Filmed & edited (2007-2008) during Columbia University's planned expansion in Harlem, Gonna Make you Sweat (2008) had big plans to rival Harlem's monolithic neighborhood endorsements. The work teeters within a space of uncertainty; does it function as a
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Filmed & edited (2007-2008) during Columbia University's planned expansion in Harlem, Gonna Make you Sweat (2008) had big plans to rival Harlem's monolithic neighborhood endorsements. The work teeters within a space of uncertainty; does it function as a
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By Marina Stavrou
The ‘Unrealized project’ I am foreshadowing made its first ‘appearance’ first in 2011. The work tried to make visible the experience of keeping a secret.
This secret took the form of bread for the shooting of a 16mm and
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By Marina Stavrou
The ‘Unrealized project’ I am foreshadowing made its first ‘appearance’ first in 2011. The work tried to make visible the experience of keeping a secret.
This secret took the form of bread for the shooting of a 16mm and
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sin∞fin – The Logbook and Left Over’s Installation "An Itinerary on the Boarders of our Bodies" - VestAndPage (Verena Stenke & Andrea Pagnes)
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The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori
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The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori
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Jade Boyd
‘Nosferatu in Shadowform’
In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu,
after researching into the use of the supernatural in the landscape in film, and the
ephemerality of the film mediu
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Jade Boyd
‘Nosferatu in Shadowform’
In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu,
after researching into the use of the supernatural in the landscape in film, and the
ephemerality of the film mediu
...
100 Minutes from the Lives of Shadows - János Xantus
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'100 Minutes from the Lives of Shadows'
A film of characters who are ignorent of being characters of a film. Except one of them...
This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago.
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'100 Minutes from the Lives of Shadows'
A film of characters who are ignorent of being characters of a film. Except one of them...
This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago.
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The Sister Complex is a film script written for captive audiences on Virgin America flights from Los Angeles to San Francisco. The forty minute length of the film is meant to correspond to the amount of time a traveler would have to watch their personal s
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The Sister Complex is a film script written for captive audiences on Virgin America flights from Los Angeles to San Francisco. The forty minute length of the film is meant to correspond to the amount of time a traveler would have to watch their personal s
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Blue cries
Film scenario Study of the materie- antimaterie, by Eduardo Villanueva.
The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, makin
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Blue cries
Film scenario Study of the materie- antimaterie, by Eduardo Villanueva.
The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, makin
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Jasmine Hirst: BIO for Viscera Film Festival
New York underground artist Jasmine Hirst's ten-year correspondence with serial killer Aileen Wuornos leads to an intimate and mesmerizing interview on Florida's death row.
In 1993 I saw Aileen’s photogr
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Jasmine Hirst: BIO for Viscera Film Festival
New York underground artist Jasmine Hirst's ten-year correspondence with serial killer Aileen Wuornos leads to an intimate and mesmerizing interview on Florida's death row.
In 1993 I saw Aileen’s photogr
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
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