Concept: to create a Pantheon for women of the 21st century and dedicate the building to Hillary Clinton because I see it as an artist that in this moment of history the world needs women, the caretakers, as leaders who can "connect the dots".
The buil
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Concept: to create a Pantheon for women of the 21st century and dedicate the building to Hillary Clinton because I see it as an artist that in this moment of history the world needs women, the caretakers, as leaders who can "connect the dots".
The buil
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“Future Show” is an ongoing investigation into objects of art that have vanished from the field of vision. These objects were once housed within the original Future Show in the New York's Museum of Non-Objective Art from November to December of 1
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“Future Show” is an ongoing investigation into objects of art that have vanished from the field of vision. These objects were once housed within the original Future Show in the New York's Museum of Non-Objective Art from November to December of 1
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Architecture is the most visible sign of a society's faith and trust in the future. The ability to move forward and construct a future is greatly effected by how our views are framed.
This work explores the built landscape and its affects
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Architecture is the most visible sign of a society's faith and trust in the future. The ability to move forward and construct a future is greatly effected by how our views are framed.
This work explores the built landscape and its affects
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
...
The Room102 Collective - Room102 (Eleni Frudaraki & Juan Caicedo)
WWW
The Room102 Collective is a recently formed art collective currently in the pursue of finding what bonds it together conceptually. In it take part at the moment: Eleni Froudaraki * 1984 in Crete, Greece. She studied painting and sculpture in Athens School
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The Room102 Collective is a recently formed art collective currently in the pursue of finding what bonds it together conceptually. In it take part at the moment: Eleni Froudaraki * 1984 in Crete, Greece. She studied painting and sculpture in Athens School
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Third Act for Goya is the unrealized component of Daniel Joseph Martinez’ android trilogy. Based on the central figure in Francisco Goya’s The Inquisition Scene (c.1816), the mechanical doppelganger of the artist gets up, steps to the edge of the plat
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Third Act for Goya is the unrealized component of Daniel Joseph Martinez’ android trilogy. Based on the central figure in Francisco Goya’s The Inquisition Scene (c.1816), the mechanical doppelganger of the artist gets up, steps to the edge of the plat
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The idea was to go to ten fortune tellers in one day. I wanted to gather their information, document the audio and the spaces from where they worked. To look at ideas around objective truth, synchronicity, trust and meaning.
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The idea was to go to ten fortune tellers in one day. I wanted to gather their information, document the audio and the spaces from where they worked. To look at ideas around objective truth, synchronicity, trust and meaning.
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Wrong Satelite Information News - Stefano W. Pasquini
WWW
This is a series of a project titled "UNREALIZEABLE PROJECTS 1994-2015" that I started in 1994 out of the frustration of not being able to realize some of the installation I wanted to make, out of lack of funds. At the time fundraising in art was not some
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This is a series of a project titled "UNREALIZEABLE PROJECTS 1994-2015" that I started in 1994 out of the frustration of not being able to realize some of the installation I wanted to make, out of lack of funds. At the time fundraising in art was not some
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Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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