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Date
Title
Source
Description
Tags
W4756
27.05.2011
“Collectors” Series - Soo Kim
WWW
Unfinished and ongoing project called "Collectors" -all kinds of things and creatures are collected, and create a melody and tune. Initial idea for “Collectors” series started after thinking how we miss unnoticeable things around surroundings, and th ...
Unfinished and ongoing project called "Collectors" -all kinds of things and creatures are collected, and create a melody and tune. Initial idea for “Collectors” series started after thinking how we miss unnoticeable things around surroundings, and th ...
W3753
18.05.2011
24 hours – surveillance of the sun - renata padovan
WWW
"24 Hs - Surveillance of the sun" is a project that maps sunsets and sunrises around the world. It aims at placing the viewer face to face with the idea of relative time and space. Considering that in 24 hours the Earth completes a full rotation in re ...
"24 Hs - Surveillance of the sun" is a project that maps sunsets and sunrises around the world. It aims at placing the viewer face to face with the idea of relative time and space. Considering that in 24 hours the Earth completes a full rotation in re ...
W3615
13.05.2011
In the Realm of Self - Shaun David Myles
WWW
Sculptural installation: This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition. The two sculptures here, each ...
Sculptural installation: This installation is an offshoot from a project developed over a number of years using the symbol of the heart, explored through multiple materials, for an investigation of the human condition. The two sculptures here, each ...
U9918
01.01.1994
Eight Days a Week - Joe Scanlan
Unbuilt Roads
In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In ...
In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more "in tune" with my personal rhythms. Although it contained the same 365 days, the calendar was divided into 15 In ...
W4898
11.08.2012
Space and Time - Joe Sobel
WWW
In graduate school I would rearrange my studio constantly. It wasn’t until after I learned of the term tabulology, while studying The Peter Principle. It is the study of unusual arrangements of desks, workbenches, etc. with acts of habituation and repet ...
In graduate school I would rearrange my studio constantly. It wasn’t until after I learned of the term tabulology, while studying The Peter Principle. It is the study of unusual arrangements of desks, workbenches, etc. with acts of habituation and repet ...
W4802
07.08.2012
Talking in Strings - chiara passa
WWW
My CV: http://www.chiarapassa.it/Artisticprofile.html 2011 "Talking in string", generative video installation. Time variable. "Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in ...
My CV: http://www.chiarapassa.it/Artisticprofile.html 2011 "Talking in string", generative video installation. Time variable. "Talking in string" is a generative video installation inspired by the 'Rotor', famous Luna Park rotating carousel. "Talking in ...
U9869
01.01.1997
"Free Space" - Michelangelo Pistoletto
Unbuilt Roads
Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space". "Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto ...
Large cage of iron rods without any entrance. A tag is fastened, outside, in the middle of each of the four sides, saying "The Free Space". "Free Space" From the book "100 exhibitions in the month of October" 1976; Recipe n. 90 Pistoletto ...
U9828
01.01.1970
Invitation Space No.1 - Tania Mouraud
Unbuilt Roads
1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague Publications: Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud) feuille volaute Galerie LP 220, Turin, Milan "Paysage sonore urbain" Be ...
1 carré en béton dimension 150 cm epaisseur 15 cm, accroché au flauc d 'une monVague Publications: Galerie "Ben donte de tout" 1971 (Invitation à l'exposition Mouraud) feuille volaute Galerie LP 220, Turin, Milan "Paysage sonore urbain" Be ...
W5292
16.10.2012
Along horizontality - Joanna Geldard
WWW
Along horizontality Joanna Geldard My studies into the nature of horizontality extend to integrate an approach to space and site in non-spaces/in-between spaces. It aims to negotiate and contribute to the interpretations of non-spaces on the ed ...
Along horizontality Joanna Geldard My studies into the nature of horizontality extend to integrate an approach to space and site in non-spaces/in-between spaces. It aims to negotiate and contribute to the interpretations of non-spaces on the ed ...
W4678
26.05.2011
Two Propositions for Participation and One Prognostication  - Mel Chin
WWW
Two Propositions for Participation and One Prognostication (One Page of) Preparatory Notes: Ask the least, so the most can be included. As a scriptor, conceive parts the performers (the participants) can easily follow yet allow them to understand how th ...
Two Propositions for Participation and One Prognostication (One Page of) Preparatory Notes: Ask the least, so the most can be included. As a scriptor, conceive parts the performers (the participants) can easily follow yet allow them to understand how th ...
W4448
25.05.2011
Minaret Project - Joanna Rajkowska
WWW
Minaret Project ‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl ...
Minaret Project ‘What is absolutely crucial for me is the relationship between the work, a real work in real space, and the body. One can hardly discuss a project’s impact on the public sphere if the project is not physically there, if everyone onl ...