Solemnly Proclaimed or how to activate justice - Andrea Geyer
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Solemnly Proclaimed or how to activate justice. Iqaluit, Nunavut 2009
Seed funding for this project was provided by Artmatters Foundation in 2008/2009 which allowed for the initial research trip. Upon return from it, I had some tentative conversations
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Solemnly Proclaimed or how to activate justice. Iqaluit, Nunavut 2009
Seed funding for this project was provided by Artmatters Foundation in 2008/2009 which allowed for the initial research trip. Upon return from it, I had some tentative conversations
...
Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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This project is a way of mapping a home I have never been to from the outside. It is about the outside world not recognizing my identity as a Palestinian, or my people's right to their homeland. In that sense, it is unrealized.
31°53’20.24”N, 35°
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This project is a way of mapping a home I have never been to from the outside. It is about the outside world not recognizing my identity as a Palestinian, or my people's right to their homeland. In that sense, it is unrealized.
31°53’20.24”N, 35°
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The Samuel Gray Society is an educational foundation dedicated to the preservation of 18th century American history and to the life of Samuel Gray, the great patriot from whom the SGS takes its name. Forged in the crucible of hist
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The Samuel Gray Society is an educational foundation dedicated to the preservation of 18th century American history and to the life of Samuel Gray, the great patriot from whom the SGS takes its name. Forged in the crucible of hist
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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Instructions to finding a future - Batya F. Kuncman
WWW
Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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