I have revisited “The Bardo Board Game Project” with great excitement and joy thanks to you! I share an exciting temporary art installation that can benefit families whose children face day-to-day life decision challenges that take them away from a c
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I have revisited “The Bardo Board Game Project” with great excitement and joy thanks to you! I share an exciting temporary art installation that can benefit families whose children face day-to-day life decision challenges that take them away from a c
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art
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Arbeit Macht Nicht Frei (Work doens’t bring freedom) - DARR TAH LEI
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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Arbeit Macht Nicht Frei (Work doens’t bring freedom)
Project for an installation 4 drawings hanged on 4 walls, masses of heavy chains hanging from the ceiling. Area of room needed - minimum 40 mt2 This artwork happens with the intention to emphasize t
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‘Proposition for Trove: Light Installation/Painting According to Tonal Values’ and ‘Proposal for Modernist Teepee in Poured Concrete’ - Mary Yacoob
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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Title of Image 1: ‘Proposition for Trove: Light Installation/Painting According to Tonal Values’, 42 x 29.5cm, ink and graphite on paper, 2011
Title of Image 2: ‘Proposal for Modernist Teepee in Poured Concrete’, ink and graphite on paper, 50.8
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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This untitled project was for a temporary installation in London’s Gordon Square. It was planned over the course of ten months by Rachel Alliston and Laura Weatherly. Before starting work on building the piece, Alliston and Weatherly made an exhibition
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Virtual Papyrus is an interactive website which allows users to create a message or drawing in response to one of four topics: Utopia, The Environment, Addictions, and Work. These categories were chosen for their relation to the broader theme of "collecti
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Virtual Papyrus is an interactive website which allows users to create a message or drawing in response to one of four topics: Utopia, The Environment, Addictions, and Work. These categories were chosen for their relation to the broader theme of "collecti
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi
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This project requires an indoor climbing wall of significant width and height (minimum 40' x 65'). A route setter will be hired to climb and lay out climbing holds and place climbing tape to mark the route (color is up to the setter, but yellow is prefer
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This project requires an indoor climbing wall of significant width and height (minimum 40' x 65'). A route setter will be hired to climb and lay out climbing holds and place climbing tape to mark the route (color is up to the setter, but yellow is prefer
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Terminator – Final proposal to the Jerwood Foundation 2008 - Jonathan Parsons
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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This proposal was made following the Foundation’s invitation to produce this work. Unfortunately the project was eventually halted due to a lack of funds.
Introduction
Making Terminator into a substantial, powerful artwork necessitates a development
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Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days
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Brocken Column belongs to a series of works produced in the late 80s with the generic title "Diary", drawings, lithographs, artist books and installations, using as symbols the initials of the week days
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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The unfinished abandoned start to a project involving changing images and ideas. A chance encounter with two drawing tools, a mannequin and a skeleton wrapped around each other.
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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NO SUCCESS LIKE FAILURE
“She knows there's no success like failure
And that failure's no success at all.”
(Bob Dylan, “Love Minus Zero/ No Limit” 1965)
The work consists of two parts. One is a scaffolding construction holding approximately
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Both pieces I have submitted were started when I was feeling a certain way. I began making the sketches (which is what you see here) then I stopped working on the sketches and the paintings were never born. The reason for this is that since both were cr
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Both pieces I have submitted were started when I was feeling a certain way. I began making the sketches (which is what you see here) then I stopped working on the sketches and the paintings were never born. The reason for this is that since both were cr
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Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces.
Bill Vielehr PO Box 19734 Boulder, CO 80308-27
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Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces.
Bill Vielehr PO Box 19734 Boulder, CO 80308-27
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My art begins with a mark or line inspired by patterns found in natural or manmade environments. My pen and ink drawings explore repetitions of line and organic forms, investigating the simplicity and complexity of gestures, marks, lines, and textures.
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My art begins with a mark or line inspired by patterns found in natural or manmade environments. My pen and ink drawings explore repetitions of line and organic forms, investigating the simplicity and complexity of gestures, marks, lines, and textures.
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