Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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We Don't Even Know How to End This Misery - Kristin Tårnes
WWW
The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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Instructions to finding a future - Batya F. Kuncman
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Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Proposal
The proposal is to overlay two Doppler Effect * phenomena (change in pitch and volume) onto a piece of music.
Process
Start with a multi-track recording of a piece of music (one track per instrument)
Split each track of the recording
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Proposal
The proposal is to overlay two Doppler Effect * phenomena (change in pitch and volume) onto a piece of music.
Process
Start with a multi-track recording of a piece of music (one track per instrument)
Split each track of the recording
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Action Office III
The first cubicles were designed in 1967 by Robert Propst. The purpose was to give the workers more privacy, to isolate them from sights and noises of an open workspace. Probst consulted for his research mathematicians, behavioral psych
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Action Office III
The first cubicles were designed in 1967 by Robert Propst. The purpose was to give the workers more privacy, to isolate them from sights and noises of an open workspace. Probst consulted for his research mathematicians, behavioral psych
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Rural pleasure trip / an investigation of sounds - Gisela Weimann
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Gisela Weimann >www.giselaweimann.de<
Since the 80s the focal points of my projects are sound installations and experimental music-theatre productions that include artists and theorists from different fields and national descend.
Gisela Weimann
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Gisela Weimann >www.giselaweimann.de<
Since the 80s the focal points of my projects are sound installations and experimental music-theatre productions that include artists and theorists from different fields and national descend.
Gisela Weimann
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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Monument: Debussy’s La Mer:
SPIRAL MONUMENT – an unrealized project
SPIRAL MONUMENT intends to drop visitors into the grooves of a recording of Debussy’s famed orchestral work La Mer.
This structure, which replicates the surface of a vinyl recor
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Monument: Debussy’s La Mer:
SPIRAL MONUMENT – an unrealized project
SPIRAL MONUMENT intends to drop visitors into the grooves of a recording of Debussy’s famed orchestral work La Mer.
This structure, which replicates the surface of a vinyl recor
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Project Proposal In Brief - The Ringer (What Every Tower Needs) This work address the complex feelings of displacement and disconnect experienced by the Glasgow School of Art and the surrounding community during campus redevelopment. Honoring the ideals
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Project Proposal In Brief - The Ringer (What Every Tower Needs) This work address the complex feelings of displacement and disconnect experienced by the Glasgow School of Art and the surrounding community during campus redevelopment. Honoring the ideals
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THE SOUND BARRIER A DUTCH NATIONAL, MONUMENTAL & EPHEMERAL CITY ARTWORK - Harold Schellinx
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THE SOUND BARRIER A DUTCH NATIONAL, MONUMENTAL & EPHEMERAL CITY ARTWORK BY GEERT-JAN HOBIJN, HAROLD SCHELLINX AND KEVIN SCHUIT FOR THE 55TH VENICE BIENNALE (JUNENOVEMBER 2013)
About a hundred years ago the Italian Futurists cried out for a total break
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THE SOUND BARRIER A DUTCH NATIONAL, MONUMENTAL & EPHEMERAL CITY ARTWORK BY GEERT-JAN HOBIJN, HAROLD SCHELLINX AND KEVIN SCHUIT FOR THE 55TH VENICE BIENNALE (JUNENOVEMBER 2013)
About a hundred years ago the Italian Futurists cried out for a total break
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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THEDEATHLYVIEWOFANAUDIOSCOPEBASTARD ONTHECAGEOFBRITNEY - Annabel Lange
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eine Sound-Installation im öffentlichen Raum
Konzept: Annabel Lange
The course of the installation
The Cage of Britney I
As a bastard of perception the visitor confronts the installation which is stituated onto some urban waste land. One ha
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eine Sound-Installation im öffentlichen Raum
Konzept: Annabel Lange
The course of the installation
The Cage of Britney I
As a bastard of perception the visitor confronts the installation which is stituated onto some urban waste land. One ha
...