Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
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Ann Daly
adaly@aya.yale.edu
BUILDING DRAWING III: “NO-PLACE SPACE”
A house or room, housed elsewhere. A large room or rectangular structure set within another space, so that one can see the outside of it and move into its interior. A more ambit
...
Apartamentul / Infobox for Bucharest
This architectural space was thought as a place where the memory of the city should had been activated through different initiatives and projects. The need to link our present, our memory with our recent past led us
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Apartamentul / Infobox for Bucharest
This architectural space was thought as a place where the memory of the city should had been activated through different initiatives and projects. The need to link our present, our memory with our recent past led us
...
The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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I took a series of photos out of the passenger window while on a 6,000 mile road trip in spring from Missouri to California and back using a point and shoot camera. I used this type of camera deliberately to capture images in a very spontaneous way. Ma
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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No manʼs land
This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs
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Where are the California Rolls from? - Maki Na Kamura
WWW
To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
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To exhibit art works which revision the Japonisume. The title of the show is "Where are the California Rolls from"?
My idea is the exploration of a non-literal and ahistorical portrayal of landscape, which has been presumed as most unspectaclar genre o
...
Europe Park / sculpture and landscape - THEODOULOS Gregoriou
WWW
The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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Like many boys, I grew up on kings and queens, knights and castles. There is always a horse to ride, a dragon to slay, a princess to save from the evil baron, and yes, there is always the magic of the druids and the sorcerers.
Despite everything that Ir
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
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KRISTIN JONES / ANDREW GINZEL
APOTHEOSIS, 1994
Proposal for Pier 32, Hudson River, New York City
,Urban Paradise: Gardens in the City,
Public Art Fund, Paine Webber Gallery, New York, NY (catalogue)
Project Description:
We are ch
...