The project entitled “Contingency Zone” consist of 12 flagpoles, measuring 600cm tall by 6.5cm of diameter, and twelve flags, measuring 220 cm by 100cm, stamped with the repeating pattern [in the colors black and yellow] of the “caution” tapes
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The project entitled “Contingency Zone” consist of 12 flagpoles, measuring 600cm tall by 6.5cm of diameter, and twelve flags, measuring 220 cm by 100cm, stamped with the repeating pattern [in the colors black and yellow] of the “caution” tapes
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Jake and Dinos Chapman's five proposals for an empty plinth situated on central londons trafalgar square - Jake and Dinos Chapman
Unbuilt Roads
commissioned by liberal daily broadsheet newspaper ironically suggesting the most unsuitable artists possible to produce the most unsuitable public sculpture never to be realized: ha ha ha, very funny we suggest one of the following:
project 'Hawki
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commissioned by liberal daily broadsheet newspaper ironically suggesting the most unsuitable artists possible to produce the most unsuitable public sculpture never to be realized: ha ha ha, very funny we suggest one of the following:
project 'Hawki
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Proposal: Inside Standing/Conversations with the Guardians of Art
Proposed to the Tate Modern, sent to Ben B. I meet and discussed this and screening of Critical Conversations in a Limo.
Guardians of Art
Museum guards are the human face
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Proposal: Inside Standing/Conversations with the Guardians of Art
Proposed to the Tate Modern, sent to Ben B. I meet and discussed this and screening of Critical Conversations in a Limo.
Guardians of Art
Museum guards are the human face
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Eine Kreisfläche von ca. 30m Durchmesser ist auf dem offenen zum Ministerium für Bildung und Wiesenschaft und dem Ministerium für Justiz der Bundesrepublik Deutschland gehörenden ebenen Gelände in Bonn-BadGodesberg zu markieren, wenn möglich auf d
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Eine Kreisfläche von ca. 30m Durchmesser ist auf dem offenen zum Ministerium für Bildung und Wiesenschaft und dem Ministerium für Justiz der Bundesrepublik Deutschland gehörenden ebenen Gelände in Bonn-BadGodesberg zu markieren, wenn möglich auf d
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My work is a public telephone located centrally in a city, or in the lobby of a public building. There is a board above the telephone on which is written: "This is a free phone, but the conversations are being recorded and published later word by word."
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My work is a public telephone located centrally in a city, or in the lobby of a public building. There is a board above the telephone on which is written: "This is a free phone, but the conversations are being recorded and published later word by word."
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Interactive-Installation
1) At the height of at least 5th or 6th floor of a public art space (museum or foundation) it will be installed a door opening on the void. The door must be red and in wood, liek the door leading to a room in a house. Actuall
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Interactive-Installation
1) At the height of at least 5th or 6th floor of a public art space (museum or foundation) it will be installed a door opening on the void. The door must be red and in wood, liek the door leading to a room in a house. Actuall
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The attached text document explains a wall sculpture that, due to lack of funding, I was not able to complete.
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My work is oftentimes inspired by objects, which I have encountered simply by living my life; trash on the sidewalk, patterns on the t-
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The attached text document explains a wall sculpture that, due to lack of funding, I was not able to complete.
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My work is oftentimes inspired by objects, which I have encountered simply by living my life; trash on the sidewalk, patterns on the t-
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Core Dump for a Crashed Planet was a proposal for the 2008 Climate Clock project in San Jose, California. The brief was for a public art piece that created a feedback mechanism to make the process of climate change visible to the public.
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Core Dump for a Crashed Planet was a proposal for the 2008 Climate Clock project in San Jose, California. The brief was for a public art piece that created a feedback mechanism to make the process of climate change visible to the public.
