IMNOW is an emergent identity composed of digital footprints across major social media platforms that challenges and explores current definitions of space (public vs. private, physical vs. virtual,) and time, with regard to contemporary notions of friends
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IMNOW is an emergent identity composed of digital footprints across major social media platforms that challenges and explores current definitions of space (public vs. private, physical vs. virtual,) and time, with regard to contemporary notions of friends
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@Maarten141BOXES: Bilingual Digital Interactive Internet Artwork in Progress (Artist: Maarten van der Heijden, 1947) - Maarten van der Heijden (@Maarten141BOXES)
WWW
@Maarten141BOXES: Bilingual Digital Interactive Internet Artwork in Progress (Artist: Maarten van der Heijden, 1947)
Introduction
@Maarten141BOXES is a Bilingual Digital Interactive Internet Artwork in Progress.
It is an egodocument: an autobiographi
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@Maarten141BOXES: Bilingual Digital Interactive Internet Artwork in Progress (Artist: Maarten van der Heijden, 1947)
Introduction
@Maarten141BOXES is a Bilingual Digital Interactive Internet Artwork in Progress.
It is an egodocument: an autobiographi
...
Instructions to finding a future - Batya F. Kuncman
WWW
Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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El fracaso de Xochiquetzal
Ensayo reflexionar sobre la vejez y su condición ante la cercanía de la muerte
en el mundo contemporáneo.
En nuestra cultura hay una imagen desfavorable del envejecimiento, esta etapa despierta sentimientos encontrados,
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El fracaso de Xochiquetzal
Ensayo reflexionar sobre la vejez y su condición ante la cercanía de la muerte
en el mundo contemporáneo.
En nuestra cultura hay una imagen desfavorable del envejecimiento, esta etapa despierta sentimientos encontrados,
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“Identity Correlations” is a series of documentaries of my journey while wearing various houses in different environments and searching for a place to fit in.
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“Identity Correlations” is a series of documentaries of my journey while wearing various houses in different environments and searching for a place to fit in.
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"Studio Shut Down" is a participatory art and graphic design project that I had envisioned to create new marks and visual identities for defunct cultural venues in the Philippines.
STUDIO SHUT DOWN
submitted by Michelle Angelica “Mica” Cabildo
I
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"Studio Shut Down" is a participatory art and graphic design project that I had envisioned to create new marks and visual identities for defunct cultural venues in the Philippines.
STUDIO SHUT DOWN
submitted by Michelle Angelica “Mica” Cabildo
I
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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KLAUS HU
Studio Wildenbruch 77
12045 Berlin / Germany
tel (49).30.68081524
em: klaushu[at]yahoo.de
KLAUS HU IS REPRESENTED BY VG BILD-KUNST.
TRILOGY MARS DESERT BEACH 2006/12
MARS DESERT BEACH 2006/10 http://klaushu.blogspot.com/
MAR
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The 103rd Kilometer
My work is driven by the need to return to my birthplace,
in order to analyze the factors that affected my identity development.
My childhood memories are built from stories, images and dreams.
When I finally get physically to
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The 103rd Kilometer
My work is driven by the need to return to my birthplace,
in order to analyze the factors that affected my identity development.
My childhood memories are built from stories, images and dreams.
When I finally get physically to
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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