Die asporas « Young Israeli artists in Berlin« group installations curator: Lior Wilentzik www.dieasporas.com contact:dieasporas@gmail.com 015126857385 Recent years have been marked with a rising trend of young Israeli artists immigrating to Berlin. Par
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Die asporas « Young Israeli artists in Berlin« group installations curator: Lior Wilentzik www.dieasporas.com contact:dieasporas@gmail.com 015126857385 Recent years have been marked with a rising trend of young Israeli artists immigrating to Berlin. Par
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This project is a way of mapping a home I have never been to from the outside. It is about the outside world not recognizing my identity as a Palestinian, or my people's right to their homeland. In that sense, it is unrealized.
31°53’20.24”N, 35°
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This project is a way of mapping a home I have never been to from the outside. It is about the outside world not recognizing my identity as a Palestinian, or my people's right to their homeland. In that sense, it is unrealized.
31°53’20.24”N, 35°
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@Maarten141BOXES: Bilingual Digital Interactive Internet Artwork in Progress (Artist: Maarten van der Heijden, 1947) - Maarten van der Heijden (@Maarten141BOXES)
WWW
@Maarten141BOXES: Bilingual Digital Interactive Internet Artwork in Progress (Artist: Maarten van der Heijden, 1947)
Introduction
@Maarten141BOXES is a Bilingual Digital Interactive Internet Artwork in Progress.
It is an egodocument: an autobiographi
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@Maarten141BOXES: Bilingual Digital Interactive Internet Artwork in Progress (Artist: Maarten van der Heijden, 1947)
Introduction
@Maarten141BOXES is a Bilingual Digital Interactive Internet Artwork in Progress.
It is an egodocument: an autobiographi
...
TadasTapouchiArtist_Statement.
The main reason for myself to apply to this open call is to work in a new environment and to find (new) artistic ways of expression, and off course to Stimulate art on live, Create a beneficial environment for the deve
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TadasTapouchiArtist_Statement.
The main reason for myself to apply to this open call is to work in a new environment and to find (new) artistic ways of expression, and off course to Stimulate art on live, Create a beneficial environment for the deve
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The 103rd Kilometer
My work is driven by the need to return to my birthplace,
in order to analyze the factors that affected my identity development.
My childhood memories are built from stories, images and dreams.
When I finally get physically to
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The 103rd Kilometer
My work is driven by the need to return to my birthplace,
in order to analyze the factors that affected my identity development.
My childhood memories are built from stories, images and dreams.
When I finally get physically to
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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I was a male adolescent with a psychotherapist as a father. That lead to some conflicts. One of my favourite arguments that I can remember was: if you help a wicked person achieve a qualitative leap, does he become more or less bad? Which is the ladder yo
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load.
The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it
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Instructions to finding a future - Batya F. Kuncman
WWW
Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Instructions to finding a future
Previously known as “Contemporary stream of consciousness: Stored data of identity as a work in progress” this project is an ongoing investigation into my individual identity as it relates to collective identity. Cul
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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Unrealized Artist Identity
This project is a life.
Embodied by a person, who is frequently reckoned to be an artists.
"So, you are an artist…", they say.
Sometimes, I embrace my unrealized identity. It feels like a factoid, not a li
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