An unrealized high relief sculpture project from Istanbul. - Dilara Akay
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An unrealized high relief sculpture project from Istanbul.
In October 2010 I was asked to propose a work for a building of a leading Turkish retail operation brand's headquarters in Istanbul. I made the presentation at the beginning of February 2011. And
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An unrealized high relief sculpture project from Istanbul.
In October 2010 I was asked to propose a work for a building of a leading Turkish retail operation brand's headquarters in Istanbul. I made the presentation at the beginning of February 2011. And
...
International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
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International İstanbul Biennial
Proposal for interactive installation
“How much spices?”
by Mirna Arsovska
A: TEHNICAL DESCRIPTION
1. Exhibition space
Large enough space / hall, separated in tree colored segments: black, grey, white
2. O
...
Europe Park / sculpture and landscape - THEODOULOS Gregoriou
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The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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The proposal was prepared for the international sculpture and landscaping competition for the Europe Park, which the Municipality of Nicosia (Cyprus) held in 2006 for the design of a grove on a central road in Nicosia. The motive was the accession of Cypr
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
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Laissez-Passer
Introduction
I was born in Alexandria. In the early 1950s my family was forced to leave Egypt with a one-way
pass (laissez-passer). On the way to Israel we passed through Marseilles. Due to the
circumstances, since post-war Marseilles
...
Proposal to re-use the dismantled aluminium Olympic Rings that were sited on Box Hill during the cycling road race of London 2012
The forms that resulted from the way the original aluminium Olympic rings had been deconstructed inspired me to design a s
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Proposal to re-use the dismantled aluminium Olympic Rings that were sited on Box Hill during the cycling road race of London 2012
The forms that resulted from the way the original aluminium Olympic rings had been deconstructed inspired me to design a s
...
Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Ana Torfs, MORE LIGHT (2007)
Animated light sculpture in white neon letters. The two words, at 35 meters above street level, measure 18 m (L) x 2 m (H).
Four visual artists had been invited to propose a work for the new campus of the Sint-Lukas U
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Ana Torfs, MORE LIGHT (2007)
Animated light sculpture in white neon letters. The two words, at 35 meters above street level, measure 18 m (L) x 2 m (H).
Four visual artists had been invited to propose a work for the new campus of the Sint-Lukas U
...
Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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Paul-Armand Gette
Untitled
Project for the wood of sculptures of Vassivière island, France
July 1991
On the top of a forest area behind the Centre international d’art et du paysage
A block of granite chosen in the wooden part of Vassivière is
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SASCHA MIKLOWEIT Unrealized project for a public transport or railway station
Title: INVESTIGATION2
INTRODUCTION INVESTIGATION2 is the continuation of my field research project which started 2010 with INVESTIGATION1 (for detailed material regarding
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SASCHA MIKLOWEIT Unrealized project for a public transport or railway station
Title: INVESTIGATION2
INTRODUCTION INVESTIGATION2 is the continuation of my field research project which started 2010 with INVESTIGATION1 (for detailed material regarding
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Bronze Sculpture
80cm x 60cm x 70cm plus a base 100cm heigh.
“Tormented” is a comment on the ongoing use of torture and violence, the innate aggresiveness in man. Also a tribute to the women and their children, who are often left with nothing in t
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Bronze Sculpture
80cm x 60cm x 70cm plus a base 100cm heigh.
“Tormented” is a comment on the ongoing use of torture and violence, the innate aggresiveness in man. Also a tribute to the women and their children, who are often left with nothing in t
...
Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Seating in the Epcore Centre for Performing Arts turns into an oil spill
Client: Epcore Centre for Performing Arts / Calgary Alberta Canada
Date: 1990
Central hall of new Epcore Centre designed as public seating area at base of Splash. Sculptur
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
...
Abstract:
The purpose of this document is to explore, establish, and develop the possible application of a large scale temporary installation in the earth’s orbit.
Concept:
Ideally in order to make that something which questions the materiality
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Abstract:
The purpose of this document is to explore, establish, and develop the possible application of a large scale temporary installation in the earth’s orbit.
Concept:
Ideally in order to make that something which questions the materiality
...