The Reverse Grand Tour 2012 Inspired by the Grand Tour and the experiments conducted by the philosopher of science Bruno Latour, Valerio Rocco Orlando analyzes how context and relationships influence an artist’s practice in Rome today. In order to ...

The idea of making a Logbook that digs into the core of the poiesis of VestAndPage’s recently edited movie trilogy sin∞fin - The Movie (hybrid opera combining Performance art and filmmaking), as cornerstone of an exhibition installation of various ori ...

Filmed & edited (2007-2008) during Columbia University's planned expansion in Harlem, Gonna Make you Sweat (2008) had big plans to rival Harlem's monolithic neighborhood endorsements. The work teeters within a space of uncertainty; does it function as a ...

Jasmine Hirst: BIO for Viscera Film Festival New York underground artist Jasmine Hirst's ten-year correspondence with serial killer Aileen Wuornos leads to an intimate and mesmerizing interview on Florida's death row. In 1993 I saw Aileen’s photogr ...

Originally presented at the Biennale de Lyon, 1995. The work is something of a companion piece to 24 Hour Psycho but it may, appear to be a little more extreme in some ways. I want to work with John Ford's film The Searchers which is, I think, the ar ...

" felt only night within me and it was then that I conceived the new art. " Kazimir Malevich YKB : NYC is a feature length art-film proposal in which 2 art-handlers driving a truck in New York city experience the city as a grand artwork while the ...

LOLITA (Erste Fassung) Regie und Idee Llaima Suwani Inhaltsangaben Llaima Suwani und Eyerí Cruz Drehbuch Eyerí Cruz Innen Betriebshalle einer Näherei – Vormittags Eine mit industriellen Nähmaschinen vollgestellte grosse Halle, wo viele uniformierte ...

The Stream was a research project I had proposed at The University of Newcastle to be set and running by the year 2000 in Sydney. The Stream was to a 100-year continuous movie that would be available via a web page http://www.The-Stream.cc. There was to ...

"Since I first met with Hans Ulrich Obrist on 15.03.2002 in his office at the Musée d'Art moderne de la ville de Paris -talking together about new kinds of slowness…- we tried for almost 10 years to go and visit the Greek filmmaker Theo Angelopoulos at ...