Filmed & edited (2007-2008) during Columbia University's planned expansion in Harlem, Gonna Make you Sweat (2008) had big plans to rival Harlem's monolithic neighborhood endorsements. The work teeters within a space of uncertainty; does it function as a
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Filmed & edited (2007-2008) during Columbia University's planned expansion in Harlem, Gonna Make you Sweat (2008) had big plans to rival Harlem's monolithic neighborhood endorsements. The work teeters within a space of uncertainty; does it function as a
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With this project I will to fund the materials to start up a self-sufficient career as an artist, this mainly means acquiring a professional video camera. With this camera I will make a trip, accompanied by an actor I have worked with often, to Los Angele
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With this project I will to fund the materials to start up a self-sufficient career as an artist, this mainly means acquiring a professional video camera. With this camera I will make a trip, accompanied by an actor I have worked with often, to Los Angele
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We Don't Even Know How to End This Misery - Kristin Tårnes
WWW
The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
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I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky.
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I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky.
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"Since I first met with Hans Ulrich Obrist on 15.03.2002 in his office at the Musée d'Art moderne de la ville de Paris -talking together about new kinds of slowness…- we tried for almost 10 years to go and visit the Greek filmmaker Theo Angelopoulos at
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"Since I first met with Hans Ulrich Obrist on 15.03.2002 in his office at the Musée d'Art moderne de la ville de Paris -talking together about new kinds of slowness…- we tried for almost 10 years to go and visit the Greek filmmaker Theo Angelopoulos at
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The Sister Complex is a film script written for captive audiences on Virgin America flights from Los Angeles to San Francisco. The forty minute length of the film is meant to correspond to the amount of time a traveler would have to watch their personal s
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The Sister Complex is a film script written for captive audiences on Virgin America flights from Los Angeles to San Francisco. The forty minute length of the film is meant to correspond to the amount of time a traveler would have to watch their personal s
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Blow Job
Peter Friedl
Proposal, Hamburger Kunsthalle, 2004
Blow Job (working title) is an exhibition project dealing with theatricality and its media possibilities. In the form of a monographically structured project, I treat various themes with wh
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Blow Job
Peter Friedl
Proposal, Hamburger Kunsthalle, 2004
Blow Job (working title) is an exhibition project dealing with theatricality and its media possibilities. In the form of a monographically structured project, I treat various themes with wh
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no pics jet
no youtube jet
what I want to do is basically mechanically (physically) recreate a known (digitally modelled) scene from a actionfilm.
the scene has a bullet that slowly splashes through a wall or glass or something like that....
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no pics jet
no youtube jet
what I want to do is basically mechanically (physically) recreate a known (digitally modelled) scene from a actionfilm.
the scene has a bullet that slowly splashes through a wall or glass or something like that....
...