PROJECT: CHOCOLATE VIDEO – September 2012
The idea is to create a video where I use the images of someone (myself) eating large quantities of chocolate. I then want to include images of my body interacting with chocolate. I am thinking of pouring cho
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PROJECT: CHOCOLATE VIDEO – September 2012
The idea is to create a video where I use the images of someone (myself) eating large quantities of chocolate. I then want to include images of my body interacting with chocolate. I am thinking of pouring cho
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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99 Iraqi artists will be invited to make 99 paintings of oil/ petroleum on paper or canvas.
TOP is structured to take place at 99-public spaces for 33 days. It is an independently curated multi-site-showcasing 99 Oil painting of 99 emerging and establi
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Instructions to finding a future - Batya F. Kuncman
WWW
Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Due to the vast number of building projects after fhe fall of the Berlin wall, German Reunification and the consequent transfer of the German government to Berlin there arose many debates, often heated, about the relationship between town and its evolut
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Due to the vast number of building projects after fhe fall of the Berlin wall, German Reunification and the consequent transfer of the German government to Berlin there arose many debates, often heated, about the relationship between town and its evolut
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El fracaso de Xochiquetzal
Ensayo reflexionar sobre la vejez y su condición ante la cercanía de la muerte
en el mundo contemporáneo.
En nuestra cultura hay una imagen desfavorable del envejecimiento, esta etapa despierta sentimientos encontrados,
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El fracaso de Xochiquetzal
Ensayo reflexionar sobre la vejez y su condición ante la cercanía de la muerte
en el mundo contemporáneo.
En nuestra cultura hay una imagen desfavorable del envejecimiento, esta etapa despierta sentimientos encontrados,
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Tableau Vivant and the subversive Feminine - andreas guibert
WWW
Academy of Fine Arts Vienna
PhD in Practice (Doctor of Philosophy in Practice)
Personal number: 0003
Andres Guibert
Abstract
The proposed project analyses how individual gay identities contest cultural policies in repressive regimes reformulating
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Academy of Fine Arts Vienna
PhD in Practice (Doctor of Philosophy in Practice)
Personal number: 0003
Andres Guibert
Abstract
The proposed project analyses how individual gay identities contest cultural policies in repressive regimes reformulating
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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IMNOW is an emergent identity composed of digital footprints across major social media platforms that challenges and explores current definitions of space (public vs. private, physical vs. virtual,) and time, with regard to contemporary notions of friends
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IMNOW is an emergent identity composed of digital footprints across major social media platforms that challenges and explores current definitions of space (public vs. private, physical vs. virtual,) and time, with regard to contemporary notions of friends
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This project is a way of mapping a home I have never been to from the outside. It is about the outside world not recognizing my identity as a Palestinian, or my people's right to their homeland. In that sense, it is unrealized.
31°53’20.24”N, 35°
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This project is a way of mapping a home I have never been to from the outside. It is about the outside world not recognizing my identity as a Palestinian, or my people's right to their homeland. In that sense, it is unrealized.
31°53’20.24”N, 35°
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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