Blow Job Peter Friedl Proposal, Hamburger Kunsthalle, 2004 Blow Job (working title) is an exhibition project dealing with theatricality and its media possibilities. In the form of a monographically structured project, I treat various themes with wh ...

“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c ...

no pics jet no youtube jet what I want to do is basically mechanically (physically) recreate a known (digitally modelled) scene from a actionfilm. the scene has a bullet that slowly splashes through a wall or glass or something like that.... ...

I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be ...

The Stream was a research project I had proposed at The University of Newcastle to be set and running by the year 2000 in Sydney. The Stream was to a 100-year continuous movie that would be available via a web page http://www.The-Stream.cc. There was to ...

'100 Minutes from the Lives of Shadows' A film of characters who are ignorent of being characters of a film. Except one of them... This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago. 1 ...

The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori ...

I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky. ...

"Since I first met with Hans Ulrich Obrist on 15.03.2002 in his office at the Musée d'Art moderne de la ville de Paris -talking together about new kinds of slowness…- we tried for almost 10 years to go and visit the Greek filmmaker Theo Angelopoulos at ...