“Identity Correlations” is a series of documentaries of my journey while wearing various houses in different environments and searching for a place to fit in.
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“Identity Correlations” is a series of documentaries of my journey while wearing various houses in different environments and searching for a place to fit in.
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Unrealized project proposal for AUP
Willing to continue investigating our relationship with natural components of the environment and expanding the development of the project in progress “Untitled dualism”, it would be a matter of great interest f
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Unrealized project proposal for AUP
Willing to continue investigating our relationship with natural components of the environment and expanding the development of the project in progress “Untitled dualism”, it would be a matter of great interest f
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The 103rd Kilometer
My work is driven by the need to return to my birthplace,
in order to analyze the factors that affected my identity development.
My childhood memories are built from stories, images and dreams.
When I finally get physically to
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The 103rd Kilometer
My work is driven by the need to return to my birthplace,
in order to analyze the factors that affected my identity development.
My childhood memories are built from stories, images and dreams.
When I finally get physically to
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People are normalized by depiction. It situates them in positions that, with the passing of time, become identities. Reality requires repetition in order for meaning to settle and artworks help to reinforce these positions. The supremacy of men over women
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People are normalized by depiction. It situates them in positions that, with the passing of time, become identities. Reality requires repetition in order for meaning to settle and artworks help to reinforce these positions. The supremacy of men over women
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This project is a way of mapping a home I have never been to from the outside. It is about the outside world not recognizing my identity as a Palestinian, or my people's right to their homeland. In that sense, it is unrealized.
31°53’20.24”N, 35°
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This project is a way of mapping a home I have never been to from the outside. It is about the outside world not recognizing my identity as a Palestinian, or my people's right to their homeland. In that sense, it is unrealized.
31°53’20.24”N, 35°
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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democraticrain.net - c a l c (omi - Thomas Scheiderbauer)
WWW
democraticrain.net
is based on the idea of giving a “printed voice” to people in a concrete context on the interface between inside > < outside and the individual > < collective. it allows to create and send black and white A4-statements or -images t
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democraticrain.net
is based on the idea of giving a “printed voice” to people in a concrete context on the interface between inside > < outside and the individual > < collective. it allows to create and send black and white A4-statements or -images t
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Transylvanian Pavilion
Two proposals that requested the “presence” of a temporary pavilion representing Transylvania at the Venice Biannual. The first one was addressed to Professor Bonito-Oliva in 1993 and the second was addressed to Francesco
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Instructions to finding a future - Batya F. Kuncman
WWW
Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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