I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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Drawing for a human- scale wave, made from paper and biro pen. Using only the pressure of the pen to induce sculptural form from a flat surface. Referencing a common motif of the sublime, this work suggests something ordinary with extraordinar
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Drawing for a human- scale wave, made from paper and biro pen. Using only the pressure of the pen to induce sculptural form from a flat surface. Referencing a common motif of the sublime, this work suggests something ordinary with extraordinar
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This project questions the structure of the foundations of scientific reality based on the atomic model and contrasts this with the philosophy of phenomenology. The paradox of these two contrasting foundations creates an opening for exploration while also
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This project questions the structure of the foundations of scientific reality based on the atomic model and contrasts this with the philosophy of phenomenology. The paradox of these two contrasting foundations creates an opening for exploration while also
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CURTAIN CALL: Giant drawing as suspended sculpture - Derek Michael Besant
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Client: Windspear Music Centre / City of Edmonton / Canada
Date: 1996
Sculpture designed to hang suspended in new Windspear music Hall Tower
The idea was to create a drawing in space that was linear, but described volume. The giant detail of fold
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Client: Windspear Music Centre / City of Edmonton / Canada
Date: 1996
Sculpture designed to hang suspended in new Windspear music Hall Tower
The idea was to create a drawing in space that was linear, but described volume. The giant detail of fold
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This project requires an indoor climbing wall of significant width and height (minimum 40' x 65'). A route setter will be hired to climb and lay out climbing holds and place climbing tape to mark the route (color is up to the setter, but yellow is prefer
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This project requires an indoor climbing wall of significant width and height (minimum 40' x 65'). A route setter will be hired to climb and lay out climbing holds and place climbing tape to mark the route (color is up to the setter, but yellow is prefer
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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Part A:
Illustrations (1-5 drawings) (see attached)
Part B:
Installation Title and Location:
Title: “Apparatus for Celestial Observation and Introspection”
Location: My first choice of location is one of the cells in cellblock 2 that has a
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days
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Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days
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The plan of scientific work « Russian branch Mecklenburg - Strelitz family. Russia - Germany. Sight of the artist of XXI century. » - Yuri Wassiliew
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Wassiliew J.A.,
dozent of drawing department
in A.I.Gertzen Russian State
Pedagogical University,
Sankt Petersburg,
Russia.
The plan of scientific work
« Russian branch Mecklenburg - Strelitz family.
Russia - Germany.
Sight of the art
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Wassiliew J.A.,
dozent of drawing department
in A.I.Gertzen Russian State
Pedagogical University,
Sankt Petersburg,
Russia.
The plan of scientific work
« Russian branch Mecklenburg - Strelitz family.
Russia - Germany.
Sight of the art
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Irlam House is a sixteen story tower block in Bootle, Merseyside. Sometime in the late 1980’s the resident Caretaker came into possession of a substantial collection of drawings. The drawings came to our attention when he recently brought one study to t
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Irlam House is a sixteen story tower block in Bootle, Merseyside. Sometime in the late 1980’s the resident Caretaker came into possession of a substantial collection of drawings. The drawings came to our attention when he recently brought one study to t
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Sorry for placing my picture in the Text Document place, i have been trying to delete it and it will not respond.....
The first image is one I never did finish. It began as a doodle that I created in the midst of a deep depression. I call the doodle,
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Sorry for placing my picture in the Text Document place, i have been trying to delete it and it will not respond.....
The first image is one I never did finish. It began as a doodle that I created in the midst of a deep depression. I call the doodle,
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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UTOPIAS ARE FOR BIRDS
2012 - Ongoing
Utopia is a non-place, a good-place. Utopia is defined as an idyllic society with a legal system and socio-political ideals, a society living in harmony, between geographical dislocation and intellectual positivi
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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I sometimes go to a library and spend an hour there finding certain books to leave cut out scraps of my old drawings, parts that I really like, s gifts. These drawings are small with short texts on them that are taken from books I own.
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I sometimes go to a library and spend an hour there finding certain books to leave cut out scraps of my old drawings, parts that I really like, s gifts. These drawings are small with short texts on them that are taken from books I own.
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