The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori ...

A 16:43 min fictional experimental film exploring the limits of language. Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair. Text THE WASTE LAND, T.S. Eliot II. A ...

Color/16m.m - 50 minutes/£800 JUST BEFORE DAWN by Davd Lamelas The project is basically an analysis of the elements by which narative primarily works on Film Narrative conventions. There is already something that we understand as "comme ...

Blow Job Peter Friedl Proposal, Hamburger Kunsthalle, 2004 Blow Job (working title) is an exhibition project dealing with theatricality and its media possibilities. In the form of a monographically structured project, I treat various themes with wh ...

Postpone is a creative agency, not yet created (but coming soon) gathering smart artistic workers operating in design, film and photography. The agency (T.M., O.Q., Y.B. and A. the secretary) are based in Oslo, London and Provence. Very near from some of ...

Jade Boyd ‘Nosferatu in Shadowform’ In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu, after researching into the use of the supernatural in the landscape in film, and the ephemerality of the film mediu ...

no pics jet no youtube jet what I want to do is basically mechanically (physically) recreate a known (digitally modelled) scene from a actionfilm. the scene has a bullet that slowly splashes through a wall or glass or something like that.... ...

Filmed & edited (2007-2008) during Columbia University's planned expansion in Harlem, Gonna Make you Sweat (2008) had big plans to rival Harlem's monolithic neighborhood endorsements. The work teeters within a space of uncertainty; does it function as a ...

Originally presented at the Biennale de Lyon, 1995. The work is something of a companion piece to 24 Hour Psycho but it may, appear to be a little more extreme in some ways. I want to work with John Ford's film The Searchers which is, I think, the ar ...