Column, 2010
Candy cast sculpture of a Greek column, multi-colored, white or translucent
Proposal for Sculpture Center New York Open Call in June 2010
Column
Project Proposal for Sculpture Center New York 2010
by Hannes Bend
Candy Column, 2010 is
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Column, 2010
Candy cast sculpture of a Greek column, multi-colored, white or translucent
Proposal for Sculpture Center New York Open Call in June 2010
Column
Project Proposal for Sculpture Center New York 2010
by Hannes Bend
Candy Column, 2010 is
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THE FLUID PAVILION OF ARCHITECTURE - MARIA KARACHRISTOU
WWW
The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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The fluid pavilion of architecture is a model for expression in contemporary aesthetics. It’s a conceptual model based on the theories of Deleuze about Leibniz and Baroque. The Baroque endlessly produces folds.
Deleuze writes:
We can better underst
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Conservative estimates are that over one hundred thousand men, women, and children died in the Iraq War. Weapons of mass destruction that were used as justification for this illegal war were launched by the Americans and the British forces themselves. The
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked.
"Children of the Enemy", model for bronze, 55" h
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Drawing for a human- scale wave, made from paper and biro pen. Using only the pressure of the pen to induce sculptural form from a flat surface. Referencing a common motif of the sublime, this work suggests something ordinary with extraordinar
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Drawing for a human- scale wave, made from paper and biro pen. Using only the pressure of the pen to induce sculptural form from a flat surface. Referencing a common motif of the sublime, this work suggests something ordinary with extraordinar
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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Michal Murin: Museum of Contemporary Art in My Signature, 2003
Concept: Michal Murin, 2002
Realized by: HNZL s.r.o., Bratislava, Slovakia, 2003
Realized in 3D VR by: Stanislav Veselovský, Richard Kitta, Michal Murin, 2009
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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Attached are images of a model for a large scale public work that has not been realized. The making of this work started a few weeks after 911 as I needed to find a way to process and work with the reality of the event. Models have been exhibited in vari
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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This sculpture was proposed for a crime lab and addresses elements of visibility and invisibly of the building itself, similar to physical evidence uncovering unknown facts.
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Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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Concept: Why we cannot get along? I am terribly disturbed by the fact that war is still in our vocabulary at the beginning of the 21st century.
Medium: High polished golden color bronze, and unpol
We are all connected from the North pole to the Sout
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
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Untitled (‘Hold my Emotions’) -
- Cast objects, plaster moulds, and coloured wax, 10x8 cm approx. (2011)
The objects were developed around the Romantic idea that physical forms can gain the significance of projected emotions. Objects, which were f
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It sums up a trip to a temporary place where you live and work for a period of time. It depicts a leaf, not a seed which calls for roots, transported by wind, in a movement that goes along with the Planet Earth. It is, in fact, a digital leaf consisting o
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It sums up a trip to a temporary place where you live and work for a period of time. It depicts a leaf, not a seed which calls for roots, transported by wind, in a movement that goes along with the Planet Earth. It is, in fact, a digital leaf consisting o
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Socrates Sculpture Park
Proposal 2009
“The Game”
Observation on the use of a rural, renewable plant media within an urban industrial setting
I am curious as to the various adaptations and boundaries of bamboo.
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Socrates Sculpture Park
Proposal 2009
“The Game”
Observation on the use of a rural, renewable plant media within an urban industrial setting
I am curious as to the various adaptations and boundaries of bamboo.
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Sculpture Center In Practice - Kristin Jones / Andrew Ginzel
WWW
KRISTIN JONES / ANDREW GINZEL
Sculpture Center In Practice
PROPOSAL
In the open-air volume of the garden courtyard adjacent to the mass of the main building we propose to draw three precise geometries that the site itself suggests: Two planes of pa
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KRISTIN JONES / ANDREW GINZEL
Sculpture Center In Practice
PROPOSAL
In the open-air volume of the garden courtyard adjacent to the mass of the main building we propose to draw three precise geometries that the site itself suggests: Two planes of pa
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Unrealized project for Tate Gallery + ICA, 1969 - Gilbert and George
Unbuilt Roads
Memo to: Director
From: Richard
Christmas Crib sculpture by Gilbert and George
Gilbert and George have asked if, despite our discouraging reply about their recent proposal to present a sculpture for one evening, I will present to you personally the
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Memo to: Director
From: Richard
Christmas Crib sculpture by Gilbert and George
Gilbert and George have asked if, despite our discouraging reply about their recent proposal to present a sculpture for one evening, I will present to you personally the
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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CORONA (Socket Set) is a temporary installation for an existing pair of lanterns. The first lantern functions normally, but has a swarm of empty light sockets covering its glass. The second lantern looks burnt out because the inside of its glass panels
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