Unrealized Public Art Projects - Silvia Martí Marí (Spain)
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Public Art Projects
The Listener P.L.S. (“Public Listening Services –mobile unit-”). (“El escuchador. S. M. E. (Servicio Municipal Escuchador -unidad móvil-”).
A public art project to provide a public and free mobile service -in the stre
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Public Art Projects
The Listener P.L.S. (“Public Listening Services –mobile unit-”). (“El escuchador. S. M. E. (Servicio Municipal Escuchador -unidad móvil-”).
A public art project to provide a public and free mobile service -in the stre
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The pyramids...to be seen to be believed - Jonathan Monk
Unbuilt Roads
Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
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Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
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Paintings made with mainly acrylics and mix media, such a 3d effects on them. Stunning to look at and very provocative. Public in general love them and they always attract loads of attention. Different, unique and original they have been descrived.
Lu
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Paintings made with mainly acrylics and mix media, such a 3d effects on them. Stunning to look at and very provocative. Public in general love them and they always attract loads of attention. Different, unique and original they have been descrived.
Lu
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“Message to curators: Whatever you’re doing right now, do something else next.” Roberta Smith (New York Times, February 14, 2010)
THE CONCEPT:
SIGHT UNSEEN is intended to challenge traditional notions of curatorial practice. The project establis
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“Message to curators: Whatever you’re doing right now, do something else next.” Roberta Smith (New York Times, February 14, 2010)
THE CONCEPT:
SIGHT UNSEEN is intended to challenge traditional notions of curatorial practice. The project establis
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Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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City Hall Tower Night Ilumination - Krysztof Wodiczko
Unbuilt Roads
"In the name of "progress" our official culture is striving to force the new media to do the work of the old."
-Marshall McLuhan
"For the city of today does speak to us, but it is also at certain points and in certain orders remarkably silent. There a
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"In the name of "progress" our official culture is striving to force the new media to do the work of the old."
-Marshall McLuhan
"For the city of today does speak to us, but it is also at certain points and in certain orders remarkably silent. There a
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Argumentation of the National Bitter Melon Council on the Power and Efficacy of Bitter Melonism - Andi Sutton
WWW
A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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Fly me to outer space
This project explores new power relations between a networked public and the artist as well as the process of funding an artwork through crowdfunding to its extreme. The idea of this project is a journey to outer space with the for
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Fly me to outer space
This project explores new power relations between a networked public and the artist as well as the process of funding an artwork through crowdfunding to its extreme. The idea of this project is a journey to outer space with the for
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Proposal: Inside Standing/Conversations with the Guardians of Art
Proposed to the Tate Modern, sent to Ben B. I meet and discussed this and screening of Critical Conversations in a Limo.
Guardians of Art
Museum guards are the human face
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Proposal: Inside Standing/Conversations with the Guardians of Art
Proposed to the Tate Modern, sent to Ben B. I meet and discussed this and screening of Critical Conversations in a Limo.
Guardians of Art
Museum guards are the human face
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Often contemporary exhibition audience complain not to understand art and especially so-called conceptual art. This is specially problematic issue in Georgia, where general audience is not used to contemporary art. They ask themselves about the meaning of
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Often contemporary exhibition audience complain not to understand art and especially so-called conceptual art. This is specially problematic issue in Georgia, where general audience is not used to contemporary art. They ask themselves about the meaning of
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An installation of public smell (ocean, brine, tar, old fish) -housed inside an abandoned parking shack at the site of the old Fulton Fish Market, NYC. Smell is emitted from a DMX HVAC scent through the fence and into public space.
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An installation of public smell (ocean, brine, tar, old fish) -housed inside an abandoned parking shack at the site of the old Fulton Fish Market, NYC. Smell is emitted from a DMX HVAC scent through the fence and into public space.
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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Dear Hans-Ulrich,
Thank you for inviting me to participate in "Unbuilt Worlds - unrealized artist-projects". Sounds terrific.
In 1986 I was invited to participate in a program called "Messages to the Public". The invited artists would be given a 30-
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(model for) REMOTE CONTROLLED STARS or HOW TO CHANGE YOUR DESTINY - Mary Sherman
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Once someone came up to the oh-so dandy J. McNeil Whistler and exclaimed that they were both from Lowell and just a year apart – he was 68; Whistler, 67. To which Whistler replied - for all to hear, of course - “Very charming! And so you are 68 and we
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Once someone came up to the oh-so dandy J. McNeil Whistler and exclaimed that they were both from Lowell and just a year apart – he was 68; Whistler, 67. To which Whistler replied - for all to hear, of course - “Very charming! And so you are 68 and we
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The attached text document explains a wall sculpture that, due to lack of funding, I was not able to complete.
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My work is oftentimes inspired by objects, which I have encountered simply by living my life; trash on the sidewalk, patterns on the t-
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The attached text document explains a wall sculpture that, due to lack of funding, I was not able to complete.
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My work is oftentimes inspired by objects, which I have encountered simply by living my life; trash on the sidewalk, patterns on the t-
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Core Dump for a Crashed Planet was a proposal for the 2008 Climate Clock project in San Jose, California. The brief was for a public art piece that created a feedback mechanism to make the process of climate change visible to the public.
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Core Dump for a Crashed Planet was a proposal for the 2008 Climate Clock project in San Jose, California. The brief was for a public art piece that created a feedback mechanism to make the process of climate change visible to the public.
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A room with a view”, 2011
By Amalia Caputo
BRIEF DESCRIPTION
“A room with a view” is a project for an installation/temporary or permanent exhibition that deals with the physical inversion as an interaction/ direct experience with general pub
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A room with a view”, 2011
By Amalia Caputo
BRIEF DESCRIPTION
“A room with a view” is a project for an installation/temporary or permanent exhibition that deals with the physical inversion as an interaction/ direct experience with general pub
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Proposal for a Times Square Business Improvement District
Traffic Median Public Art Project
Febuary 28th, 1995
Artist: Christian Marclay
Title: Broadway Musicals
Site: Traffic median between Broadway and Seventh Avenue, from 4
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Proposal for a Times Square Business Improvement District
Traffic Median Public Art Project
Febuary 28th, 1995
Artist: Christian Marclay
Title: Broadway Musicals
Site: Traffic median between Broadway and Seventh Avenue, from 4
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