Le Festival du film de famille est un événement qui séted sur 3 jours, c'est le pant de dipart d'une dénie partagée qui peut se répéter sur plusieurs [arnisé?]. Une communanté affactive [illisible] son [basan?] d'histories par sa propre producti ...

Collective biographies Chapter 1 Bernd Sering Bernd is my friend and colleague for more than 20 years. He came to Israel from Bavaria in the beginning of the eighties, finished an MA In physics, got married to Dafna and they had 2 boys. The fact tha ...

The Twitstat Project exists as a collaborative book of poetry, which we envisioned to be the script for a film. It involves a young Japanese-American woman, a middle-aged German-American man, and a young Jewish-American woman. ...

Postpone is a creative agency, not yet created (but coming soon) gathering smart artistic workers operating in design, film and photography. The agency (T.M., O.Q., Y.B. and A. the secretary) are based in Oslo, London and Provence. Very near from some of ...

“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c ...

'100 Minutes from the Lives of Shadows' A film of characters who are ignorent of being characters of a film. Except one of them... This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago. 1 ...

The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali ...

Porn (Part One) ‐ Zoetrope Continually subvert the function of the machine Nan Yun Paik There is a natural sense of the world, but those ways that men have given their perceptions. Jean Mitry The dictionary defines zoetrope. (Zoo‐and gr. Τρόπος ...

I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky. ...