NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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Tal Ram On Resume
Tal Ran On was born and raised in Kibutz Zikim, following graduation from one of Israeli finest army units, he went and studied film making. Between the years 1995 to 2005, Tal was filming and directing documentaries movies.
At 2005,
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Tal Ram On Resume
Tal Ran On was born and raised in Kibutz Zikim, following graduation from one of Israeli finest army units, he went and studied film making. Between the years 1995 to 2005, Tal was filming and directing documentaries movies.
At 2005,
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I have revisited “The Bardo Board Game Project” with great excitement and joy thanks to you! I share an exciting temporary art installation that can benefit families whose children face day-to-day life decision challenges that take them away from a c
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I have revisited “The Bardo Board Game Project” with great excitement and joy thanks to you! I share an exciting temporary art installation that can benefit families whose children face day-to-day life decision challenges that take them away from a c
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Irlam House is a sixteen story tower block in Bootle, Merseyside. Sometime in the late 1980’s the resident Caretaker came into possession of a substantial collection of drawings. The drawings came to our attention when he recently brought one study to t
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Irlam House is a sixteen story tower block in Bootle, Merseyside. Sometime in the late 1980’s the resident Caretaker came into possession of a substantial collection of drawings. The drawings came to our attention when he recently brought one study to t
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AGENCY FOR UNREALIZED PROJECTS - Paulo Luís Almeida
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AGENCY FOR UNREALIZED PROJECTS
Most part of my drawings are studies for non-performed actions. I began making them as previews for the documentation process, strategies of framing the sequences of small, often unnoticed, performances. Gradually, these
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AGENCY FOR UNREALIZED PROJECTS
Most part of my drawings are studies for non-performed actions. I began making them as previews for the documentation process, strategies of framing the sequences of small, often unnoticed, performances. Gradually, these
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City of Today: Development for Feminine Urbanism - Coralina Meyer
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City of Today: Development for Feminine Urbanism
A proposal for a fresh urban perspective, the City of Today is a product of the Old Girls Club. It is a series of presentations/drawings/performances/historic fictions where clients are asked to parti
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City of Today: Development for Feminine Urbanism
A proposal for a fresh urban perspective, the City of Today is a product of the Old Girls Club. It is a series of presentations/drawings/performances/historic fictions where clients are asked to parti
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A Labyrinth of Illusions
The exhibition would present my works from the series “The Dimensionslessness of Illusion”. Drawings, photographs, collages, computer graphics and stereomontages–all reflecting the variety of techniques used in the const
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A Labyrinth of Illusions
The exhibition would present my works from the series “The Dimensionslessness of Illusion”. Drawings, photographs, collages, computer graphics and stereomontages–all reflecting the variety of techniques used in the const
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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Arbeit Macht Nicht Frei (Work doens’t bring freedom) - DARR TAH LEI
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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pencil drawings on paper by Jack Kirby and Thom of Finland - Paul Beuchat
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Exhibition of pencil drawings on paper by Jack Kirby and Thom of Finland focusing on images that are similar in form, material and subject matter - muscular men in uniform - to expose the drawn line as a perfect mirror of the maker, independently of form
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Exhibition of pencil drawings on paper by Jack Kirby and Thom of Finland focusing on images that are similar in form, material and subject matter - muscular men in uniform - to expose the drawn line as a perfect mirror of the maker, independently of form
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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This project questions the structure of the foundations of scientific reality based on the atomic model and contrasts this with the philosophy of phenomenology. The paradox of these two contrasting foundations creates an opening for exploration while also
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This project questions the structure of the foundations of scientific reality based on the atomic model and contrasts this with the philosophy of phenomenology. The paradox of these two contrasting foundations creates an opening for exploration while also
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else
At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces.
Bill Vielehr PO Box 19734 Boulder, CO 80308-27
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Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces.
Bill Vielehr PO Box 19734 Boulder, CO 80308-27
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