This is a series of a project titled "UNREALIZEABLE PROJECTS 1994-2015" that I started in 1994 out of the frustration of not being able to realize some of the installation I wanted to make, out of lack of funds. At the time fundraising in art was not some ...

Present through the Rearview Mirror Ali Miharbi (Nov. 2, 2010) Summary: “Present through the Rearview Mirror” will be a live animation depicting a crowd flowing through a specific public space, based on previously gathered data such as crowd move ...

Progney, Competition winning proposal the the University of Toledo, Ohio's public art program. Progeny is inspired by the University of Toledo’s Legacy program. The sculpture’s site engendered forms, materials, location and functions reflect the U ...

Architecture is the most visible sign of a society's faith and trust in the future. The ability to move forward and construct a future is greatly effected by how our views are framed. This work explores the built landscape and its affects ...

Transferable skills | Compétances transfèrables A site-specific installation in Ford City, Windsor-Detroit in the aftermath of the North American automotive industry crash. Both Soullière and Fortier were born and raised in Windsor.... ...

Third Act for Goya is the unrealized component of Daniel Joseph Martinez’ android trilogy. Based on the central figure in Francisco Goya’s The Inquisition Scene (c.1816), the mechanical doppelganger of the artist gets up, steps to the edge of the plat ...

Years: A.D 2096, A.D. 2777, A.D. 3096 See drawing (to be submitted if desired) note: time - 2096 - becoming a critical exponential extension of the artist's hand (eventual reasons why the work has not been realised) Project has not reached a cri ...

A proposal for an art fair. The difference between collections initiated through private sector and public fund raises concern of artworks value. As when artwork is purchased by a collector, it automatically obtains market value for future economic act ...

Jacques Cousteau’s lifelong dream of living beneath the sea set artists Hilario Isola and Matteo Norzi to thinking about artworks as relics of the future. [this text was first commissioned to Isola and Norzi and published by ABITARE, (issue 501, A ...