I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky.
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I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky.
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I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be
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I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be
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100 Minutes from the Lives of Shadows - János Xantus
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'100 Minutes from the Lives of Shadows'
A film of characters who are ignorent of being characters of a film. Except one of them...
This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago.
1
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'100 Minutes from the Lives of Shadows'
A film of characters who are ignorent of being characters of a film. Except one of them...
This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago.
1
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Jasmine Hirst: BIO for Viscera Film Festival
New York underground artist Jasmine Hirst's ten-year correspondence with serial killer Aileen Wuornos leads to an intimate and mesmerizing interview on Florida's death row.
In 1993 I saw Aileen’s photogr
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Jasmine Hirst: BIO for Viscera Film Festival
New York underground artist Jasmine Hirst's ten-year correspondence with serial killer Aileen Wuornos leads to an intimate and mesmerizing interview on Florida's death row.
In 1993 I saw Aileen’s photogr
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Blue cries
Film scenario Study of the materie- antimaterie, by Eduardo Villanueva.
The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, makin
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Blue cries
Film scenario Study of the materie- antimaterie, by Eduardo Villanueva.
The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, makin
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
...
A 16:43 min fictional experimental film exploring the limits of language.
Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair.
Text THE WASTE LAND, T.S. Eliot
II. A
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A 16:43 min fictional experimental film exploring the limits of language.
Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair.
Text THE WASTE LAND, T.S. Eliot
II. A
...
"Since I first met with Hans Ulrich Obrist on 15.03.2002 in his office at the Musée d'Art moderne de la ville de Paris -talking together about new kinds of slowness…- we tried for almost 10 years to go and visit the Greek filmmaker Theo Angelopoulos at
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"Since I first met with Hans Ulrich Obrist on 15.03.2002 in his office at the Musée d'Art moderne de la ville de Paris -talking together about new kinds of slowness…- we tried for almost 10 years to go and visit the Greek filmmaker Theo Angelopoulos at
...
Jade Boyd
‘Nosferatu in Shadowform’
In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu,
after researching into the use of the supernatural in the landscape in film, and the
ephemerality of the film mediu
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Jade Boyd
‘Nosferatu in Shadowform’
In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu,
after researching into the use of the supernatural in the landscape in film, and the
ephemerality of the film mediu
...