A 16:43 min fictional experimental film exploring the limits of language. Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair. Text THE WASTE LAND, T.S. Eliot II. A ...

The Twitstat Project exists as a collaborative book of poetry, which we envisioned to be the script for a film. It involves a young Japanese-American woman, a middle-aged German-American man, and a young Jewish-American woman. ...

With this project I will to fund the materials to start up a self-sufficient career as an artist, this mainly means acquiring a professional video camera. With this camera I will make a trip, accompanied by an actor I have worked with often, to Los Angele ...

Color/16m.m - 50 minutes/£800 JUST BEFORE DAWN by Davd Lamelas The project is basically an analysis of the elements by which narative primarily works on Film Narrative conventions. There is already something that we understand as "comme ...

I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be ...

Le Festival du film de famille est un événement qui séted sur 3 jours, c'est le pant de dipart d'une dénie partagée qui peut se répéter sur plusieurs [arnisé?]. Une communanté affactive [illisible] son [basan?] d'histories par sa propre producti ...

The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori ...

Blow Job Peter Friedl Proposal, Hamburger Kunsthalle, 2004 Blow Job (working title) is an exhibition project dealing with theatricality and its media possibilities. In the form of a monographically structured project, I treat various themes with wh ...

I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky. ...