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La Burqa Parapluie: Poster: 59,4 cm × 42 cm Copyright Lode Kuylenstierna 2011
La Burqa Taxi: Poster: 42 cm × 59,4 cm Copyright Lode Kuylenstierna 2011
La Burqa Bandage: Poster: 42 cm × 59,4 cm Copyright Lode Kuylenstierna 2011
T
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La Burqa Parapluie: Poster: 59,4 cm × 42 cm Copyright Lode Kuylenstierna 2011
La Burqa Taxi: Poster: 42 cm × 59,4 cm Copyright Lode Kuylenstierna 2011
La Burqa Bandage: Poster: 42 cm × 59,4 cm Copyright Lode Kuylenstierna 2011
T
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Proposal for a temporary public artwork on West San Fernando Street under the Highway 87 overpass and over the Guadalupe River, San Jose, CA
It takes about 68 seconds to cross under Highway 87 and over the Guadalupe River while walking on West San Fern
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Proposal for a temporary public artwork on West San Fernando Street under the Highway 87 overpass and over the Guadalupe River, San Jose, CA
It takes about 68 seconds to cross under Highway 87 and over the Guadalupe River while walking on West San Fern
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Please find attached a work titled "Museum of Unrealized Projects," (2011). This museum can be utilized as the final resting place of the Agency of Unrealized Projects - this museum charges no entrance fees and accepts donations on an unjuried basis.
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Please find attached a work titled "Museum of Unrealized Projects," (2011). This museum can be utilized as the final resting place of the Agency of Unrealized Projects - this museum charges no entrance fees and accepts donations on an unjuried basis.
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Often contemporary exhibition audience complain not to understand art and especially so-called conceptual art. This is specially problematic issue in Georgia, where general audience is not used to contemporary art. They ask themselves about the meaning of
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Often contemporary exhibition audience complain not to understand art and especially so-called conceptual art. This is specially problematic issue in Georgia, where general audience is not used to contemporary art. They ask themselves about the meaning of
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Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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Since the early 90s, my photographs have been publicly defended by freedom of speech organizations such as artsave/People for the American Way, the Electronic Freedom Foundation, and the ACLU. By witnessing first hand people's reactionary tendencies and
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Argumentation of the National Bitter Melon Council on the Power and Efficacy of Bitter Melonism - Andi Sutton
WWW
A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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A proposal to the 7th Berlin Biennale for Contemporary Art, 2012
Proposal by: The National Bitter Melon Council Web Site: http://www.bittermelon.org
Contact: Andi Sutton P: 857-928-4196
E: andi.sutton@gmail.com
Out of love for flavor and the desir
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An installation of public smell (ocean, brine, tar, old fish) -housed inside an abandoned parking shack at the site of the old Fulton Fish Market, NYC. Smell is emitted from a DMX HVAC scent through the fence and into public space.
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An installation of public smell (ocean, brine, tar, old fish) -housed inside an abandoned parking shack at the site of the old Fulton Fish Market, NYC. Smell is emitted from a DMX HVAC scent through the fence and into public space.
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A proposal for an art fair.
The difference between collections initiated through private sector and public fund raises concern of artworks value. As when artwork is purchased by a collector, it automatically obtains market value for future economic act
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A proposal for an art fair.
The difference between collections initiated through private sector and public fund raises concern of artworks value. As when artwork is purchased by a collector, it automatically obtains market value for future economic act
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Unrealized Public Art Projects - Silvia Martí Marí (Spain)
WWW
Public Art Projects
The Listener P.L.S. (“Public Listening Services –mobile unit-”). (“El escuchador. S. M. E. (Servicio Municipal Escuchador -unidad móvil-”).
A public art project to provide a public and free mobile service -in the stre
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Public Art Projects
The Listener P.L.S. (“Public Listening Services –mobile unit-”). (“El escuchador. S. M. E. (Servicio Municipal Escuchador -unidad móvil-”).
A public art project to provide a public and free mobile service -in the stre
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(model for) REMOTE CONTROLLED STARS or HOW TO CHANGE YOUR DESTINY - Mary Sherman
WWW
Once someone came up to the oh-so dandy J. McNeil Whistler and exclaimed that they were both from Lowell and just a year apart – he was 68; Whistler, 67. To which Whistler replied - for all to hear, of course - “Very charming! And so you are 68 and we
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Once someone came up to the oh-so dandy J. McNeil Whistler and exclaimed that they were both from Lowell and just a year apart – he was 68; Whistler, 67. To which Whistler replied - for all to hear, of course - “Very charming! And so you are 68 and we
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