We Don't Even Know How to End This Misery - Kristin Tårnes
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The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali
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LOLITA (Erste Fassung) Regie und Idee Llaima Suwani Inhaltsangaben Llaima Suwani und Eyerí Cruz Drehbuch Eyerí Cruz Innen Betriebshalle einer Näherei – Vormittags Eine mit industriellen Nähmaschinen vollgestellte grosse Halle, wo viele uniformierte
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LOLITA (Erste Fassung) Regie und Idee Llaima Suwani Inhaltsangaben Llaima Suwani und Eyerí Cruz Drehbuch Eyerí Cruz Innen Betriebshalle einer Näherei – Vormittags Eine mit industriellen Nähmaschinen vollgestellte grosse Halle, wo viele uniformierte
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A 16:43 min fictional experimental film exploring the limits of language.
Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair.
Text THE WASTE LAND, T.S. Eliot
II. A
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A 16:43 min fictional experimental film exploring the limits of language.
Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair.
Text THE WASTE LAND, T.S. Eliot
II. A
...
Blow Job
Peter Friedl
Proposal, Hamburger Kunsthalle, 2004
Blow Job (working title) is an exhibition project dealing with theatricality and its media possibilities. In the form of a monographically structured project, I treat various themes with wh
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Blow Job
Peter Friedl
Proposal, Hamburger Kunsthalle, 2004
Blow Job (working title) is an exhibition project dealing with theatricality and its media possibilities. In the form of a monographically structured project, I treat various themes with wh
...
I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky.
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I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky.
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In 2009 I made a film whose completion has been continually postponed. I made the film quickly with materials to hand, in Super 8 format. The making of the work was an immediate reaction and response to a small event.
‘In March 2009 I bought a lime
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In 2009 I made a film whose completion has been continually postponed. I made the film quickly with materials to hand, in Super 8 format. The making of the work was an immediate reaction and response to a small event.
‘In March 2009 I bought a lime
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The Sister Complex is a film script written for captive audiences on Virgin America flights from Los Angeles to San Francisco. The forty minute length of the film is meant to correspond to the amount of time a traveler would have to watch their personal s
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The Sister Complex is a film script written for captive audiences on Virgin America flights from Los Angeles to San Francisco. The forty minute length of the film is meant to correspond to the amount of time a traveler would have to watch their personal s
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
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To film a colony of coots on a small, dark pond, recording their daily and seasonal life.
The film (image) would put equal emphasis on sound.
The only word in the entire film is the title: Écoute (French, “listen”), which forms a homophone wit
...
Le Festival du film de famille est un événement qui séted sur 3 jours, c'est le pant de dipart d'une dénie partagée qui peut se répéter sur plusieurs [arnisé?]. Une communanté affactive [illisible] son [basan?] d'histories par sa propre producti
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Le Festival du film de famille est un événement qui séted sur 3 jours, c'est le pant de dipart d'une dénie partagée qui peut se répéter sur plusieurs [arnisé?]. Une communanté affactive [illisible] son [basan?] d'histories par sa propre producti
...