KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
...
Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
...
People are normalized by depiction. It situates them in positions that, with the passing of time, become identities. Reality requires repetition in order for meaning to settle and artworks help to reinforce these positions. The supremacy of men over women
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People are normalized by depiction. It situates them in positions that, with the passing of time, become identities. Reality requires repetition in order for meaning to settle and artworks help to reinforce these positions. The supremacy of men over women
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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El fracaso de Xochiquetzal
Ensayo reflexionar sobre la vejez y su condición ante la cercanía de la muerte
en el mundo contemporáneo.
En nuestra cultura hay una imagen desfavorable del envejecimiento, esta etapa despierta sentimientos encontrados,
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El fracaso de Xochiquetzal
Ensayo reflexionar sobre la vejez y su condición ante la cercanía de la muerte
en el mundo contemporáneo.
En nuestra cultura hay una imagen desfavorable del envejecimiento, esta etapa despierta sentimientos encontrados,
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IMNOW is an emergent identity composed of digital footprints across major social media platforms that challenges and explores current definitions of space (public vs. private, physical vs. virtual,) and time, with regard to contemporary notions of friends
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IMNOW is an emergent identity composed of digital footprints across major social media platforms that challenges and explores current definitions of space (public vs. private, physical vs. virtual,) and time, with regard to contemporary notions of friends
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Instructions to finding a future - Batya F. Kuncman
WWW
Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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@Maarten141BOXES: Bilingual Digital Interactive Internet Artwork in Progress (Artist: Maarten van der Heijden, 1947) - Maarten van der Heijden (@Maarten141BOXES)
WWW
@Maarten141BOXES: Bilingual Digital Interactive Internet Artwork in Progress (Artist: Maarten van der Heijden, 1947)
Introduction
@Maarten141BOXES is a Bilingual Digital Interactive Internet Artwork in Progress.
It is an egodocument: an autobiographi
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@Maarten141BOXES: Bilingual Digital Interactive Internet Artwork in Progress (Artist: Maarten van der Heijden, 1947)
Introduction
@Maarten141BOXES is a Bilingual Digital Interactive Internet Artwork in Progress.
It is an egodocument: an autobiographi
...
AUP : Agency for un-realised projects : submission :
1.0 The A.U.P. - Agency for un-realised projects - open call invitation states:
1.1 “Though the state of being unrealized implies the potential for realization, not all projects are intended to
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AUP : Agency for un-realised projects : submission :
1.0 The A.U.P. - Agency for un-realised projects - open call invitation states:
1.1 “Though the state of being unrealized implies the potential for realization, not all projects are intended to
...
Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
...