The Room102 Collective - Room102 (Eleni Frudaraki & Juan Caicedo)
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The Room102 Collective is a recently formed art collective currently in the pursue of finding what bonds it together conceptually. In it take part at the moment: Eleni Froudaraki * 1984 in Crete, Greece. She studied painting and sculpture in Athens School
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The Room102 Collective is a recently formed art collective currently in the pursue of finding what bonds it together conceptually. In it take part at the moment: Eleni Froudaraki * 1984 in Crete, Greece. She studied painting and sculpture in Athens School
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Present through the Rearview Mirror
Ali Miharbi (Nov. 2, 2010)
Summary:
“Present through the Rearview Mirror” will be a live animation depicting a crowd flowing through a specific public space, based on previously gathered data such as crowd move
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Present through the Rearview Mirror
Ali Miharbi (Nov. 2, 2010)
Summary:
“Present through the Rearview Mirror” will be a live animation depicting a crowd flowing through a specific public space, based on previously gathered data such as crowd move
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Concept: to create a Pantheon for women of the 21st century and dedicate the building to Hillary Clinton because I see it as an artist that in this moment of history the world needs women, the caretakers, as leaders who can "connect the dots".
The buil
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Concept: to create a Pantheon for women of the 21st century and dedicate the building to Hillary Clinton because I see it as an artist that in this moment of history the world needs women, the caretakers, as leaders who can "connect the dots".
The buil
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Before The Gates Of Our Vacant Future - Joseph Shaeffer
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Project initially proposed for the Garage Center For Contemporary Culture in Moscow, Russia which is housed in the historic Bakhmetevsky Bus Garage designed by Konstantin Melnikov in 1926.
“Before the gates of our vacant future.” Thus reads the ope
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Project initially proposed for the Garage Center For Contemporary Culture in Moscow, Russia which is housed in the historic Bakhmetevsky Bus Garage designed by Konstantin Melnikov in 1926.
“Before the gates of our vacant future.” Thus reads the ope
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Liquid Door (smoking underwater), 2010 - Isola and Norzi
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Jacques Cousteau’s lifelong dream of living beneath the sea set artists Hilario Isola and Matteo Norzi to thinking about artworks as relics of the future.
[this text was first commissioned to Isola and Norzi and published by ABITARE, (issue 501, A
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Jacques Cousteau’s lifelong dream of living beneath the sea set artists Hilario Isola and Matteo Norzi to thinking about artworks as relics of the future.
[this text was first commissioned to Isola and Norzi and published by ABITARE, (issue 501, A
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There were many ends within the British ‘end of empire’, just as the people who had lived under its sway faced a 'rich assortment of futures'...
Unlike the full panoply of decolonization celebrations which had been pioneered in India....
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There were many ends within the British ‘end of empire’, just as the people who had lived under its sway faced a 'rich assortment of futures'...
Unlike the full panoply of decolonization celebrations which had been pioneered in India....
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Third Act for Goya is the unrealized component of Daniel Joseph Martinez’ android trilogy. Based on the central figure in Francisco Goya’s The Inquisition Scene (c.1816), the mechanical doppelganger of the artist gets up, steps to the edge of the plat
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Third Act for Goya is the unrealized component of Daniel Joseph Martinez’ android trilogy. Based on the central figure in Francisco Goya’s The Inquisition Scene (c.1816), the mechanical doppelganger of the artist gets up, steps to the edge of the plat
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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Instead of nature represented by some poor trees put in a "pot" between towering office-buildings these trees (in concrete "pots", with dustbins but without benches) scout new territory for future city expansion, just outside but still within sight of the
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Instead of nature represented by some poor trees put in a "pot" between towering office-buildings these trees (in concrete "pots", with dustbins but without benches) scout new territory for future city expansion, just outside but still within sight of the
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