Blue cries Film scenario Study of the materie- antimaterie, by Eduardo Villanueva. The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, makin ...

The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali ...

G A L E R I A M A N G O S T A 23 June – 31 July 2011 402 Muñoz Rivera Ave FOR IMMEDIATE RELEASE: Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of ...

The Sister Complex is a film script written for captive audiences on Virgin America flights from Los Angeles to San Francisco. The forty minute length of the film is meant to correspond to the amount of time a traveler would have to watch their personal s ...

In 2009 I made a film whose completion has been continually postponed. I made the film quickly with materials to hand, in Super 8 format. The making of the work was an immediate reaction and response to a small event. ‘In March 2009 I bought a lime ...

THE BOSTON CORBETT PROJECT Location: San Francisco to Concordia Filmed by Anna Bruinsma, Performed by Lauren Kronemyer The Boston Corbett Project is an unrealized collaborative experimental documentary. The subject was a nineteen-year-old girl (Kron ...

Jade Boyd ‘Nosferatu in Shadowform’ In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu, after researching into the use of the supernatural in the landscape in film, and the ephemerality of the film mediu ...

Postpone is a creative agency, not yet created (but coming soon) gathering smart artistic workers operating in design, film and photography. The agency (T.M., O.Q., Y.B. and A. the secretary) are based in Oslo, London and Provence. Very near from some of ...

"Since I first met with Hans Ulrich Obrist on 15.03.2002 in his office at the Musée d'Art moderne de la ville de Paris -talking together about new kinds of slowness…- we tried for almost 10 years to go and visit the Greek filmmaker Theo Angelopoulos at ...