for large stained glass windows. The designs is variable in scale, and the windows would make use of specialized glass such as lenses, roundel disks, and mouth-blown antique glass. This photo is derived from a maquette ...
, ,
W5006
30.08.2012
Das soziale NetzKunstwerk - Karen Eliot
WWW
An internet forum/ social network for Open Source Art projects: Artists always have unrealized ideas - things that just slumber in sketchbooks forever. We want to create a website, where users can propose such projects and leave it open for others to adop ...
An internet forum/ social network for Open Source Art projects: Artists always have unrealized ideas - things that just slumber in sketchbooks forever. We want to create a website, where users can propose such projects and leave it open for others to adop ...
, , ,
W5422
20.10.2012
ŻAK BRANICKA FOUNDATION - Szymon Kobylarz
WWW
“Agency of Unrealized Projects” Szymon Kobylarz (Polen) ŻAK BRANICKA FOUNDATION DEUTSCH Bild 1. Das 1. Bild zeigt eine nicht-­‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum ...
“Agency of Unrealized Projects” Szymon Kobylarz (Polen) ŻAK BRANICKA FOUNDATION DEUTSCH Bild 1. Das 1. Bild zeigt eine nicht-­‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum ...
, , , , , ,
W4321
24.05.2011
This Never Happened - Vladimir Mitrev & Martina Baleva
WWW
This Never Happened Vladimir Mitrev & Martina Baleva Background of the project In 2007 an exhibition about the creation process of the painting “The Massacre of Batak” from 1892 by the Polish painter Antoni Piotrowski should have been shown ...
This Never Happened Vladimir Mitrev & Martina Baleva Background of the project In 2007 an exhibition about the creation process of the painting “The Massacre of Batak” from 1892 by the Polish painter Antoni Piotrowski should have been shown ...
, ,
W4754
27.05.2011
Billboard - Oona Stern
WWW
Using the technique of banner advertising ubiquitous throughout the city, a scaffolding bridgeway in lower Manhattan would be wallpapered with an image of architectural material. Reclaiming architectural surfaces from the pervasion of advertising, "billbo ...
Using the technique of banner advertising ubiquitous throughout the city, a scaffolding bridgeway in lower Manhattan would be wallpapered with an image of architectural material. Reclaiming architectural surfaces from the pervasion of advertising, "billbo ...
, ,
W4805
07.08.2012
MATTHEW ROSE
WWW
Where Does It Itch? is a project involving 100 of my framed collage works aligned in grid or horizon on a wall. Originally slated for Ogilvy Mather Direct as a proposal, it was abandoned. This PDF is that original proposal. Matthew Rose is an Americ ...
Where Does It Itch? is a project involving 100 of my framed collage works aligned in grid or horizon on a wall. Originally slated for Ogilvy Mather Direct as a proposal, it was abandoned. This PDF is that original proposal. Matthew Rose is an Americ ...
, ,
W4176
24.05.2011
MEDIA TORTURE CHAMBER - Mitya Nesterov
WWW
MEDIA TORTURE CHAMBER is room one cannot leave without permission. Inside that room you have a baroque-styled bed one cannot sleep on because it is covered with sharp nails, four powerful speakers playing classical music all the time, and plasma TV-screen ...
MEDIA TORTURE CHAMBER is room one cannot leave without permission. Inside that room you have a baroque-styled bed one cannot sleep on because it is covered with sharp nails, four powerful speakers playing classical music all the time, and plasma TV-screen ...
, ,
W3950
20.05.2011
GLASS WIND - Beatrice Crastini
WWW
Project presented to Basilea Committee, year 2008 Project GLASS WIND Starting from the sentence “in the electric technology’s regime, the duty of the man becomes that to learn and to know; all the forms of wealth derive from the move of inform ...
Project presented to Basilea Committee, year 2008 Project GLASS WIND Starting from the sentence “in the electric technology’s regime, the duty of the man becomes that to learn and to know; all the forms of wealth derive from the move of inform ...
, , ,
W4857
08.08.2012
A Comedy Routine - Dan Riley
WWW
Comedy Routine A, is a comedy routine that was written but never performed, due to shyness and perhaps bad material... COMEDY ROUTINE A So, its been gettin’ real cold lately, jeez. [Optional: Have you guys been feeling this?] We went out and ...
Comedy Routine A, is a comedy routine that was written but never performed, due to shyness and perhaps bad material... COMEDY ROUTINE A So, its been gettin’ real cold lately, jeez. [Optional: Have you guys been feeling this?] We went out and ...
, ,
W5030
31.08.2012
Spectral Horse - Mags Harries & Lajos Heder
WWW
Mags Harries & Lajos Héder Spectral Horse Location: Spectacle Island, Boston Harbor, MA (Proposal 2006) Size: 400’ x 250’ Materials: Lighting and light reflective materials Description: Spectacle Island lies in a very prominent position in Bost ...
Mags Harries & Lajos Héder Spectral Horse Location: Spectacle Island, Boston Harbor, MA (Proposal 2006) Size: 400’ x 250’ Materials: Lighting and light reflective materials Description: Spectacle Island lies in a very prominent position in Bost ...
, , ,
W5362
19.10.2012
No Exit - Darija S. Radakovic
WWW
The structure consists of eight doors arranged in the form of swastika. It represents a dangerous trap behind something which appears to be a harmless game. “No Exit”, an interactive installation by Darija S. Radaković, is facing a visitor with s ...
The structure consists of eight doors arranged in the form of swastika. It represents a dangerous trap behind something which appears to be a harmless game. “No Exit”, an interactive installation by Darija S. Radaković, is facing a visitor with s ...
, ,