In 2009 I made a film whose completion has been continually postponed. I made the film quickly with materials to hand, in Super 8 format. The making of the work was an immediate reaction and response to a small event. ‘In March 2009 I bought a lime ...

I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky. ...

Postpone is a creative agency, not yet created (but coming soon) gathering smart artistic workers operating in design, film and photography. The agency (T.M., O.Q., Y.B. and A. the secretary) are based in Oslo, London and Provence. Very near from some of ...

'100 Minutes from the Lives of Shadows' A film of characters who are ignorent of being characters of a film. Except one of them... This "l'art pour l'art screenplay" was written by my friend Jean-Daniel Magnin and myself some twenty years ago. 1 ...

Blow Job Peter Friedl Proposal, Hamburger Kunsthalle, 2004 Blow Job (working title) is an exhibition project dealing with theatricality and its media possibilities. In the form of a monographically structured project, I treat various themes with wh ...

I've had the idea for some time now of creating a viral YouTube video of tube/train/subway/bus passengers just missing their train/tube/bus. I tried filming a few times from within a train, hoping that some passengers would have the door closed on them be ...

By Marina Stavrou The ‘Unrealized project’ I am foreshadowing made its first ‘appearance’ first in 2011. The work tried to make visible the experience of keeping a secret. This secret took the form of bread for the shooting of a 16mm and ...

“A Lighthouse” is an installation consisting of three main parts: 1. Three walls (each wall app. 15’ long/20’ high) completely wallpapered with cut outs of many different designs of gold holographic films; 2. The floor space in between the walls c ...

Originally presented at the Biennale de Lyon, 1995. The work is something of a companion piece to 24 Hour Psycho but it may, appear to be a little more extreme in some ways. I want to work with John Ford's film The Searchers which is, I think, the ar ...