KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
...
Unrealized project proposal for AUP
Willing to continue investigating our relationship with natural components of the environment and expanding the development of the project in progress “Untitled dualism”, it would be a matter of great interest f
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Unrealized project proposal for AUP
Willing to continue investigating our relationship with natural components of the environment and expanding the development of the project in progress “Untitled dualism”, it would be a matter of great interest f
...
Solemnly Proclaimed or how to activate justice - Andrea Geyer
WWW
Solemnly Proclaimed or how to activate justice. Iqaluit, Nunavut 2009
Seed funding for this project was provided by Artmatters Foundation in 2008/2009 which allowed for the initial research trip. Upon return from it, I had some tentative conversations
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Solemnly Proclaimed or how to activate justice. Iqaluit, Nunavut 2009
Seed funding for this project was provided by Artmatters Foundation in 2008/2009 which allowed for the initial research trip. Upon return from it, I had some tentative conversations
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Die asporas « Young Israeli artists in Berlin« group installations curator: Lior Wilentzik www.dieasporas.com contact:dieasporas@gmail.com 015126857385 Recent years have been marked with a rising trend of young Israeli artists immigrating to Berlin. Par
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Die asporas « Young Israeli artists in Berlin« group installations curator: Lior Wilentzik www.dieasporas.com contact:dieasporas@gmail.com 015126857385 Recent years have been marked with a rising trend of young Israeli artists immigrating to Berlin. Par
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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Instructions to finding a future - Batya F. Kuncman
WWW
Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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Drapeaux : Symboles d’identité (Flags : Symbols of Identity) - Alfonso Arzapalo
WWW
Drapeaux : Symboles d’identité (Flags : Symbols of Identity)
Flag No. 44 From the series: Flags
The project was a proposal for the Manif d'Art 2008, in Quebec City whose theme was "la rencontre" (the get together) and was part of the 400 anniv
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Drapeaux : Symboles d’identité (Flags : Symbols of Identity)
Flag No. 44 From the series: Flags
The project was a proposal for the Manif d'Art 2008, in Quebec City whose theme was "la rencontre" (the get together) and was part of the 400 anniv
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People are normalized by depiction. It situates them in positions that, with the passing of time, become identities. Reality requires repetition in order for meaning to settle and artworks help to reinforce these positions. The supremacy of men over women
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People are normalized by depiction. It situates them in positions that, with the passing of time, become identities. Reality requires repetition in order for meaning to settle and artworks help to reinforce these positions. The supremacy of men over women
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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