"Looking into the heart of light, the silence . . . " - T. S. Eliot
«Un agne passe» - „Ein Engel schwebt durch den Raum" - ein Moment due Ruhe, der selten geworden ist in unserer Gesellschaft, die vom visuellen und sonoren horror vacui verflogt wir
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"Looking into the heart of light, the silence . . . " - T. S. Eliot
«Un agne passe» - „Ein Engel schwebt durch den Raum" - ein Moment due Ruhe, der selten geworden ist in unserer Gesellschaft, die vom visuellen und sonoren horror vacui verflogt wir
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The project was based on the realisation of a certain number of dérives throughout the city-state of Singapore, in which an extensive visual and sound documentation would be carried out. This material consecutively was to be used to reconstruct the ci
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The project was based on the realisation of a certain number of dérives throughout the city-state of Singapore, in which an extensive visual and sound documentation would be carried out. This material consecutively was to be used to reconstruct the ci
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Set in a desert-like environment, the piece is a wind-activated, large scale kinetic sculpture that uses ocean imagery and sound. Windcatchers that resemble ocean waves are suspended above a rooftop to rotate and power the sound of ocean waves at street l
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Set in a desert-like environment, the piece is a wind-activated, large scale kinetic sculpture that uses ocean imagery and sound. Windcatchers that resemble ocean waves are suspended above a rooftop to rotate and power the sound of ocean waves at street l
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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JULIA DAVIS 2012
Unrealized Project:
HORIZONTAL FALL
13 minute HD Video, Four channel surround sound
A ten-minute video shot in the restricted access area of the Wieliczka Salt mine in Poland 2009 is projected in a 3.5m diameter area on the floor o
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The Impossible Collection, Radio-made, and Vertical Reading - Georgi Gospodinov
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Georgi Gospodinov 3 projects The Impossible Collection A gallery. Eight absolutely empty glass cubes (window displays) closed from each side, just with captions beneath, in the following order: apples – shrivel, rot cheese – begins to smell bad clouds
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Georgi Gospodinov 3 projects The Impossible Collection A gallery. Eight absolutely empty glass cubes (window displays) closed from each side, just with captions beneath, in the following order: apples – shrivel, rot cheese – begins to smell bad clouds
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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As part of my residency at L’appartement 22 between November 24th - December 14th, 2009 I intended to conduct a research-based residency. The residency studio/apartment is located across the street from the Moroccan Parliament....
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As part of my residency at L’appartement 22 between November 24th - December 14th, 2009 I intended to conduct a research-based residency. The residency studio/apartment is located across the street from the Moroccan Parliament....
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Action Office III
The first cubicles were designed in 1967 by Robert Propst. The purpose was to give the workers more privacy, to isolate them from sights and noises of an open workspace. Probst consulted for his research mathematicians, behavioral psych
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Action Office III
The first cubicles were designed in 1967 by Robert Propst. The purpose was to give the workers more privacy, to isolate them from sights and noises of an open workspace. Probst consulted for his research mathematicians, behavioral psych
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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PROJECT [video]Flâneu®
The artist walks like a „Flâneur“ through the city. He does not have a turtle with him (as the original Parisian Flâneur of the 1830‘s used to); later, he does not write stories (as Edgar Allan Poe or Hans Christian Ande
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PROJECT [video]Flâneu®
The artist walks like a „Flâneur“ through the city. He does not have a turtle with him (as the original Parisian Flâneur of the 1830‘s used to); later, he does not write stories (as Edgar Allan Poe or Hans Christian Ande
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Press release.
Helen maher. ‘Experiments In Organza’
Textile Sculptor, living & working in London.
Current project, ‘Experiments in Organza’, investigates the interaction between
Primary Elements- Solids, Liquids & Gases & Secondary Elem
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Press release.
Helen maher. ‘Experiments In Organza’
Textile Sculptor, living & working in London.
Current project, ‘Experiments in Organza’, investigates the interaction between
Primary Elements- Solids, Liquids & Gases & Secondary Elem
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Instructions to finding a future - Batya F. Kuncman
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Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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THEDEATHLYVIEWOFANAUDIOSCOPEBASTARD ONTHECAGEOFBRITNEY - Annabel Lange
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eine Sound-Installation im öffentlichen Raum
Konzept: Annabel Lange
The course of the installation
The Cage of Britney I
As a bastard of perception the visitor confronts the installation which is stituated onto some urban waste land. One ha
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eine Sound-Installation im öffentlichen Raum
Konzept: Annabel Lange
The course of the installation
The Cage of Britney I
As a bastard of perception the visitor confronts the installation which is stituated onto some urban waste land. One ha
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Green Soundscape // Audio collage - Reference to the Arab revolution - Youssef Tabti
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I. Collect recording in North Africa (Algeria, Tunisia, Libya and Egypt)
The project addresses the idea of Arabic cities landscape from an auditory perspective. I would like to collect a various audio sources on location to recreate a complex and subje
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I. Collect recording in North Africa (Algeria, Tunisia, Libya and Egypt)
The project addresses the idea of Arabic cities landscape from an auditory perspective. I would like to collect a various audio sources on location to recreate a complex and subje
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