2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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2000, Poznan, Poland.
Project for kinetic outdoor sculpture. Proposed total dimensions: 2200 x 7000 x 7000 cm. Steel, aircraft cable, wind turbines with reduction gears. Model in 1:8 scale.
Propellers are pointed to various directions in relation to
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"2011 and my private destinations " and "Because of your coordination" - Nikolay Zanev
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
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Pic1
2011 and my private destinations
Map and software, D-print, 2012, size 70x90 cm
Print shows map of Sofia city and my private duration and interest during one year period (2011), where I have been and where I used to go, do things in my pe
...
Civic Centre in Salburua - Taller Basico de Arquitectura [TBA]
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Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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Civic Centre in Salburua (2009)
The expansion of the city towards the peripheral neighborhoods has occupied the green limits between the inhabited zone and the world. These areas still retain their limit character, and they don’t appear on the city a
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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Parish in Buztintxuri - Taller Basico de Arquitectura [TBA]
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Parish in Buztintxuri (2011)
The building is principally developed on the ground floor. Functional issues make necessary to emerge a second level in the central area. This space contains technical spaces.
The building is functionally differentiated
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Parish in Buztintxuri (2011)
The building is principally developed on the ground floor. Functional issues make necessary to emerge a second level in the central area. This space contains technical spaces.
The building is functionally differentiated
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Two Propositions for Participation and One Prognostication - Mel Chin
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Two Propositions for Participation and One Prognostication
(One Page of) Preparatory Notes: Ask the least, so the most can be included. As a scriptor, conceive parts the performers (the participants) can easily follow yet allow them to understand how th
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Two Propositions for Participation and One Prognostication
(One Page of) Preparatory Notes: Ask the least, so the most can be included. As a scriptor, conceive parts the performers (the participants) can easily follow yet allow them to understand how th
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School of Pharmacy in Sevilla - Taller Basico de Arquitectura [TBA]
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School of Pharmacy in Sevilla (2011)
We propose to build a new public space, a place opened to students and visitors, a room for the city. This room recreates an enclosed space, a courtyard. The new public space is affected by movements and pedestrian
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School of Pharmacy in Sevilla (2011)
We propose to build a new public space, a place opened to students and visitors, a room for the city. This room recreates an enclosed space, a courtyard. The new public space is affected by movements and pedestrian
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METEORITE AL CONTRARIO (INVERTED METEORITE) - Davide Bertocchi
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METEORITE AL CONTRARIO (INVERTED METEORITE) - 2011 PROJECT. STONE, SPACE MISSION Courtesy the artist
A medium size stone (more or less 50 cm x 50 cm x 50 cm) is sent into space. Like a meteorite but following an opposite trajectory, that is, inste
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METEORITE AL CONTRARIO (INVERTED METEORITE) - 2011 PROJECT. STONE, SPACE MISSION Courtesy the artist
A medium size stone (more or less 50 cm x 50 cm x 50 cm) is sent into space. Like a meteorite but following an opposite trajectory, that is, inste
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space".
"Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto
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Placid Earth: A Project for the Meeting of Millennia - Cai Guo Quiang
Unbuilt Roads
Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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Observed from space, the Earth at night is ablaze with lights.
During the last second of this century and the first second of the next century--the two seconds when the millennia meet-all inhabitants of the Earth should turn off their lights, letting t
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