Terminator – Final proposal to the Jerwood Foundation 2008 - Jonathan Parsons
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
...
The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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The plan of scientific work « Russian branch Mecklenburg - Strelitz family. Russia - Germany. Sight of the artist of XXI century. » - Yuri Wassiliew
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Wassiliew J.A.,
dozent of drawing department
in A.I.Gertzen Russian State
Pedagogical University,
Sankt Petersburg,
Russia.
The plan of scientific work
« Russian branch Mecklenburg - Strelitz family.
Russia - Germany.
Sight of the art
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Wassiliew J.A.,
dozent of drawing department
in A.I.Gertzen Russian State
Pedagogical University,
Sankt Petersburg,
Russia.
The plan of scientific work
« Russian branch Mecklenburg - Strelitz family.
Russia - Germany.
Sight of the art
...
‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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This project questions the structure of the foundations of scientific reality based on the atomic model and contrasts this with the philosophy of phenomenology. The paradox of these two contrasting foundations creates an opening for exploration while also
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This project questions the structure of the foundations of scientific reality based on the atomic model and contrasts this with the philosophy of phenomenology. The paradox of these two contrasting foundations creates an opening for exploration while also
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Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces.
Bill Vielehr PO Box 19734 Boulder, CO 80308-27
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Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces.
Bill Vielehr PO Box 19734 Boulder, CO 80308-27
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Date: 13 May 2011
To: The Agency of Unrealized Projects
From: Buzz Spector
RE: Recent Work Not Done
My unrealized project is an artists’ book compilation of every artmaking idea or curatorial proposition I have had since 1972, but which
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Date: 13 May 2011
To: The Agency of Unrealized Projects
From: Buzz Spector
RE: Recent Work Not Done
My unrealized project is an artists’ book compilation of every artmaking idea or curatorial proposition I have had since 1972, but which
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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Both pieces I have submitted were started when I was feeling a certain way. I began making the sketches (which is what you see here) then I stopped working on the sketches and the paintings were never born. The reason for this is that since both were cr
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Both pieces I have submitted were started when I was feeling a certain way. I began making the sketches (which is what you see here) then I stopped working on the sketches and the paintings were never born. The reason for this is that since both were cr
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A Labyrinth of Illusions
The exhibition would present my works from the series “The Dimensionslessness of Illusion”. Drawings, photographs, collages, computer graphics and stereomontages–all reflecting the variety of techniques used in the const
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A Labyrinth of Illusions
The exhibition would present my works from the series “The Dimensionslessness of Illusion”. Drawings, photographs, collages, computer graphics and stereomontages–all reflecting the variety of techniques used in the const
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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