To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
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I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be
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I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be
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Jade Boyd
‘Nosferatu in Shadowform’
In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu,
after researching into the use of the supernatural in the landscape in film, and the
ephemerality of the film mediu
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Jade Boyd
‘Nosferatu in Shadowform’
In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu,
after researching into the use of the supernatural in the landscape in film, and the
ephemerality of the film mediu
...
LOLITA (Erste Fassung) Regie und Idee Llaima Suwani Inhaltsangaben Llaima Suwani und Eyerí Cruz Drehbuch Eyerí Cruz Innen Betriebshalle einer Näherei – Vormittags Eine mit industriellen Nähmaschinen vollgestellte grosse Halle, wo viele uniformierte
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LOLITA (Erste Fassung) Regie und Idee Llaima Suwani Inhaltsangaben Llaima Suwani und Eyerí Cruz Drehbuch Eyerí Cruz Innen Betriebshalle einer Näherei – Vormittags Eine mit industriellen Nähmaschinen vollgestellte grosse Halle, wo viele uniformierte
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YKB : NYC Yves Klein Blue : A New York City Road. - Jeff Wood
WWW
" felt only night within me and it was then that I conceived the new art. "
Kazimir Malevich
YKB : NYC is a feature length art-film proposal in which 2 art-handlers driving a truck in New York city experience the city as a grand artwork while the
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" felt only night within me and it was then that I conceived the new art. "
Kazimir Malevich
YKB : NYC is a feature length art-film proposal in which 2 art-handlers driving a truck in New York city experience the city as a grand artwork while the
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Jasmine Hirst: BIO for Viscera Film Festival
New York underground artist Jasmine Hirst's ten-year correspondence with serial killer Aileen Wuornos leads to an intimate and mesmerizing interview on Florida's death row.
In 1993 I saw Aileen’s photogr
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Jasmine Hirst: BIO for Viscera Film Festival
New York underground artist Jasmine Hirst's ten-year correspondence with serial killer Aileen Wuornos leads to an intimate and mesmerizing interview on Florida's death row.
In 1993 I saw Aileen’s photogr
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sin∞fin – The Logbook and Left Over’s Installation "An Itinerary on the Boarders of our Bodies" - VestAndPage (Verena Stenke & Andrea Pagnes)
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The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori
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The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori
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I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky.
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I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky.
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In 2009 I made a film whose completion has been continually postponed. I made the film quickly with materials to hand, in Super 8 format. The making of the work was an immediate reaction and response to a small event.
‘In March 2009 I bought a lime
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In 2009 I made a film whose completion has been continually postponed. I made the film quickly with materials to hand, in Super 8 format. The making of the work was an immediate reaction and response to a small event.
‘In March 2009 I bought a lime
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