Press release.
Helen maher. ‘Experiments In Organza’
Textile Sculptor, living & working in London.
Current project, ‘Experiments in Organza’, investigates the interaction between
Primary Elements- Solids, Liquids & Gases & Secondary Elem
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Press release.
Helen maher. ‘Experiments In Organza’
Textile Sculptor, living & working in London.
Current project, ‘Experiments in Organza’, investigates the interaction between
Primary Elements- Solids, Liquids & Gases & Secondary Elem
...
I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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We Don't Even Know How to End This Misery - Kristin Tårnes
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The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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Set in a desert-like environment, the piece is a wind-activated, large scale kinetic sculpture that uses ocean imagery and sound. Windcatchers that resemble ocean waves are suspended above a rooftop to rotate and power the sound of ocean waves at street l
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Set in a desert-like environment, the piece is a wind-activated, large scale kinetic sculpture that uses ocean imagery and sound. Windcatchers that resemble ocean waves are suspended above a rooftop to rotate and power the sound of ocean waves at street l
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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Patagonia is a sound
Patagonia is an overlay of maps
Patagonia is invisible movement
Patagonia is an imaginary territory
In Patagonia there is no monkey nor jaguar
In Patagonia there is no image of God
In Patagonia there is no velocity
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Patagonia is a sound
Patagonia is an overlay of maps
Patagonia is invisible movement
Patagonia is an imaginary territory
In Patagonia there is no monkey nor jaguar
In Patagonia there is no image of God
In Patagonia there is no velocity
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Work Description:
In this proposed project for Watermans, 1000 bargain bin CDs are purchased and made available to visitors to browse, playback and take-away if they wish. Rather than a constantly updated library of the latest hits, these albums are the
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Work Description:
In this proposed project for Watermans, 1000 bargain bin CDs are purchased and made available to visitors to browse, playback and take-away if they wish. Rather than a constantly updated library of the latest hits, these albums are the
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Proposal
The proposal is to overlay two Doppler Effect * phenomena (change in pitch and volume) onto a piece of music.
Process
Start with a multi-track recording of a piece of music (one track per instrument)
Split each track of the recording
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Proposal
The proposal is to overlay two Doppler Effect * phenomena (change in pitch and volume) onto a piece of music.
Process
Start with a multi-track recording of a piece of music (one track per instrument)
Split each track of the recording
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THEDEATHLYVIEWOFANAUDIOSCOPEBASTARD ONTHECAGEOFBRITNEY - Annabel Lange
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eine Sound-Installation im öffentlichen Raum
Konzept: Annabel Lange
The course of the installation
The Cage of Britney I
As a bastard of perception the visitor confronts the installation which is stituated onto some urban waste land. One ha
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eine Sound-Installation im öffentlichen Raum
Konzept: Annabel Lange
The course of the installation
The Cage of Britney I
As a bastard of perception the visitor confronts the installation which is stituated onto some urban waste land. One ha
...
Monument: Debussy’s La Mer:
SPIRAL MONUMENT – an unrealized project
SPIRAL MONUMENT intends to drop visitors into the grooves of a recording of Debussy’s famed orchestral work La Mer.
This structure, which replicates the surface of a vinyl recor
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Monument: Debussy’s La Mer:
SPIRAL MONUMENT – an unrealized project
SPIRAL MONUMENT intends to drop visitors into the grooves of a recording of Debussy’s famed orchestral work La Mer.
This structure, which replicates the surface of a vinyl recor
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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Danses is a single channel digital video, comprised of three pieces, looped together to create a linear digital tryptic. The sound is an electro acoustic digital piece performed and arranged by myself, based on Erik Satie's Gymnopodies.
TITLE Danses
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Danses is a single channel digital video, comprised of three pieces, looped together to create a linear digital tryptic. The sound is an electro acoustic digital piece performed and arranged by myself, based on Erik Satie's Gymnopodies.
TITLE Danses
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Green Soundscape // Audio collage - Reference to the Arab revolution - Youssef Tabti
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I. Collect recording in North Africa (Algeria, Tunisia, Libya and Egypt)
The project addresses the idea of Arabic cities landscape from an auditory perspective. I would like to collect a various audio sources on location to recreate a complex and subje
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I. Collect recording in North Africa (Algeria, Tunisia, Libya and Egypt)
The project addresses the idea of Arabic cities landscape from an auditory perspective. I would like to collect a various audio sources on location to recreate a complex and subje
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