Cenotaph /Golden Matress (working title) - Hannes Bend
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Cenotaph /Golden Matress (working title)
By Hannes Bend
Cenotaph/Golden Mattress (working title), will be a life-size candy cast golden mattress. The sculpture will be left unvarnished, inviting the viewers to lick the vertically standing piece. Pla
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Cenotaph /Golden Matress (working title)
By Hannes Bend
Cenotaph/Golden Mattress (working title), will be a life-size candy cast golden mattress. The sculpture will be left unvarnished, inviting the viewers to lick the vertically standing piece. Pla
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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“Handy Space Bags”
Kafka wrote: "Everyone carries a room about him." Everyone carries a room about him through other rooms. I hope to examine and detect ‘traverse rooms’ . In daily life, moving through the city, the utilities needed are enclos
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“Handy Space Bags”
Kafka wrote: "Everyone carries a room about him." Everyone carries a room about him through other rooms. I hope to examine and detect ‘traverse rooms’ . In daily life, moving through the city, the utilities needed are enclos
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“The Saffron Dome” is a project created in 2010 for a sculptural work recalling classical pavilions, made of materials that remind of industrial sheds, surmounted by domes in which it is possible to grow typical aromatic plants of the place where the
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“The Saffron Dome” is a project created in 2010 for a sculptural work recalling classical pavilions, made of materials that remind of industrial sheds, surmounted by domes in which it is possible to grow typical aromatic plants of the place where the
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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Dear Hans:
The most passionate times in the studio is the birth of a new idea. It gets all the juices that make being an artist flow. Sadly many wonderful ideas are not realized because one is in the wrong place at the wrong time.
I chose to live a
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A Constructivist Artifact for Mourning the Weekdays - Inbal Strauss
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These sketches for a sculpture titled A Constructivist Artifact for Mourning the Weekdays, remain as a two dimensional proposal for the time being. As a sculptor, I use investigative sketching as a creative development tool for a sculpture that will event
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These sketches for a sculpture titled A Constructivist Artifact for Mourning the Weekdays, remain as a two dimensional proposal for the time being. As a sculptor, I use investigative sketching as a creative development tool for a sculpture that will event
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Peter Friedl
Gerd/Gerda, 2002
Proposal “Art Competition Federal Chancellery”, Berlin, 2002
The project proposal (working title) attempts to quite consciously grasp the announced requirements, expectations, limitations, and goals as the materia
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Title: “Mission Impossible 1”
Materials: Wood and M.D.F board
Corridor space containing 5- 20 drawings in space, creating semi obstructed spaces to be engaged with by the viewer.
The work asks the viewer to investigate both space and time as each
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Title: “Mission Impossible 1”
Materials: Wood and M.D.F board
Corridor space containing 5- 20 drawings in space, creating semi obstructed spaces to be engaged with by the viewer.
The work asks the viewer to investigate both space and time as each
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I
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"Jello Cube," or "Eat Your Way In": - "Jello Cube," or "Eat Your Way In"
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"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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"Jello Cube," or "Eat Your Way In":
A solid block of strawberry Jello will be installed on location at Actual Size Los Angeles. This sculpture/ installation will measure 1,690 cubic feet and will occupy the 2,250 cubic foot gallery with a 1 foot periph
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Jake and Dinos Chapman's five proposals for an empty plinth situated on central londons trafalgar square - Jake and Dinos Chapman
Unbuilt Roads
commissioned by liberal daily broadsheet newspaper ironically suggesting the most unsuitable artists possible to produce the most unsuitable public sculpture never to be realized: ha ha ha, very funny we suggest one of the following:
project 'Hawki
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commissioned by liberal daily broadsheet newspaper ironically suggesting the most unsuitable artists possible to produce the most unsuitable public sculpture never to be realized: ha ha ha, very funny we suggest one of the following:
project 'Hawki
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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Broken Monument
Mixed Media. 8x8x18cm. 2011.
Broken Monument takes part of a projects that I was working on for pleasure since 2001. While this works is comprised of a diferent of mediums, they do not aim to ladder up to a singular thesis. That sai
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The pyramids...to be seen to be believed - Jonathan Monk
Unbuilt Roads
Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
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Glasgow 1990
Cultural Capital of Europe
5 February 1990
Mr Jonathan Monk
22 Cecil Street
Hillhead
Glasgow G12 8RH
Dear Jonathan Monk
Thank you very much for your exciting letter concerning your proposed project for this year namely
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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“The Body” is an installation in which a 1,80m x 0,5m pile of salt rests over a rustic wooden table. This work brings the discussion of the presence of an almost immaterial and spiritual body evoked by the size and by the symbolic character
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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Pots.
A site specific proposal, for a non permanent installation.
A neutral, interior space considered as a “Pot”.
Inside this space I build a large scale model, an abstract structure. It consists of carton boxes - rectangular and cubic ones, of
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