Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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Huge wishbones, preferably made of translucent fibreglas with interior lighting or alternately of concrete. They would be large enough for people to walk under them easily. They would be constructed in multiples to create a passageway.
Typically North
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Dog Jaw Monument - A Futurist Tele-introject - Leon Golub
Unbuilt Roads
Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Years: A.D 2096, A.D. 2777, A.D. 3096
See drawing (to be submitted if desired)
note: time - 2096 - becoming a critical exponential extension of the artist's hand
(eventual reasons why the work has not been realised)
Project has not reached a cri
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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Toby Huddlestone
Unrealised Proposal
Phobos self-degradation – the artist sends a form of self-degrading archival document (time-capsule) to the Mars moon Phobos.
Stickney crater, Phobos. Imaged by Mars Reconnaissance Orbiter, March 23, 2008.
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A proposal for an art fair.
The difference between collections initiated through private sector and public fund raises concern of artworks value. As when artwork is purchased by a collector, it automatically obtains market value for future economic act
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A proposal for an art fair.
The difference between collections initiated through private sector and public fund raises concern of artworks value. As when artwork is purchased by a collector, it automatically obtains market value for future economic act
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Transferable skills / Compétances transfèrables - Erin Fortier and Scott Soullière
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Transferable skills | Compétances transfèrables
A site-specific installation in Ford City, Windsor-Detroit in the aftermath of the North American automotive industry crash. Both Soullière and Fortier were born and raised in Windsor....
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Transferable skills | Compétances transfèrables
A site-specific installation in Ford City, Windsor-Detroit in the aftermath of the North American automotive industry crash. Both Soullière and Fortier were born and raised in Windsor....
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The Room102 Collective - Room102 (Eleni Frudaraki & Juan Caicedo)
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The Room102 Collective is a recently formed art collective currently in the pursue of finding what bonds it together conceptually. In it take part at the moment: Eleni Froudaraki * 1984 in Crete, Greece. She studied painting and sculpture in Athens School
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The Room102 Collective is a recently formed art collective currently in the pursue of finding what bonds it together conceptually. In it take part at the moment: Eleni Froudaraki * 1984 in Crete, Greece. She studied painting and sculpture in Athens School
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Before The Gates Of Our Vacant Future - Joseph Shaeffer
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Project initially proposed for the Garage Center For Contemporary Culture in Moscow, Russia which is housed in the historic Bakhmetevsky Bus Garage designed by Konstantin Melnikov in 1926.
“Before the gates of our vacant future.” Thus reads the ope
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Project initially proposed for the Garage Center For Contemporary Culture in Moscow, Russia which is housed in the historic Bakhmetevsky Bus Garage designed by Konstantin Melnikov in 1926.
“Before the gates of our vacant future.” Thus reads the ope
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Liquid Door (smoking underwater), 2010 - Isola and Norzi
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Jacques Cousteau’s lifelong dream of living beneath the sea set artists Hilario Isola and Matteo Norzi to thinking about artworks as relics of the future.
[this text was first commissioned to Isola and Norzi and published by ABITARE, (issue 501, A
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Jacques Cousteau’s lifelong dream of living beneath the sea set artists Hilario Isola and Matteo Norzi to thinking about artworks as relics of the future.
[this text was first commissioned to Isola and Norzi and published by ABITARE, (issue 501, A
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Safety for 24 hours - tat ort (Alexandra Berlinger, Wolfgang Fiel)
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Commissioned by curator Thomas Kaestle on behalf of the city of Hannover, the project - among others – was expected to invigorate the discourse on public art in general as well as to provide an example for the future development of public art initiative
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Commissioned by curator Thomas Kaestle on behalf of the city of Hannover, the project - among others – was expected to invigorate the discourse on public art in general as well as to provide an example for the future development of public art initiative
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