El fracaso de Xochiquetzal
Ensayo reflexionar sobre la vejez y su condición ante la cercanía de la muerte
en el mundo contemporáneo.
En nuestra cultura hay una imagen desfavorable del envejecimiento, esta etapa despierta sentimientos encontrados,
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El fracaso de Xochiquetzal
Ensayo reflexionar sobre la vejez y su condición ante la cercanía de la muerte
en el mundo contemporáneo.
En nuestra cultura hay una imagen desfavorable del envejecimiento, esta etapa despierta sentimientos encontrados,
...
Instructions to finding a future - Batya F. Kuncman
WWW
Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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TadasTapouchiArtist_Statement.
The main reason for myself to apply to this open call is to work in a new environment and to find (new) artistic ways of expression, and off course to Stimulate art on live, Create a beneficial environment for the deve
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TadasTapouchiArtist_Statement.
The main reason for myself to apply to this open call is to work in a new environment and to find (new) artistic ways of expression, and off course to Stimulate art on live, Create a beneficial environment for the deve
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Drapeaux : Symboles d’identité (Flags : Symbols of Identity) - Alfonso Arzapalo
WWW
Drapeaux : Symboles d’identité (Flags : Symbols of Identity)
Flag No. 44 From the series: Flags
The project was a proposal for the Manif d'Art 2008, in Quebec City whose theme was "la rencontre" (the get together) and was part of the 400 anniv
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Drapeaux : Symboles d’identité (Flags : Symbols of Identity)
Flag No. 44 From the series: Flags
The project was a proposal for the Manif d'Art 2008, in Quebec City whose theme was "la rencontre" (the get together) and was part of the 400 anniv
...
Solemnly Proclaimed or how to activate justice - Andrea Geyer
WWW
Solemnly Proclaimed or how to activate justice. Iqaluit, Nunavut 2009
Seed funding for this project was provided by Artmatters Foundation in 2008/2009 which allowed for the initial research trip. Upon return from it, I had some tentative conversations
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Solemnly Proclaimed or how to activate justice. Iqaluit, Nunavut 2009
Seed funding for this project was provided by Artmatters Foundation in 2008/2009 which allowed for the initial research trip. Upon return from it, I had some tentative conversations
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MORCA
Museum of Rene’s Contemporary Art
Rene has produced too much Artstuff. He likes all of it and he has been able to afford to keep it all in storage. His website (www.reneprice.ca) presents 1000 of his more than 2000 3
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MORCA
Museum of Rene’s Contemporary Art
Rene has produced too much Artstuff. He likes all of it and he has been able to afford to keep it all in storage. His website (www.reneprice.ca) presents 1000 of his more than 2000 3
...
Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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Oslo, Norway, 2004
Permanent Installation
In 2004 Esther Shalev-Gerz conceived White Point – Meeting Point as her invited proposal to the juried competition for a public artwork for Oslo’s new Centre for Studies of the Holocaust and Religious Mi
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This project is a way of mapping a home I have never been to from the outside. It is about the outside world not recognizing my identity as a Palestinian, or my people's right to their homeland. In that sense, it is unrealized.
31°53’20.24”N, 35°
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This project is a way of mapping a home I have never been to from the outside. It is about the outside world not recognizing my identity as a Palestinian, or my people's right to their homeland. In that sense, it is unrealized.
31°53’20.24”N, 35°
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