The Sister Complex is a film script written for captive audiences on Virgin America flights from Los Angeles to San Francisco. The forty minute length of the film is meant to correspond to the amount of time a traveler would have to watch their personal s ...

The Reverse Grand Tour 2012 Inspired by the Grand Tour and the experiments conducted by the philosopher of science Bruno Latour, Valerio Rocco Orlando analyzes how context and relationships influence an artist’s practice in Rome today. In order to ...

Filmed & edited (2007-2008) during Columbia University's planned expansion in Harlem, Gonna Make you Sweat (2008) had big plans to rival Harlem's monolithic neighborhood endorsements. The work teeters within a space of uncertainty; does it function as a ...

The Stream was a research project I had proposed at The University of Newcastle to be set and running by the year 2000 in Sydney. The Stream was to a 100-year continuous movie that would be available via a web page http://www.The-Stream.cc. There was to ...

I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky. ...

Jade Boyd ‘Nosferatu in Shadowform’ In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu, after researching into the use of the supernatural in the landscape in film, and the ephemerality of the film mediu ...

“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c ...

Blue cries Film scenario Study of the materie- antimaterie, by Eduardo Villanueva. The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, makin ...

"Since I first met with Hans Ulrich Obrist on 15.03.2002 in his office at the Musée d'Art moderne de la ville de Paris -talking together about new kinds of slowness…- we tried for almost 10 years to go and visit the Greek filmmaker Theo Angelopoulos at ...