In 2009 I made a film whose completion has been continually postponed. I made the film quickly with materials to hand, in Super 8 format. The making of the work was an immediate reaction and response to a small event.
‘In March 2009 I bought a lime
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In 2009 I made a film whose completion has been continually postponed. I made the film quickly with materials to hand, in Super 8 format. The making of the work was an immediate reaction and response to a small event.
‘In March 2009 I bought a lime
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Filmed & edited (2007-2008) during Columbia University's planned expansion in Harlem, Gonna Make you Sweat (2008) had big plans to rival Harlem's monolithic neighborhood endorsements. The work teeters within a space of uncertainty; does it function as a
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Filmed & edited (2007-2008) during Columbia University's planned expansion in Harlem, Gonna Make you Sweat (2008) had big plans to rival Harlem's monolithic neighborhood endorsements. The work teeters within a space of uncertainty; does it function as a
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100 Minutes from the Lives of Shadows - János Xantus
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'100 Minutes from the Lives of Shadows'
A film of characters who are ignorent of being characters of a film. Except one of them...
This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago.
1
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'100 Minutes from the Lives of Shadows'
A film of characters who are ignorent of being characters of a film. Except one of them...
This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago.
1
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With this project I will to fund the materials to start up a self-sufficient career as an artist, this mainly means acquiring a professional video camera. With this camera I will make a trip, accompanied by an actor I have worked with often, to Los Angele
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With this project I will to fund the materials to start up a self-sufficient career as an artist, this mainly means acquiring a professional video camera. With this camera I will make a trip, accompanied by an actor I have worked with often, to Los Angele
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A 16:43 min fictional experimental film exploring the limits of language.
Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair.
Text THE WASTE LAND, T.S. Eliot
II. A
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A 16:43 min fictional experimental film exploring the limits of language.
Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair.
Text THE WASTE LAND, T.S. Eliot
II. A
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
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I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky.
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I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky.
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Waiting room: A History of Doing Nothing and a Long Tale of Useful Action - Guillermo E. Rodriguez Rivera
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
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G A L E R I A M A N G O S T A
23 June – 31 July 2011
402 Muñoz Rivera Ave
FOR IMMEDIATE RELEASE:
Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of
...
We Don't Even Know How to End This Misery - Kristin Tårnes
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The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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