By Marina Stavrou The ‘Unrealized project’ I am foreshadowing made its first ‘appearance’ first in 2011. The work tried to make visible the experience of keeping a secret. This secret took the form of bread for the shooting of a 16mm and ...

G A L E R I A M A N G O S T A 23 June – 31 July 2011 402 Muñoz Rivera Ave FOR IMMEDIATE RELEASE: Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of ...

The Stream was a research project I had proposed at The University of Newcastle to be set and running by the year 2000 in Sydney. The Stream was to a 100-year continuous movie that would be available via a web page http://www.The-Stream.cc. There was to ...

The Reverse Grand Tour 2012 Inspired by the Grand Tour and the experiments conducted by the philosopher of science Bruno Latour, Valerio Rocco Orlando analyzes how context and relationships influence an artist’s practice in Rome today. In order to ...

Blow Job Peter Friedl Proposal, Hamburger Kunsthalle, 2004 Blow Job (working title) is an exhibition project dealing with theatricality and its media possibilities. In the form of a monographically structured project, I treat various themes with wh ...

Jade Boyd ‘Nosferatu in Shadowform’ In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu, after researching into the use of the supernatural in the landscape in film, and the ephemerality of the film mediu ...

The Twitstat Project exists as a collaborative book of poetry, which we envisioned to be the script for a film. It involves a young Japanese-American woman, a middle-aged German-American man, and a young Jewish-American woman. ...

The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali ...

A 16:43 min fictional experimental film exploring the limits of language. Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair. Text THE WASTE LAND, T.S. Eliot II. A ...