Architecture is the most visible sign of a society's faith and trust in the future. The ability to move forward and construct a future is greatly effected by how our views are framed.
This work explores the built landscape and its affects
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Architecture is the most visible sign of a society's faith and trust in the future. The ability to move forward and construct a future is greatly effected by how our views are framed.
This work explores the built landscape and its affects
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There were many ends within the British ‘end of empire’, just as the people who had lived under its sway faced a 'rich assortment of futures'...
Unlike the full panoply of decolonization celebrations which had been pioneered in India....
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There were many ends within the British ‘end of empire’, just as the people who had lived under its sway faced a 'rich assortment of futures'...
Unlike the full panoply of decolonization celebrations which had been pioneered in India....
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Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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The Room102 Collective - Room102 (Eleni Frudaraki & Juan Caicedo)
WWW
The Room102 Collective is a recently formed art collective currently in the pursue of finding what bonds it together conceptually. In it take part at the moment: Eleni Froudaraki * 1984 in Crete, Greece. She studied painting and sculpture in Athens School
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The Room102 Collective is a recently formed art collective currently in the pursue of finding what bonds it together conceptually. In it take part at the moment: Eleni Froudaraki * 1984 in Crete, Greece. She studied painting and sculpture in Athens School
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Mumfordshire is unrealised plan for a megalopolis (a series of interconnected urban areas), which seeks to re-imagine a complex but positive future of mega-cities and society. Mumfordshire is partly based on revising Lewis Mumford’s idea that the Roman
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Mumfordshire is unrealised plan for a megalopolis (a series of interconnected urban areas), which seeks to re-imagine a complex but positive future of mega-cities and society. Mumfordshire is partly based on revising Lewis Mumford’s idea that the Roman
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My project involves a globally connected network of participants wearing EEG brain-computer interfaces. By displaying the average of thousands of live readings back to the participants their minds will slowly become closer to the average.
Emerging brai
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My project involves a globally connected network of participants wearing EEG brain-computer interfaces. By displaying the average of thousands of live readings back to the participants their minds will slowly become closer to the average.
Emerging brai
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Instead of nature represented by some poor trees put in a "pot" between towering office-buildings these trees (in concrete "pots", with dustbins but without benches) scout new territory for future city expansion, just outside but still within sight of the
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Instead of nature represented by some poor trees put in a "pot" between towering office-buildings these trees (in concrete "pots", with dustbins but without benches) scout new territory for future city expansion, just outside but still within sight of the
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
...