Jasmine Hirst: BIO for Viscera Film Festival New York underground artist Jasmine Hirst's ten-year correspondence with serial killer Aileen Wuornos leads to an intimate and mesmerizing interview on Florida's death row. In 1993 I saw Aileen’s photogr ...

Filmed & edited (2007-2008) during Columbia University's planned expansion in Harlem, Gonna Make you Sweat (2008) had big plans to rival Harlem's monolithic neighborhood endorsements. The work teeters within a space of uncertainty; does it function as a ...

I intended to make a film, Anne Among The Living. I worked on it for a year and a half. We were very advanced in preproduction with many people involved, but the money could not be raised. The funders found it too experimental, too ambitious and risky. ...

The text is the voiceover of a film I made about an unrealized collaborative project while I was an exchange student in Berlin in 2007. The two images are stills from the same film. Even though the original project was unrealized, a work about the unreali ...

LOLITA (Erste Fassung) Regie und Idee Llaima Suwani Inhaltsangaben Llaima Suwani und Eyerí Cruz Drehbuch Eyerí Cruz Innen Betriebshalle einer Näherei – Vormittags Eine mit industriellen Nähmaschinen vollgestellte grosse Halle, wo viele uniformierte ...

2 A4 pencil drawings from the series 'Art Dads' for an unrealisable film. ART DADS My unrealisable idea would be to go back in time and be the son of different ‘art dads’. This would consist of me being filmed doing various father and son acti ...

Jade Boyd ‘Nosferatu in Shadowform’ In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu, after researching into the use of the supernatural in the landscape in film, and the ephemerality of the film mediu ...

no pics jet no youtube jet what I want to do is basically mechanically (physically) recreate a known (digitally modelled) scene from a actionfilm. the scene has a bullet that slowly splashes through a wall or glass or something like that.... ...

Originally presented at the Biennale de Lyon, 1995. The work is something of a companion piece to 24 Hour Psycho but it may, appear to be a little more extreme in some ways. I want to work with John Ford's film The Searchers which is, I think, the ar ...