Instead of nature represented by some poor trees put in a "pot" between towering office-buildings these trees (in concrete "pots", with dustbins but without benches) scout new territory for future city expansion, just outside but still within sight of the
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Instead of nature represented by some poor trees put in a "pot" between towering office-buildings these trees (in concrete "pots", with dustbins but without benches) scout new territory for future city expansion, just outside but still within sight of the
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Project: (where nothing ever happens) - leo Morrissey
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A mobile fundamentalist billboards advertises the “judgment day” May 21, 2011…when the chosen will be taken up to “heaven”…sinners not going to heaven will be left behind on earth. As a none believer I have always professed that no “god”
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A mobile fundamentalist billboards advertises the “judgment day” May 21, 2011…when the chosen will be taken up to “heaven”…sinners not going to heaven will be left behind on earth. As a none believer I have always professed that no “god”
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The idea was to go to ten fortune tellers in one day. I wanted to gather their information, document the audio and the spaces from where they worked. To look at ideas around objective truth, synchronicity, trust and meaning.
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The idea was to go to ten fortune tellers in one day. I wanted to gather their information, document the audio and the spaces from where they worked. To look at ideas around objective truth, synchronicity, trust and meaning.
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Architecture is the most visible sign of a society's faith and trust in the future. The ability to move forward and construct a future is greatly effected by how our views are framed.
This work explores the built landscape and its affects
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Architecture is the most visible sign of a society's faith and trust in the future. The ability to move forward and construct a future is greatly effected by how our views are framed.
This work explores the built landscape and its affects
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Safety for 24 hours - tat ort (Alexandra Berlinger, Wolfgang Fiel)
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Commissioned by curator Thomas Kaestle on behalf of the city of Hannover, the project - among others – was expected to invigorate the discourse on public art in general as well as to provide an example for the future development of public art initiative
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Commissioned by curator Thomas Kaestle on behalf of the city of Hannover, the project - among others – was expected to invigorate the discourse on public art in general as well as to provide an example for the future development of public art initiative
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Present through the Rearview Mirror
Ali Miharbi (Nov. 2, 2010)
Summary:
“Present through the Rearview Mirror” will be a live animation depicting a crowd flowing through a specific public space, based on previously gathered data such as crowd move
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Present through the Rearview Mirror
Ali Miharbi (Nov. 2, 2010)
Summary:
“Present through the Rearview Mirror” will be a live animation depicting a crowd flowing through a specific public space, based on previously gathered data such as crowd move
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There were many ends within the British ‘end of empire’, just as the people who had lived under its sway faced a 'rich assortment of futures'...
Unlike the full panoply of decolonization celebrations which had been pioneered in India....
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There were many ends within the British ‘end of empire’, just as the people who had lived under its sway faced a 'rich assortment of futures'...
Unlike the full panoply of decolonization celebrations which had been pioneered in India....
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see my letter
(eventually reasons why the work has not been realised)
Anxiety
Previous Publications (?)
This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed.
Exisiting Documents (photos, drawings, models):
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see my letter
(eventually reasons why the work has not been realised)
Anxiety
Previous Publications (?)
This thing is mentioned in "Fabio Mauri Opere e Azioni 1954-1994" Giorgio Mondadori Ed.
Exisiting Documents (photos, drawings, models):
...
Wrong Satelite Information News - Stefano W. Pasquini
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This is a series of a project titled "UNREALIZEABLE PROJECTS 1994-2015" that I started in 1994 out of the frustration of not being able to realize some of the installation I wanted to make, out of lack of funds. At the time fundraising in art was not some
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This is a series of a project titled "UNREALIZEABLE PROJECTS 1994-2015" that I started in 1994 out of the frustration of not being able to realize some of the installation I wanted to make, out of lack of funds. At the time fundraising in art was not some
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