‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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A Labyrinth of Illusions
The exhibition would present my works from the series “The Dimensionslessness of Illusion”. Drawings, photographs, collages, computer graphics and stereomontages–all reflecting the variety of techniques used in the const
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A Labyrinth of Illusions
The exhibition would present my works from the series “The Dimensionslessness of Illusion”. Drawings, photographs, collages, computer graphics and stereomontages–all reflecting the variety of techniques used in the const
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
...
City of Today: Development for Feminine Urbanism - Coralina Meyer
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City of Today: Development for Feminine Urbanism
A proposal for a fresh urban perspective, the City of Today is a product of the Old Girls Club. It is a series of presentations/drawings/performances/historic fictions where clients are asked to parti
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City of Today: Development for Feminine Urbanism
A proposal for a fresh urban perspective, the City of Today is a product of the Old Girls Club. It is a series of presentations/drawings/performances/historic fictions where clients are asked to parti
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Irlam House is a sixteen story tower block in Bootle, Merseyside. Sometime in the late 1980’s the resident Caretaker came into possession of a substantial collection of drawings. The drawings came to our attention when he recently brought one study to t
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Irlam House is a sixteen story tower block in Bootle, Merseyside. Sometime in the late 1980’s the resident Caretaker came into possession of a substantial collection of drawings. The drawings came to our attention when he recently brought one study to t
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AGENCY FOR UNREALIZED PROJECTS - Paulo Luís Almeida
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AGENCY FOR UNREALIZED PROJECTS
Most part of my drawings are studies for non-performed actions. I began making them as previews for the documentation process, strategies of framing the sequences of small, often unnoticed, performances. Gradually, these
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AGENCY FOR UNREALIZED PROJECTS
Most part of my drawings are studies for non-performed actions. I began making them as previews for the documentation process, strategies of framing the sequences of small, often unnoticed, performances. Gradually, these
...
Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Terminator – Final proposal to the Jerwood Foundation 2008 - Jonathan Parsons
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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Two artists Chris Hodson and Nicole Mortiboys, meet every Wednesday over a period of three years, to make plans and talk about Art.
They name themselves WILE.E.ARTIST (since renamed TNT) based around the cartoon character Wile.E.Coyote.They work together
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Two artists Chris Hodson and Nicole Mortiboys, meet every Wednesday over a period of three years, to make plans and talk about Art.
They name themselves WILE.E.ARTIST (since renamed TNT) based around the cartoon character Wile.E.Coyote.They work together
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