"Since I first met with Hans Ulrich Obrist on 15.03.2002 in his office at the Musée d'Art moderne de la ville de Paris -talking together about new kinds of slowness…- we tried for almost 10 years to go and visit the Greek filmmaker Theo Angelopoulos at ...

The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori ...

Blue cries Film scenario Study of the materie- antimaterie, by Eduardo Villanueva. The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, makin ...

2 A4 pencil drawings from the series 'Art Dads' for an unrealisable film. ART DADS My unrealisable idea would be to go back in time and be the son of different ‘art dads’. This would consist of me being filmed doing various father and son acti ...

By Marina Stavrou The ‘Unrealized project’ I am foreshadowing made its first ‘appearance’ first in 2011. The work tried to make visible the experience of keeping a secret. This secret took the form of bread for the shooting of a 16mm and ...

Originally presented at the Biennale de Lyon, 1995. The work is something of a companion piece to 24 Hour Psycho but it may, appear to be a little more extreme in some ways. I want to work with John Ford's film The Searchers which is, I think, the ar ...

LOLITA (Erste Fassung) Regie und Idee Llaima Suwani Inhaltsangaben Llaima Suwani und Eyerí Cruz Drehbuch Eyerí Cruz Innen Betriebshalle einer Näherei – Vormittags Eine mit industriellen Nähmaschinen vollgestellte grosse Halle, wo viele uniformierte ...

In 2009 I made a film whose completion has been continually postponed. I made the film quickly with materials to hand, in Super 8 format. The making of the work was an immediate reaction and response to a small event. ‘In March 2009 I bought a lime ...

A 16:43 min fictional experimental film exploring the limits of language. Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair. Text THE WASTE LAND, T.S. Eliot II. A ...