Le Festival du film de famille est un événement qui séted sur 3 jours, c'est le pant de dipart d'une dénie partagée qui peut se répéter sur plusieurs [arnisé?]. Une communanté affactive [illisible] son [basan?] d'histories par sa propre producti ...

Jade Boyd ‘Nosferatu in Shadowform’ In 2006 I came to the idea of creating a holographic projection, a looping figure of Nosferatu, after researching into the use of the supernatural in the landscape in film, and the ephemerality of the film mediu ...

G A L E R I A M A N G O S T A 23 June – 31 July 2011 402 Muñoz Rivera Ave FOR IMMEDIATE RELEASE: Galeria Mangosta is pleased to present Waiting room: a history of doing nothing and a long tale of useful action. Looking at the pivotal role of ...

The Reverse Grand Tour 2012 Inspired by the Grand Tour and the experiments conducted by the philosopher of science Bruno Latour, Valerio Rocco Orlando analyzes how context and relationships influence an artist’s practice in Rome today. In order to ...

Blue cries Film scenario Study of the materie- antimaterie, by Eduardo Villanueva. The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, makin ...

Collective biographies Chapter 1 Bernd Sering Bernd is my friend and colleague for more than 20 years. He came to Israel from Bavaria in the beginning of the eighties, finished an MA In physics, got married to Dafna and they had 2 boys. The fact tha ...

The Sister Complex is a film script written for captive audiences on Virgin America flights from Los Angeles to San Francisco. The forty minute length of the film is meant to correspond to the amount of time a traveler would have to watch their personal s ...

A 16:43 min fictional experimental film exploring the limits of language. Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair. Text THE WASTE LAND, T.S. Eliot II. A ...

"Since I first met with Hans Ulrich Obrist on 15.03.2002 in his office at the Musée d'Art moderne de la ville de Paris -talking together about new kinds of slowness…- we tried for almost 10 years to go and visit the Greek filmmaker Theo Angelopoulos at ...