With this project I will to fund the materials to start up a self-sufficient career as an artist, this mainly means acquiring a professional video camera. With this camera I will make a trip, accompanied by an actor I have worked with often, to Los Angele ...

'100 Minutes from the Lives of Shadows' A film of characters who are ignorent of being characters of a film. Except one of them... This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago. 1 ...

The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori ...

The Twitstat Project exists as a collaborative book of poetry, which we envisioned to be the script for a film. It involves a young Japanese-American woman, a middle-aged German-American man, and a young Jewish-American woman. ...

Originally presented at the Biennale de Lyon, 1995. The work is something of a companion piece to 24 Hour Psycho but it may, appear to be a little more extreme in some ways. I want to work with John Ford's film The Searchers which is, I think, the ar ...

" felt only night within me and it was then that I conceived the new art. " Kazimir Malevich YKB : NYC is a feature length art-film proposal in which 2 art-handlers driving a truck in New York city experience the city as a grand artwork while the ...

Le Festival du film de famille est un événement qui séted sur 3 jours, c'est le pant de dipart d'une dénie partagée qui peut se répéter sur plusieurs [arnisé?]. Une communanté affactive [illisible] son [basan?] d'histories par sa propre producti ...

Jade Boyd ‘Nosferatu in Shadowform’ In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu, after researching into the use of the supernatural in the landscape in film, and the ephemerality of the film mediu ...

I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky. ...