Blue cries
Film scenario Study of the materie- antimaterie, by Eduardo Villanueva.
The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, makin
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Blue cries
Film scenario Study of the materie- antimaterie, by Eduardo Villanueva.
The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, makin
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YKB : NYC Yves Klein Blue : A New York City Road. - Jeff Wood
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" felt only night within me and it was then that I conceived the new art. "
Kazimir Malevich
YKB : NYC is a feature length art-film proposal in which 2 art-handlers driving a truck in New York city experience the city as a grand artwork while the
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" felt only night within me and it was then that I conceived the new art. "
Kazimir Malevich
YKB : NYC is a feature length art-film proposal in which 2 art-handlers driving a truck in New York city experience the city as a grand artwork while the
...
Jasmine Hirst: BIO for Viscera Film Festival
New York underground artist Jasmine Hirst's ten-year correspondence with serial killer Aileen Wuornos leads to an intimate and mesmerizing interview on Florida's death row.
In 1993 I saw Aileen’s photogr
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Jasmine Hirst: BIO for Viscera Film Festival
New York underground artist Jasmine Hirst's ten-year correspondence with serial killer Aileen Wuornos leads to an intimate and mesmerizing interview on Florida's death row.
In 1993 I saw Aileen’s photogr
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“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c
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“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c
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"Since I first met with Hans Ulrich Obrist on 15.03.2002 in his office at the Musée d'Art moderne de la ville de Paris -talking together about new kinds of slowness…- we tried for almost 10 years to go and visit the Greek filmmaker Theo Angelopoulos at
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"Since I first met with Hans Ulrich Obrist on 15.03.2002 in his office at the Musée d'Art moderne de la ville de Paris -talking together about new kinds of slowness…- we tried for almost 10 years to go and visit the Greek filmmaker Theo Angelopoulos at
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By Marina Stavrou
The ‘Unrealized project’ I am foreshadowing made its first ‘appearance’ first in 2011. The work tried to make visible the experience of keeping a secret.
This secret took the form of bread for the shooting of a 16mm and
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By Marina Stavrou
The ‘Unrealized project’ I am foreshadowing made its first ‘appearance’ first in 2011. The work tried to make visible the experience of keeping a secret.
This secret took the form of bread for the shooting of a 16mm and
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I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be
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I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be
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100 Minutes from the Lives of Shadows - János Xantus
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'100 Minutes from the Lives of Shadows'
A film of characters who are ignorent of being characters of a film. Except one of them...
This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago.
1
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'100 Minutes from the Lives of Shadows'
A film of characters who are ignorent of being characters of a film. Except one of them...
This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago.
1
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
...