Project for the Initiative Mahnmal Homosexuellenverfolgung, Frankfurt - Jeff Wall
Unbuilt Roads
My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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My monument would be a free-standing structure, a life-size open air cafe-terrace that the public could enter. It is a 12-sided ellipse with two entrances, and would be a careful recreation of such a place in a style typical of the 1920s. It would be made
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“Message to curators: Whatever you’re doing right now, do something else next.” Roberta Smith (New York Times, February 14, 2010)
THE CONCEPT:
SIGHT UNSEEN is intended to challenge traditional notions of curatorial practice. The project establis
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“Message to curators: Whatever you’re doing right now, do something else next.” Roberta Smith (New York Times, February 14, 2010)
THE CONCEPT:
SIGHT UNSEEN is intended to challenge traditional notions of curatorial practice. The project establis
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DESCRIPTION
The project consists of built inside the Civic Centre Sant Andreu a toilet for the disabled who do not meet standards of accessibility measures. It will build a separate room of existing toilets within the Civic Center that the dynamics
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DESCRIPTION
The project consists of built inside the Civic Centre Sant Andreu a toilet for the disabled who do not meet standards of accessibility measures. It will build a separate room of existing toilets within the Civic Center that the dynamics
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A rejected finalist proposal for a public sculpture designed by the public online. Each online participant determines the shape of a sculptural element, which can be assembled by visitors to the park.
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A rejected finalist proposal for a public sculpture designed by the public online. Each online participant determines the shape of a sculptural element, which can be assembled by visitors to the park.
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La Burqa Parapluie: Poster: 59,4 cm × 42 cm Copyright Lode Kuylenstierna 2011
La Burqa Taxi: Poster: 42 cm × 59,4 cm Copyright Lode Kuylenstierna 2011
La Burqa Bandage: Poster: 42 cm × 59,4 cm Copyright Lode Kuylenstierna 2011
T
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La Burqa Parapluie: Poster: 59,4 cm × 42 cm Copyright Lode Kuylenstierna 2011
La Burqa Taxi: Poster: 42 cm × 59,4 cm Copyright Lode Kuylenstierna 2011
La Burqa Bandage: Poster: 42 cm × 59,4 cm Copyright Lode Kuylenstierna 2011
T
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Often contemporary exhibition audience complain not to understand art and especially so-called conceptual art. This is specially problematic issue in Georgia, where general audience is not used to contemporary art. They ask themselves about the meaning of
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Often contemporary exhibition audience complain not to understand art and especially so-called conceptual art. This is specially problematic issue in Georgia, where general audience is not used to contemporary art. They ask themselves about the meaning of
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PROPOSAL FOR SEATTLE ARTS COMMISSION, IN PUBLIC - Chris Burden
Unbuilt Roads
I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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I propose that a typical working fisherman's boat 30 to 50 feet in length be attached to the side of the new Seattle Art Museum building. The boat's bow would point skyward, it's keel resting along one side of the building . A cable from the roof to the b
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Proposal for a temporary public artwork on West San Fernando Street under the Highway 87 overpass and over the Guadalupe River, San Jose, CA
It takes about 68 seconds to cross under Highway 87 and over the Guadalupe River while walking on West San Fern
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Proposal for a temporary public artwork on West San Fernando Street under the Highway 87 overpass and over the Guadalupe River, San Jose, CA
It takes about 68 seconds to cross under Highway 87 and over the Guadalupe River while walking on West San Fern
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(model for) REMOTE CONTROLLED STARS or HOW TO CHANGE YOUR DESTINY - Mary Sherman
WWW
Once someone came up to the oh-so dandy J. McNeil Whistler and exclaimed that they were both from Lowell and just a year apart – he was 68; Whistler, 67. To which Whistler replied - for all to hear, of course - “Very charming! And so you are 68 and we
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Once someone came up to the oh-so dandy J. McNeil Whistler and exclaimed that they were both from Lowell and just a year apart – he was 68; Whistler, 67. To which Whistler replied - for all to hear, of course - “Very charming! And so you are 68 and we
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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Geplanter Standort:
Naturwissenschaftliches Zentrum der Westfälischen Wilhelmsuniversität, Münster
Material:
Betonguß
Maße:
Tiefe 2,30 m, Breite 25,0 m, Länge 25,0 m
Note
The piece is a rhomboid square depression with the p
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The attached text document explains a wall sculpture that, due to lack of funding, I was not able to complete.
