Wrong Satelite Information News - Stefano W. Pasquini
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This is a series of a project titled "UNREALIZEABLE PROJECTS 1994-2015" that I started in 1994 out of the frustration of not being able to realize some of the installation I wanted to make, out of lack of funds. At the time fundraising in art was not some
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This is a series of a project titled "UNREALIZEABLE PROJECTS 1994-2015" that I started in 1994 out of the frustration of not being able to realize some of the installation I wanted to make, out of lack of funds. At the time fundraising in art was not some
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A proposal for an art fair.
The difference between collections initiated through private sector and public fund raises concern of artworks value. As when artwork is purchased by a collector, it automatically obtains market value for future economic act
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A proposal for an art fair.
The difference between collections initiated through private sector and public fund raises concern of artworks value. As when artwork is purchased by a collector, it automatically obtains market value for future economic act
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The idea was to go to ten fortune tellers in one day. I wanted to gather their information, document the audio and the spaces from where they worked. To look at ideas around objective truth, synchronicity, trust and meaning.
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The idea was to go to ten fortune tellers in one day. I wanted to gather their information, document the audio and the spaces from where they worked. To look at ideas around objective truth, synchronicity, trust and meaning.
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Safety for 24 hours - tat ort (Alexandra Berlinger, Wolfgang Fiel)
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Commissioned by curator Thomas Kaestle on behalf of the city of Hannover, the project - among others – was expected to invigorate the discourse on public art in general as well as to provide an example for the future development of public art initiative
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Commissioned by curator Thomas Kaestle on behalf of the city of Hannover, the project - among others – was expected to invigorate the discourse on public art in general as well as to provide an example for the future development of public art initiative
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Before The Gates Of Our Vacant Future - Joseph Shaeffer
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Project initially proposed for the Garage Center For Contemporary Culture in Moscow, Russia which is housed in the historic Bakhmetevsky Bus Garage designed by Konstantin Melnikov in 1926.
“Before the gates of our vacant future.” Thus reads the ope
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Project initially proposed for the Garage Center For Contemporary Culture in Moscow, Russia which is housed in the historic Bakhmetevsky Bus Garage designed by Konstantin Melnikov in 1926.
“Before the gates of our vacant future.” Thus reads the ope
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AutoVisor (tm) is a gps-based sunglass system that removes the need for sunglasses that sit upon the face. It uses gps location and clock in combination with the device consisting of two motors to correctly place the visor between the wearer's eyes and th
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AutoVisor (tm) is a gps-based sunglass system that removes the need for sunglasses that sit upon the face. It uses gps location and clock in combination with the device consisting of two motors to correctly place the visor between the wearer's eyes and th
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3DPrintMe.com a biomedical animation and installation of futuristic invivo designer organs.
See: http://www.sarahjanepell.com/human.html
Biomedical animation plays on a continuous loop projection
The audience design or modify CAD Organs www.3DP
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3DPrintMe.com a biomedical animation and installation of futuristic invivo designer organs.
See: http://www.sarahjanepell.com/human.html
Biomedical animation plays on a continuous loop projection
The audience design or modify CAD Organs www.3DP
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Liquid Door (smoking underwater), 2010 - Isola and Norzi
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Jacques Cousteau’s lifelong dream of living beneath the sea set artists Hilario Isola and Matteo Norzi to thinking about artworks as relics of the future.
[this text was first commissioned to Isola and Norzi and published by ABITARE, (issue 501, A
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Jacques Cousteau’s lifelong dream of living beneath the sea set artists Hilario Isola and Matteo Norzi to thinking about artworks as relics of the future.
[this text was first commissioned to Isola and Norzi and published by ABITARE, (issue 501, A
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