sin∞fin – The Logbook and Left Over’s Installation "An Itinerary on the Boarders of our Bodies" - VestAndPage (Verena Stenke & Andrea Pagnes)
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The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori
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The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori
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Le Festival du film de famille est un événement qui séted sur 3 jours, c'est le pant de dipart d'une dénie partagée qui peut se répéter sur plusieurs [arnisé?]. Une communanté affactive [illisible] son [basan?] d'histories par sa propre producti
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Le Festival du film de famille est un événement qui séted sur 3 jours, c'est le pant de dipart d'une dénie partagée qui peut se répéter sur plusieurs [arnisé?]. Une communanté affactive [illisible] son [basan?] d'histories par sa propre producti
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Jasmine Hirst: BIO for Viscera Film Festival
New York underground artist Jasmine Hirst's ten-year correspondence with serial killer Aileen Wuornos leads to an intimate and mesmerizing interview on Florida's death row.
In 1993 I saw Aileen’s photogr
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Jasmine Hirst: BIO for Viscera Film Festival
New York underground artist Jasmine Hirst's ten-year correspondence with serial killer Aileen Wuornos leads to an intimate and mesmerizing interview on Florida's death row.
In 1993 I saw Aileen’s photogr
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100 Minutes from the Lives of Shadows - János Xantus
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'100 Minutes from the Lives of Shadows'
A film of characters who are ignorent of being characters of a film. Except one of them...
This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago.
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'100 Minutes from the Lives of Shadows'
A film of characters who are ignorent of being characters of a film. Except one of them...
This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago.
1
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I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be
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I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be
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This Film is never been made but it has a phantom on the web at: www.rottensharks.com
by Alterazioni Video
EXT- NORDIC SEA – SUNDOWN
A former fisherman’s boat, now just a dingy filled with a crew of desperados, is roaming along the cold
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This Film is never been made but it has a phantom on the web at: www.rottensharks.com
by Alterazioni Video
EXT- NORDIC SEA – SUNDOWN
A former fisherman’s boat, now just a dingy filled with a crew of desperados, is roaming along the cold
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“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c
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“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c
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A 16:43 min fictional experimental film exploring the limits of language.
Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair.
Text THE WASTE LAND, T.S. Eliot
II. A
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A 16:43 min fictional experimental film exploring the limits of language.
Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair.
Text THE WASTE LAND, T.S. Eliot
II. A
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THE BOSTON CORBETT PROJECT
Location: San Francisco to Concordia
Filmed by Anna Bruinsma, Performed by Lauren Kronemyer
The Boston Corbett Project is an unrealized collaborative experimental documentary. The subject was a nineteen-year-old girl (Kron
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THE BOSTON CORBETT PROJECT
Location: San Francisco to Concordia
Filmed by Anna Bruinsma, Performed by Lauren Kronemyer
The Boston Corbett Project is an unrealized collaborative experimental documentary. The subject was a nineteen-year-old girl (Kron
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