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My work is oftentimes inspired by objects, which I have encountered simply by living my life; trash on the sidewalk, patterns on the t-
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The attached text document explains a wall sculpture that, due to lack of funding, I was not able to complete.
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My work is oftentimes inspired by objects, which I have encountered simply by living my life; trash on the sidewalk, patterns on the t-
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Extracts from an unpublished interview with Michael Archer for Phaidon press:
...Around the same period I made a proposal for the New Contemporaries exhibition which was going to be held at the ICA. In those days the toilets were on either side of the
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Extracts from an unpublished interview with Michael Archer for Phaidon press:
...Around the same period I made a proposal for the New Contemporaries exhibition which was going to be held at the ICA. In those days the toilets were on either side of the
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Paintings made with mainly acrylics and mix media, such a 3d effects on them. Stunning to look at and very provocative. Public in general love them and they always attract loads of attention. Different, unique and original they have been descrived.
Lu
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Paintings made with mainly acrylics and mix media, such a 3d effects on them. Stunning to look at and very provocative. Public in general love them and they always attract loads of attention. Different, unique and original they have been descrived.
Lu
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An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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An outdoor concrete sculpture, yet uncompleted.
This minimal sculpture is to be built using the traditional catwalk runway model, as in use for most fashion shows. Although adaptable, it should be constructed according to standard proportions, in a
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Interactive-Installation
1) At the height of at least 5th or 6th floor of a public art space (museum or foundation) it will be installed a door opening on the void. The door must be red and in wood, liek the door leading to a room in a house. Actuall
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Interactive-Installation
1) At the height of at least 5th or 6th floor of a public art space (museum or foundation) it will be installed a door opening on the void. The door must be red and in wood, liek the door leading to a room in a house. Actuall
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My work is a public telephone located centrally in a city, or in the lobby of a public building. There is a board above the telephone on which is written: "This is a free phone, but the conversations are being recorded and published later word by word."
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My work is a public telephone located centrally in a city, or in the lobby of a public building. There is a board above the telephone on which is written: "This is a free phone, but the conversations are being recorded and published later word by word."
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Proposal: Inside Standing/Conversations with the Guardians of Art
Proposed to the Tate Modern, sent to Ben B. I meet and discussed this and screening of Critical Conversations in a Limo.
Guardians of Art
Museum guards are the human face
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Proposal: Inside Standing/Conversations with the Guardians of Art
Proposed to the Tate Modern, sent to Ben B. I meet and discussed this and screening of Critical Conversations in a Limo.
Guardians of Art
Museum guards are the human face
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Dear Mr. Kirkeby
Today I received the ektachromes for the book on unrealised projects form Michael Werner in New York-many thanks.
We would be most thankful if you could fax us some more text related to these projects.
With my best regards
Hans Ulrich
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Please find attached a work titled "Museum of Unrealized Projects," (2011). This museum can be utilized as the final resting place of the Agency of Unrealized Projects - this museum charges no entrance fees and accepts donations on an unjuried basis.
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Please find attached a work titled "Museum of Unrealized Projects," (2011). This museum can be utilized as the final resting place of the Agency of Unrealized Projects - this museum charges no entrance fees and accepts donations on an unjuried basis.
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A room with a view”, 2011
By Amalia Caputo
BRIEF DESCRIPTION
“A room with a view” is a project for an installation/temporary or permanent exhibition that deals with the physical inversion as an interaction/ direct experience with general pub
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A room with a view”, 2011
By Amalia Caputo
BRIEF DESCRIPTION
“A room with a view” is a project for an installation/temporary or permanent exhibition that deals with the physical inversion as an interaction/ direct experience with general pub
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