pencil drawings on paper by Jack Kirby and Thom of Finland - Paul Beuchat
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Exhibition of pencil drawings on paper by Jack Kirby and Thom of Finland focusing on images that are similar in form, material and subject matter - muscular men in uniform - to expose the drawn line as a perfect mirror of the maker, independently of form
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Exhibition of pencil drawings on paper by Jack Kirby and Thom of Finland focusing on images that are similar in form, material and subject matter - muscular men in uniform - to expose the drawn line as a perfect mirror of the maker, independently of form
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Tal Ram On Resume
Tal Ran On was born and raised in Kibutz Zikim, following graduation from one of Israeli finest army units, he went and studied film making. Between the years 1995 to 2005, Tal was filming and directing documentaries movies.
At 2005,
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Tal Ram On Resume
Tal Ran On was born and raised in Kibutz Zikim, following graduation from one of Israeli finest army units, he went and studied film making. Between the years 1995 to 2005, Tal was filming and directing documentaries movies.
At 2005,
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My art begins with a mark or line inspired by patterns found in natural or manmade environments. My pen and ink drawings explore repetitions of line and organic forms, investigating the simplicity and complexity of gestures, marks, lines, and textures.
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My art begins with a mark or line inspired by patterns found in natural or manmade environments. My pen and ink drawings explore repetitions of line and organic forms, investigating the simplicity and complexity of gestures, marks, lines, and textures.
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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proposal for the 2010 Spitalfields Sculpture Prize
Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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This project questions the structure of the foundations of scientific reality based on the atomic model and contrasts this with the philosophy of phenomenology. The paradox of these two contrasting foundations creates an opening for exploration while also
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This project questions the structure of the foundations of scientific reality based on the atomic model and contrasts this with the philosophy of phenomenology. The paradox of these two contrasting foundations creates an opening for exploration while also
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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City of Today: Development for Feminine Urbanism - Coralina Meyer
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City of Today: Development for Feminine Urbanism
A proposal for a fresh urban perspective, the City of Today is a product of the Old Girls Club. It is a series of presentations/drawings/performances/historic fictions where clients are asked to parti
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City of Today: Development for Feminine Urbanism
A proposal for a fresh urban perspective, the City of Today is a product of the Old Girls Club. It is a series of presentations/drawings/performances/historic fictions where clients are asked to parti
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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Arbeit Macht Nicht Frei (Work doens’t bring freedom) - DARR TAH LEI
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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A Labyrinth of Illusions
The exhibition would present my works from the series “The Dimensionslessness of Illusion”. Drawings, photographs, collages, computer graphics and stereomontages–all reflecting the variety of techniques used in the const
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A Labyrinth of Illusions
The exhibition would present my works from the series “The Dimensionslessness of Illusion”. Drawings, photographs, collages, computer graphics and stereomontages–all reflecting the variety of techniques used in the const
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Drawing for a human- scale wave, made from paper and biro pen. Using only the pressure of the pen to induce sculptural form from a flat surface. Referencing a common motif of the sublime, this work suggests something ordinary with extraordinar
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Drawing for a human- scale wave, made from paper and biro pen. Using only the pressure of the pen to induce sculptural form from a flat surface. Referencing a common motif of the sublime, this work suggests something ordinary with extraordinar
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Both pieces I have submitted were started when I was feeling a certain way. I began making the sketches (which is what you see here) then I stopped working on the sketches and the paintings were never born. The reason for this is that since both were cr
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Both pieces I have submitted were started when I was feeling a certain way. I began making the sketches (which is what you see here) then I stopped working on the sketches and the paintings were never born. The reason for this is that since both were cr
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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