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Date
Title
Source
Description
Tags
W5201
03.10.2012
Alexander Rosenberg
WWW
Part A: Illustrations (1-5 drawings) (see attached) Part B: Installation Title and Location: Title: “Apparatus for Celestial Observation and Introspection” Location: My first choice of location is one of the cells in cellblock 2 that has a ...
Part A: Illustrations (1-5 drawings) (see attached) Part B: Installation Title and Location: Title: “Apparatus for Celestial Observation and Introspection” Location: My first choice of location is one of the cells in cellblock 2 that has a ...
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W3550
12.05.2011
Diary Project 2011 - Anna-Marya Tompa
WWW
I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi ...
I have been working with a series of images in which I merge drawings with photographs. In some instants the drawing has a direct relationship, a one-to-one interpretation of the same image, one through my "drawing" eye, the other through the photographi ...
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W3876
19.05.2011
CURTAIN CALL: Giant drawing as suspended sculpture - Derek Michael Besant
WWW
Client: Windspear Music Centre / City of Edmonton / Canada Date: 1996 Sculpture designed to hang suspended in new Windspear music Hall Tower The idea was to create a drawing in space that was linear, but described volume. The giant detail of fold ...
Client: Windspear Music Centre / City of Edmonton / Canada Date: 1996 Sculpture designed to hang suspended in new Windspear music Hall Tower The idea was to create a drawing in space that was linear, but described volume. The giant detail of fold ...
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W4777
02.06.2011
No Success like Failure - Daniel Permanetter
WWW
NO SUCCESS LIKE FAILURE “She knows there's no success like failure And that failure's no success at all.” (Bob Dylan, “Love Minus Zero/ No Limit” 1965) The work consists of two parts. One is a scaffolding construction holding approximately ...
NO SUCCESS LIKE FAILURE “She knows there's no success like failure And that failure's no success at all.” (Bob Dylan, “Love Minus Zero/ No Limit” 1965) The work consists of two parts. One is a scaffolding construction holding approximately ...
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W5107
14.09.2012
Eli Skipp
WWW
This project requires an indoor climbing wall of significant width and height (minimum 40' x 65'). A route setter will be hired to climb and lay out climbing holds and place climbing tape to mark the route (color is up to the setter, but yellow is prefer ...
This project requires an indoor climbing wall of significant width and height (minimum 40' x 65'). A route setter will be hired to climb and lay out climbing holds and place climbing tape to mark the route (color is up to the setter, but yellow is prefer ...
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W5089
10.09.2012
Tal Ram On
WWW
Tal Ram On Resume Tal Ran On was born and raised in Kibutz Zikim, following graduation from one of Israeli finest army units, he went and studied film making. Between the years 1995 to 2005, Tal was filming and directing documentaries movies. At 2005, ...
Tal Ram On Resume Tal Ran On was born and raised in Kibutz Zikim, following graduation from one of Israeli finest army units, he went and studied film making. Between the years 1995 to 2005, Tal was filming and directing documentaries movies. At 2005, ...
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W3888
20.05.2011
Self-Erasing Light Drawing - Aaron Bowles
WWW
“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art ...
“Self-Erasing Light Drawing” was part of a series of kinetic sculpture works that collectively explored the idea of ever-changing environments. Finding common ground with Mona Hatoum’s “Self-Erasing Drawing,” the piece replaced conventional art ...
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W10455
24.04.2014
Three Little Words - Allison Malinsky
WWW
Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie ...
Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie ...
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W3644
15.05.2011
Lucie Chan
WWW
I sometimes go to a library and spend an hour there finding certain books to leave cut out scraps of my old drawings, parts that I really like, s gifts. These drawings are small with short texts on them that are taken from books I own. ...
I sometimes go to a library and spend an hour there finding certain books to leave cut out scraps of my old drawings, parts that I really like, s gifts. These drawings are small with short texts on them that are taken from books I own. ...
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U9838
01.01.1985
Notebook Page: Home in the Form of a Banana with Garage,  - Claes Oldenburg
Unbuilt Roads
Pencil and watercolor on paper, 5 3/4 x 4 in. (14.6 x 10.2 cm) ...
Pencil and watercolor on paper, 5 3/4 x 4 in. (14.6 x 10.2 cm) ...
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W5420
20.10.2012
“These things I do, and shall do, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere”. - Alessandro Laita
WWW
TITLE “These things I do, and shall do, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere”. DESCRIPTION The who ...
TITLE “These things I do, and shall do, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere”. DESCRIPTION The who ...
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W5233
08.10.2012
Surface Enlightenment - Bill Vielehr
WWW
Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces. Bill Vielehr PO Box 19734 Boulder, CO 80308-27 ...
Titled "Surface Enlightenment," this piece consists of two wall reliefs, each of which is 4' high x 30' long x 4" deep. They are made of cast & fabricated aluminum with highly reflective textured surfaces. Bill Vielehr PO Box 19734 Boulder, CO 80308-27 ...
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W3608
13.05.2011
Jenny E. Balisle
WWW
My art begins with a mark or line inspired by patterns found in natural or manmade environments. My pen and ink drawings explore repetitions of line and organic forms, investigating the simplicity and complexity of gestures, marks, lines, and textures. ...
My art begins with a mark or line inspired by patterns found in natural or manmade environments. My pen and ink drawings explore repetitions of line and organic forms, investigating the simplicity and complexity of gestures, marks, lines, and textures. ...
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W10583
18.06.2014
Downriver - Jonathan Parsons
WWW
proposal for the 2010 Spitalfields Sculpture Prize Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e ...
proposal for the 2010 Spitalfields Sculpture Prize Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e ...
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D10803
09.09.2012
Untitled  - Theo Eshetu
DAAD
no description - ...
no description - ...
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W5472
21.10.2012
Ismael Duá
WWW
Berlin, October 7th 2012 Dear publishers, from my numerous unrealised ideas, I uphold this one as the dearest, for I feel that we need it most these days: a paradigm shift across the arts, the sciences and politics which will allow to surpass des ...
Berlin, October 7th 2012 Dear publishers, from my numerous unrealised ideas, I uphold this one as the dearest, for I feel that we need it most these days: a paradigm shift across the arts, the sciences and politics which will allow to surpass des ...
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