A 16:43 min fictional experimental film exploring the limits of language.
Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair.
Text THE WASTE LAND, T.S. Eliot
II. A
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A 16:43 min fictional experimental film exploring the limits of language.
Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair.
Text THE WASTE LAND, T.S. Eliot
II. A
...
The Twitstat Project - Renee Zepeda and Chris Weige
WWW
The Twitstat Project exists as a collaborative book of poetry, which we envisioned to be the script for a film. It involves a young Japanese-American woman, a middle-aged German-American man, and a young Jewish-American woman.
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The Twitstat Project exists as a collaborative book of poetry, which we envisioned to be the script for a film. It involves a young Japanese-American woman, a middle-aged German-American man, and a young Jewish-American woman.
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Blow Job
Peter Friedl
Proposal, Hamburger Kunsthalle, 2004
Blow Job (working title) is an exhibition project dealing with theatricality and its media possibilities. In the form of a monographically structured project, I treat various themes with wh
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Blow Job
Peter Friedl
Proposal, Hamburger Kunsthalle, 2004
Blow Job (working title) is an exhibition project dealing with theatricality and its media possibilities. In the form of a monographically structured project, I treat various themes with wh
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
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Jade Boyd
‘Nosferatu in Shadowform’
In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu,
after researching into the use of the supernatural in the landscape in film, and the
ephemerality of the film mediu
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Jade Boyd
‘Nosferatu in Shadowform’
In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu,
after researching into the use of the supernatural in the landscape in film, and the
ephemerality of the film mediu
...
In 2009 I made a film whose completion has been continually postponed. I made the film quickly with materials to hand, in Super 8 format. The making of the work was an immediate reaction and response to a small event.
‘In March 2009 I bought a lime
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In 2009 I made a film whose completion has been continually postponed. I made the film quickly with materials to hand, in Super 8 format. The making of the work was an immediate reaction and response to a small event.
‘In March 2009 I bought a lime
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We Don't Even Know How to End This Misery - Kristin Tårnes
WWW
The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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Collective biographies
Chapter 1 Bernd Sering
Bernd is my friend and colleague for more than 20 years. He came to Israel from Bavaria in the beginning of the eighties, finished an MA In physics, got married to Dafna and they had 2 boys.
The fact tha
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Collective biographies
Chapter 1 Bernd Sering
Bernd is my friend and colleague for more than 20 years. He came to Israel from Bavaria in the beginning of the eighties, finished an MA In physics, got married to Dafna and they had 2 boys.
The fact tha
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sin∞fin – The Logbook and Left Over’s Installation "An Itinerary on the Boarders of our Bodies" - VestAndPage (Verena Stenke & Andrea Pagnes)
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The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori
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The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori
...