Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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Proposal for Historisches Museum Baden (Switzerland) within DAS OHR DER ZEIT- Projektwettbewerb-Klangintervention im Historisches Museum Baden.
Specifically designed for the spaces of Landvogteischloss, Music For Distances is a particular chordal-ram
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The project was based on the realisation of a certain number of dérives throughout the city-state of Singapore, in which an extensive visual and sound documentation would be carried out. This material consecutively was to be used to reconstruct the ci
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The project was based on the realisation of a certain number of dérives throughout the city-state of Singapore, in which an extensive visual and sound documentation would be carried out. This material consecutively was to be used to reconstruct the ci
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The notion of an "idiot savant" is someone who is simultaneously above and below normative standards of competence, imbuing them with a sublime uselessness. Their virtuoso (savant) cannot be instrumentalized by the rest of society for productive ends, be
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The notion of an "idiot savant" is someone who is simultaneously above and below normative standards of competence, imbuing them with a sublime uselessness. Their virtuoso (savant) cannot be instrumentalized by the rest of society for productive ends, be
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Call me mad. During 2005-7 I built a place within a place in my studio, in effect I occupied the space with a work that came to be titled 'outpost'. I just assumed I would find a public site to temporarily install the work; more specifically an open civic
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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Interacting Products
Interacting Products is an art installation consisting of two products that interact with eachother and an optional third party interacting with one of the products. The first product is a 909 drum machine which features a clap sou
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THE SOUND BARRIER A DUTCH NATIONAL, MONUMENTAL & EPHEMERAL CITY ARTWORK - Harold Schellinx
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THE SOUND BARRIER A DUTCH NATIONAL, MONUMENTAL & EPHEMERAL CITY ARTWORK BY GEERT-JAN HOBIJN, HAROLD SCHELLINX AND KEVIN SCHUIT FOR THE 55TH VENICE BIENNALE (JUNENOVEMBER 2013)
About a hundred years ago the Italian Futurists cried out for a total break
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THE SOUND BARRIER A DUTCH NATIONAL, MONUMENTAL & EPHEMERAL CITY ARTWORK BY GEERT-JAN HOBIJN, HAROLD SCHELLINX AND KEVIN SCHUIT FOR THE 55TH VENICE BIENNALE (JUNENOVEMBER 2013)
About a hundred years ago the Italian Futurists cried out for a total break
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PROJECT [video]Flâneu®
The artist walks like a „Flâneur“ through the city. He does not have a turtle with him (as the original Parisian Flâneur of the 1830‘s used to); later, he does not write stories (as Edgar Allan Poe or Hans Christian Ande
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PROJECT [video]Flâneu®
The artist walks like a „Flâneur“ through the city. He does not have a turtle with him (as the original Parisian Flâneur of the 1830‘s used to); later, he does not write stories (as Edgar Allan Poe or Hans Christian Ande
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05.2010
The project entitled “Dialogue” consists of a ping-pong table and two sound speakers. Measuring a total of 274 x 152 x 136 cm, this unfinished installation would have both speakers facing each other at both of the extremities of the table.
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05.2010
The project entitled “Dialogue” consists of a ping-pong table and two sound speakers. Measuring a total of 274 x 152 x 136 cm, this unfinished installation would have both speakers facing each other at both of the extremities of the table.
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sound of underground train from another city as audio integration downtown in Canadian city
Client: City of Calgary Development Dept. / Canada
Date: 2002
Audio art integration into minor city pedestrian sidewalk downtown Calgary Alberta Canada.
T
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sound of underground train from another city as audio integration downtown in Canadian city
Client: City of Calgary Development Dept. / Canada
Date: 2002
Audio art integration into minor city pedestrian sidewalk downtown Calgary Alberta Canada.
T
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Monument: Debussy’s La Mer:
SPIRAL MONUMENT – an unrealized project
SPIRAL MONUMENT intends to drop visitors into the grooves of a recording of Debussy’s famed orchestral work La Mer.
This structure, which replicates the surface of a vinyl recor
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Monument: Debussy’s La Mer:
SPIRAL MONUMENT – an unrealized project
SPIRAL MONUMENT intends to drop visitors into the grooves of a recording of Debussy’s famed orchestral work La Mer.
This structure, which replicates the surface of a vinyl recor
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THEDEATHLYVIEWOFANAUDIOSCOPEBASTARD ONTHECAGEOFBRITNEY - Annabel Lange
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eine Sound-Installation im öffentlichen Raum
Konzept: Annabel Lange
The course of the installation
The Cage of Britney I
As a bastard of perception the visitor confronts the installation which is stituated onto some urban waste land. One ha
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eine Sound-Installation im öffentlichen Raum
Konzept: Annabel Lange
The course of the installation
The Cage of Britney I
As a bastard of perception the visitor confronts the installation which is stituated onto some urban waste land. One ha
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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I am interested in the interplay between objects and sounds and movement in time and space. Word games and the change of classical musical formats with an ironic undertone are often part of my projects.
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We Don't Even Know How to End This Misery - Kristin Tårnes
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The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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